Question Booklet No.

lOP/258!2 (To be filled up by Ihe candidate by bluelblack ball-poinl pen)

ROUNO·LI __ -L __ -L __ -L __ -L __ -L __ -L __ ~ __ ~ Roll No. (Write tbe digits in words) ................................................................................................ .

Serial No. of Answer Sbeet ............................................. .

Day and Date ................................................................... . ( Signature of Invigilator)

INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that

it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice of the SuperintendentfInvigiiators immediately to obtain a fresh Question Booklet.

2. Do not bring any loose paper. written or blank. inside the Examination Hall except the Admit Card without its envelope.

3. A separate Answer Sheet is given. It should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated

4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in the space provided at

the top and by darkening the circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places.

6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Queston Booklet

7. Any change in the aforesaid entries is to be verified by the invigUator, otherwise it will be taken as unfairmeans.

8. Each question in this Booklet isfoUowed by four alternative answers. For each question,you are to record the correct option on the Answer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheet, by pen as mentioned in the guidelines given on the first page of the Answer SheeL

9. For each question, darken only one circle on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect.

10. Note that the answer once filled in ink cannot be changed. If you do not wish to attempt a question, leave all the circles in the corresponding row blank (such question will be awarded zero marks).

11. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet.

12. Deposit both the Question Booklet and the Answer Sheet at the end of the Test. 13. You are not permitted to leave the Examination Hall until the end of the Test. 14. If a candidate attempts to use any form of unfair means. he/she shall be liable to such punishment as

the University may determine and impose on himlher.

Total No. of Printed Pages :32 [~ ~ ~ if 3/f.ii1r 31Tif<UT yrtr 'I< ~ 'Tlf ~IJ

lOP/258/2 No. of Questions: 100

~qfr ~&ll : 100

Time: 1.30 Hours

wrq:1.30~

Full Marks: 300

'J.'ITfIf:300

Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question.

01.

31f"f<.lilf1il'l> ~ <'lit W'I <!if.I q;r WW! ~I ~ "lI'R 3 ( <iR) afq; q;r ~I )IrQ", 7I1'f1f ~ ~ ff;nr ~ Jiq; CfiTCT .,,,j"11 ~ 31juRd "lI'R q;r

~ I '<I i '" 'I["f WrIT I

(3) This paper comprises of three sections.

"fif ~~1q~ <iR ~ q;r ~I

Cotton is man-made fibre:

( 1) Yes (2) Does not exist (3) No (4) Mixed

'Iik'Il!R'! Rflfu ~ ~ : • 31ft:ffiq -;ffif ~ (1 ) WI (2)

(3) -;@ (4) f'lI.'1I$11 (fi:lf~)

02. Viscose rayon was the first truly man-made fibre:

(1) Yes (2) Is not a fibre

(3) No (4) Is under development

3 P.T.O.

10P/2S8/2

fOff'l>l"! m ;['1l! l!RCI f.Iflfu tw 'II : • twom~ (I) WI (2)

(3) om (4) a:rofi "ifW!T '"' WI ~

03. Coir is a cellulosic fibre ( I) Synthetic Fiber (2) Protein Fibre

(3) Manmade fiber (4) Yes

~ ~ flii1oi1f"l'li tw ~ (1) f~..qfG'Ii (2) >iliA (3) l!RCI f.Iflfu (4) m

04. Viscose rayon is a protein fibre: (1) False (2) Animal Fibre

(3) True (4) manmade fibre

liMI"! m >iliA it 'AT tw ~ -(1 ) 71ffif (2) ""l! it 'AT tw (3) ~ (4) l!RCI f.Iflfu tw

05. A staple fibre is of infinite length :

( I) True (2) False

(3) Is a mixed fibre (4) There is no staple fiber

~ qil~'1( "l41f"lil ~ 'f;J m ~ -( 1) ~ (2) 71ffif

(3) f"liR'ls lfil~Cf< ~ (4) -Q:m ~ lfil~"< om ~

4

10P/258/2

06. Silk is a natural fibre

(1) Synthetic Fiber (2) Cellulosic fibre

(3) Manmade Fibre (4) Yes

~ ~I$f<l'h ~ t : ( 1) f<"loOlRo'h (2) <1 ~<"il fOi 'h

(3) 11T'fq f.Iflfu (4) • m

07. Synthetic fibres are very comfortable:

(1) False (2) True

(3) They are not Fibres (4) 50/50

f@oOlfc'h (~) ~ ~ ~1(1'l<;I'"I'h iIlI ~ : (1) 1R'ffi (2) ~ (3) ~ ~ ~ I (4) 50/50

08. Sunthetic fibres are more uniform than natural fibres

(1) Can not say (2) False

(3) True (4) Some times only

QI$Rl'h m 'lit ~&ll ~ m if ~"'" B'll'fdl mt t -(1) 1ffiT -m (2) 1R'ffi (3) ~ (4) q;,jt-~

09. Polymers have high molecular weight

(1) False

(2) They do not have any Weight

(3) True

(4) The have low Molecular weight

qTi.'il'l{ 'liT 'lTi.'il<piiR 'lR ~"'" m<rr t -(1) 1R'ffi (2) ~ ~ 'lR ~ m<rr (3) ~ (4) it 'f;'l 'lTi.'il<p"1( 'lR -it iIlI ~ I

5 P.T.O.

10P/258/2

10. Polymers are the only right materials for making textile fibres

(1) False

(2) Yes but sometimes only

(3) True

(4) Textile fibres are only made from cotton

CR'J! <I'll ORR if; ~ qT<'iI'H {it ~ i!rd{~(1 t -(1) lffi<I

(2) m, 'R q;oft-"iIi'U (3) ~

(4) <reiY if; <I'll ~ 'FI i\ {it 'RH

11. The most durable fibre is :

(1) Cotton (2) Nylon 66 (3) Silk

~ 3lf~ fc;:I>ldi ~ t -(1) ~ (2) "IT.:r.i'R 66 (3) m

12. How many types of twist are their in the yarns

(1) Six (2) Two (3) Four

'IT'! if flI>lR >I'Im: if; ~ (~) ~ 't -(1) "0": (2) c;T (3) 'IR

13. Cotton saris from Venkatagiri have a border of:

(4) Wool

(4) o;;!

(4) Three

(4) <iR

(1) Block Printing (2) Screen Printing

(3) Embroidered work (4) Zari work

ij",,!fil(1 '1ft ~ ~ 'I>T 'lM ~ mar t ? (1) '<1fi.j; ~ (2) ~ ~

(3) ~ i.!>l'f (4) ;;Itt 'I>T 'WI

6

10P/258/2

14. Chanderi is a historic city in

(1) Madhya Pradesh (2) Rajasthan

(3) Gujarat (4) Andhra Pradesh

~ ~ t@l~lf\l'li <"'!R t -(1 ) lit<[ ~ i! (2) {I "I f>l1'l i! (3) ptUd i! (4) ali .. ~ i!

15. Mysore is famous for which type of saris

(1 ) Kanchipuram (2) IrkaI

(3) Dhrmavaam (4) Tanchoi

~ ~ ~ ~ 1Wl: >Ift:r.i; t ? (1) 'liiill~4 (2) ~

(3) 'I4['H4 (4) <i<lIt

16. Tamil Nadu is famous for which type of saris

(I) Kanchipuram (2) Tanchoi

(3) IrkaI (4) Dhramavaam

df'l<'l'tI~ ~ ~ ~ 1Wl: >Ift:r.i; t ? (1) 'liT ill ~'l. (2) <i<lIt (3) ~ (4) 'I4['H4

17. Paithani are which type of Sarees.

(1) Printed (2) Painted

(3) Woven (4) Embroidered

-&"Fft ~ wn;'\ ~ t ?

(1 ) ~ (2) ~

(3) ~~ (4) ~~

7 P.T.O.

10P/258/2

18. Banaras is famous for which type of sari ?

(1) Brocaded (2) Painted

(3) Printed (4) Embroidered

'l11H"i m:r OW '1ft ~ilr$~'f 'if; ~ "lIitr.i; ~ ? (1) 0011&<; (2) m (3) fliR;<; (4 ) ~"1.IR'fi

19. Banaras is commonly known as :

(1) Baudhnagri (2) Bunkarnagri

(3) Shivanagri (4) Rajnagri

'l11H"i '1ft 3FI m:r "1Jll it OIRT ;;mrr ~ ? (1) -.j)'l1IRl (2) '!j1ifi<1'Rl

(3) PWWRl (4) <1"11'1<l

20. Mostly the weavers in Banaras are :

(1) Hindus (2) Muslims

(3) Sardars (4) Christians

'l11H4 'if; 'G"'"< 31f~ t -(1) ~ (2) ~«14 (3) fmo (4) ~

21. Brocades are also know as :

( 1) Embriodered Fabrics (2) Sanganeeris

(3) Kin-kbabs (4) Painted fabric

~ 'lit 3FI m:r "1Jll it OIRT ;;mrr ~ ?

(1) ~ ~ <P-! (2) ~i'II~{l

(3) m-~ (4) m <rei

8

lOP/258/2

22. Tangail are saris from :

(1) Assam (2) West Bengal

(3) Punjab (4) Chandari

<i'1<'r ~ q,'j ~ i ? ( 1) a:rmtI (2) iR:<: -<i>TR1 (3) $n'! (4) ~

23. Pashmina, shawls comes from which state?

(1) Jammu & Kashmir (2) Maharastra

(3) Rajasthan (4) Tamil Nadu

q~lill1 m ~ \r.'! fl mifm! i ? (1) ""'i ~ "'I~ill< (2) 4€lRIe

(3) <10Ifl!l11 (4) dfl:i<'l111

24. Which are the most expensive shawls of Kashmir?

(1) Shatoosh (2) Jamiavar

(3) Pashmina (4) Kanhi

",~ill< ~ W1ff~ "iW\ m 'IiR fl ~ ? (1) 1ffi!:IT (2) 0I141<1R

(3) q~lill11 (4) ~

25. The tasar from Madhya Pradesh is :

( 1) Silk (2) Wool

(3) Cotton (4) Linen

1l'Z! ~ q,'j ~~ld -( 1) W4 (2) o;;ft

(3) 'l'fi (4) fi?r;R

9 P.T.O.

10P/258/2

26. Kalamkaris are famous hand painted fabrics and come from which state?

(1) Madhya Pradesh (2) Uttar Pradesh

(3) Rajasthan (4) Andhra Pradesh

"lIft:r.& ~ 'tfa i.!><!1'li.!>Rl flI>\:I U<i<I 'liT ~ ? (1) l1»I mr (2) ou< mr

(3) \1"Ili'lR (4) a:Ulif mr

27. The craft of Aripana is done on :

(1 ) Textiles (3) Walls

(2) Doors (4) Floors

31ft<Rr 'f'ff'i\ ""1Rft ~ : ( 1) oreIT'I\ (2) ~\i'll "n- '1\

(3) ~'I\ (4) -q;W'I\

28. In Textile Design we learn to make designs for :

(1) Fabrics (2) Furnitures

(3) Exteriors (4) Interiors

<rei .,Qii.!>'1 ~ aio>Io {rIl r;;"II~'1 OAR! ~ ~ -

( 1 ) oreIT '1\ (2) <t>'lN\ '1\

(3) W \"i~\dl ~ ~ (4) 31id[l:i.!> ";-\"i~"'\"'dl ~ ~

29. 75% of the Designs are influenced from: (1) Birds (2) Animals

(3) Nature (4) Textures

75 ~Rt~ld l%"II~'1 fiI;m) "l['l!foffl mil ~ ?

(1) rilr$~'i it (3) ~ it

10

(2) "IH'l(f it (4) iiI'1I'l~ it

30.

31.

32.

Varanasi is famous for : (1 ) Printing

(3) Embroidery

i1 RI 0 1 ~ f.!"I if B r", Ii1 il; ~ "5Ifu<; ~

(1) flifVT (3) $!il~'Hl

Varanasi is in which state:

(1 ) Punjab

(3) Uttar Pradesh

i1RIOI~ ~ \1""1 if ~ ?

(1) ~

(3) ~m

Varanasi was also known as : (1 ) Shivanagri

(3) Sitanagri

(1) f'i1i11'Rl

(3) 4l~11'1{I

(2) Brocade

(4) Painting

(2) ~

(4) m

(2) Bihar

(4) Madhya Pradesh

(2) f.m\ (4) l{>Zfm

(2) Ramnagri

(4) Bunkarnagri

(2) {l41'I{I

(4) ~q;(1II{I

10P/258/2

33. The paisley motif found on most of the textiles in India originated during:

(1) Mauryan Buddhist Period (2) Mohenjo-Daro civilization

(3) Mughal Period (4) Jain paintings

11 P.T.O.

10P/258/2

m;i'f'R ",qifq;d ~ ~ '!"1ft 'lm! it ~ ~ it 'IP't TJit : (1) -.:i't<! oU~ ~ (2) ~ oliGI4l <1"«11

(3) 'l'R'l ~ (4) ~ m

34. Religious texts from India's prehistory in the Rig Veda and the Upanishads, tell us about early literary references to fabric nearly:

(1) 10,000 years ago (2) 500 years ago

(3) 20,000 years ago (4) 3,000 years ago

~ :;fu: 3qRtlc{l it 'IP't "IR qffi mfiIq; BIf~i'1 ~ ~ ~ <m't ~ m;i'f ii; 'IR it 'fflf<t ~ ?

(1) 10,000 ~ <m't (3) 20,000 ~ <m't

(2) 500 ~ <m't (4) 3,000 ~ <m't

35. Which motif evolved from 17th centrury floral and tree -of -life designs that were created in expensive, tapestry-woven on Mughal textiles.

(1) Saganerri motif (2) Jamdani motifs

(3) Ikat motif (4) Paisley motif

1 foif M«n ~ 'I>t.! "#t '!"1ft ~ oft 'l'R'l ~'RRW.1 'R 'IP't TJit -(1) m"1f.ffi (2) "IIQG41

(3) ~ (4) ~

36. The first example of a stone statuette of a high priest figure which is decorated with a raised trefoil patterned shawl was found at the exca­vation site of

(1) Konark

(3) Mohenjo-daro

12

(2) Samath

(4) Ajanta

10P/258/2

~ qft ~ it 'WR qft 'If<I "" >I'1l! iJ~m<OI, oil f~<hl~('1 ~ ~ ~ ~ ~ '-it, ~ <"IR 'l< 'IT'it"lf'1\ ?

(1) <hlOIl<t

(3) 4l~1.n~14I·

(2) m<1j0l

(4) 31'iR!T

37. A cotton cloth from ...... was used to wrap the body of the Buddha

when he attained eternal rest.

(1) Kashi (2) Gujarat

(3) Rajasthan (4) Orissa

~ <"IR "" ~ "" 'li'W ~ ~ mR 'lit WR:'t ~ ~ w:irT flI;>:rr '1'l1 ~ ~ f.r<liuT 'lit >IT'<! W't ?

(1) m (2) 'l"HI~

(3) <I"If'l11 (4) ~

38. Archaeological finds on the walls of early primitive homes have re­

vealed drawings and designs of :

(1) Buildings

(3) Animals and birds

(2) Geometrical Patterns

(4) Plants & Grass

1<1\1'" f<i'll'l IDU >!RiA .ro 'lit ~ 'R ~ >r'IiT< ~ '1ll't '11il '!it ?

(1) ~ (2) 'l<Iif'lru'l '1ll't (3) 0!R'I1: am 'laj] (4) ..ftit am '1m

39. What comes first ?

(1) Design (2) Weave

(3) Cloth (4) Print

13 P.T.O.

10P/258/2

(2) ~

(4) ~

40. Which colour Hannony is achieved by the use of different tints of shades of one Hue or colour? (I) Triad (2) Analogous

(3) Complementary (4) Monochromatic

v:<!> "M ii> M'ffl ~ "'" m q;f.t 'l1: ~ <it 'Ii"ffi 61\41;ft >IT'<f mt ~ ?

(1) ~ (2) 'fllctl l l\'l

~ f< il fI " 'ilf< (3) 'I> "l <1 'i!( (4) 'il1101>1 ,,'"

41. Complementary colors are :

(I) Adjacent to each other

(3) Next to each othder

(2) Opposite to each other

(4) Forming a Triad

'l>l"lctlil'i!(l 'Ii"ffi mit t (1) 'lRj-'lRj

(3) v:<!> ~ ii> W"l

(2) v:<!> ~ ii> f<mla (4) r~<hlol 0Af<t t

42. How many Primary Colours are there? (1) Three (2) Five (3) Seven

flf;a;f m'lfilq; "M mit t ?

(I) <fA (2) -,rr"

43. Which is the warm colour?

(1) Green

(3) Black

14

(3) Wd

(2) Red

(4) Blue

(4) Two

(4) ~

10P/258/2

Fr"!11' "it 'IiR ~1jl1lf "M t ?

( 1) ~ (2) <'lffi

(3) ~ (4) -;f\ffi

44. Which is the cool colour?

(1) Orange (2) Red

(3) Black (4) Blue

f.!l:;j i'i "it 'IiR W OUGT "M ~ ?

(1 ) 'I1fIiI (2) <'lffi

(3) ~ (4) -;f\ffi

45. When we mix YeHow and Red we get

(1 ) Green (2) Orange

(3) Mauve (4) Brown

1fi<;;rr afu <'lffi "M fA<'II'Ii< 'f1<IT ~ -

( 1) ~ (2) 'I1fIiI

(3) *' (4) 'iU

46. To make brown we mix

( 1) Mauve + Red (2) Orange + Blue

(3) Blue + Red (4) Red + Green

'iU "M 0Rf.t if; fW!. 'IiR "it ~ "flit 'liT fl:r('rrH' ?

( 1) *' + <'lffi (2) 'I1fIiI + -;f\ffi

(3) -;f\ffi + <'lffi (4) <'lffi + ~

15 P.T.O.

10P/258/2

47. In 1856 Synthetic dyes were first derived from

(1) Tyrian purple (2) Plants

(3) Coal tar (4) Cochineal

1856 ii ~ Rci'"lRif> ~ m; <fA "\l ~ 1f1fi ? (1) W1R1 ~ (2) ..ftit (3) <!iWr <m: (4) <ilf<liA4i!'1

48. Naphthool dyes are also known as :

(1) Azoic Dyes (2) Vat Dyes (3) Sulphur Dyes (4) Disperse Dyes

~.iRHl~ <it 3Fl m; "1r'1 "\l "1111 "l1<11 t ? (1) <I>'ffl$if> (2) ~ (3) ~ (4) ft<fs~fqciz;f

49. The vat dye is made soluble in water by dissolving ............... .

(1) Potassium dichromate (2) Turkey Red Oil

(3) Acetic acid (4) Hydro-sulphite

~ $ <it f<li\4i!h &R1 '!At ii "ii!'11~fii!'1 0f1T41 "l1<11 t ? (1) <ilfc~144 sl$s,Mk: (2) ~ tg a:rI$<'I

(3) QJfIfcif>. (4) ~ \4<"1iI$l

50. The fastest dyes for cotton, linen, and rayon are ....... . (I) Sulphur Dyes (2) Direct Dyes

(3) Vat Dyes (4) Disperse Dyes

~, 1WR afu: BiR if; ~ m ~ t -(I) ~

(3) ~

16

(2) slit'll

(4) fsfqz;f

10P/258/2

51. The Animal Dye Tyrian purple is obtained from

(I) Cutch, madder (2) Henna, saffron

(3) Indigo, and alizarin (4) Fish and small insects

ttflq('1 ~ i!1~n"1 'R'I<'f f.!"'f il B ~ >!1'<1 mm i ?

(I) q;-;;(, ~ (2) fu";n, 4'liiH (3) ~f.s,n 1l:'i 1lf<'l<iHl'1 (4) m 1l:'i ~ ~

52. After dyeing, the fabric is well soaped while dyeing with

(I) Direct dyes (2) Pigment dyes

(3) Reactive dyes

(I) SI~'R

(3) fl:l«Ifc<i

(4) Developed dyes

(2) fq'liI'<!

(4) S'l('1CS

53. Before dyeing when yarn is constructed into fabric it is known as (I) Stock dyeing (2) Top dyeing

(3) Yarn dyeing (4) Piece dyeing

#\ B ~ <IR B ~ "iRA '1ft ~ 'hil('1ld1 i -(I) ~"S$ (2) ifq"S$

(3) <IR"S$ (4) 1ffi:I"S$

54. The dyeing process after certain kinds of apparel are knitted is known as ........ .

(I) Top dyeing (2) Garment dyeing

(3) Piece dyeing (4) Yarn dyeing

17 P.T.O.

10P/258/2

~ flmq >I'l>R ~ <'R'!!I' <!it ~ ~ <m '1ft "lIfil><lI '*11ci1 t : (1) ifq ~ (2) '1I<il'i! ~

(3) -.:fm ~ (4) 'l1'f ~

55. Dyeing a staple before it is spun refers to as ........ .

(1) Garment dyeing (2) Stock dyeing

(3) Piece dyeing (4) Top dyeing

~ <!it ~ B 'f'I ~ <m '1ft "lIfil><lI .,~(1l<il t : (1) '1I\il'i! ~ (2) ~ ~

(3) -.:fm ~ (4) ifq ~

56. Yarn wound on spools, cones, or similar units and then dyed is re­ferred to as (1) Space dyed

(3) Piece dyed

(2) Package-dyed

(4) Yarn dyed

'l1'f <!it "'@, m ~ ~ ~ 'R.n~ (1q;;.,<) ~ <m 'Ift"llfil><ll '-l>'I

'I'!l <mt t ?

(1) ~$

(3) -.:fm $ (2) ~$

(4) 'l1'f $

57. Warp-beam Dyeing method is similar to ....... but is more economical. (1) Space Dyeing (2) Piece Dyeing

(3) Package Dyeing (4) Yarn Dyeing

ql'f <i\ll ~ 1m~ f'R! 3lf~ 1m~ ~ <l'lA t 'R 3lf~ f'"1d6ll41 t (1) ~ ~ (2) -.:fm ~ (3) ~ ~ (4) 'l1'f ~

18

10P/258/2

58. Which method gives manufacturers maximum flexibility for their in­ventories to meet large & small demands for a given colour, as fashion requires? (1) Space dyeing (2) Piece dyeing

(3) Yarn dyeing (4) Garment dyeing

f.!"I iI -B <i>"R m W"l iI ~ if; ~ ,m q ~ ~ 'R N-t 'fiT <"1+i1<"1IQ1

fut? (1) m~ (2) -qm~

(3) 'lA ~ (4) 'IRi't'"2 ~

59. Maximum durability of colour depends on selection of correct

(1) Weather (2) Mordents

(3) Dye (4) Water temperature

~ 'fiT flij;IM1 f.!"I iI "i't f<j;~<f; mft ""'" 'R f.lof>: <!mIT t ?

(1) <itwr (2) ~1{~'"2~

(3) ~

60. The Natural dyes are used on .......

(1) Synthetics Fibers (2) Artificial Fibers

(3) Man made Fibers (4) Natural Fibers

Wiifu", ~ m 'fit -.mft t ; (1) Ri,.qfl'li tm'R (3) ~11'*l'id tm 'R

(2) ~tm'R

(4) ~l'l'fuij; tm'R

61. For which fiber was Disperse dyes originally developed.

(1) Cotton and linen fibers (2) Rayon fibers

(3) Acetate fibers (4) Wool fibers

19 P.T.O.

10P/258/2

fSlA'lf ~ 'lIT ~ ~ 4>W'l{ ~ ~ ~ oft ?

( 1 ) 'f>"'R:;f T(Ci ft;r;R (2) ~

(3) lI><il~l (4) ~

62. Which was the first synthetic indigo dye?

(1) Disperse Dyes (2) Azoic Dyes

(3) Vat Dye (4) Sulphur Dyes

"l[~ ~'£l'il ~ q;'}.j m oft ?

(1) fs~q'lf

(3) <k (2) Il>;;\\;;ij;

(4) m'lf>"{

63. Natural dyes have no affinity for the fiber and are held to the fabric with the help of :

(1) Gelatine

(3) Steaming

(2) Mordents

(4) Starches

Q l"t'reij; ~ "€:I ~ 'iii w.t ~ ~ f.I"! if "€:I 'f'1T ~l\l'lij; iRt ~ ?

(1) ;li<Af~1 (2) 41doe~

(3) <:<.lYj"'1 (4) ~

64. Before dyeing when yarn is constructed into fabric it is known as : (1) Stock dyeing (2) Top dyeing

(3) Yarn dyeing (4) Piece dyeing

w.t "€:I ~ <tR "€:I ~ <RR 'lIT >If'iI;<rr ij;\l<1ldl t : (1) ~ sWT (2) tftr sWT (3) <tR sWT (4) -qm sWT

20

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65. The Machlipatnum block printed fabric comes from which state ......

(I) Tamil Nadu (2) Andhra Pradesh

(3) Madhya Pradesh (4) Kerala

~ ~ 01l1I ~ <ref f'if,-.r \fa! it \4I4f"'1<! t I

(I) dll:ii"l11~ (2) 3lRT J$r (3) 11"'l J$r (4) iRi"I

66. Which is a painted fabric?

(I) Bagh (2) Pichhavai

(3) Bandhani (4) Kanjivaram

~ f'I;<rr <R'JI ""'" "\11 t ? (1) 'I17T (2) fq~q~

(3) ~ (4) ihHq{,{

67. Resisting of cloth is when colour cannot enter the ........ .

(I) Printed area (2) Tied area

(3) Woven area (4) Em broidered area

~ 'liT 3lq{!'lih 'IWT f;rnif "tlT wro ~ <.j;1: 'lRIT ? (I) ~ a);r (2) mtf.t'IiT a);r (3) ~ a);r (4) ~ a);r

68. The Economical Warp-beam Dyeing method is similar to .......

(I) Space Dyeing (2) Piece Dyeing

(3) Package Dyeing (4) Yarn Dyeing

3llf>fq;- .", it 'IR'!-oW! ~ M'l ....... it" WlR t I

(I) m ~ (2) -.ffi:I ~ (3) ~ ~ (4) 'l1'1T ~

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69. From .... , state we get Pashmina shawls which are famous needle Em­broidered shawls with small beautiful borders having flowers, leaves etc.

(I) Andhra Pradesh

(3) Gujarat

(2) Jammu & Kashmir

(4) Uttar Pradesh

q~<1\11 'Ilffi ....... ~ "I'l ~l4f"lll tl ;;jj ~ GRT ~ if; 'Ilffi if; tow. ~ tl ~ ~ Of ~~nift, it 'F'PI'ITWif ~ ~ I

(I) 3'!RI ~ (2) '""i Of 'M<1\(

(3) 2"1(1<1 (4) ~ ~

70. Jain Patas are the oldest among the Indian ...... on cloth

(I) Weaves (2) Mordents

(3) Painting (4) Printings

"'" 'Iml ~ 'R '!iT ~ ~ ~ 'lmfI'l ...... t I

(I) ~ (2) !jjo~o<!

(3) ilR<T (4) ~

71. The hangings used on ceremonial occasions hung behind the Deity are the

(1) Brocades

(3) Kalamkari

(2) Phadas

(4) Pichhavai

....... qi] 'If<i if; ~ ~ if; _ 'R i.1<!";I~ if; "'IT'! :;mn t I

(I) ~ (2) <ri6

(3) ";i.1Y";I'J (4) M0i1{

72. Phadas is the traditional folk painting of ...................... .

(I) Cotton and linen fibers

(3) Rajasthan

22

(2) Rayon fibers

(4) Wool fibers

'liS ...... -.it qRIlli{q; • itRrr tl (1) ~ q 1WR 'tit (3) (1"1 <"'IR

(2) m'tit (4) o;;-;ft tit

73. Which was the first synthetic indigo dye?

(1) Disperse Dyes (2) Azoic Dyes

(3) Vat Dye

>I'll! fu~ ~ ~ cr<!T t ?

(1) fs\l'!l; $ (3) ~~

(4) Sulphur Dyes

(2) .;;i).q; $ (4) ~$

74. What is the standard length of a Sari ?

(1) 5 Meters

(3) 4.5 Meters

(1) 5-,:j0:

(3) 4.5-,:j0:

(2) 5.5 Meters

(4) 6 Meters

(2) 5.5-,:j0:

(4) 6-,:j0:

75. What is the standard size of Cushion Cover?

(1) 16 x 18

(3) 18 x 18

(2) 36 x 36

(4) 24 x 20

~ q;q( '1iT ~~lfUld (~·st) 'Il'I cr<!T ~ t ?

(1) 16 x 18 (2) 36 x 36

(3) 18 x 18 (4) 24 x 20

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76. The 2/2 Twill repeats on

(1) Seven ends

(3) Two ends

2/2 ~ <ii~{l4l omit i -(1) 7~'l1:

(3) "<ii ~ 'l1:

(2) Eight ends

(4) Four ends

(2) 8 ~ 'l1:

(4) 'IR ~ 'l1:

77. How many ends are there in the sateen weave in its warp or weft form?

(1) Four-end (2) One-end

(3) Three-end (4) Eight-end

-miR <fiq il; oR aW 'IA 'l1: flI;(R ~ ~ i ?

(1) 'IR (2) ~ (3) <fR (4) me

78. What type of weaves produced an all-over (non-twill) affects?

(1) Sateen Weave (2) Honeycombs

(3) Crepe Weave (4) Huckaback Wea,-e

f.r<;j it -B <liR ~ ~ ~ "\1T (1R ~) "l!'1l'! ~ q;«fr t ? (1) -miR (2) ~;fl"'TI<I

(3) m (4) ~"'~'"

79. The Designers and pattern weavers prefer which type of Handloom ?

(1) Treadle (2) Dobby

(3) Warp Knitting Machine (4) Lace Loom

rl5"'I~;f "'<'i m ~ (~) 1"iPI OW 'liT ~\!)"'{"ll 'l1:R <Pi! t ?

(1) ~ (2) s'i'<fi (3) om Rfi1T ll"'IiR (4) "ffi:I C'['l

24

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80. What is put on the warp yarn to strengthen and protect them during weaving?

(1) Sizing (2) mercerization

(3) Starches (4) Gelatin

<!f.'r 'iI> ?lR qft ~,*td 'RA 'iI> ~, ~ ~ 'iI> WI'l 'iI> ~ -.m, ~ 'R 'I<!l W1PlI -;;mrr t ? (1) <fif;M (3) "RRi

(2)

(4)

~4<1$¥11 <ilclf<!1

81. What is a Mechanical finish to smoothen and straighten the fabric and to give it a more saleable appearance?

(1) Calendaring (2) Embossing

(3) Starches (4) Mercerization

m qft it"if.I 'iI> ~ ~ <=ihn afu 'f11'1~ 'RA 'iI> ~ q;'\;r -m 4il>f1ilicl N;f.l~1 ~ omft t ? (1) <i<il'SR'1 (2) llf<ilRi'1 (3) "RRi (4) ~*I$<il~11

82. Which weave is the least expensive and most commonly used for both thick and sheer fabric?

(1) Sateen Weaves (2) Satin Weaves

(3) Plain Weaves (4) Twill Weaves

'!ll"<iI afu ~ m WliR 'iI> ~ qft flI;<J ~ ~ {11~I"'Id: 'R1"IT -;;mrr t : (1) miR (2) ~

(3) ~ (4) ~

83. The simplest form of interlacing is ...... weave.

(1) Twill (2) Satin

(3) Plain (4) Sateen

25 P.T.O.

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R"'f if ~ '!>t.! -.IT ~ ~'i!«~r+i'l <1ft mom:uT MOl ~ ?

(1) ~ (2) mft;!

(3) '<iR (4) miR

84. Twill weave requires a minimum of ........... warp and weft threads each. (1) Two (2) Three (3) Four (4) Nine

~ <WI if 1%<R <fA afu: 'II'it <1ft q;lj ~ q;lj a1\i1~~'lidl WIT ~ : (1) ~ (2) <fA (3) <m: (4)-;fl

85. . ........ .fabric has a glossy surface and a dull back.

(1) Denim (2) Satin

(3) Woolen (4) Cotton

...... ~ <1ft ~ T14'1iGR ~ *" ~ WIT ~ I

(1) ~ (2) mft;!

(3) ~ (4) 'f!l\

86. Plain weave requires ........... harnesses for construction. (1) One (2) Five

(3) Four (4) Two

'<.'R <WI 'lit ORR ~ ~ ~ ~ <1ft 3l1'm'lidl WIT ~? (1) ~ (2) -q).;

(3) <m: (4) ~

87. A fabric is woven on a " ....... . (1) Loom

(3) Trolley

26

(2) Table

(4) Beam

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<I>'m <!it f.IJ:;f it it f~"PR ~ ;;mIT i ?

(1) "l" ("li<'IT) (2) m (itor)

(3) ~ (4) ofm

88. The printing paste is pressed through the screen with the help of a

(1) Brush (2) Spoon

(3) Squeeze (4) Cloth

flm!>T ~ <!it ~ 'R ~ 14>'8'1>1 @~dl it iffi f;;<rr ;;mIT i ?

(1) -.ro (2) "l" (3) wiliiill (4) <I>'m

89. In earlier day's ............... meshes were used as screens.

(1) organdie (2) Silk mesh

(3) Nylon (4) Paper

~amr it ~ ~ fW< f.IJ:;f it it 'l'!T m mm I!IT ?

(1) 31M·s1 (2) ~ iro (3) 11~<'IT1 (4) it<R

90. .. ............. Agents are added to increase the viscosity of the printing paste. (1) Glycerene

(3) Urea

27

(2) Thikning

(4) Thinning

(2) f"l'liH'1

(4) fl!lf.iTr

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91. Needling technique binds the fibre web using ........ needles.

(1) Single (2) Latch

(3) Multiple (4) Barbed

oflsf<ii" di f>1!'h ij m' <it f"'{l<l; ID\T 311'rn ij <If'll 'lfII'IT i ? (1) ftirr<'T (2) ~ (3) '1<.'"ilQ(1 (4) ~

92. . ............. threads are used in the process of stitch through bonding.

(1) Thermoplastic (2) Steel (3) Plastic (4) Cotton

;fl"f4·, ID\T ~ 'lit 'lIflI>'lT ij 'lit.! ~ >Wt m W1t i : (1) tJ.,l'<'l,fl:i!'h (2) ~ (3) '<'I,fl:i!'h (4) ~

93. Fibres, when passed through carding machines, become ............ . (1) Coiled (2) Twisted (3) Parallel (4) Wrinkled

~ '"" 'h,ft·, ..rnA i\; ~ ~ '00 W1t 'hit ~ m OJR\ t ? (1) '1>1$<.'"s (2) f~ct&s (3) ~{(1(1 (4) R'if><.'"s

94. The loops created along the width of the fabric are termed as :

(1) Courses (2) Pearls (3) Wales (4) Knitters

~ 'lit ~ i\; '8'1'"''<1, ;;it err ....rn t, ~ 'f'!T -.;i<t t ?

(1) <hl{R1{l (2) '<.'f'8

(3) itR:! (4) m

28

lOP/258/2

95. In .................... process the fibres are suspended in the air.

(1) Air-laid web (2) Blow hard Air

(3) Round Air (4) Blow Air

........ 'lit ~f""u if ~ fjCIT if fmt mt t I

( 1 ) ll:'R <'Is m.; (2) -..;it mi ll:'R (3) mos ll:'R (4) -..;it ll:'R

96. . ................. is a type of needle used inknitting machines.

(1) Barbed

(3) Single

(2) Latch

(4) Multiple

......... ll:'I> wnR 'lit "\rt t "oil f.WT ~ if wWr 'lit ;;rnft t : (1) ~ (2) ~ (3) fuTR'I (4) l:r.*o;i",~hlq",i"I

97. . ................ fabrics are more stretchable thanthe warp knitted fabrics

(1) Woolen (2) Silk

(3) Thick (4) Weft Knitted

........... M0i4'1i q1'f f.!fts &>f0i4'1i 'lit :WI~ an"", ~ (~il'li"l) iRt t : (1) di'ft (2) ~ (3) f2l<l> (4) ~ f.!fts

98. The loops created along the width of the fabric are termed ............ .

(1) Wales (2) Knitters

(3) Courses (4) Pearls

q;q-$ 'lit ~ it; (141'11'<1( "oil "i" 'I'llt t, 6'%' ~ t : (1) -iM:! (2) ~

(3) &iI<f*Il."l (4) ~

29 P.T.O.

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99. The vertical rows ofJoops formed during knitting are known as ......... .

(1) Knitter (2) Courses

(3) Wales (4) Pearls

~ '" G'tm <f! <tr ;;it ~ <ifUi~1 (q~1<t;i.'1 "U) ffi t ~ ~ ~ : (1) f.Im (2) <hl(ffl(1

(3) ~ (4) '<'h:!

100. Knitting is the process of ........... of yarns.

(1) Interloping (2) Interlacing

(3) Weaving (4) Twining

~ <lR <lIT ........•... q;f.t <tr >IfWlT f I

(1) ~"w.11f411 (2) ~~«:mill

(3) <ftf<iTT (4) R:. 'I f.j 'I

30 100

(pr ':fIi'it4i: ~ 1Tft1r 3ITWIT ~ rrr 1rfIT a;rr-Illf ~ $IT'~' liT

~ -;ffr;f/-1Im'ft ~-un;. ~ It (I ffflJ)

1. ~ ~rf(1'1>1 fireR il; \0 flI;g il; ~ ~ ~ <'I fif, ~ if ri T'O ~~" ~ air., ~ ~ ~ -.m ~I ~rf(1'1>1 ~ '1Tit;;n;'t 'R ~ 'fI'!I m'I>K'f ,"",-f-roll;'" 'lit t"" W'i"i ~~'iq. qft ~ ~rf(1'1>1 >rf1<! '1>1: <'II

2. m "Jq.f if fi'l1h,1h, $ m-Illf ~ 31frmiRI, ft;mrr '!T ~ ~ 1fT "!ffi 'I>flT'lI ~ >1 'f~1

3. aiff-Illf 3/1'fJT It ~ "'" II '(it" ;it '111' 3ik ,,(I fiff;1r o;f, ~ :r.tr-Illf 'lit t~", """'" ~ a;rr-Illf q;r (I 'JI"fiih'l fiI;l[r ~,

4. 3l'1'!T 311'''" ;'1> 0"lT am: -'l'I 'I>T ~ l[2Il! 3lJWl1T -T'O 'R ~ it f.r'IffuI B1!R '" ~ I 5. a;rr-Illf ~ 1Tft1r ~ rrr .P, It 3/CRT 3/jlli4iih RUm. 'PffT'I rrr fffli' rr :ft# fflW '{fif qff

~ ... ~I ~-~ 3114,44, (I"" JIjI'I- s@." q;r ~ 1rfIT !k q;r ~ ofirrr pqr:ff rrr fffli'l

6. 3110 'l'70 3TTfo Illf rrr 3/jlli*4i rhIqr, RjI'ISfilr.,1 rhJw <r !k rhJw (~ qff( (I) ,,.,, .''ISfilr4i1 rrr 3/jlli*4i 3ik 3110 'l'70 3TTfo Illf rhJw of! .filIi.fr ,'l'aqilril!lf'l of! 3I;flIfir :rI/' II

7. • .1iI!!4r if qff( oft qfi4rf.i '"II! f.r(1f;1<n lf7T R41(i;/d ;i/'Ir ;nf# ~,~ I(ih'." ID!f'I q;r R<i/:r '"'" ~ I

8. JIjI'I-s@'" if .. ol"l ~ 1fTf 4.,fiiilih a;rr fflW 'Tit tl .. RR ~ 4ihfiiilih ;;on- >1; ~

:mrRft a;rr-Illf of! "",f.it1t :iffRr ~ mri fflW 'Tit 7[f7 qff 3n(-1llf ~ 1Ifflr ~ rrr ~ 'Tit f,$;/' ~ ~ ~ It '"'" ihHI II

9. ~ ~ il; am: il; ffit!: il>'ffi Tl.'b ~ 'rf 'lit ~ <I>i I Tl.'b if 3lf'N. ¥i 'lit 1WIT 'I>1:il 'R aw<l! Tl.'b 'rf 'lit 3;'!yf 'If.t 'R .. am: -rrr<! llRT ;;niI-rrr I

10. """ ~fiI; I(ih' 'ITf -pn(Ilf7T.mnrr a;rr am'II :rI/'>rr rI<n1fl II 'Iff( 3rrrT fit;ifI JIjI'I.,1 :;- I

:rI/' ~ ""'" I; ;it rkifirrr :iffRr ~ mri fflW 'Tit !loft vff qff m1'fI ~ ~I ,#".If If' F' Jiq; fflW >rrffit I

11. "" 'IiT'f il; ffit!: ~-~I«i'l>1 il; '1"'~re il; am q[ffi T'O 0"lT am:-~I«i'l>1 il; 3ifu'l T'O 'I>T

m<l>il 12. mil; <!'RR! JIjI'I-Sm!4i1 ~ a;rr-Illfm '1'R if _ '1>1: i!'1

13. m W!1'<f ~ it ~ m "Jq.f it ~ ;;n;'t qft ~ -.m irfrl 14. 'If<; ~ 3M>ff m if ~ wRf 'I>T m 'I>1:ffi~, <it .. F<w~rq,lI('l~ '[Rl r"~fR(I

~ 'l>Ti'Ift, 'l1'ft ~;irfrl