j - Banaras Hindu Universitybhuonline.in/pdfs/PET_2010/M.Mus(Vocal).pdf · This Raga is not...
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~. ,""us '\"yO(..Q\j Question Booklet No. (Ult'O.
lOP/260/2 (To be filled lip by tire candidate by bille/black /lall-point pen)
Roll No.IL._-'-_-'-_-'-_-'-_-'-_..L._..L._-'
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contains all the pages in correct sequence and that no page/question is missing. In case or faulty Question Booklet bring it to the notice of the Superintendent/lnvigilators immediately to obtain a fresh Question Booklet.
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9. For each question, darken only one circle on the Ans\ver Sbect. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect.
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the University may determine and impose on him/her.
Total No. of Printed Pages :32 [~ R&r 1FiI ;r ~ iJ1TiKUT 'f'3 'R fi;iT "" I!'O
Time: 2 Hours
fT1'W: 2 WIt
lOP/260/2 Noo of Questions: 100
-w-if <it ~ : 100
Full Marks: 300
'iv /1M. : 300
Note: (1) Attempt as many questions as you C8.11. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect
answer. Zero mark will be awarded for each unattempted
question.
31f-rr",," m 'liT"" ~ 'liT >I'l<'! '-li'tl lWron m'l 3 (<fR) .W!; 'liT %1 Jlri)", 7JMff 3TI{ it; fr;ro: f!!6 3icn <f>ICT odljj'lll ~ 31j~R(j m'l '"1
QI'<1i'h ~~I
(2) If more than one alternative answers seem to be approximate to
the correct answer, choose the closest one.
01. This Raga has same name and same swara-s in both North Indian and South Indian Music -
(1) Karnod (2) Natbharavi
(3) Hansdhvani (4) Todi
~ 'lffiiP:! aih: <;f~ 'lffiiP:! Wffil <iRi ij ~ WT 'liT 'lT1'l aih: B'R 1l!f' W1H
i-( 1 ) 'liTIi'R (2) 'lGm (3) ~UfR (4) ~
02. This Raga does not have R -P Sangati -
(1) Miya Malhar (2)Karnod 3) Gaud Malhar (4) Poorvi
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~ U'T i'l ~ - 'pr'rfu ~ ~ t -(1) fil'.!i ~ (2) ~ (3) ~~ (4) ~
03. This Raga has Audav Arah - Avaroh -
(1) Hindol (2) Desh
(3) Chhayanat (4) Shyamkalyan
~ U'T '!i1 3ll1"ro - ~ ~ t (1) 1%iIc1 (2) ~ (3) tllQI'1c
04. Raga Chandrakauns has this as Agantuka Swara -
(1) S (2) M (3) R (4) P
(1) UT (2) 11 (3) ~ (4) '1
05. Bhupali, Deshkar and Shuddhakalyan have this Aroh -. . .
(1) SRGPNS (2) SRGPDhS (3) SRGPDhS (4) SRGPDhS
~, ~~I,*,I\ aiR '!lO&,*,~luI '!i1 'lj( 3ll1"ro t -(1) UT ~ 1] '1 f.nrt (2) <ld 1] '1 "l -m
06. Which one is a morning Raga -
(1) Vibhas (2) Asavari (3) Mand (4) Jaijaiwanti
~ U'T qi')-;nn t -(1) m"!m (2) 3mlli1\1 (3) l1lS
4
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07. Which pair of Raga-s is different from oth~rs -
(1) Patdeep - Bhimpalasi (2) Chandrakauns - Malkauns
(3) Rageshri - Bageshri (4) Hindol - Hansdhvani
qi]onjj WI - ~ 31"! ~ fl f'fl % -(1) ~ - $r q("llm
(3) Wlm - "ilT'lm
(2)
08. M Dh N S R S is used in this Raga -
(1) Pilu (2) Paraj P) Sohini
11 '1 f'nrr ~ <Ii q;] m ~ WI i! f<f;<n "IT<!l ~ -
(1) 1fut (2) "CfGil (3) \1'if~;j)
09. Raga Darbari Kanada ends with these notes -
(1) q- MRS (2) M G R S (3) M G R S
WI < (ii\l\l ~ .., Bffi fl WlT'<! lIT<n % -(1) Tj - 11 hn (2) 1111 ~ tIT (3) 1111 ~ tIT
10. This Raga is not suitable for Karun Rasa -
(1) PUu (2) Adana
(3) Gurjari Todi (4) Vageshri
7TI( WI ~ m if; aqg'ffi ~ % -(1) 1fut (2) ~ (3):pffi ~
11. Which one is a seasonal Raga -
(l) Gaud Malhar
(3) Chhayanat
5
(2) Pahadi
(4) Deshkar
(4) Lalit
(4) C'ffu<!
(4) M G R S
(4) 1111~tIT
(4) "ilT'lm
P.T.O.
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(2) ~ (3) \91~I'R
12. Which Raga has both Gandhar and both Nishad -
(I) Rageshri (2) Miya Malhar (3) Jijaiwanti
(I) -wtm
13. Addha and Tilwada are similar because of -
(I) Vilambit Khyal
(3) Matra, division
(2) Theka
(4) To:ppa
~ aih: [;1"11<> I $1 'Ii) (1~ Hdl Of>! <;;RUT t -(1) f'l<'1f"'d =<'I (2) i><l>T
(3) 1Jffi, R'IT'T (4) C1:qJ
14. Which Raga is not an Ashray Raga -
(I) Miya Ki Todi
(3) Purvi
'Iit.r Ul UTI 3TIW1 UTI "f@ t -( I) fl:rii 'Ii) ~ (2) l1'f(O!T
(2) Marwa
(4) Paraj
(3) 't'if
(4) ~~Iihl(
(4) Bahar
(4) ~
(4) ~
1ft This Raga is originated from a different thata than rest of the Raga-s-
(I) Basant (2) Paraj (3) Kamod (4) Poorvi
6
3f"l wiT <!IT WAf it <rpm f'fi! >Trdt ~ E:m i -(1) 'R'Rf (2) 'R"r (3) ,",-,fu;
16. This Raga has prominent Rand Dh -
(1) Marwa
(3) Pahadi
(2) Shyamkalyan
(4) Deshker
(1) lJRCIT (2) ~'lI~ifi",,",lol (3) ~
17. Which Tala has 10 Ta1i-s and 4 Khali-s
(1) Pancham savari
(3) Panjabi
~ (ff('f 10 aif<.1'l1 ail<: 4 «uf<.1'l1 i -
(2) Rudra
(4) Brahma
(1) cjil~<1ql{l (2) ~ (3) -q-,;n;ft
18. Which Tala a division of three matra-s
(1) Addha
(3) Pancham savari
(1) 3W;J (2) ifi~{ql
(2) Kaharava
(4) Aclachautal
19. Raga Lalit questions the Thata system because of -
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(4) ~
(4) ~
(I) Dh of Marva Thata (2) Dh ofPoorvi Thata
(3) Prominent use of both M (4) Omitted P
7 P.T.O.
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WI ~ "" 0ffiUT '-llG 0!f<WlT it 1lf<l m'! ~ q;@ -t -(1) = '-llG 'f>T '1 (2) ~ '-llG 'f>T '1
(3) <iRr 11v:ril 'f>T Q"l'sl(\( it m (4) qf;,fu'1
20. S G M Dh N are not used in Aroh of this Raga -
(1) Bageshri
(3) Deshi
(2) Chandrakauns
(4) Rageshri
"" WI it ~ i\ "ffi Tf 11 '1 R 'f>T m 'lit ~lin -(1) <Wtm (2) ",,,,,'li\\j (3) ~ (4) Wtm
21. Three elements of Indian Music are -
22.
(1) Sattva, Raja, Tama
(3) Swara, Tala, Pada
'lffiil'< Wilo it <iR (!"fCf ~ -
(1) ~, 0if, (fll
( 3 ) «11:, <IT('[, 'l<;
(2) Shuddha, Kamal, Teevra
(4) Udatta, Anudatta, Swarita
(2) 'i[&,~, ~
(4) ~,~,~
Which pair is not related to Swara -
(1) Chal, Achal (2) SaIDvadi, anuvadi
(3) shuddha, Vikrit (4) Sthayee, Antara
-'liFnlt ~ 'f>T «11: it ~ 'lit i -(1) 'qi'I, ~ (2) ~, 31jql~l
(3) ~,~ (4) ~,3R!U
8
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23. Shruti - interaval for shadja Grama is -
~ ~ "I ~ I q <liT '8Yr "1 '\1(1 (1 t -(I) 4-3-2-4-4-3-2
(3) 3 - 4 - 3 - 2 - 4 - 4 - 2
(2) 4 - 4 - 3 - 3 - 4 - 2 - 2
(4) 2-3-2-4-3-4-4
24. Praman Shruti is the difference between -
(I) Shadja Grama Sand shadja Gram N
(2) Shadja Gram M and Madhyam Gram M
(3) Shadja Gram P and Madhyam Gram P
(4) Shadja Gram G and Shadja Gram M
..,. <it ~ <liT 3R'R WlT"T'8Yr t -(1) ~ "llflnrr afu: ~ Jllll R
(3) ~ Jllll 'l afu: 11= Jllll 'l
(2) ~ Jllll 11 afu: 11= Jllll 11
(4) ~ Jllll 11 afu: ~ Jllll 11
25. Sangeeta Ratnakara deals with -
(I) 15 Gamaka
(3) 2010 Swar prastara
( 1 ) 15 l"fI1"I;
(3) 2010 «j{Q@{
(2) 25 Murchana
(4) 11 Kaku
(2) 25 't;oJ'11
(4) 11 ~
26. Sangeeta Ratnakara is also known as ;
(I) Ashtadhyayi
(3) Gitadhyayi
9
(2) Rasapanchadhyayi
(4) Saptadhyayi
P.T.O.
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Wfu! ,M I if; { ~ 'lIT! it .n ;;n:;rr "fffiT t -(1) il1l!1uw:il (2) {lflcj>jluw:il
(3) "1ftaTuw:il (4) ~uw:il
27. Bharata describes Chatussarana under this name -
(1) Swaradarshana
(3) Nadanirupana
(2) Shrutinidarshana
(4) Sarananiru pana
28. Which Raga is not found in folk songs -
(1) Virindavani Sarang
(3) Mand
qi\-;f "fIT WT ct\if;'nffi il ~ ~ -
(1) ~;;ICi;fl mt>T
(3) 'lis
(2) Pahadi
(4) Chhayanat
(2) ~
(4) <WUTT f.H" qUI
29. Which folk instrument is also popular in classical music -
(1) Dholak
(3) Flute
(2) Nagara
(4) Ravanhanttha
qi\-;f "fIT ,,11 if; Ci I iQ ~II <'ll ~ Wila il .n ct\ if; flI ~ t -(1) _ (2) ~ (3) ~
10
30. Who is 'Vaggeyakar'?
(1) the composer
(2) the lyricist
(3) the singer
(4) the lyricist - composer - performer
~I'~~"'R 'h'l'l % -(1) ~'i1<I"'1{
(2) q;fcr
( 3 ) l]fl['fi"
(4) q;fcr - ~'ild"'l{ am: tioqQ*ljRt"'df
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31. 'Toory - Tritaya - Chaturyam' means expert in this art -
(1) Singing
(3) Dancing
(2) Playing the instrument
(4) All three
'~ - fur'l "11\14« a:roffit ~ ~ i! Q"luldl -
(1) 'IT'R (2) CI1G'! (3) '1<R (4) <iR\
32. Merit of Vocalist is -
(1) Kmpita
(3) Bheeta
l]fl['fi" "" TT % -
(2) Ayattakantha
(4) Laya - tala - kala - gyana
(1) ",rAJd (2) a:ri~'d",ua
(3) >fu! (4) <'I'l - (IT('! - ~ - OIR
11 P.T.O.
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33. 'Vitala' is -
34.
35.
36.
(1) demerit of vocalist
(3) demerit of poet
,~,t-
(I) ~'IiT ~
(3) fuq 'liT ~
'Natya Kutapa' means -
( I) a group of students
(3) a group of stage performers
''1I81'fdY' 31'lfu -
( I) fcm!f$i\'liTW!"
(3) <i OJ 'h (11 iW]' 'liT W!"
Bharata describes this -
( I) 6 Kaku (2) 2 Kaku
'1B "'t ~ quf.j M t -( I) 6 'Iil'f (2) 2 'Iil'f 'Kshetra Kaku' is -
(I) field
(2) demerit of student
(4) merit of instrument
(2) a group of dancers
(4) a group of singers
(2) ~'liTW!"
(4) ~ 'liT W!"
(3) 12 Kaku (4) 4 Kaku
(3) 12 'Iil'f (4) 4 'Iil'f
(2) sound related with performer's body
(3) composition about farmer
(4) sound of musical instrument used bf farmers
12
'0' ' ... ,"*!iI~ " -
(I) ~
(2) '1iC'11'li1( il; 'ITfu: it ~'fi! '''If.! (3) r'hBI'I it ~'fi! D'flT
(4) r'hB 111 mu m f't;it "IR ~ 'll'!l ott "lR
37. This is a kind of Rupakalapti -
(I) Sthayee
(3) Pratigrahanika
<lO '" q 'Ii I ("I fi<I 'liT 1l:'Ii >f<'m % -(I) ~ (2) ~
(2) Sthaya
(4) Anagat
38. Simple quadruple of Western Music is similar to -
(I) Jhaptal (2) Ektal (3) Dhamar
'IT~ Wfto 'liT r{l"1("1 'H1§q("l ~ WIR t -(I) ~q(ll("l (2) '!!h(ll("l (3) =
39. Seven Tala system is in -
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(4) 31'1I'I(I~
(4) Trital
(4) ~
(I) Odissy Sangeet (2) Western Music
(3) North Indian Music (4) South Indian music
=(ffiq~~% -(I) ~ Wfto (2) 'IT 1.m'< Wfto
(3) = 'lffiltq Wfto (4) <;f'&JUT 'lffiltq Wfto
13 P.T.O.
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40. Mayamalav gaund mela is similar to .
(1) Marava Thata
(3) Bhairv Thata
~1<i1~I<ilq,nS i\"<;1 ~ "WlR t -( 1 ) -.:mqj 'IR
(3) *'" 'IR
(2) Gaudmalhar Raga
(4) Mand Raga
(2) ,nS~'''\;1( <T'1
(4) 11ts <T'1
41. Bhairavi is similar to -
(1) Hanumat Todi
(3) Pantuvarali
~-wit~~i-(1) ~ ~ (2) 'fl ~
(2) Nat Bhairvi
(4) Gurjan Todi
42. Ramamatya's Swaramelakalanidhi deals with -
(1) 15 Mela -s (2) 12 Mela -s (3) 72 Mela -5 (4) 20 Mela-s
M ~ I("! ~ ;<1, it <iI<I> <ill f.t f'l il ~ 'R flr.m: f.<><i I '!<IT i -(1) 15 i\"<;1 (2) 12 i\"<;1 (3) 7~ i\"<;1 (4) 20 i\"<;1
43. Who wrote Sadragachandrodaya -
(1 ) Kumbhakarna (2) Sharngadeva
(3) Vidyaranya (4 ) Pundarika Vitthala
\l~I'IT.I'1i)~<i ~ ~ om 't -( 1) !j>'I<I>uf (2) ~IIW~q
(3) fqtlRoq (4) ~,~{j<l> ~
14
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44. Matanga used this word for first time -
(1) Prabandha (2) Raga (3) Gandharva (4) Swara
1l<M '1 OO'll1 ~ ~ 'lOT m M -
( 1 ) >f'I'>l (2) 'l'T (3) '1i"fCI
45. Bhav Bhatt was in the court of -
(1) Raja Anup Sing of Bikaner
(2) Maharaja Mansing of Gwalior
(3) Maharaja Savai Jaisingh of Jaipur
(4) Raja Bhavsingh of Bhavnagar
(4) ""(
'IlCf ~ ~ (1"1<;("1< ii i\ -
(1) «!Iif>I~d" = 31'rlPi" (3) ~ ~ ~"I(I"II ~ "I~rB"
(2) Tqf<'l~( ~ ~"I(I"II ~HniG
(4) 'l<R'T( ~ = ~ 46. Rasik priya - the commentary of Geet Govind, is written by -
(1) Jaidev (2) Rana Kumbha
(3) Acharya Brihaspati (4) Rasik bihari
'I[(l'nf'l'<; qij ~ ~ fSr:rr ~ &1" f<or&' 1l{ i -(1) ~ (2) 1]TTji ¥'TI
(3) 31JTW! "l,,,xlf<l (4) ~ ~
47. Teentala and Chautala has follO\ving ratio -
([10111[(1 am: ~ ii f-i"if<'lf@d 31:['m! i -(1) 1:2 (2) 2:3 (3) 3:4 (4) 4::,
15 P.T.O.
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48. Rupakam Tala of Karnataka system has -
(1) 5 Matra (2) 8 Matra (3) 6 Matra (4) 7Matra
q;4i~q; ~ if; "qq;,\ <lR'! it t -(1) 5 = (2) 8 = (3) 6 = (4) 7=
49. Which one is the name of a Tala as well as composition -
(1) Brahma
(3) Adachautala
(1) -.r;;!
(2) Tilwada
(4) Dadara
(4) Gl<:U
50. Which one is not similar with Tritala
(1) Dhamar (2) Tilwada (3) Punjabi (4) Jata
( 1 ) 'fl'!l<: (3) ~ (4) '""
51. Dedhgun (3 in 2 matra) sets naturally with this pair -
(1) Dadara, Ektala (2) Trital, Jhaptala
(3) Rupak, Kaharawa
( 1 ) Gl<:U , ,<q; <11 i!I
(3) """", q;~{ql
16
(4) Jhaptala, Pancham savari
(2) f;raR'[ , 'it q <11 i!I
(4) 'itqdli!l, 4i1Wlq1U
52. Which relates with Karnataka Tala Panddhati -
(1) Sankeerna (2) Sampoorna (3) Sanyukta
ifi'1!?:ifi <IT<'! ~ it f<hflifil ""'"'Of t -(1) wttut (2) ~ (3) ~
53. Khandajati Laghu, in Karnataka Tala, has -
(1) 3 Matra (2) 4 Matra (3) 5 Matra
ifi'1kifi <IT<'! if @os"llfd ~ 'I>T liR t -(1) 3 lWIT (2) 4 lWIT (3) 5 lWIT
54. N S P Dh - P is the phrase for this Raga -
(1) Deshi (2) Deshkar (3) Desh
R -m'ir 'Of - '< ~ UlJ 'I>T ~ t -(I) ~ (2) ~~Iifil( (3) ~
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(4) Shadav
(4) 'lTG'f
(4) 6 Matra
(4) 6 lWIT
(4) Mand
(4) = 55. This phrase is used in Chhayanat, Kamod, Gaud sarang -
" ~ ,.,.", (I) P - P - S - S - S S S S S R S-, . . (2) M - G - M- Dh - N S N S - S-
1 - 1-:;- -,. "'. (3) !VI - G - !VI - Dh M Dh N S - N R S -
(4) G-M-P-N-SSSSNNSS
01~HG, ~, ,fi1>fll{'1 i\ ~ ~ 'I>T m m t -(1) '< - '< - -m - -m - -m-m-m-m -m't-m-(2) 'I - :'! -'I - '1 - R - -m R -m - -m -(3) -,\ - 1] -tr -'1 'I '1 R -m - R't -m-(4) 1] - 'I - '< -R -m -m -m -m R R -m -m
17 P.T.O.
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56. Which one is a common name for an instrument and a Tala -
(I) Narad (2) Durga (3) Rudra (4) Saraswati
qm 3ih (lWf iii fui\ "3"'1 qf, I'd 1lll m w t -(I) ~ (2) ~ (3) ~m:qffi (4) ""
57. Which God is not related to music -
(1) Indra (2) Vishnu (3) Krishna (4) Shankara
(1) R (2) ~ (3) ¥"1 (4) ~
58. Which Tala has T. irki! Dhi 1 Na Dhi 1 Dhi Na y • (1) Jhumara (2) Matta (3) Adachautal (4) Jhaptal
RHfilic 11\ 111 11\ 1 11\ 11 f'I>B (lWf il t -~ i4. (1) 1IfR1 (2) 1N (3) (4) ;;I4dld
59. Which Tala is used in a style other than Khyal -
(1) Tilwada (2) Rupak
(3) Ektala (4) Deepchandi
(1) fdZ1ql$1 (2) ~ (3) Q!l'dlZ1 (4) ~14.-j<l
60. Which classical vocalist did not sing for films -
(1) D. V. Paluskar
(3) Balwant Rai Bhatt
(2) Bade Gulam Ali Khan
(4) Parveen Sultana
18
f'l;B ~ II ~ ~ 'lflIij; "'I f iI ~ q c iI; fWi "'IW TJrIl1 -
( 1 ) it 0 cit 0 q 1+4 ( (2 ) ~ 'Jffi'l ~ 1Sii (4) ~CiR {!(1(1HI
61. What is common in Darburi and Pooriya -
(1) Raganga
(2) Thata
(3) Swar - Samvad
(4) Peaceful Alap in Mandra Spatak
< ( iml am: 'lft'rr ii 1l.'f' W1R 'FIT t -(1) <rWf (2) 'lR
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(3) B'R -~ (4) ~ ~ 'liT ~ 3lTC1T'l
62. S - M sangati is not used in -
(1) Kedar
(3) Malkauns
<TI - 1] <Mfu ~ ~ ~ iffil -
(2) Bahar
(4) Ramkali
(1) ~ (2) '1Qn:
(3) AI(1ohh"l (4) (IAOhcll
63. The author of Sangeet Chintamani is -
(1) Acharya Brihaspati (2) Chintamani Mishra
(3) Lalmani Mishra (4) Nayak Baiju
Wfur fil'iiIAfUl iI; ~ t -(1) ~ ~Hqf[l
(3) (11(1AfUl fi:r"'lT
19
(2) fil'iiIAfUl fi:r'>!
(4) 'IfIlCf> ~
P.T.O.
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64. Thakur cJaidev Singh learnt music from -
(1) Vishnu Narayan Bhatkhande (2) Shrikrishna Hari Hirlekar
(3) alauddin Khan (4) Kri shmrao Shankar Pandit
01¥ "I'I<Cl fuj; "t ...m -wfu! fu8:lT "lIT'<! 'lit -
(1) ~ '11{I~OI "Ild@og (2) ~ ffi f%<%{
(3) 3F'Ildi]'1 -ciI (4) 1''''I{ICl ~ <ift;o
65. Karnatak musicians perform this -
(1 ) Kriti (2) Dhrupad
(3) Tappa (4) Rajakhani Gat
'h'1k'h fi'nd'hl{ -,it ~ ~ i' -( 1) -q;f(r (2) ';\'R
(3) c:un (4) {"II@oil T[(f
66. Gandharva Mahavidyalaya was founded by -
(1 ) Savai Gandharva (2) Kumar Gandharya
(3) V. D. Paluskar (4) V. N. Bhatkhande
1JP1Cf 'l~lfcml(,]'1 ~ &m f\'11~d ~3lT -
(1 ) ~1JP1Cf (2) FR~ (3) mo f<;o q<j(4i{ (4) fcro. 110 "llct@OG
67. Bharat Ratna is not awarded to -
(1 ) Kishan Maharaj (2) Bhimsen Joshi
(3) M. S. Subbulakshmi (4) Bismillah Khan
20
'Iffil "" ~ >IGR Wn 1J'1T i -(1) ~ ~~I{I,"
(3) "Q!lo ~o ~~
(2) ~m~
(4) fq\1fq&lI~-@
68. This composition is not the base of a film song -
(1) Mana tu Kaha na dhir dharat ab - Ye.man
(2) Bol re papihara - Miya Malhar
(3) Prem Ki mar katar - sohini
(4) Banat banau bana nahi ave - Paorvi
<r;; ~f';~~1 ~ >im '1i1 3lT'TR '!lIT i -( 1 ) lR1 It 'Iil% 'I >fu: 1'ffiI 31'1 - "f'R
(2) <it<'! t qqj~(I - iWii ~ (3) W=r 'I>11lR ~ - flif,,;fi (4) 'l'l<! 0l'lRli OR '!lIT ~ - 'l:'if
69. Which Thumari is also famous as a film song -
(1) Bansuriya kaune guman bhari
(2) Babul mera naihar chuto jay
(3) Bajuband KhulKhul jaye
(4) Ndiya dhira baho na
m m S'ffi ~ >im if; ~ if >!fu;& i -
10P/260/2
(1) o:rtifl:~1 q;f.) :p:rR .ro (2) 'lT~ >1m ~ Wi "IT'l
(3) ~I"[~'j~ WI ~ (4) 1Wn.w ~ 'I
70. Jeevaswar is a kind of -
(1) Sthayee (2) Jati (3) Raga (4) Gamak
21 P.T.O.
lOPj260j2
'.i\1C18F ~ >riW -t -(1) ~ (2) "Ilfu (3) ,TTl (4) T[1iif;
71. Names for composition are -
(1) sthayee, Antara, Sanchari
(3) Prabandh, Vatu, Rupak
(2) Shuddha, Kamal, Teevra
(4) Drut, Mdhya, Vilambit
~ it 'IT'l -t -(1) ~,3R(ffi, ~
(3) ]:[CI""'[,~, ~
(2) 'il'l', ~, ~ (4) l';i!, 'lUI, fq <'if", d
72. Sangeet Research Academi is situated in -
(1) Mumbai (2) Delhi (3) Kolkata (4) Chennai
Wiru fu:Fl 3Ff>l ~41 <® Wl<T -t -(1) ~ (2) ~ (3) 'f1(,I"hldl (4) ~
73. Maulabaksh founded his music school at -(1) Baroda (2) Lucknow (3) Gwalior (4) Reeva
>lI01'l'f'i1 'I <® Wiru f'l'1I0'l '!i\ ~ '!i\
(1) ~ (2) W,-Hdi (3) rqfu-m o ~
(4) UClT
74. Rajasthan Sangeet Sansthan is in this city -
(1) Jodhpur (2) Ajmer (3) Udaipur (4) Jaipur
~ Wiru m>1R ~ "'M i! -t -(1);oj)11'p: (2) ~ (3) 3~~:l' (4) ~
22
lOP/260/2
75. Vaggeyakar of Hindi Geet Ramayan is -
(1 ) Arun Kumar Sen (2) Kumar Gandharva
(3) Jasraj (4) D. V. Paluskar
fiRi\ 'flct{IAI~OI 'if; i'il'~~'lil{ t -(1 ) ~"'1 'Pffi fA (2) 'Pffi ~
(3) "I,HI"I (4) "it 0 eft 0 q ij'?"M
76. 'Vande Mataram' was composed in Raga Desh by -
(1) Ravindranath Thakur
(2) Bankimchandra Chattopadhyaya
(3) K. C. Dey
(4) Omkarnath Thakur
(1) (oft""'1I"! 01¥ (3) 'if;o"BIo ~
77. The sign of Dhruv Tal in Karnatak Music is :
<1i1k'li Wltct it ~ q;r q<1f ~ t : (1) 10 (2) 1011 (3) 100
78. A Music University is not in this city -
(1) Khairagarh
(3) Lucknow
23
(2) Gwalior
(4) Rampur
(4) 1100
P.T.O.
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(3) ,'H,i'1 di (4) <TlT':1'
79. Omkarnath Thakur is the author of -
(1) Rag Vigyan
(3) Sangeetanjali
ai'1~'liIH2! or:p: ~ W'i'lil( t -(1) wr~
(3) fi'ndi"lfc1
(2) Kramik Pustak Mlika
(4) Sangeet Visharad
(2) ~ ~ ~1fc1'1i
(4) Wful f'PII(~
80. Which one is a performer of both styles i.e. North Indian and South
Indian Music -
81.
(1) M.S. Gopalkrishnan
(3) M.S. Subbulakshmi
(1 ) 11:'10 llJIo ,j)QIM'l'W1i
(3)11:'10 llJI 0 ~a:<ft
(2) N. Rajam
(4) M. R. Gautam
(2) '<'fo ~
(4) 'VI 0 3W 0 ..ftcrq
Characteristic property of a sound is -
( 1) Intensity (2) Vibration (3) Scale (4)
'lr<; qi\ 'i1IRf:1'1i fq:il4dl t -(1 ) <furdT (2) 31 i <iI M '1 (3) fq(QI~ (4 )
24
Octave
~
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82. Resonace means -
( 1 ) echo (2) singing tc!gether
(3) drum (4) wind insti-ument
fl: en ~ '(1 q;] 31>1 ~ -
(1 ) ~ (2) "ill'! "ill'! TJT'lT
(3) (1\McH~ (4 ) WR"Rl
83. Melody is
(1 ) single note progression (2) triple note progression
(3) notes arranged with rythm (4) rythmic arrangement
, "~ = -(1 ) ~ """h8 q;] m (2)
fu • • ~ "" Uh 8 q;] wwr
(3) Bf( - i'1'1 q;] ~ m (4) Z1"-'lkt=lCf) ~
84. Harmony IS related to
(1 ) timbre (2) major scale
(3) chord (4) medium or sound
~q;]~"~ -
( 1) 'lR~ (2) ir"R m (3) Bf(~ (4) 'lR q;] mum
85. Who belongs to Gwalior Gharana -
( 1 ) Ajay Chakravary (2) Laxman Krishnarao Pandit
(3) Rashid Khan (4) Dinkar Kwkini
25 P.T.O.
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m 'qlr<1~( mR B ~ % -( 1 ) il1"f'! '1 iii q <if (2) C'l8:'JU) ~ UJ I (I q ~
(3) ~"&1 (4) fi;'I'R Motion
86. Raja Mansing University of Music Fine Arts established in this year-
(1) 2005 at Bhopal (2) 2000 at Indore
(3) 2003 at Reva (4) 2008 at Gwa1ior
<l'iIT ~HrlA~ wmr am: 1"!fucj q;('j fil'llrq,lI('1~ 'l~ ~ ~ or! ~ 1f{ -
(1) 2005,~ il (2) 2000, ~ il
(3) 2003, U<!i il (4) 2008, 'qlr<1~( il
87. Which one is different from others
(1 ) Gundecha Brothers (2) Nom Tom Alap
(3) Rudraveena (4 ) Thumari
3FHI<.j] 'il 'lit.! f'i?! % -(1 ) ~~ (2) if" <M 3WIT'1
(3) ~ cfturr (4) 9;'!ft
88. D. D. Bharati i, for -
(1) Promoting Indian Cultural Heritage
(2) Promoting Indian Industry
(3) Promoting Ntional sports
(4) Promoting Health
26
~ (~~r" "Imif &m f'F;<n "If(fj t -(1) 'Imft'! A if'l'fd'h ~ 'hT silctM"
(2) 'Imft'! -m-rn 'hT sil iA I ""
(3) $ ~ 'hT siliAl""
89. Which book is written by Balwantri Bhatt -
(1) Bhavprakash (2) Bhavrang Lahari
(3) Sangeet Bodh (4) Sangeet Sudha
~ Ji'l if; ~ ,*?I'I'<1\I~ 'W t -(1) 'l1'l~'hI~1 (2) 'lJ'RlT ~
(3) ~ <?r>< (4) ~ \1'11
90. Frequency of Pancham is -
(1 ) 270 (2) 360 (3) 300 (4)
9l. Ratio between Sand R is -
w 3TId 'hT 3TTffil t -9 10 16
(1 ) (2) - (3) - (4) 8 9 15
92. Samvadini is the Indian marne of this -
(1) Guitar (2) Harmonium
(3) Piano (4) Synthesizer
lOP/260/2
4800
75 64
27 P.T.O.
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~ "lmft<! 1T'l ;8qlf~11 t -(1) fireR (2) ,wiff"~~ (3) fir'lRl (4) f+100f1I$"1(
93. Bhimsen Joshi has this unique quality -
(1) Melodious voice
(3) Speedy tana
~ ~ qft "11l;:d1~ fC/i)4(j1 t -( 1 ) 'l"l' 31T'lT'i!
(3) ~ -(IT.'!
(2) Long steady breath
(4) Slow Composition
(2) <#\ WR <1fu
(4) fcr('if'l<! ~
94. Who received Padmabhushan recently -
(1) Charurlal Mishra
(3) Chhedilal Mishra
f,*""l~ TIM m if 'Rl'['I"T w:n t -(1) '1<W'lli'l fli~
(3) ~ W'fli~
(2) Chamanlal Mishra
(4) Chhannulal Mishra
(2) '1~'ii'lli'l fli~
(4) "?Ji'I"'f fli ~
95. Who is the original composer of 'Hind Desh Ke Nivase Sabhi Jan Ek
Hai' -
(1) Llmani Mishra
(3) Pradeep
28
(2) Vinayachandra Maudgalya
(4) A. K. sen
lOP/260/2
'~ ~ it f1ql+i1 <l.n '-iff ~ i' ~ Tffi! it 'Ff {T1'1I"hl{ ~ i -(1) ctlct~fiil fll~ (2) f'FWI'S. ~
(3) >r(tq (4) 1(" ito *" 96. Which Raga is named after a city / place -
( 1) Multani (2) Mikauns
(3) Jhainjhoti (4 ) Mlya ki Todi
fi.R! WT 'liT 'IT'l ~ / ~ 'R BID 'T'l1 t -"
(1 ) :lctdl;jj (2) lOll C"I6f)J'R
(3) f~~l<'.l (4) fil':ii<tr~
97. This raga has only one Madhyam .
(1 ) Marubihag (2) Shyamkalyan
(3) Mand (4) Paraj
~ WT it ~ ~ 11"l11 WT<!T t -(1 ) lOOll'li=\r~61~1 (2) ~t!II1ChrlIOI
(3) ~ (4) 'R'iI
98. A. 1. R. broadcsts National Programme of Music on -
(1) Monday, Tuesday
(3) Sunday, Monday
(2) S"turday. Sunday
(4) Thursday, Fr iday
311'h1~lcliun GRT Wfu! it ~ 'R<il<! 'h14,"~ 'liT ~Bi{0l .., f<;;i\ ~ t -(1) ~"lqi{, <i'lctqi{ (2) ~1f1'1I{. {fqcll{
(3) {fqql{, BI~qi{ (4) ~i{, '?WW
29 P.T.O.
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99. Sangeet Sarita programme of Vividh Bharti is a Joining chain between -
(1) Classical & Film Music
(3) Folk & Film Music
(1) ~1I<!il'l afu f"QQ2 WffiI (3) ~ afu f"QQ2 WffiI
(2) Pop & Film Music
(4) Western & Film Music
(2) -qfq afu f"QQ2 WffiI (4) 'lTm<! afu f"QQ2 WffiI
100. Who wrote our National Anthem Jana Gana Mana Adhinayaka Jaya He' -
(1) Ravindra Natha Thakur
(2) Bankimchandra Chattopadhyaya
(3) Sarojini Naidu
(4) Bharatendu Harishchandra
~ (le'IH 'iiJ'l 7JU["Il'! 31f~ "I'l %' ~ fffisn % -(1) (41'S;~I'I OI¥ (2) oif"''1ij'S; ~3ftqj=
(3) <1{)f"l;fl ~ (4) ~ ~~
30 300
3l~~~M~1
(~ gm, it IT"" ammrr 'l"'" Iff "lIlT "'" - rr;r it # '{"Of Iff ;;;.m ;f/1'fI- q;wf/ 01f'f - rqrfG itr it ;fI fffi§:)
I. 1R'! 3ffi'l'li' ~ it 10 fiRe it 3R< m i;-@ #1'", 1!'R'l'! illllj[ '1'" ~ t am ~ 1R'! ~ 'Iffi ~I ~Ffi'I'lil ~~¥' Wl ~ 'R ~ 'I'l'lT ~ 'lil\l-RU'% it ~ ~ 1!'R'l'! 'liT ~ ~Ffi'I'lil = '"' <'II
2. 'l"ii~ 'I'R il IMQ;,Q;, $ TTiIvr-rr;r it 31fi1fiiHI, fi:rurr 'IT = ~ Ij[ 1SlJlT 'fiT'1'j[ WIl
il 'I ;:rrif I
3. 3nT - rr;r JmTf it fifllr 'T'lT II PI ;"iI .it#, 3fIr , ;fI f!r;pr ,!i't', '[1ffl 3nT - rr;r 'f;fI' ti;w ~ I
;;;.m 3nT - rr;r "" ;fI "Hlio;" fin'<f ~ I 4. ilN'lT 31ji1i~i'li o'lT 3iR-'1'1 'liT l8Jiq; = 3lJ'RUT-'1'" 'R iR it f-lmfu! BlR 'R fff@1
5. 3nT-rr;r it """ 'l"'" Iff itr it 3I'RT "''1 .. oio; f.mffirl PIlT'f Iff fffiff"1IIT ;flit ~ '[iii' oft ",., "" ~I "I1Jf- "I1Jf 31/4,,,,0; ;fI ""' JfR-gm, "" ~ "lIlT iIc "" """ ofiT<r pm;ff Iff fffiffl
6. 3IT0 ,<,,0 =0 rr;r Iff 31'1 .. oio; !i<ffl, """gfirl<.<rr m.w '" iIc m.w (~ oft{;fI) "lIlT j(~OI!'jfirliIJl rrr 31dthl1iqo; 3ih" 3ft" 7.p1" 31R'" ra "fi&Tr qff lIFcire~r -q' dQPtihiH qff 3TJ}Tfrr 'f;fI ~ I
7. 'W'jrnJ/ ""r;,,'ill"'~.mr if oft{ oil ofi",l. ""!i1 f.rfI/i1"Ii ;;:m "q]tvlrl ;f/:rr ~ 3P<1IIT 'Iii !("Ii ~
""'" "" rrol>r """ ~ I 8. JfR-gm, if lfiW; JfR it <11': Jo;f{iilo; 3nT ~ >Tit II lfiW; JfR it Jo;f{iilo; 3nT it Wf'I!.
3TTfT"Iit 3nT - rr;r oft ,.".,Wd rifiRr it Imf.t ~ 'Tit '[ff oft 3nT - rr;r it ,,¢r 'l"'" Iff ~ 'Tit f.$ff it 3IjmC itr it ",., ""'" 1£
9. ~ 1R'! it '3'R ii; ful!: ~ ~ m '[if it '1fi!J ,""I ~ it 3TI'l'Ji ')'if it '1fi!J ~ 'R 3Fl'l1 ~ '[if 'lit ~ m 'R a:Q 3iR 1Ti'l?: lJRT ;;rriMr I
1 0, """ if' fiF; !("Ii '"' i<lfffI ;;:m 3ifimr 3nT ""'" 'f;fI' "" mmrr II ~:;m; fiEifI JfR "" 3nT
'f;fI <f.rr ."..;t t; 1ft.wr"" rifiRr it Imf.t ~ 'Tit ;roil '[iii' oft 79T1'fI $ ~I !lit w.iI' Iff ~ 3i"Ii ~ .".;m I
11. <'l> 'liT'! ii; ful!: lR'i-~~'li1 ii; :l@~'6 it ai<;< ilTm '1'" o'lT 3iR-~~'li1 it 3ffil'l '1'" 'liT m ,""I
12, 'l"ii~ it 3'RR1 JfR-giRIo;, ~<i 3nT-rr;r 'l"ii~ 'F'R il = '"' ;;1
13. 'l"ii~ WlT'<l m;r it ~ • 'I'R it ~ ~ 'liT ~ 'Iffi MI
14. ~ ~ 3J'Rl2if 'l"ii>\iT il ~ m'l'il 'liT m qmrr ~, iii a:Q Fq ~ q Fow (1 ~ mr Rmfu! G's 'liTm, 1Wfr irTri8<il I