1. SFX Media StudiesMaheni Short

2. The table in the following slide indicates briefly whatwill be in each shot and what kind of shot it will be. Asyou will see, we have a wide range of camera shots andangles like close-ups and extreme close-ups, wide, tracking and medium. We feel that we haveput these shots in the best places and that the scene wehave placed them with will make the scene the best itcan be and make the overall outcome of the trailer of ahigh standard. 3. SHOT LISTSHOT SCENE# TYPE OF SHOT DESCRIPTION11WIDE Witchs house in the woods22CLOSE-UP 3 pairs of feet walking33MEDIUM H&G looking beyond the camera43CLOSE-UP H&G reactions54CLOSE-UP H&G clasping each others hands65CLOSE-UP H&Gs heads swivelling rapidly to the side75CLOSE-UP H&Gs feet scrabbling away86CLOSE-UP Text MARS Studios Presents97TRACKING H&G running camera behind10 8TRACKING From the side running11 9MEDIUM H&G panting out of breath12 10 WIDE Witchs house in the woods13 11 WIDE House, H&G altogether14 12 CLOSE-UP House door, opening slowly15 12 EX. CLOSE-UP Half of witchs face 4. SHOTS AND THEIR EFFECTSType of shot Effect on sceneClose-up Reactions makes up empathise with Hansel and Gretel and see what they are really feelingExtreme close- Facial expressions and a deeper meaning in them what dies the witchsup smile mean?Wide Lets us see what may be hidden in another shot makes the audience feel like an on-looker; as if they are really there watching this snippet of the childrens livesMedium Again, feeling that we are with Hansel and Gretel; we are their father walking away and we can feel their emotionTracking Makes the audience feel that they are in the thick of the situation; running with H&G gives the scene a sense of urgency. They dont know what they are running from but they still feel frightened