Santa Cruz Chamber · PDF fileSanta Cruz Chamber Players is a nonprofit organization. Our...

Santa Cruz Chamber Players

Divertimento: Entertaining Music for Winds and Piano

Saturday, April 20 at 8 pm Sunday, April 21 at 3 pm

The Santa Cruz Chamber Players 2012-2013 Season

Please join us for our thirty-fourth year, as we offer fine chamber music, beautifully performed by pro-fessional musicians who live and work in our own community. This year our music spans the globe and the centuries. We’ll hear from some of Russia’s greatest composers and take a trip on the Orient Express; we’ll experience mystical meditations and moments of happiness; we’ll be entertained and surprised – all of this presented in a comfortable and intimate setting, where the music is so close you can almost touch it.

Music from around the world = Musicians from around the corner

Board of Directors & StaffCatherine Pickerrell, President = Hila Michaelsen, Vice President = Rick Zinman, TreasurerJeff Gallagher, Musician Liaison & Secretary = Patti Julin = Lavinia Livingston Merilyn Neher = Nick Royal

Michael Stamp, General ManagerIvan Rosenblum, Celebrating Youth DirectorCarol Panofsky, Graphic Design & Advisory Board

For more information call (831) 425-3149 or visit our web site: www.scchamberplayers.org

For advance tickets call (831) 420-5260 or visit www.santacruztickets.com

Santa Cruz Chamber Players is a nonprofit organization. Our goals are to provide a forum for local musicians and to promote live chamber music. Our season is supported in part by the Cultural Council of Santa Cruz County and with donations from many individuals. Thank you!

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Divertimento: Entertaining Music for Winds and Piano

Carol Panofsky, artistic director and oboeJeff Gallagher, clarinet • Jane Orzel, bassoon

John Orzel, French horn • Elizabeth Lee, piano

PROGRAM

Quintett in Eb, K452 (1784) Wolfgang Amadeus Mozart (1756-1791) Largo-Allegro moderato Larghetto Rondo Allegretto

oboe, clarinet, bassoon, horn, and piano Cinq Pièces en Trio (1935) Jacques Ibert (1890-1962) Allegro vivo Andantino Allegro assai Andante Allegro quasi marziale

oboe, clarinet, and bassoon

• INTERMISSION •

Suite pour Trio d’Anches (1954) Alexandre Tansman (1897-1986) Dialogue Scherzino Aria Finale

oboe, clarinet, and bassoon

Quintett, op. 43 (1888) Heinrich von Herzogenberg (1843-1900) Allegro Adagio Allegretto Allegro giocoso

oboe, clarinet, bassoon, horn, and piano

This concert is sponsored by Pat and Rowland Rebele.Carol Panofsky, Jane Orzel and John Orzel are sponsored by Pat and Rowland Rebele.

Thank you for your support.

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Santa Cruz Chamber Players 2012-2013: Divertimento

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Thank You !

This concert is sponsored by Pat and Rowland Rebele.Carol Panofsky , Jane Orzel, and John Orzel are sponsored by Pat and Rowland Rebele.

• 2012-2013 ConCERT SPonSoRS •Anonymous Art AntonPaul Johnson Gordon and Teresa PusserRowland and Pat Rebele

• BuSinESS, FounDaTion, and CoRPoRaTE SPonSoRS •Community Printers Monterey Peninsula Foundation Complete Mailing Services KUSP 88.9 Cultural Council of Santa Cruz County

Donations and season ticket orders received as of April 1st, 2013

Anonymous (2)Faye Alexander Richard & Evie AlloyArt AntonMary Fran ArcherRolf AugustineSheila & Murray Baumgarten Alan & Gwen BrownCharmion BurnsBarbara E. Carey Pat & Paul CarrickAude CastagnaMary James & George CookMaribeth CraigBarbara Cronise Jane DawsonRobert & Esther DonovanNatalia DuarteJohn & Janet Duncan Jim EmdyRobert E. Finke

Sandra FergusonJeff GallagherMargaret GordonRichard & Diane HartBrian & Marcia Heath Paul & Audie HenryGalen & Henry HilgardPaul JohnsonPatti JulinRobert KaswenRobert & Michele KibrickLinda LarkinEliza Linley Lavinia LivingstonSteven MenzelHila & Jacob MichaelsenRobert MilbyMerilyn NeherJoan OsborneIrene Osterbrock

Catherine PickerrellMartha Powell Gordon & Teresa Pusser Rowland & Pat RebeleBruce & Phyllis RosenblumNick Royal Pauline SealesPaul SeeverGabrielle StockerLee & Lincoln TaizRobert Taylor Rae & Robert TobeyKatheryn TobishRichard & Phyllis WasserstromStephanie WellsHarold WidomMarni & Larry WilliamsStanley Williamson Georgina WongRick Zinman

• FRiEnDS and DonoRS •

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2012-2013 Concert 1 Rachmaninoff, Prokofiev, Shostakovich, Arensky, Rebroadcast: Friday, Nov. 2, 2012, 8PM2012-2013 Concert 2 Rota, Jolivet, Cowell, Main, Greibling-Haigh, Davenport Rebroadcast: Friday, Dec. 7, 2012, 8PM2012-2013 Concert 3 Mozart, Schubert, Brahms, Turina, Jacob, Ives Rebroadcast: Friday, Feb. 1, 2013, 8PM2012-2013 Concert 4 Bach, Schöenberg, Messiaen Rebroadcast: Friday, March 1, 2013, 8PM2012-2013 Concert 5 Pierné, Waldteufel, Mahler, Schubert, Doppler Rebroadcast: Friday, March 29, 2013, 8PM2012-2013 Concert 6 Mozart, Herzogenberg, Ibert Rebroadcast: Friday, May 17, 2013, 8PM

For more information visit kusp.org

Santa Cruz Chamber Players concerts are taped live and are rebroadcast on…


Divertimento describes a piece of music – and sometimes a larger musical event – written to take you away from your everyday concerns. During the 15th through 19th centuries, most divertimenti took place outside, so woodwinds were the norm. And divertimenti were usually written one-on-a-part. Some divertimenti are large compositions. The Herzogenberg Quintett is a prime example: its structure is similar to a fully realized symphony in four movements with a grand first movement in sonata-allegro form. And some divertimenti are very small. The Ibert, Cinq Pièces is a collection of tiny gems, more in the style of Haiku: each movement, with a minimum of development, creates a clear image. None of today’s music bears the title “Divertimento,” but you will find that individually and together the various pieces will provide a nice diversion. Let us take you to a place free from worry and pain! Carol Panofsky

Quintett für oboe, klarinette, horn, Fagott und klavier (1784), kV 452Wolfgang Amadeus Mozart (1756-1791)

(Johann Chrysostom) Wolfgang Amadeus Mozart, was an Austrian composer, son of Leopold Mozart. His style essentially represents a synthesis of many different elements, which coalesced in his Viennese years from 1781 on, into an idiom now regarded as a peak of Viennese Classicism. This mature music, distinguished by its melodic beauty, formal elegance, and richness of harmony and texture, is deeply colored by Italian opera though also rooted in Austrian and South German instrumental traditions. Unlike Haydn, his senior by 24 years, and Beethoven, his junior by 15, he excelled in every medium current in his time. He may thus be regarded as the most universal composer in the history of Western music.

Mozart was baptized on the day after his birth at St. Rupert’s Cathedral as Johannes Chrysostomus Wolfgangus Theophilus. The first two names record that 27 January was the feast day of St. John Chrysostom, while Wolfgangus was the name of his maternal grandfather and Theophilus a name of his godfather, the merchant Joannes Theophilus Pergmayr. Mozart sometimes preferred the Latin form, Amadeus, but more frequently Amadè, Amadé or the German form Gottlieb. He was the seventh and last child born to Leopold Mozart and his wife Maria Anna, née Pertl; only he and the fourth child, Maria Anna (‘Nannerl’), survived. A masterpiece in every sense of the word, the Quintett in Eb was written in Vienna after most of his string quartets had been completed; all of the masses except the Requiem; and all of the numbered symphonies except for the final three. In this piece we hear the work of one of history’s finest composers, at the very top of his game, literally showing off: a rare and conspicuous treat by any standard. Enjoy! Jeff Gallagher

Cinq Pièces en Trio (1935) Jacques Ibert (1890-1962)

Ibert’s mother was a pianist who used to play Chopin, Bach, and Mozart, composers that Jacques loved all of his life. He was trained at the Paris Conservatory, and it was in a special orchestration class that he met Honneger and Milhaud. He might have joined Les Six, but ended up serving as nurse and a stretcher-bearer in WWI and then won the Prix de Rome in 1919, which took him away from France all together.

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By 1922, Ibert was beginning to make a name for himself as a composer, and in 1937 the French government appointed him director of the Académie de France in Rome, the center of studies for winners on the Prix de Rome, which he, himself had won as a young man.

Ibert’s music has a remarkable variety, sometimes festive and gay; lyrical and inspired; or descriptive and evocative; and often tinged with a gentle humor. Neither atonal nor serial, and very rarely poly-tonal, the elements of his musical language are always close to the classical traditions that were his inspiration.

The Cinq Pièces was written in 1935, the period between his studies in Rome on scholarship and his appointment to Rome as Director. The writing is clear and bright. Each of the five pieces is un-der two minutes in length, several much shorter. Although short, each one is a tiny mood painting, complete in itself. Carol Panofsky

Suite pour Trio d’anches (1954) Alexandre Tansman (1897-1986)

Alexandre Tansman was born in Lodz in 1897. He was raised in Poland (at the time of his birth, Czarist Russia) and studied music in Lodz and Warsaw. He relocated to Paris after his education where he lived until 1941, when he emigrated to Los Angeles with the aid of his friend Charlie Chaplin, thus escaping Nazi oppression. He returned to Paris after the war where he lived until his death in 1986.

He was a virtuoso pianist as well as a composer. His works are in a neoclassic style and possess lively, exciting rhythms and the expressiveness of a dry wit. The influence of Polish and Jewish folk music is quite prominent in his works, though he never used folk tunes outright, nor did he re-harmonize existing melodies. Like other composers, he would write his own melodies which had the essence of folk music within them. He was asked by Honegger and Milhaud to join the Les Six composers, but declined because he felt he needed more creative independence. He wrote a biography of Stravinsky which was very well received. He wrote some film music, and some jazz works under the pen name of Stan Alson. Some of his best known works are guitar pieces he wrote for Andres Segovia.

The work we play today is from a twentieth century French infatuation with the reed trio: oboe, clarinet and bassoon. It exhibits the vivacious, complex rhythms of Tansman, piquant harmonies, sparse textures and humor typical of this genre. Jane Orzel

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Jacques Ibert

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• From Russia with Love: Sat/Sun, Oct 13/14• A Moment of Happiness: Sat/Sun, Nov 10/11• Transcriptions & Transgressions: Sat/Sun, Jan 19/20• Mystical Sojourns: Sat/Sun, Feb 16/17• Orient Express: Sat/Sun Mar 2/3• Divertimento: Apr 20/21• Celebrating Youth: Sat, May 4www.scchamberplayers.org(831) 425-3149

• Fall Benefit - 40 for 40: Dec 2• Mandolino Barocco: Sat, Feb 9• Bach for Strings: Feb 23• Music of Scotland: Sat, Mar 16• Hasten to the Sea: Sat, Apr 13• Popular Baroque Revival: Sat, May 11• A Tropical Affair: Sun, May 26• Boomeria Extravaganza: Sat, Jul 13www.scbaroque.org(831) 457-9693

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• 2012-13 •

• Daniel Greenbush: Sat, Sept 22• James D'Leon: Sat, Oct 21• Benjamin Verdery: Sun, Nov 4• Cellist Amit Peled: Sun, Mar 17• Yevgeny Sudbin: Fri, Apr 5• Pianist Ang Li: Sat, Apr 27www.distinguishedartists.org(831) 539-0000

• The Cabinet of Dr. Caligari: Fri, Oct 26• Koreamerica III: Sat, Feb 2• Ellis Island or Bust: Sat, Apr 27• Avant Garden Party: Jun 9www.newmusicworks.org(831) 425-3526

• Christmas with the Chorale: Sat/Sun/Sat, Dec 15/16/22• San Jose Choraliers: Sun, Mar 17• Vaughn-Williams: Sat/Sun, Jun 8/9www.santacruzchorale.org(831) 427-8023

These 5 longstanding local music organizations offer the following concerts to our community this season:


Quintett, op. 43 (1888)Heinrich von Herzogenberg (1843-1900)

Eight years after the composition of Mozart’s stunning Quintett in Eb, the young Beethoven was trying to get himself established in the musical world of Vienna. He decided that the perfect introduction to himself would be another Quintett in Eb. Beethoven’s quintet is in the same key as Mozart’s, uses the same instrumentation, and even the same form. And it worked! The young composer attracted the attention of the Right People.

In 1888, 104 years after the composition of Mozart’s stunning Quintett in Eb, Heinrich von Herzogen-berg wrote yet another Quintett in Eb. But other than the key and instrumentation, it is a substantial work, unique unto itself.

The quintet is beautifully written. Herzogenberg, rather than contrasting the wind group to the piano, integrates all of the instruments seamlessly, sometimes as soloists and sometimes in varying and shifting combination.

The first movement, in formal sonata-allegro form, starts out with a triumphant main theme, both sunny and martial. The second theme has a dreamlike quality. Combined and developed, it is a movement of many moods and colors. The second movement is a long, leisurely Adagio. Except for a moment or two, quiet reigns. Imagine yourself sitting by a pond on a warm sunny day. The third movement, Allegretto, is a real surprise: rhythmic with bounce and humor. The concluding Allegro giocoso is lively and a continuation of the mood of the previous movement, full of good spirits. There is a march-like middle section that has a Turkish flavor to it.

Although originally educated in law, philosophy, and political science, Herzogenberg soon turned to music. He became a respected composer,

administrator, and teacher. He was also an ardent admirer of Brahms (1833-1897).

In 1866, Herzogenberg married Elisabet von Stock-hausen, a piano student of Brahms. Through the years, Brahms, Herzogenberg, and Elisabet car-ried on a lively correspondence. Even so, Brahms almost never praised Herzogenberg’s work. It was theorized that he would not do so because he had fancied Elisabet for himself! Towards the end of his life, Brahms grudgingly admitted that Herzogen-berg “was able to do more than any of the others.” Carol Panofsky

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Heinrich von Herzogenberg and Elisabet

,


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ThE MuSiCianS

Jeff Gallagher, clarinet, has lived in the Santa Cruz area for over 22 years. During this time he has greatly enjoyed working regularly with a wide variety of musical ensembles including the Santa Cruz Chamber Players; the Cabrillo Festival of Contemporary Music with Marin Al-sop; the Monterey Jazz Festival; the Carmel Bach Festival; San Jose Stage; Ensemble Monterey with John Anderson; the Monterey Bay Symphony; Carmel’s PacRep Theater; the Western Stage in Salinas; Cabrillo Stage; New Music Works with Phil Collins; the Camerata Singers; Cantiamo! with Cheryl Anderson; Mountain Community Theater; the Peninsula Clarinet Quartet; West Bay Opera; Bay Shore Lyric Opera; and the Viole-to Trio. Jeff studied clarinet at Ohio State Univer-sity with Dr. Robert Titus, and at Bowling Green State University with Ed Marks. In addition to clarinet, Jeff also performs on flute, oboe, English horn, bass clarinet and soprano, alto, and tenor saxophones. Further, Jeff has worked for the Intel Manycore Testing Lab, working with universities throughout the world enabling them to modern-ize their software programming curricula.

Elizabeth Lee, piano, trained with Robert Mer-feld (Apple Hill Chamber Players), Debbie Sobol (Longy School of Music), and Carol Rankin and Eliane Lust in San Francisco. She is currently

studying with Thomas LaRatta. Solo appear-ances in the Bay Area include San Francisco’s Noontime Concerts, the Palo Alto Performance Series, Pacifica Performances, Star Classics, and the National Association of Composers USA. She was pianist for Michael Kimbell’s chamber opera The Hot Iron in Petaluma and frequently appears in collaboration with singers. She has been a member of the Trio Arcadia for the last fourteen years.

Jane orzel, bassoonist, has a B.S. in Music and Journalism from Indiana University and a M.A. in Music History from San Jose State Univer-sity. She has played Principal Bassoon with the Monterey Symphony for the last 24 years, and also plays Principal for the Santa Cruz County Symphony. She has played with the Tulsa Phil-harmonic, Tulsa Opera Orchestra, Eugene Opera Orchestra, Oregon Bach Festival, Santa Barbara Symphony, San Jose Symphony, Carmel Bach Festival and Bay Shore Lyric Opera Orchestra. She has an active private bassoon studio, teaches Music Appreciation at Monterey Peninsula Col-lege, and is the Music Director and organist at the First United Methodist Church in Salinas.

John orzel, horn, was born in Redwood City, CA. He started on the horn at the age of eleven.

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Now in Scotts Valley:Kathleen Kasdorf Voice Studio

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Educated at San Jose State University, California State University, Northridge and Chapman Col-lege, Mr. Orzel studied horn with Jack Russell, William George, Wendell Ryder, Froydis Ree Wekre, and James H. Winter. He is currently a member of the Santa Cruz County Symphony and has also been a member of orchestras in Monterey, San Jose, Santa Barbara, and Los Ange-les. He is also a composer. Mr. Orzel, of primarily Eastern European background, is a scholar of folk music from that part of the world, his concentra-tion being on Polish, Hungarian and Romanian music. He is also a deeply interested devotee of the music of Anton Bruckner. A lifelong music educator, Mr. Orzel is currently on the staff of the El Sistema program in Salinas. He has appeared with the New Music Works ensemble in Santa Cruz and the Worn Chamber Ensemble in San Francisco, performing various new works.

Carol Panofsky, oboe, can be heard in perfor-mances of the Albany Consort, Jubilate, Santa Cruz Chamber Players, and, on occasion, with the Santa Cruz County Symphony, Carmel Bach Festival, Palo Alto Chamber Orchestra, and Ragazzi Boys Chorus. As an active free-lance musician she has been provided with op-portunities to perform on both coasts as well as in Italy, Croatia, Hungary, Austria, the Czech Republic, Hong Kong, China, and Korea. She re-ceived a Masters of Music in the Performance of Early Music from the New England Conserva-tory of Music. She performs and teaches early music, modern oboe, and piano, and has been on the faculties at the Music School of the Uni-versity of Idaho and at U. C. Santa Cruz. She has many private music students, both children and adults, and is Theory Director of Ragazzi Boys Chorus.

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Santa Cruz Chamber Players2012-2013

◊ 34rd Season ◊

From Russia With Love October 13: 8 PM & October 14: 3 PMMusic by Rachmaninoff, Prokofiev, Arensky, and ShostakovichRebroadcast on KUSP: Friday, November 2, 2012, 8pm Ian Scharfe, artistic director and piano ◊ Paul Brezina, violin ◊ Roy Malan, violin ◊ Polly Malan, viola

Stephen Harrison, cello

A Moment of Happiness: November 10: 8 PM & November 11: 3 PMMusic by Rota, Jolivet, Cowell, Main, Griebling-Haigh, and DavenportRebroadcast on KUSP: Friday, December 7, 2012, 8pm

Jennifer Cass, artistic director and harp ◊ Lars Johannesson, flute ◊ Peter Lemberg, oboe ◊ Susan Brown, violaJudith Roberts, cello

Transcriptions and Trangressions: January 19: 8 PM & January 20: 3 PMMusic by Purcell, Mozart, Schubert, Brahms, Turina, Jaacob, and IvesRebroadcast on KUSP: Friday, February 1, 2013, 8pm

Ivan Rosenblum, artistic director and piano ◊ Jeremy Flanagan, clarinet ◊ Brian Thorset, tenor

Mystical Sojourns: February 16: 8 PM & February 17: 3 PMMusic by Bach, Schöenberg, and MessiaenRebroadcast on KUSP: Friday, March 1, 2013, 8pm

Daniel Lewin, artistic director and violin ◊ Erin Wang, cello ◊ Michael Corner, clarinetHelene Wickett, piano

Orient Express: March 2: 8 PM & March 3: 3 PMMusic by Pierné, Waldteufel, Mahler, Schubert, Doppler, and EnescuRebroadcast on KUSP: Friday, March 29, 2013, 8pm

Lars Johannesson, artistic director and flute ◊ Alissa Roedig, flute ◊ Amy Brodo, celloSusan Bruckner, piano ◊ Sheila Willey, soprano

Divertimento: April 20: 8 PM & April 21: 3 PMMusic by Mozart, Herzogenberg, Ibert, and othersRebroadcast on KUSP: Friday, May 17, 2013, 8pm

Carol Panofsky, artistic director and oboe ◊ Jeff Gallagher, clarinet ◊ Jane Orzel. bassoonJohn Orzel, horn ◊ Elizabeth Lee, piano

Celebrating Youth 2013: Saturday, May 4, 3:00 PMBringing the Joys of Chamber Music to the Next Generation…

All Santa Cruz Chamber Players concerts take place atChrist Lutheran Church, 10707 Soquel Drive, Aptos

hELPinG kEEP FinE MuSiCFinELY PLaYED

in ouR FinE CoMMuniTY

PAT AND ROWLAND REBELE

Santa Cruz Chamber · PDF fileSanta Cruz Chamber Players is a nonprofit organization. Our...

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