Sample of works by Mays Albaik

5/27/2018 Sample of works by Mays Albaik

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MAYS ALBAIK

sample

PORTFOLIO


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WAREHOUSE STRUCTURE

DESIGN/BUILD: UNSOUND WALL

MULTIFAMILY HOUSING

CYPRIOT RETREAT

WATER TOWER

COMMERCIAL RENDERINGS

FLOOR LIGHT FIXTURE

ARCHITECTURE

ART+DESIGN

CV


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namemays ibrahim albaik

date of birth22.november.1991

nationalitypalestinian

mobile+971 50 6991 911

[email protected]

Educationamerican university of sharjah sharjah, uae 2009 - 2014 (expected year of graduation)

alshola private school

intern

sharjah, uae 2003 - 2009

Experience

Exhibitions &Articles

the pavil ion, downtown dubai dubai, uae 22nd march 1st april 2012gallery intern

design days dubai 2012 dubai, uae 17th march 21st march 2012gallery intern

college of architecture, art anddesign labs, aus

sharjah, uae 15th november 2011 currentlab assistantlab instructor/ michael dosier

mubadara group, first stu-dents academic forum.

sharjah, uae 22nd 25th january 2012participator

10th sharjah art biennial sharjah, uae 12th march 2011

RedBull me

furniture group exhibition,Rituals of Daily Life

furniture group exhibition,Illuminating Fabrication

dubai, uae

CAADGallery

CAADGallery

1st January 1st August 2013

20th sept 4th august 2012

20th 29th September 2011

wing team member

participant

participant

group exhibition, themes ofcontemporary art

Hunar Gallery,dubai, uae

15th may - 30th may 2013participant

make your mark workshops,sharjah art museums

dubai, uae 21st april 2012painting workshop assistant

dxb-lab architectural designoffice

dubai, uae 10th june 2st august 2012architecture+design intern

college of art, architecture anddesign

sharjah, uae october 2013 January 2014artist assistantprofessor/ david hewitt

school of business and man-agement, aus.

sharjah, uae october 2013 January 2014design research assistant

CV


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LanguagesArabic

English

concrete casting

(mold fabrication and casting)

Professor Faysal Tabbarra Assistant Professor,

CAAD, AUS.

skills

References

adobe design suite

cnc machining(styrofoam, wood, etc.)

Professor David Hewitt Associate professor,CAAD, AUS.

maya

metal working(cuting, welding, straight /curved folding)

Professor Emily Baker Assistant Professor,CAAD, AUS.

3d max

Professor Michael Hughes Head of the Architecture Department,CAAD, AUS.

autocad

rhinoceros 3d

mastercam x

CV

contact details available upon request

CV


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ARCHITECTURE


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arc 509 design build

fall 2013

program:

reducing noiselevel in CAAD basement

materials:

steelsound absorptive rockwool

Part of a design/build studio course,the project brief was to address the

noise issue in the basement of theCollege of Architecture, Art and

Design at the American Universityof Sharjah, where design foundation

classes are taught.

This project started as a small four-member group, but grew into an

eight-member group.We aimed to create a system that is

both aesthetically interesting andacoustically functional.

We had worked closely with acous-tical engineers to develop a system

that would enhance the quality of a

study space.

DESIGN/BUILD: UNSOUND WALL


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The exploration started with paper

models, aiming to create a self-structural

acoustically absorbent system utilizingcurved-folded metal sheets.

our initial system was based on very

independant modules. It proved verydifficult to fabricate due to low tolerance.

close-up detail.


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We started exploring a new system, begining

with curved folded panels making up a doublelayered system, and developing connections

between the two layers.We reached a system that utilized two lan-

guages; curved folds on the facade, and facet-

ed bends on the inside (connections betweenthe curved layers)

iterations in metal


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process pictures


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The wall functions like a traditionalacoustical deck, a box made of metalsheet, one side perforated and the

other reflective, stuffed with absorp-tive material.

The thickness of the absorptivematerial directly affects the frequen-

cies the system is able to absorb. Thissystem offers a variety of thickness

due to the undulating form.


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rockwool for absorption

transmissive fabric

perforated steel

folded steel sheet

units components


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arc 302 studio

final project spring 2012

program:

waterboxx ware-

house wide-span structure visitors center

hydroponic garden

site: muleiha

sharjah, uae

WAREHOUSE STRUCTURE


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arc 402 studio

program:

2

site:

MULTIFAMILY HOUSING


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wall section

interior prespectives


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arc 201 studiofinal project

fall 2010

program:

summer retreat

site:

coastal cliff cyprus

CYPRIOT RETREAT


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graphite on heavyweight paper


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2.5mstair landing

6.0mstair landing

10.5mstair landing

14.0mbottom of

tank

15.0mstair landing

19.0m

stair landing

22.5mobservatory

0.01 .0 3.07 .0 12.0

arc 302 studiomidterm project

spring 2012

program:

prototype water tower

observation

deck

site:

the gulf middle-east

WATER TOWER


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ENTRY LEVEL PLANOBSERVATORY DECK PLAN

DN

N


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Axonometric Rendering


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I

I IExploded AxonometricStructure + Tank + Circulation


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MATRIXii

STRUCTURE

1a

1b

2a

2b

3a

3b

4a

4b

1c 2c 3c 4c

1 2 3 4

a

b

c

structure

matrix


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done during an internship atdxb-lab architectural design

office

COMMERCIAL RENDERINGS


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jumeira palm project facade rendering


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ART+DESIGN


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arc 265/vis 294 studio final project

summer 2011

materials:

styrofoam stainless steel acrylic sheet concrete

processes:

cnc-routing

vaccuum-forming casting laser-cutting steel bending

FLOOR LIGHT FIXTURE


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This project started as an exploration of digital and analog fabrication techniques, and ways to incorporate them together. The projectslowly grew into a full scale production of a floor light fixture. The form combined clarity and joint expression with the gesture of naturalgrowth and protectiveness.

The early stages of design focused on experiments on styrofoam, and the qualities it adds to light as it filters through it. In the final prod-uct, double-routed styrofoam units were connected to a stainless steel rib structure that housed the light source. The pod, weightless in

appearance due to the panelled material, floated under a stem that grew out of a heavy concrete base.The design of this piece underwent a rigorous process of iteration, and a great amount of care was put into details, and especially into

joints between all the different materials interacting with each other.

Sample of works by Mays Albaik

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