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THE SPECIFICITY OF LIGHT WITHIN THE INTERIOR SPACE

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HANS HOLBEIN THE YOUNGER

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EGON SCHIELE

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EDWARD HOPPER

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FILM NOIR

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DIR: WONG KAR-WAI

DP: CHRISTOPHER

DOYLE

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DIR:COEN BROTHERS

DP: ROGER DEAKINS

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ARNOLD NEWMAN

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ARNOLD NEWMAN: BEHIND THE IMAGE

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CINDY SHERMAN

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ERWIN OLAF

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PAOLA KUDACKI

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WILLY VANDERPERRE

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GREGORY CREWDSON

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ESTHER TEICHMANN

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ELEANOR CARUCCI

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LARRY SULTAN

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DOMINIK GIGLER

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WENDY McMURDO

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DINU LI

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KIRAN MASTER

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HANNAH STARKEY

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MICHELLE SANK

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PHILIP LORCA diCORCIA

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PHILIP TOLEDANO

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DAVID LYNCH: BLUE VELVET

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FILL-IN FLASH

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WHILST ALL CAMERAS CAN BE USED FOR THIS TECHNIQUE, CAMERAS WITH LEAF SHUTTERS

HAVE GREATER VERSITILITY MAMIYA RZ HASSELBLAD WISTA ALL USE LEAF SHUTTERS

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HAVE GREATER VERSITILITY MAMIYA 7, RZ; HASSELBLAD; WISTA ALL USE LEAF SHUTTERS

CAMERAS WITH FOCAL PLANE SHUTTERS ARE RESTRICTED TO THEIR MAX FLASH SYNCSPEED

USING A LIGHTMETER (ON SUNSHINE MODE) TAKE AN INCIDENT READING OF THE AMBIENT

LIGHT WITHIN THE ENVIRONMENT

ESTABLISH THE DEPTH OF FIELD YOU WISH TO SHOOT AT THIS READING OF APERTURE &

SHUTTER SPEED IS COPIED TO THE CAMERA

USING THE LIGHTMETER (ON FLASH MODE), WITH A SHUTTER SPEED SET TO 250TH, TAKE A

READING OF THE FLASHTHE POWER OF THE FLASH MUST BE BETWEEN 2 AND 3 F-STOPS LESS THAN THE AMBIENT

F-STOPS - WHERE THE POWER OF THE FLASH IS TO BRIGHT USE NEUTRAL DENSITY & / OR

HALF TOUGH SPUN.

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