presented!to! the!Faculty!of!the!Graduate!School! ! of!the ...
119
CHARLES AND RAY EAMES: SHAPING DESIGN THROUGH VISUAL IMAGERY _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of MissouriHColumbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by LORINDA J. BRADLEY _______________________________________ Dr. Kristin Schwain, Thesis Supervisor MAY 2014
Transcript of presented!to! the!Faculty!of!the!Graduate!School! ! of!the ...
!
!
CHARLES!AND!RAY!EAMES:!
SHAPING!DESIGN!THROUGH!VISUAL!IMAGERY!
_______________________________________!
A!Thesis!!
presented!to!
the!Faculty!of!the!Graduate!School!
at!the!University!of!MissouriHColumbia!
_______________________________________________________!
In!Partial!Fulfillment!
of!the!Requirements!for!the!Degree!
Master!of!Arts!
_____________________________________________________!
by!
LORINDA!J.!BRADLEY!
_______________________________________!
Dr.!Kristin!Schwain,!Thesis!Supervisor!
MAY!2014!
!
!
©!Copyright!by!Lorinda!J.!Bradley!2014!
All!Rights!Reserved!
!
!
The!undersigned,!appointed!by!the!dean!of!the!Graduate!School,!have!examined!the!thesis!entitled:!
CHARLES!AND!RAY!EAMES:!!SHAPING!DESING!THROUGH!VISUAL!IMAGERY!
!presented!by!Lorinda!Jean!Bradley,!
a!candidate!for!the!degree!of!Master!of!Arts!in!Art!History!and!Archaeology,!
and!hereby!certify!that,!in!their!opinion,!it!is!worthy!of!acceptance.!
!
!
Professor!Kristin!Schwain! ! !Professor!Keith!Eggener! !Professor!Elisa!Glick! !
!ii!
ACKNOWLEDGMENTS.!!
! I!would!like!to!express!my!deep!gratitude!to!Dr.!Kristin!Schwain,!my!thesis!
adviser,!for!her!patient!guidance,!continuous!encouragement,!and!helpful!critiques!
of!this!research.!I!would!like!to!thank!Dr.!Elisa!Glick!and!Dr.!Keith!Eggener!for!their!
diligent!examination!and!suggestions!of!this!thesis.!I!would!also!like!to!extend!
thanks!to!the!Department!of!Art!History!and!Archaeology!at!the!University!of!
Missouri!for!allowing!me!the!grant!funding!to!travel!to!California!to!further!my!
primary!research.!!
! My!grateful!thanks!goes!out!to!my!family!who!offered!encouraging!words!
throughout!my!study.!Finally,!I!wish!to!thank!my!husband!for!his!understanding,!
support,!and!constant!optimism.!!!
!iii!
TABLE&OF&CONTENTS:&&&
Acknowledgements! ! ! ! ! ! ! ! ! ii!!List!of!Figures! ! ! ! ! ! ! ! ! iv!!Introduction! ! ! ! ! ! ! ! ! ! 1!!Chapter!1! ! ! ! ! ! ! ! ! ! 9!!Chapter!2! ! ! ! ! ! ! ! ! ! 30!!Chapter!3! ! ! ! ! ! ! ! ! ! 50!!Conclusion! ! ! ! ! ! ! ! ! ! 68!!Works!Cited! ! ! ! ! ! ! ! ! ! 72!!Figures! ! ! ! ! ! ! ! ! ! 77!!!
!
iv!
LIST%OF%FIGURES%%Figure%% % % % % % % % % %%%%%%%%%%Page%!
1. Charles!and!Ray!Eames,!Eames!House,!1949! ! ! ! 77! !
2. Charles!and!Ray!Eames,!Eames!House,!1949! ! ! ! 78!
3. Charles!and!Ray!Eames,!Bridge!House,!1945! ! ! ! 79!
4. Charles!and!Ray!Eames,!Eames!House!Floor!Plan,!1949! ! ! 80!
5. Eames!Office,!Stills!from!House!–!After!Five!Years!of!Living,!1955! 81!
6. Charles!and!Ray!Eames,!Eames!House,!1949! ! ! ! 82!
7. Karen!Radkai,!Interior!of!the!glass!and!steel!home!of!Mr.!and! ! 83!
Mrs.!Charles!Eames!in!Pacific!Palisades,!1954!
!
8. Karen!Radkai,!Fashion!Model!in!Eames!House,!1954! ! ! 84!
!
9. Charles!Eames,!1959!! ! ! ! ! ! ! 85!
!
10. John!Bryson,!Charles!and!Ray!Eames!at!Eames!House,!! ! ! 86!
Pacific!Palisades,!CA,!1951!
!
11. Charles!and!Ray!Eames,!Eames!House,!1949! ! ! ! 87! !
!
12. Charles!and!Ray!Eames,!Eames!House,!1949! ! ! ! 88!
!
13. Charles!Eames!and!Eero!Saarinen,!Organic!Armchair,!1940R1941! 89!
!
14. Charles!and!Ray!Eames,!Molded!Plywood!Splints,!1941R1943! ! 90! !
!
15. Eames!Office,!DCM,!1946! ! ! ! ! ! ! 91!
!
16. Eames!Office,!Molded!Plywood!Chair,!1945R1946!! ! ! 92! !
!
17. Eames!Office,!Profile!View!of!Eames!Lounge!Chair!and!Ottoman,!! 93!
1956! !
!
18. Eames!Office,!House!of!Cards,!1952!! ! ! ! ! 94!
!
19. NBC,!Still!from!Home,!1956! ! ! ! ! ! ! 95!
! !
!
v!
!
20. Herman!Miller!Advertising,!“Herman!Miller!presents!an!!! ! 96!
upholstered!lounge!chair!designed!by!Charles!Eames,”!1956!
!
21. Herman!Miller!Advertising,!“It’s!a!Man’s!Chair,”!1957! ! ! 97!
!
22. Herman!Miller!Advertising,!“Even!if!you!don’t!have!two!! ! ! 98!
o’clock!feeding!at!your!house,!we!think!you!will!appreciate!
the!deep!comfort!of!this!rosewood!and!leather!lounge!chair!!
designed!by!Charles!Eames!for!Herman!Miller,”!1959!
!
23. Herman!Miller!Advertising,!“When!they!load!you!down!with! ! 99!
!heavy!reading,!you’re!ready!for!an!easy!chair,”!1973!
!
24. Eames!Office,!Stills!from!Eames!Lounge!Chair,!1956! ! ! 100!
!
25. Interior!view!of!the!Buckminster!Fuller!geodesic!dome,!1959! ! 101!
!
26. View!of!Moscow!Fair!auditorium!showing!the!seven!screens!! ! 102!
displaying!Glimpses!of!the!U.S.A.,!1959!
!
27. Charles!in!Model!of!the!Dome!for!the!1959!American!National! ! 103!
!Exhibition!in!Moscow,!1959!
!
28. George!Nelson,!Alexander!Girard,!Charles!and!Ray!Eames,! ! 104!
!Sample!Lesson,!1952!
!
29. George!Nelson,!Floor!plan!of!the!American!National!Exhibition,!!! 105!
1959!
!
30. Thomas!J.!O’Halloran,!U.S.S.R.!Moscow,!Temporary!Russian!! ! 106!
Exhibition,!August!5,!1959!
!
31. Ray!and!Charles!Eames!selecting!slides!for!the!exhibition,! ! 107!
!“Photography!&!the!City,!1968!
!
32. Eames!Office,!Still!from!Glimpses!of!the!U.S.A.,!1959! ! ! 108!
!
33. Eames!Office,!Still!from!Glimpses!of!the!U.S.A.,!1959! ! ! 109!
!
!
!1!
Introduction*
Midcentury!modern!design!and!architecture!is!pervasive!in!contemporary!
American!culture.!It!is!featured!in!museum!exhibitions;!studied!by!scholars!in!the!
fields!of!architectural,!art,!and!design!history;!and!showcased!in!contemporary!
popular!culture!in!magazines!like!Dwell!and!television!shows,!most!notably,!Mad(
Men.!Charles!and!Ray!Eames!have!become!icons!of!the!movement,!and!their!designs!
have!come!to!define!modern!American!values!during!an!era!of!rapid!political!and!
social!change.!!
Today,!postwar!America!is!romanticized!in!in!popular!media!and!
characterized!as!a!time!of!unrestrained!joy!in!the!American!way!of!life.!However,!
cultural!leaders!and!everyday!citizens!struggled!to!define!that!ideal!in!the!1940s!and!
50s.!For!most,!the!answer!rested!in!consumer!goods.!!Postwar!American!consumers!
were!bombarded!with!new!products!that!promised!to!reduce!time!spent!on!
laborious!tasks!and!increase!their!leisure!time,!a!lifestyle!championed!by!popular!
magazines!including!Life,(Look,(Vogue,(and!several!others.!Since!many!of!these!
products!were!cheaply!produced!through!mechanical!processes,!consumers!were!
required!to!replace!them!regularly.!1!
Charles!and!Ray!Eames!embraced!a!decidedly!different!approach!to!design!at!
the!Cranbrook!Academy!of!Art,!where!they!met!in!1940.!Charles!Eames,!Jr.!was!born!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!1!For!a!more!detailed!history!of!midcentury!American!objects!see!Thomas!Hine,!
Populuxe((New!York:!Knopf,!1986).! !!
!!2!
in!St.!Louis,!Missouri!where!he!went!on!to!study!architecture!at!Washington!
University.!However,!after!only!two!short!years!of!study,!he!left!the!university!and!
worked!at!an!architecture!firm!before!beginning!his!own!firm!with!his!partner,!
Charles!Gray!and!later!Walter!Pauley.!Their!business!was!hit!hard!by!the!Great!
Depression!and!failed!to!flourish,!thus!Charles!arrived!at!Cranbook!in!1938!after!
receiving!an!invitation!from!Eliel!Saarinen.!Cranbrook!Academy!of!Art!was!inspired!
by!the!Arts!and!Crafts!movement!and!promoted!honesty!of!construction,!truth!to!
materials,!learning!from!established!traditions!and!a!high!concern!for!quality!guided!
the!production!of!art!and!design.2!The!following!year,!Charles!accepted!a!faculty!
position!at!Cranbook!in!the!design!department!before!being!named!head!of!the!
Department!of!Industrial!Design!in!1941.!!
Ray!Kaiser!was!born!in!Sacramento,!California!before!moving!around!with!
her!family!during!her!early!years.!After!graduating!from!May!Friend!Bennett!School!
in!Millbrook,!New!York!before!studying!abstract!expressionist!painting!under!her!
mentor,!Hans!Hoffman!in!New!York!City.!Ray!was!one!founder!of!the!American!
Artists!group!with!whom!she!exhibited!several!abstract!paintings!at!the!Riverside!
Museum!in!New!York.!She!enrolled!at!Cranbrook,in!1940,!where!she!was!introduced!
to!a!multitude!of!media!including!textiles!and!graphic!design.!3!
!Charles!and!Ray!met!and!formed!a!personal!as!well!as!professional!
relationship!at!Cranbook.!They!married!in!1941!and,!that!same!year,!moved!to!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!2!Pat!Kirkham,!Charles(and(Ray(Eames:(Designers(of(the(Twentieth(Century!(Cambridge,!MA:!MIT,!1995),!47.!3!For!a!more!complete!history!of!the!Eameses’!early!lives,!see!=!Kirkham,!Charles(and(Ray(Eames:(Designers(of(the(Twentieth(Century,!9b56.!
!!3!
California!to!pursue!their!own!work!and!develop!their!own!aesthetic,!drawing!
heavily!on!Cranbrook!ideals,!the!Arts!and!Crafts!movement,!the!Bauhaus,!and!Alvar!
Aalto.!They!sought!to!produce!affordable,!high!quality!designs!for!the!expanding!
middle!class.!Their!structurally!sound!designs!made!use!of!new!technologies!and!
materials!and!humanized!the!cold!minimalism!of!the!thenbdominant!International!
Style.!However,!the!Eameses!design!process!was!predicated!on!excessive!
experimentation!and!as!they!became!well!known!throughout!the!world,!they!
exchanged!their!focus!on!affordability!to!solve!many!of!the!pressing!social!problems!
of!their!time:!information!exchange,!visual!pedagogy,!and!international!conflict.!
! As!their!primary!media!for!communication!became!films,!multibmedia!
presentations,!and!exhibitions!instead!of!architecture!and!furniture!design,!the!
Eameses!increasingly!promoted!the!importance!of!the!visual!image!and!its!potential!
to!concretized!abstract!ideologies.!Their!reliance!on!the!image;!the!juxtaposition!of!
images;!and!the!sequential!movement!of!still!images!required,!in!turn,!the!viewer’!s!
active!and!sustained!attention.!The!Eameses!strategically!cropped!and!planned!their!
composition!of!their!images!to!provide!their!audience!with!illustrations!of!larger!
ideas,!for!example,!a!day!in!the!life!of!the!average!American!(see!chapter!three).!
Throughout!their!long!career,!the!Eameses!became!increasingly!skilled!in!their!use!
of!images!to!communicate!particular!messages!and!took!intense!control!over!their!
designs!and!their!promotion!as!their!work!progressed.!!
The!Eameses’!use!of!images!in!their!design!process,!pedagogy,!and!selfb
promotion!is!apparent!in!scholarship!on!the!couple!and!the!archives!they!
!!4!
established.!.!Most!of!the!existing!publications!on!the!Eameses!are!heavily!illustrated!
celebrations!of!their!work,!providing!broad!overviews!of!their!careers!but!not!
contextualizing!them!within!the!complex!political!and!social!era!in!which!they!
lived.4!Moreover,!the!general!focus!on!furniture!at!the!expense!of!their!toys,!films,!
and!exhibition!designs!skews!their!larger!design!philosophy!and!fails!to!attend!to!
their!sincere!efforts!at!social!reform.!!
After!Charles’s!death!in!1978,!Ray!Eames!worked!with!Marilyn!and!John!
Neuhart!to!create!a!catalog!of!their!work!between!1941!and!1978.!The!resulting!
book,!Eames(Design:(The(Work(of(the(Office(of(Charles(and(Ray(Eames,(provides(
detailed!descriptions!of!each!piece!in!chronological!order!and!offers!a!strong!
foundation!for!research!on!the!artists.5!Pat!Kirkham’s!book,!Charles(and(Ray(Eames:(
Designers(of(the(Twentieth(Century,!followed!years!later.6!She(analyzes!the!Eameses’!
career!and!provides!an!inbdepth!look!at!the!complexities!present!within!each!project!
as!well!as!Charles!and!Ray’s!relationship.!Informed!by!recent!feminist!scholarship,!
reconsiderations!of!Modernism’s!history;!and!oral!interviews,!Kirkham’s!study!is!
fundamental!to!understanding!the!lives!and!legacies!of!the!Eameses.!!Indeed,!the!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!4!Eames!Demetrios,!An(Eames(Primer!(New!York:!Universe!Pub.,!2001);!Eames!Demetrios,!Eames:(Beautiful(Details((Los!Angeles:!Ammo!Books,!2012);!Sandra!Dachs,!Patricia!De!Muga,!Laura!García!Hintze,!and!Mathias!Remmele,!Charles(and(Ray(Eames!(Barcelona:!Ediciones!Polígrafa,!2007);!Brigitte!Fitoussi,!Eames:(Furniture(1941H1978!(New!York:!Assouline,!2003);!Carla!Hartman!and!Eames!Demetrios,!100(Quotes(by(Charles(Eames((Santa!Monica,!CA:!Eames!Office,!2007).!5!John!Neuhart,!Marilyn!Neuhart,!and!Ray!Eames,!Eames(Design:(The(Work(of(Charles(and(Ray(Eames((New!York:!H.N.!Abrams,!1989).!!6!Pat!Kirkham,!Charles(and(Ray(Eames:(Designers(of(the(Twentieth(Century,!(Cambridge,!MA:!MIT!Press,!1995).!(
!!5!
shadow!cast!by!her!book!upon!Eames!scholarship!is!enormous,!heavily!impacting!
subsequent!scholarship,!including!my!own.!!
Another!critical!resource!for!any!study!of!the!Eameses!is!their!extensive!
collection!of!over!250,000!photographs,!now!located!at!the!Library!of!Congress.7!
They!photographed!everything!from!birthday!cards!they!received!in!the!mail!to!
objects!in!their!home!to!details!of!fabric,!architecture!and!vegetation.!The!Eameses!
used!these!photographs!intensely!during!the!design!process,!carefully!comparing!
and!contrasting!images!to!determine!a!work’s!optimum!form,!texture,!color,!and!
composition.!
! !This!thesis!builds!on!Kirkham’s!critical!assessment!of!the!Eameses!and!relies!
heavily!on!the!Eameses’!photographs!to!examine!three!projects!that!represent!a!
broad!range!of!their!productions.8!Specifically,!I!seek!to!model!Alice!Friedman,!who!
focuses!on!case!studies!to!interpret!the!wider!trend!of!“American!glamour”!in!
modern!architecture.9!I!do!so!to!highlight!two!interrelated!themes!that!permeate!the!
Eameses’!body!of!work.!First,!I!examine!the!manifold!ways!they!created!
architecture,!furniture,!film,!exhibitions,!and!domestic!and!commercial!spaces,!
typically!gendered!female!and!male!respectively,!that!reflected!contemporary!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!7!Office!of!Charles!and!Ray!Eames,!Eames(Collection,(Library!of!Congress!Prints!and!Photographs!Division,!Washington!D.C.,!http://www.loc.gov/pictures/item/2006678412.!!8!A!few!books!focus!on!case!studies!to!analyze!aspects!of!the!Eameses’!work.!See!James!Steele,!Eames(House:(Charles(and(Ray(Eames!(London:!Phaidon,!1994);!Martin!P.!Eidelberg,!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006).!!9!Alice!T.!Friedman,!American(Glamour(and(the(Evolution(of(Modern(Architecture((New!Haven:!Yale!UP,!2010).!!
!!6!
gender!norms!but!not!the!dynamics!of!the!couple.!They!were!clearly!cognizant!of!
this!of!this!distinction!and!the!couple’s!marketing!campaigns,!films,!and!multimedia!
productions!sought!to!bridge!this!gap.!Second,!I!show!how!every!object!they!created!
became!a!multibmedia!production;!they!not!only!designed!an!object,!for!example,!
but!they!also!choreographed!the!commercials,!films,!advertisements,!magazine!
articles,!and!exhibitions!that!surrounded!it.!Their!designs!relied!heavily!on!the!
juxtaposition!of!detail!and!honest!working!methods!that!the!Eameses!highlighted!
throughout!the!media!used!for!promotion.!!
! The!Eameses’!designs!were!targeted!at!the!middle!and!upper!classes,!aligning!
much!of!their!work!with!a!particular!kind!of!American!glamour,!one!explored!
thoroughly!in!Alice!Friedman’s!book.!She!defines!American!glamour!as!an!aesthetic!
ideal!in!modern!consumer!culture!as!well!as!a!cultural!aspiration.10 In postwar
America, glamour became highly gendered. It was associated with the home and
sponsored by the intense production and consumption of consumer goods directed as
women. Indeed domestic products became the focus of consumption defined American
life both at home and abroad.!
The!first!chapter!focuses!on!the!Eames!House,!the!abode!designed!by!the!
couple!just!outside!of!Los!Angeles.!Originally!designed!for!the!Case!Study!House!
Program!and!highlighted!in!Arts(&(Architecture,(it!quickly!became!a!model!of!
modern!living.!Instead!of!focusing!on!the!home’s!impact!on!modern!architectural!
practices,!I!used!the!film!they!created,(House:(After(Five(Years(of(Living,!to!argue!that!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!10 Friedman, American Glamour, 4.
!!7!
items!within!the!home!–!its!interior!decoration!–!were!equally!important!to!the!
couple.!While!the!film!represents!an!early!attempt!by!Charles!and!Ray!Eames!to!
control!the!perception!of!their!work,!the!house’s!reception!in!popular!magazines!
indicates!that!they!did!not!yet!have!complete!control!over!their!pubic!image.!Indeed,!
the!house’s!presentation!in!Life!and!Vogue!marketed!the!home!as!ideal!for!the!new!
relaxed!lifestyle!of!the!middle!class!family,bb!a!model!challenged!by!the!Charles!and!
Ray’s!working!partnership.!!
! The!Eames!Lounge!Chair!and!Ottoman!is,!perhaps,!their!most!acclaimed!and!
iconic!product.!The!chair!broke!from!the!Eameses’!early!goal!to!provide!affordable!
furniture!to!the!average!American,!!illustrating!a!shift!in!the!couple’s!focus!from!
democratizing!design!to!targeting!wealthier!clients!and!corporations.!Although!
chapter!two!discusses!the!chair!within!this!context,!it!also!addresses!the!
complexities!of!Charles!and!Ray’s!relationship!through!the!gendered!depiction!of!
the!chair!in!advertisements!and!television!shows.!By!analyzing!how!the!chair!was!
marketed!and!received,!I!show!that!it!marks!a!pivotal!point!the!in!the!Eameses’!
career.!It!reveals!their!intense!desire!to!maintain!control!over!the!marketing!and!
meaning!of!their!products!in!order!to!better!align!them!with!their!design!ideals!and!
pedagogy.!!
! The!final!chapter!examines!the!Eameses’!multibscreen!film!for!the!American!
National!Exhibition!in!Moscow,!Glimpses(of(the(U.S.A.(Created!in!1959,!the!film!
addresses!the!political!and!social!tensions!between!the!United!States!and!the!Soviet!
Union!during!the!Cold!War.!Drawing!on!methods!they!developed!earlier!in!their!
!!8!
careers,!Charles!and!Ray’s!portrayal!of!a!day!in!the!life!of!an!average!American!
focused!on!similarities!between!the!American!and!Russian!people!to!provide!a!
positive!introduction!to!the!exhibition!and,!at!the!same!time,!propagandize!the!high!
standard!of!living!available!in!the!United!States.!The!exhibition!exemplified!the!
United!States!government’s!attempt!to!use!domestic!products!as!evidence!for!
capitalism’s!superiority!over!communism.!However,!the!multibscreen!film!also!
provides!visual!evidence!for!the!Eameses’!skill!in!the!selection!and!juxtaposition!of!
images.!!
! Although!my!project!draws!on!previous!scholarship,!it!stands!apart!in!that!
my!analysis!relies!heavily!on!the!close!examination!of!a!few!objects!through!the!
Eameses’!increasingly!disciplined!use!of!images.!The!Eameses’!insistence!on!
controlling!the!image!of!their!work!discloses!a!tension!between!their!vision!and!
America’s!perception!of!their!working!relationship,!designs,!and!life.!Together,!the!
three!case!studies!discussed!in!this!paper!trace!the!way!in!which!Charles!and!Ray!
Eames!became!far!more!sophisticated!in!how!they!utilized!multimedia!to!present!
particular!messages!about!themselves,!their!work,!and!their!belief!systems.!!
!!
********
!
9!
Chapter(1(–(The(Eames(House(!
When!the!Eames!House!debuted!in!Arts%&%Architecture%in!1949,!it!was!
immediately!embraced!for!the!domestic!ideals!it!established!for!modern!America.!
Countless!magazines!and!newspapers!articles!in!publications!ranging!from!Arts%&%
Architecture!to%Vogue!to!Life,!championed!the!house!as!a!model!of!relaxed!glamour!
and!modern!architecture!that!made!room!for!living.!Examining!the!Eames!House!
through!its!contemporary!reception!in!various!publications!reveals!the!myriad!ways!
it!portrayed!postCwar!middleCclass!ideals!of!domestic!design!and!modern!lifestyle.!
However,!the!Eameses’!film,!House:%After%Five%Years%of%Living!also!reveals!an!early!
attempt!at!controlling!the!way!in!which!their!home!was!viewed,!focusing!on!the!
details!they!deemed!essential!to!understanding!their!values!and!belief!systems.!The!
Eameses!utilized!imagery!to!communicate!the!importance!of!quality!materials!in!
design!and!unique,!personalized!details!in!order!to!retain!a!human!element!in!a!
postwar,!modern!household.!!!
!
The(House(
! The!Eames!House!sits!upon!a!1.4Cacre!piece!of!land!that!overlooks!the!Pacific!
Ocean!from!the!top!of!a!150Cfoot!cliff!in!Pacific!Palisades,!California.!Constructed!
mainly!from!prefabricated!steel,!glass,!and!other!industrial!materials,!the!house!is!
divided!into!two!separate!two!high!rectangular!buildings!that!are!connected!by!a!
small!patio!(Figure!1).!Painted!black,!the!steel!frame!of!the!structure!divides!the!
façade!of!each!building!into!smaller!rectangular!segments!of!either!large,!expansive!
!!10!
windows!and!doors!or!stucco!painted!various!colors,!including!white,!gray,!red,!
blue,!and!yellow,!that!recall!Mondrian!paintings!and!the!De!Stijl!aesthetic.!A!large,!
natural!meadow!lined!with!trees!expands!before!the!house!and!separates!it!from!the!
cliff!at!the!other!end!of!the!property.!The!Eameses!took!full!advantage!of!the!trees!
on!the!site,!using!eucalyptus!trees!to!break!the!sharp,!colorful!plains!of!the!house,!
create!natural!wallpaper!for!the!interior,!and!provide!shade!from!the!California!sun.!!
Old!railway!sleepers!formed!the!pathway!running!in!front!of!the!two!
buildings,!providing!a!walkway!from!the!street!to!the!home.!The!studio,!where!the!
Eameses!Office!primarily!operated!until!1958,!is!the!smaller!of!the!two!buildings!
and!the!first!visible!upon!approach!from!the!street.!The!Eameses!positioned!it!as!the!
public!interface!of!the!site,!their!personal!living!space!shielded!for!more!privacy.!The!
twobstory!building!contains!an!open!workspace!and!dark!room!on!the!lower!floor!
with!storage!space!and!a!small!sleeping!area!for!employees!working!late!hours!on!
the!top!floor.!The!interior!has!primarily!white!walls!that!the!Eameses!used!as!blank!
canvases!to!illustrate!their!ideas.!!
The!domestic!area!of!the!house!boasts!an!open!floor!plan!and!is!considerably!
larger!than!the!studio!space!adjacent!to!it.!When!a!visitor!came!to!the!home!from!the!
studio,!she!entered!the!kitchen.!Relatively!small,!the!kitchen!counters!and!
cupboards!from!a!Ubshape,!allowing!for!a!hall!to!run!along!the!front!of!the!building!
before!opening!up!to!the!living!space!with!double!high!ceilings.!The!floor!plan!is!
open,!allowing!the!Eameses!to!move!furniture!and!objects!freely!throughout!the!
!!11!
space.!A!small!nook!lined!with!couches!juts!off!the!living!room!and!establishes!a!
cozy!living!area!(Figure!2).!!
A!spiral!staircase!in!the!hall!leads!to!an!upper!level!that!has!approximately!
half!the!square!footage!of!the!lower!level!and!holds!the!Eameses’!bedroom!that!is!
tucked!towards!the!back!of!the!house.!The!walls!of!the!domestic!space,!like!the!
studio,!are!white,!save!for!the!northern!wall!of!wood!paneling!that!adds!a!warm,!
welcoming!feeling!established!through!the!use!of!the!natural!material.!!The!house!
itself!is!largely!plain,!working!as!a!frame!what!the!Eameses!called!“functioning!
decoration.”11!Functioning!design,!as!Kirkham!defines!it,!is!a!term!the!Eameses!used!
to!“describe!their!carefully!composed!arrangements!of!disparate!objects,!some!of!
which!were!quite!small,!with!interior!spaces.!The!aesthetic!was!one!of!addition,!
juxtaposition,!composition,!changing!scales,!and!‘extra!cultural!surprise.’”12!
The!original!design!for!the!Eames!House!consisted!of!an!“L”!shape!plan!that!
included!a!bridgeblike!structure!that!elevated!the!house!and!provided!a!direct!line!of!
sight!to!the!Pacific!Ocean!(Figure!3).13!When!the!building!materials!were!delivered!
to!the!sight,!however,!Charles!and!Ray!significantly!altered!the!layout!and!design!of!
the!house!to!fit!their!needs!as!a!professional!couple.14!!The!revised!plan!simplified!
the!design,!removed!the!bridge,!and!reoriented!the!house!toward!the!wild!meadow!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!11!For!a!discussion!on!Eames!“functioning!design,”!see!Kirkham,!Charles(and(Ray(Eames:!168b170.!!12!Kirkham,!Charles(and(Ray(Eames,(164.!!13!James!Steele,!Eames(House,(9.!14!Esther!McCoy,!Modern(California(Houses:(Case(Study(Houses(1945H1962((New!York:!Reinhold!Publishing,!1962),!54.!
!!12!
that!the!Eameses!increasingly!embraced!(Figure!4).15!The!first!design!cut!into!the!
meadow,!splitting!it!in!half!to!provide!an!advantageous!view!of!the!ocean.!By!
retaining!the!meadow,!Charles!and!Ray!Eames!repositioned!the!house!and!enabled!
the!Eameses!to!utilize!existing!trees!as!a!natural!screen!for!the!home.!However,!this!
decision!placed!the!house!closer!to!the!Entenza!House!and!created!the!need!for!a!
retaining!wall,!which!significantly!increased!the!overall!cost!of!construction.16!!
! Constructed!of!two!rectangular!buildings,!the!Eames!house!accommodated!
Charles!and!Ray’s!personal!and!professional!lives!and!highlighted!the!couple’s!
unique!relationship.!As!both!working!and!sexual!partners,!the!Eameses!were!not!the!
typical!married!couple.!The!separate!workspace!allowed!for!privacy!away!from!
other!employees!in!the!Eames!Office,!but!allowed!Charles!and!Ray!easy!access!to!
their!projects.!Their!domestic!and!professional!spheres!had!a!similar!structure,!
allowing!the!separate!parts!to!constantly!converse!and!intersect!with!each!other.!!!
The!Eameses’!unique!needs!and!modern!aesthetic!mandated!an!innovative,!
open!design!plan!that!utilized!contemporary!industrial!materials.!Nevertheless,!they!
domesticated!its!industrial!construction!with!woodbpaneled!walls!and!the!
reintroduction!of!decorative!objects!into!the!interior.!As!Esther!McCoy!aptly!states,!
the!Eameses!had!“an!affection!for!objects,”!an!ideal!rooted!in!the!Arts!&!Crafts!
movement!aesthetics!and!associated!with!Cranbrook.17!The!couple!brought!back!
interesting!trinkets!and!items!found!on!their!world!travels!and!positioned!them!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!15!Kirkham,!Charles(and(Ray(Eames,!114.!!16!Steele,!Eames(House,!9.!17!Esther!McCoy,!“An!affection!for!objects,”!Progressive(Architecture,(August!1973,!67.!!
!!13!
within!the!home.!Often,!their!positioning!challenged!the!way!people!thought!about!
objects!by!presenting!them!in!new!ways!and!adding!unexpected!excitement.!For!
example,!on!many!surfaces,!the!Eameses!arranged!natural!pieces!such!as!plants,!
stones,!and!tumbleweeds!with!objects!such!as!bowls,!dolls,!and!textiles!taken!from!
different!locations!and!cultures.!Putting!crafted!objects,!pieces!of!high!art,!
housewares,!and!other!found!items!in!close!proximity,!they!created!thoughtb
provoking!associations!and!juxtapositions!(Figure!2).!The!Eameses!positioned!the!
personal!items!within!the!home!after!painstaking!planning!that!involved!the!use!of!
photographs,!which!would!become!increasingly!important!throughout!the!couple’s!
long!career.!Looking!back!on!the!process,!Ray!said:!!
We!used!to!use!photographs.!We!would!cut!out!pieces!for!photographs!and!put!them!onto!a!photograph!of!the!house!to!see!how!different!things!would!look.!For!instance!–!there!was!a!space!in!the!studio!we!wanted!filled.!It!was!between!the!depth!of!the!floor!where!it!opens!for!the!stairs!(this!is!not!so!in!the!house,!where!there!is!a!balcony!rail).!We!wondered!what!to!do.!We!had!some!pier!pylons!from!Venice!pier!(we!wanted!to!keep!something!of!it!to!remember!it!by).!Well,!we!had!pictures!of!it,!glued!it!onto!a!photo!and!decided!it!worked!so!we!went!ahead!and!did!it.18!
!!House:'After'Five'Years'of'Living'
!! Indeed,!the!house!itself!stood!as!a!modernistic!frame!for!the!unique!objects!
within!the!home.!The!Eameses’!film,!House:(After(Five(Years(of(Living,!reinforced!the!
importance!of!the!objects!to!the!Eameses’!conception!of!the!house.!Composed!of!
hundreds!of!slides!created!over!the!first!years!they!occupied!the!home,!the!film!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!18!Oral!history!interview!with!Ray!Eames,!1980!July!28bAug.!20,!Archives!of!American!Art,!Smithsonian!Institution.!
!!14!
presented!still!images!to!the!rhythm!of!the!upbeat,!cheerful!music!composed!by!
Elmer!Bernstein.!The!first!several!shots!are!of!the!exterior!of!the!home,!introducing!
the!viewer!to!the!subject!of!the!film.!However,!the!emphasis!on!details!within!the!
interior!soon!becomes!apparent!as!closely!cropped!images!focus!on!textures!and!
patterns!as!well!the!couple’s!massive!collection!of!objects!and!botanicals!(Figure!
5).19!For!example,!scenes!of!Eames!windows!shift!to!a!still!life!of!hairbrushes,!
trinkets,!and!shells!Ray!carefully!arranged!on!a!polka!dotted!textile.!Images!of!
design!supplies,!toys,!dolls,!paintings,!furniture,!and!various!other!objects!around!
the!home!are!given!far!more!attention!that!the!architecture.!Together,!the!
overwhelming!number!of!images!creates!a!consistent!vision!of!modern!space!that!is!
transformed!into!a!playful,!yet!functional!space!through!juxtapositioned!objects.!!
For!the!Eameses,!the!Case!Study!house!embodied!their!vision!of!domestic!life!
and!professional!partnership.!However,!they!also!employed!it!to!promote!their!
brand,!targeting!various!constituencies!through!a!range!of!media.!Advertisements,!
magazines,!film,!and!other!publicity!materials!indicate!the!myriad!ways!the!Eames!
House!became!part!of!middlebclass!American!popular!culture.!The!plethora!of!
images!reinforced!the!assimilation!of!the!Eames!aesthetic!into!various!circles!of!
industry,!art,!retail,!and!fashion.!Popular!magazines!proclaimed!that!the!modern!
lifestyle!was!for!everyone;!it!was!built!around!a!singlebfamily!home!where!
Americans!could!relax!and!take!advantage!of!the!timesaving!appliances!that!made!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!19!To!select!images,!the!Eameses!laid!slides!out!on!the!table!and!drew!connections!between!images!with!pencils!and!colored!pens.!See!Kirkham,!Charles(and(Ray(Eames,!188.!!
!!15!
leisure!not!a!luxury,!but!an!entitlement.!Photographs!of!modern!interiors!flooded!
these!publications,!offering!design!advice!and!marketing!consumer!goods!through!
product!placement.!By!examining!the!presentation!of!the!Eames!house!in!three!
particular!magazines!–!Arts(&(Architecture,!Vogue,!and!Life!–!it!becomes!clear!that!
the!Eameses’!House!was!interpreted!in!a!variety!of!ways!that!met!the!needs!of!
middlebclass!audiences!committed!to!contemporary!architecture,!to!modern!
lifestyles,!and!to!the!ideal!of!the!nuclear!family!as!the!foundation!of!American!
culture.!!
!
Arts'&'Architecture'
The!Eames!House!was!conceived!as!part!of!Arts(&(Architecture’s!prestigious!
Case!Study!House!Program,!launched!in!1945.!Arts(&(Architecture(was!founded!in!
the!1910s!as!a!home!and!garden!magazine!that!portrayed!California’s!picturesque!
luxury!homes.20!When!John!Entenza!bought!the!magazine!in!1938,!he!revamped!its!
image!and!emphasis!to!focus!on!international!modern!architecture!that!blurred!the!
line!between!architecture!and!design.!Entenza!also!shifted!attention!away!from!
luxury!homes!to!lowbcost!housing!that!solved!sitebspecific!problems!such!as!a!lessb
thanbideal!natural!landscape!or!specific!needs!of!a!patron.21!In!this!way,!he!catered!
to!the!many!young!architects!and!designers!that!migrated!to!California!before!the!
onset!of!the!Great!Depression.!This!highly!intellectual!and!optimistic!community!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!20!Esther!McCoy,!Blueprints(for(Modern(Living:(History(and(Legacy(of(the(Case(Study(Houses((Los!Angeles:!Museum!of!Contemporary!Art,!1989),!145.!21!For!instance,!McCoy,!Blueprints(for(Modern(Living,(145.!!
!!16!
aspired!to!create!an!architecture!that!engaged!the!newest!technologies!and!trends!
in!design.22!!However,!the!magazine’s!designs!remained!strictly!theoretical!as!the!
economic!realities!of!the!Great!Depression!and!World!War!II!drastically!reduced!
architectural!construction!until!the!late!1940s.23!With!the!end!of!the!war,!Entenza!
and!the!architects!he!championed!sought!to!realize!the!ideals!that!had!been!
gestating!for!over!a!decade.!
! Entenza’s!architectural!interests!coincided!with!the!national!and!domestic!
ideals!that!blossomed!as!soldiers!returned!from!war!in!1945.!The!home!became!the!
focus!of!consumption!and!the!centerpiece!of!American!life,!representing!democratic!
and!capitalistic!ideals!as!the!United!States!entered!the!Cold!War!with!the!Soviet!
Union!in!the!early!1950s.!Entenza!and!others!predicted!a!housing!shortage!following!
the!end!of!World!War!II!and!attempted!to!create!models!for!what!they!believed!and!
hoped!postwar!America!would!look!like.!The!focus!of!Arts(&(Architecture!turned!to!
design!and!architecture!that!utilized!new!technologies!and!trends!as!well!as!
household!conveniences!the!expanding!middle!class!now!sought!to!take!full!
advantage!of!with!their!increased!spending!power.24!!
Entenza!introduced!the!Case!Study!house!program!in!a!1945!issue!of!the!
magazine!dedicated!to!postwar!living.!!Entenza!intended!Case!Study!homes!to!be!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!22!Karal!Ann!Marling,!As(Seen(on(TV:(The(Visual(Culture(of(Everyday(Life(in(the(1950s((Cambridge:!Harvard!University!Press,!1994),!147.!!23!Neuhart,!Neuhart,!and!Eames,!Eames(Design,!49.!!24!Discussed!further!in!George!Nelson!and!Henry!Wright,!Tomorrow’s(House:(A(Complete(Guide(for(the(HomeHBuilder((New!York:!Simon!and!Schuster,!1946),!2,!79b80.!
!!17!
lowbcost,!experimental!modern!prototypes!that!epitomized!the!aspirations!of!
modern!architects!in!California.25!The!program!announcement!stated:!
[Each]!house!must!be!capable!of!duplication!and!in!no!sense!be!an!individual!‘performance’…!It!is!important!that!the!best!material!available!be!used!in!the!best!possible!way!in!order!to!arrive!at!a!‘good’!solution!of!each!problem,!which!in!the!overall!program!will!be!general!enough!to!be!of!practical!assistance!to!the!average!American!in!search!of!a!home!in!which!he!can!afford!to!live.26!!
Entenza!originally!invited!eight!architects!and!firms!to!participate,!but!expanded!it!
to!include!thirtybsix!designs,!thirtybfour!of!which!were!actualized!before!Entenza!
sold!the!magazine!in!1966.27!Since!Entenza!personally!invited!all!the!architects!that!
partook!in!the!program,!the!Case!Study!homes!reflected!the!editor’s!personal!
inclinations!toward!the!International!Style!and!complete!design.!The!many!homes!
including!Case!Study!House!#22,!the!Stahl!House,!consisted!of!clean!and!largely!
white!steel!constructions!that!remained!unornamented!and!utilized!geometric!
forms!and!minimalist!design.!However,!like!the!Eames!House,!the!Stahl!House!
accounted!for!and!was!largely!planned!around!the!site,!incorporating!the!
surroundings!within!the!house!and!utilizing!the!indoorboutdoor!lifestyle!available!in!
California.!!
The!Eameses’!relationship!with!Entenza!and!the!production!of!Arts(&(
Architecture(helped!to!solidify!Charles!as!the!designer!of!two!houses!within!the!Case!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!25!Elizabeth!A.!T.!Smith,!Case(Study(Houses(1945H1966:(The(California(Impetus((London:!Taschen!Publishing,!2007),!6.!26!John!Entenza,!“The!Case!Study!House!Program,”!Arts(&(Architecture(58!(1945),!38.!!27!Steele,!Eames(House:(Charles(and(Ray(Eames((London:!Phaidon,!1994),!8.!
!!18!
Study!House!program.28!Charles!Eames!and!Eero!Saarinen!designed!Case!Studies!#8!
and!#9,!the!first!was!Charles!and!Ray’s!home!.!When!Arts(&(Architecture(featured!the!
house,!it!presented!the!second!design!to!readers.!The!article(depicts!the!home!in!
final!stages!of!completion!(Figure!6).!Workers!putting!the!finishing!touches!on!the!
construction!are!the!only!individuals!portrayed!in!the!magazine’s!story!and!little!
furniture!is!visible!within!the!home.!The!images!used!by!the!magazine!focus!on!the!
floor!plan!and!the!materials!used!in!construction,!proudly!pronouncing!the!use!of!
high!quality!materials!while!keeping!the!construction!costs!to!a!minimum.!The!
humanizing!designs!and!objects!the!Eameses!added!to!the!interior!went!
unmentioned!along!with!the!cost!of!the!furniture,!which!allowed!the!magazine!to!
remain!true!to!its!emphasis!on!modernist!design!at!reasonable!prices.!!
However,!the!house’s!“functional!design”!was!essential!to!the!Eameses’!
conception!and!realization!of!it!added!a!human!touch!to!the!otherwise!cold,!clean!
aesthetic!of!the!building.!The!magazine’s!attention!to!the!structure!as!opposed!to!the!
way!the!Charles!and!Ray!chose!to!live!within!it!shows!a!difference!between!the!
ideologies!of!the!Eameses!and!Entenza.!Although!predominately!an!avantbgarde!
magazine,!Arts(&(Architecture!boasted!a!relatively!large!readership!due!to!its!focus!
on!particularly!“American”!conceptions!of!architecture!targeted!at!the!upperbmiddle!
class!as!well!as!young!professionals.29!Entenza’s!target!group!largely!aligned!with!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!28!Charles!wrote!many!articles!for!Arts(&(Architecture!and!partook!in!round!table!discussions!on!the!aesthetics!and!direction!of!postwar!architecture!while!Ray!designed!well!over!twenty!magazine!covers.!Refer!to!Steele,!Eames(House,(9.!29!“The!Junkman’s!Pile!Moves!toward!the!Munitions!Factory,”!Life!(April!1937),!64b68.!
!!19!
the!Museum!of!Modern!Art’s!“Good!Design”(shows!that!attempted!to!educate!
individuals!who!were!conscious!about!design!trends!and!had!the!funds!to!pay!for!
them.30!Although!many!midcentury!designers!and!architects,!including!the!Eameses,!
attempted!to!keep!the!price!of!their!products!low,!the!combination!of!high!quality!
materials,!sound!construction,!and!product!development!put!this!aesthetic!outside!
the!reach!of!many!Americans!who!turned!to!lower!quality!imitations!that!needed!
frequent!replacement!and!encouraged!a!disposable!lifestyle.!!
Entenza’s!vision!of!relaxed!California!glamour!trequired!a!level!of!neatness!
uncommon!for!the!average!American!–!and!the!Eameses.!The!objects!within!the!
couple’s!home!were!largely!personal!and!added!considerable!clutter!to!the!space,!
and!custom!furniture,!fine!art,!and!found!objects!took!away!from!the!focus!on!the!
structure!and!industrial!materials!that!applied!to!postwar!construction!across!the!
United!States.!Although!Arts(&(Architecture!sought!to!define!architecture!and!set!a!
standard!of!acceptable!consumption!after!the!war,!its!narrow!definition!of!
modernism!appealed!less!to!the!masses!than!architects!and!the!design!conscious.31!!
On!the!one!hand,!the!Eameses’!house!fulfilled!the!intention!of!the!program!
better!than!the!previous!homes!in!that!it!used!prefabricated,!standardized!industrial!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!30!Mary!Anne!Staniszewski,!The(Power(of(Display:(A(History(of(Exhibition(Installations(at(the(Museum(of(Modern(Art!(Cambridge,!MA:!MIT,!1998).!31!Most!people!only!knew!these!modern!houses!from!pictures!in!magazines,!so!developers!did!not!need!to!duplicate!the!experience!of!being!inside!these!unique!creations.!They!just!needed!to!add!a!few!aspects,!like!a!sliding!door!patio!and!a!picture!window!in!the!front!to!increase!the!feel!of!spaciousness!in!the!suburbs.!See!Lynn!Spigel,!Welcome(to(the(Dreamhouse:(Popular(Media(and(Postwar(Suburbs((Durham,!NC:!Duke!UP,!2001),!32.!!
!!20!
materials!such!as!concrete,!glass,!and!steel.32!By!breaking!from!the!previous!woodb
framed!constructions,!the!Eames!House!created!a!new!precedent!for!Case!Study!
houses!to!follow.33!Subsequent!houses,!such!as!Richard!Neutra’s!Case!Study!#13,!
utilized!steel!instead!of!the!wood!construction.!!
! On!the!other!hand,,!the!Eames!House!did!not!fully!represent!the!ideals!the!
program!because!the!Eameses!designed!it!for!themselves,!not!the!average!middleb
class!family.!The!Eameses!had!unique!needs,!as!they!required!a!studio,!dark!room,!
and!a!space!for!furniture!production.34!As!Dolores!Hayden!suggests!of!designers!of!
the!time,!“[They]!simply!assumed!that!they!could!generalize!about!‘the!American!
family’!from!their!own,!and!their!clients’,!elite!vantage!point.”35!!
In!the!end,!the!Eames!house!represented!a!key!tension!in!the!Case!Study!
program:!the!homes!were!intended!to!address!architectural!challenges!and!solve!
social!problems,!not!meet!the!needs!of!individual!homebowners.!The!Eames!House,!
like!many!of!their!later!projects!including!the!Lounge!Chair!and!Ottoman,!offered!
such!a!solution.!The!final!design!created!a!model!for!living!in!close!quarters!with!
neighbors!while!maintaining!privacy,!as!well!as!combining!private!and!public!
spheres!in!a!small!space.!As!Charles!said,!“Case!Studybwise,!it!is!interesting!to!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!32!Neuhart,!Neuhart,!and!Eames,!Eames(Design,(45.!33!Neuhart,!Neuhart,!and!Eames,!Eames(Design,!49.!!34!McCoy,!Modern(California(Houses,!54.!35!Dolores!Hayden,!“Model!Houses,”!Blueprints(for(Modern(Living:(History(and(Legacy(of(the(Case(Study(Houses,((Lost!Angeles:!Museum!of!Contemporary!Art,!1989),!209.!
!!21!
consider!how!the!rigidity!of!the!system!was!responsible!for!the!free!use!of!space!and!
to!see!how!the!most!matterbofbfact!structure!resulted!in!pattern!and!texture.”36!
!
Vogue!
! !From!its!start!in!1892,!Vogue!defined!American!taste!and!decorum!and!
became!the!arbiter!of!fashion!for!the!social!elite.!Dedicated!to!high!society!living,!the!
lushly!illustrated!magazine!provided!a!voyeuristic!glimpse!into!the!lives!of!the!
wealthiest!individuals!through!and!used!carefully!composed!photographs!to!
encourage!the!reader!to!model!herself!and!her!home!after!the!article’s!protagonists.!
Vogue!tracked!the!lives!of!the!elite,!along!with!their!sophisticated!style!and!taste!in!
art!and!leisure!for!a!readership!that!was!eager!to!utilize!its!new!wealth!and!act!out!
its!social!ambitions.!Vogue’s!unique!influence!on!the!American!public!gave!it!
unparalleled!access!to!important!style!makers,!who!aimed!to!supply!the!inspiration!
and!aspiration!for!a!glamorous,!modern!lifestyle.!!
! Throughout!the!1940s,!Dr.!M.!F.!Agha!was!the!Art!Director!for!major!
publications!such!as!Vogue!and(Vanity!Fair(as!well!as!other!high!fashion!magazines!
that!had!international!readerships.!He!created!the!modern!and!integrated!approach!
to!the!layout!of!feature!articles!on!fashion,!travel,!health,!and!other!activities!that!
characterized!modern!living.37!His!absymmetrical,!streamlined!designs!championed!
photographs!as!advertising!material!and!minimized!the!use!of!text!and!illustrations!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!36!Charles!Eames,!“Merit!Specified!Case!Study!House!1949,”!in!Arts(&(Architecture(66,!no.!25!(1949),!8.!!37!Allene!Talmey,!“Eames,”!Vogue,(August!15,!1959,!124b129.!!
!!22!
to!increase!visual!impact.!!Photograph!layouts!within!Vogue,!especially,(stressed!
experimentation!with!design!decisions!regarding!color!and!composition38!!
! The!Eames!House!was!featured!within!the!pages!of!Vogue(multiple!times!
throughout!the!1950s.!In!April!1954,!the!magazine!used!the!home!as!a!frame!for!the!
modern!California!lifestyle!Vogue(championed!within!the!issue.!The!magazine!
claimed!that!twobpiece!houses!were!the!new!practical!form!of!living,!supplying!a!
necessary!segregation!between!living!quarters!and!working!rooms!in!order!to!
create!a!new!form!of!escapism!while!remaining!at!home.!The!article!went!on!to!
argue!that!the!relaxed!California!lifestyle!was!spreading!across!the!country,!
encouraging!informal!social!living!with!an!emphasis!on!enjoying!the!outdoors!from!
within!glass!walls.!Vogue’s!audience!agreed,!and!these!California!ideas!would!spread!
to!summerhouses!everywhere.39!!!
! The!photographs!of!the!Eames!house!focused!on!models!wearing!beach!
attire,!the!perfect!fashion!statement!for!leisurely!living!(Figures!7b8).!The!mats!
within!the!home!make!the!floor!useful!as!a!table,!with!all!necessary!objects!within!
the!model’s!reach.!Positioned!in!the!corner!of!the!living!room,!the!photographs!
focused!attention!on!the!wall!of!glass!windows.!Fashion!models!lie!and!stand!within!
the!open!space,!bathed!in!the!California!sunlight,!emphasizing!the!expansive!
windows!of!the!modern!home.!The!Eames!House!provides!a!frame!for!living,!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!38!“The!first!photographic!cover!of!Vogue!was!a!watershed!in!the!history!of!fashion!illustration!and!a!watershed!mark!of!its!decline.!Photographs,!no!matter!how!altered!or!retouched,!will!always!have!some!association!with!reality!and!by!association!truth.”!Laird!Borrelli,!Fashion(Illustration(Now,!(London:!Thames!&!Hudson,!2000),!39!Karen!Radkai,!“New!California!Ideas!Spreading!West!to!East,”!Vogue,!April!15,!1954,!60b61,!66b67,!82b83.!!
!!23!
allowing!the!space!to!be!transformed!according!to!the!owner’s!needs;!in!this!case,!
sunbathing!in!the!latest!trends.!!
! In!August!1959,!the!house!was!again!the!subject!of!a!multipage!spread!
focusing!on!Charles’!life!and!work:!“Eames!is!not!only!a!Twentiethbcentury!man,!he!
may!be!verging!on!the!Twentybfirstbcentury!Man.”40!The!article!talks!about!the!
Eameses’!lifestyle!and!designs,!celebrating!Charles’s!artistry!and!ignoring!Ray’s!
active!role!in!the!pair’s!innovative!designs,!In!fact,!in!one!of!the!few!references!to!
Ray,!the!writer!focused!on!her!appearance:!“Although!she!is!not!actually!pretty,!she!
has!enormous!attractiveness,!partly!because!she!looks!full!of!pleasure,!warm,!
enthusiastic!–!a!delighted,!happy!woman!with!just!a!spark!of!temper.!Whatever!she!
touches!becomes!beautiful,!without!any!deliberate!thinking!on!her!part.”41!Clearly,!
Ray!did!not!embody!Vogue’s!ideal!of!physical!beauty;!however,!she!did!align!with!
the!woman’s!role!of!beautifying!the!home.!Vogue’s!coverage!of!the!couple’s!lives!
positioned!Ray!within!traditional!gender!roles,!underestimating!her!essential!
contributions!to!the!couple’s!achievements.!While!describing!the!house,!credit!again!
went!to!Charles,!explaining!that!the!house!fulfilled!his!needs!of!low!cost!housing!
with!a!separate!workspace.!Aligning!the!Eameses!with!an!upper!class!lifestyle,!
Vogue!carefully!points!out!their!use!of!a!maid!to!keep!the!space!clean.!!
! One!photograph!within!the!spread!included!the!Eames!House!while!the!
others!focused!on!Eames!designs!and!Charles’!attractive!smile!(Figure!9b10).!The!
photograph!of!the!home!was!taken!within!the!living!room!with!the!large!glass!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!40!Allene!Talmey,!“Eames,”!Vogue,(August!15,!1959,!60b88.!41!Allene!Talmey,!“Eames,”!Vogue,!August!15,!1959,!60b88.!
!!24!
windows!as!a!backdrop.!Ray!and!Charles!sit!on!the!floor!in!the!bottom!of!the!
photograph,!beaming!from!ear!to!ear!and!hugging!their!knees!(Figure!10).!The!
photograph!emphasizes!the!house’s!modern!aesthetic!at!the!expense!of!the!personal!
items!decorating!it.!A!painting!by!Hans!Hoffman!is!one!of!the!few!objects!included!in!
the!photograph,!aligning!the!couple!with!high!society!art!collectors.!These!carefully!
cropped!images,!Vogue!emphasizes!Charles!as!the!designer!of!American!glamour!
and!the!couple!as!its!domestic!embodiment.!!
!
Life'
! Although!highbrow!publications!utilized!the!modern!design!of!the!Eames!
House,!popular!social!magazines!such!as!Life!took!a!more!humanistic!approach!to!
the!subject!by!supporting!a!varied!set!of!social!ideals.!Like!Arts(&(Architecture,(Life(
developed!in!the!late!1930s!and!was!driven!by!the!image!of!the!American!Dream.42!
Life(purportedly!depicted!everyday!life!of!popular!America.!The!editor,!Henry!Luce,!
provided!interest!and!enabled!people!to!see!this!kind!of!lifestyle!through!the!pages!
of!his!magazine.43!To!Luce,!pleasure!was!in!the!visual,!and!from!its!early!stages,!Life!
emphasized!high!quality!photography!and!graphics!as!well!as!the!portrayal!of!
comfortable,!suburban!living!aided!by!labor!saving!domestic!technologies.44!!
As!the!years!progressed,!Life(became!one!of!the!most!popular!and!influential!
publications!in!the!United!States.!In!the!late!1940s!and!early!1950s!–!the!prime!time!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!42!Terry!Smith,!“LifebStyle!Modernity:!Making!Modern!America,”!in!Looking(at(Life(Magazine,(ed.!Erika!Doss((Washington,!D.C.:!Smithsonian!Institution,!2001),!25.!!43!Smith,!“LifebStyle!Modernity,”!28.!44!Friedman,!American(Glamour,!2.!
!!25!
of!the!Case!Study!House!program!and!Arts(&(Architecture(–(Life!reached!its!highest!
readership!and!claimed!that!“twentybone!percent!of!the!entire!population!over!ten!
years!old,”!or!22.5!million!people!read!the!magazine!consistently.45!When!television!
took!over!as!the!leading!source!in!information!transfer,!Life(subscriptions!did!not!
suffer.!In!fact,!Life!claimed!people!who!read!their!magazine!more!likely!owned!a!
television!than!nonreaders.46!!
Although!the!magazine!claimed!to!represent!the!average!American,(Life(
portrayed!a!carefully!planned!and!edited!picture!of!American!culture.!It!formed!
opinions!of!modern!life;!it!showed!a!lifestyle!that!embraced!modernism;!and!it!
revealed!Americans!how!to!create!this!lifestyle!for!themselves.47!Life’s!main!
readership!fit!comfortably!within!the!middle!class!and!usually!lived!in!urban!areas,!
rarely!in!small!towns!and!on!farms.48!
Life!targeted!people!“in!the!know”!and!showed!the!latest!and!greatest!
technological!developments!produced!at!the!time.!In!this!way,!like!with!Arts(&(
Architecture,(Life!appeared!at!the!perfect!time.!Technological!breakthroughs,!
including!kitchen!appliances,!cameras,!and!other!utilitarian!objects,!appeared!on!the!
pages!of!Life.(The!images!within!the!magazine!celebrated!a!life!of!luxury!and!
pleasure,!with!middlebclass!Americans!surrounded!by!the!most!innovative!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!45!Field,!The(People(Look(at(Radio,!99.!!46!Baughman,!“Who!Read!Life?,”!in!Looking(at(Life(Magazine,(ed.!Erika!Doss((Washington,!D.C.:!Smithsonian!Institution,!2001),!45.!47!Most!magazines!did!not!target!the!lower!class!because!they!assumed!that!lower!waged!workers!would!not!have!the!necessary!expendable!income!to!regularly!purchase!magazine!subscriptions,!see!Baughman,!“Who!Read!Life?”!43.!48!Baughman,!“Who!Read!Life?”!43.!
!!26!
appliances!in!the!most!fashionable!settings.49!The!magazine!supported!America’s!
image!of!itself!as!both!exceptional!and!uniquely!favored!because!of!its!embrace!of!
modern!technologies!and!its!promotion!of!consumerism!and!capitalism!
Modern!architecture!provided!the!setting!of!many!images!within!the!magazine,!
especially!in!the!middle!of!the!20th!century.!In!the!September!1950!issue!of!Life,(the!
recently!completed!Eames!House!was!featured!in!a!sixbpage!spread.50!Not!only!does!
this!speak!to!the!importance!of!modern!architecture!and!living!to!the!magazine,!but!
it!also!shows!the!profound!interest!placed!upon!the!Case!Study!House!program.!Life(
was!one!of!the!countless!periodicals!that!covered!the!house!prominently!within!
their!articles.!!
! The!image!of!the!Eames!House!that!Life(represented!was!substantially!
different!from!that!of!Arts(&(Architecture(and!Vogue.!Unlike!the!architecture!
magazine,!Life(avoids!explicit!mention!of!aesthetics!and!modern!design!theory!in!
favor!of!an!imagebdriven!article!that!spends!more!time!discussing!the!unique!life!of!
Charles!and!Ray!Eames.!While!the!images!in!Arts(&(Architecture!avoided!showing!
the!Eameses!living!and!working!within!their!home,!Life(made!this!its!central!focus!
aside!from!one:!!an!image!of!the!famous!Eames!Chair!(Figures!6,!11,!12).!!
! The!images!work!to!highlight!the!original!lifestyle!the!house!accommodated,!
a!lifestyle!few!in!the!United!States!could!achieve.!According!to!the!story,!both!
Charles!and!Ray!were!selfbmade!individuals!whose!names!had!become!synonymous!
with!modern!design.!The!Eameses!designed!a!house!to!meet!their!unique!personal!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!49!Neuhart,!Neuhart,!and!Eames,!Eames(Design,!45.!50!“A!Designer’s!Home!of!His!Own,”!Life,!September!1950,!148b152.!!
!!27!
and!professional!needs,!which!presented!an!alternative!to!the!lifestyle!generally!
celebrated!in!the!magazine.!The!images!within!the!Life(article!show!the!couple!in!a!
beautifully!lit!and!carefully!planned!home,!enjoying!their!creative!design!processes!
as!well!as!the!scenery!displayed!through!the!giant!windows.!The!combination!of!the!
selfbmade!Americans!with!glamorous!furnishings!made!the!Eameses!approachable!
and!their!lifestyle!attractive,!but!still!out!of!reach!of!the!average!American.!
The!articles!on!the!Eames!House!in!popular!magazines(provided!different!
views!of!the!house:!Arts(&(Architecture(concerned!itself!with!aesthetics,!modern!
materials!and!solutions!to!design!problems;!Vogue(championed!the!California!
lifestyle;!and!Life!focused!on!the!relationship!between!the!house!and!the!lifestyle!of!
its!designers.!However,!these!emphases!were!consistent!with!the!magazines’!
readerships.!While,!Life(had!a!higher!circulation!than!the!other!two!magazines,!all!
three!reveled!in!new!visual!pleasures!frame!the!activities!of!postwar!America.51!!
!
The*Eames*House*and*its*Various*Representations*
The!magazine!articles!that!covered!the!Eames!house!offered!a!unique,!
privileged!view!into!a!way!of!life!that!was!natural!for!the!couple.!Through!the!
images,!it!is!clear!that!work!and!design!played!essential!roles!in!the!lives!of!both!
Charles!and!Ray!and!that!together,!they!designed!a!space!that!spoke!to!their!sense!of!
style!and!beliefs!about!decoration!and!design.!For!the!most!part,!the!house!shares!
one!of!the!key!values!espoused!in!their!furniture!designs:!the!use!industrial!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!51!Joseph!Rosa,!Glamour:(Fashion,(Industrial(Design,(and(Architecture((San!Francisco:!San!Francisco!Museum!of!Modern!Art,!2004),!107.!!
!!28!
materials!to!create!a!sense!of!lightness!(Figure!2).!At!the!same!time,!the!ideals!that!
shaped!the!Eameses’!design!of!the!house!reflected!a!more!general!architectural!
movement!to!humanize!the!minimalist!modernism!of!the!International!Style.!
Indeed,!the!Eames!House!represents!one!American!architectural!ideal!for!postwar!
living.!!
The!images!utilized!by!Arts(&(Architecture,(Vogue,(and(Life(showcase!the!
importance!of!consumption!to!middlebclass!American!culture!in!the!midb20th!
century.!With!an!increase!in!consumer!items!due!to!industrialization!and!wartime!
advances!in!technology,!Americans!used!objects!and!spaces!to!define!themselves.!
However,!there!is!a!tension!between!the!way!the!magazines!portrayed!the!Eameses’!
ideals!as!opposed!to!the!way!Charles!and!Ray!Eames!articulated!their!own!values!
through!their!film,!House:(After(Five(Years(of(Living.!Arts(&(Architecture!revealed!its!
ideologies!through!the!way!it!addressed!the!Eames!House,!focusing!not!on!the!
people,!but!the!building!and!aesthetics!involved.!Vogue,(in!turn,!portrayed!a!highly!
gendered!view!of!the!Eameses’!relationship!and!their!home,!crediting!Charles!and!
critiquing!Ray’s!physical!appearance!in!comparison!to!her!feminine!skill!of!
beautifying!their!home.!Life!focused!on!products!and!technologies!in!combination!
with!a!modern!lifestyle!in!order!to!increase!efficiency!and!fashion!simultaneously.!
The!magazines!show!preferences!of!a!privileged!class!that!is!not!fully!representative!
of!the!United!States,!but!displays!the!ideologies!popular!in!midbcentury!design!
circles.!!
!!29!
Although!the!Eameses’!design!principles!were!not!widely!utilized!throughout!
the!United!States,!their!exposure!through!mass!media!reveals!the!overwhelming!
preoccupation!with!the!relationship!between!modern!architecture!and!glamour!
associated!with!the!upper!middle!class.52!The!Eameses’,!conversely,!made!an!early!
attempt!to!control!the!representation!of!their!architectural!design!and!focus!on!the!
important!details!of!the!home!that!made!the!space!a!statement!of!eclectic!American!
modernism,!promoting!the!deeply!personal!objects!within!the!domestic!sphere!that!
spoke!to!the!Eameses’!values,!influences,!and!ideals.!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!52!See!Lynn!Spigel,!Welcome(to(the(Dream(House,!32.!
!
30!
Chapter(2(–(The(Eames(Lounge(Chair(and(Ottoman!!
The!Eames!Lounge!Chair!and!Ottoman,!now!considered!an!icon!of!
midcentury!modern!design,!consistently!appears!in!popular!media!and!television!as!
a!sign!of!personal!luxury!for!the!design!conscious!elite.53!Debuting!in!1956,!the!chair!
has!been!continuously!manufactured!by!the!Herman!Miller!Furniture!Company.!
However,!chair!itself,!as!well!the!advertisements!and!cultural!images!associated!
with!it,!differ!significantly!from!the!Eameses’!original!vision!of!themselves!as!
designers!of!lowJcost!furniture!manufactured!for!the!masses.!Indeed,!the!media!
produced!on!the!chair!by!the!Eameses!shows!it!served!as!a!transitional!piece!
between!their!earlier,!moldedJplywood!chairs!and!their!later!multimedia!
presentations!for!corporate!patrons.!It!represents,!too,!the!increasing!control!the!
Eameses!took!on!the!advertisement!and!promotion!of!their!products.!Perhaps!
learning!from!their!experience!with!the!myriad!media!representations!of!their!
home,!which!often!differed!dramatically!with!their!own!understanding!of!it,!they!
sought!to!shape!the!cultural!messages!communicated!by!the!Lounge!Chair!and!
Ottoman.!The!challenge!they!faced!is!clearly!seen!when!comparing!NBC’s!dramatic!
unveiling!of!the!Chair!on!television!to!the!film!the!Eameses!made!showcasing!their!
vision!of!the!design’s!quality,!production,!and!targeted!consumer.!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!53!Katherine!Salant,!“A!50JYearJOld!Chair!Design!and,!for!30!Years,!A!Craving,”!The$Washington$Post,!January!12,!2008,!http://www.washingtonpost.com/wpJdyn/content/article/2008/01/11/AR2008011101696.html;!The$Eames$Lounge$Chair:$An$Icon$of$Modern$Design$designed!by!Vincent!Faust.!Museum!of!Arts!&!Design!in!New!York,!2006.!The$New$York$Times!wrote!an!article!on!the!show.!Roberta!Smith,!“Eames!Lounge!Chair!Exhibition!at$the!Museum!of!Arts!and!Design,”!The$New$York$Times,!May!26,!2006,!http://www.nytimes.com/2006/05/26/arts/design/26!eame.html.!
!!31!
An*Eames*Legacy*
The!Lounge!Chair!and!Ottoman!was!introduced!to!America!on!NBC’s!Home!in!
1956.!The!producers!claimed!that!this!was!more!than!a!chair;!it!was!a!monumental!
event!in!design!history!as!well!as!a!symbol!of!modern!American!glamour.54!The!
show!began!with!the!voice!of!the!host,!Arlene!Francis,!describing!the!Eameses!tenb
year!history!of!chair!production.!The!camera!then!focused!one!of!the!first!chairs!
Charles!and!Ray!designed!as!a!team!for!Herman!Miller,!the!DCM,!as!it!twirled!
mystically!in!the!air.55!The!scene!then!switched!to!an!overview!of!a!stage!that!
included!Eames!chairs!arranged!chronologically,!establishing!a!evolution!of!chair!
design!that!began!with!the!Molded!Plywood!Chair!(1945b1946)!to!the!more!recent!
fiberglass!chairs,!and!finally,!the!Lounge!Chair!and!Ottoman.!!
Like!many!of!their!later!projects,!the!Lounge!Chair!and!Ottoman!developed!
from!a!previous!experimental!design!the!Eameses!were!not!fully!satisfied!with.56!
Charles!and!Ray!Eames!began!their!furniture!experiments!at!Cranbrook!Academy!of!
Art!in!Michigan!where!the!pair!met.!Charles’s!experimentation!with!plywood!
preceded!that!of!Ray!and!developed!from!a!long!history!of!moldedbplywood!as!a!
solution!for!modern!furniture!that!retains!human!values!yet!utilizes!the!newest!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!54!Thomas!Hine,!“A!Half!a!Century!of!Lounging:!Sightings!and!Reflections,”The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design,!Martin!P.!Eidelberg!ed.!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!30.!!55!This!atypical!hanging!of!furniture!for!display!was!derived!Herbert!Bayer!exhibits,!which!influenced!the!way!the!Eameses!arranged!their!furniture.!See!Aruthur!A.!Cohen,!Herbert(Bayer:(The(Complete(Work((Cambridge,!Mass.:!MIT!Press,!1984);!Gwen!Finkel!Chanzit,!Herbert(Bayer(and(Modernist(Design(in(America((Ann!Arbor:!UMI!Research!Press,!1987);!Kirkham,!Charles(and(Ray(Eames,(269.!56!Kirkham,!Charles(and(Ray(Eames,!50!
!!32!
materials!and!technologies!in!order!to!create!a!modern!domestic!space.57!Heavily!
influenced!by!Aalvar!Aalto’s!work!of!the!1920s!and!1930s,!Charles!Eames!partnered!
with!Eero!Saarinen!on!a!moldedbplywood!chair!they!entered!into!the!Museum!of!
Modern!Art’s!Organic(Design(in(Home(Furnishings(competition!in!1940!(Figure!13).!
Although!the!chair!was!considered!innovative!and!widely!praised,!compound!curves!
created!problems!with!splintering!plywood!and!ultimately!proved!too!complicated!
and!expensive!to!manufacture!and!market!to!the!American!public.58!!
! When!Charles!and!Ray!moved!from!Cranbrook!to!California!in!1941,!they!
continued!experimenting!with!plywood!with!the!goal!of!creating!quality!furniture!
that!remained!true!to!its!materials!while!remaining!affordable!for!the!middlebclass!
family.!However,!the!first!of!the!Eameses’!plywood!pieces!to!be!massbproduced!was!
not!a!piece!of!furniture,!but!moldedbplywood!splints!designed!for!the!United!States!
Navy!as!a!lightweight,!comfortable!alternative!to!the!heavy!unhygienic!metal!splints!
(Figure!14).59!This!commission!allowed!the!Eameses!access!to!the!latest!
technologies!developed!by!the!Allied!countries,!including!synthetic!glues!and!
stronger!plywood,!innovations!that!would!prove!vital!to!their!furniture!experiments!
in!the!following!years.60!The!Eameses’!successful!experimentation!with!plywood!
was!largely!a!manifestation!of!the!resources!poured!into!the!development!of!new!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!57!Martin!Eidelberg,!“Charting!the!Iconic!Chair,”The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design,!Martin!P.!Eidelberg!ed.!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!25.!58!John!R.!Berry,!Herman(Miller:(The(Purpose(of(Design,!(New!York:!Rizzoli,!2001),!82.!!!59!Wendy!Kaplan,!Bobbye!Tigerman,!and!Glenn!Adamson,!California(Design,(1930H1964:(Living(in(a(Modern(Way,!(Los!Angeles:!Los!Angeles!County!Museum!of!Art,!2011),!187.!!60!Kaplan,!Tigerman,!and!Adamson,!California(Design,!187.!!
!!33!
materials!and!techniques!for!wartime!use,!which!would!have!a!tremendous!impact!
on!postwar!design!and!manufacturing.61!After!they!completed!their!wartime!
obligations,!the!Eameses!were!again!free!to!dedicate!the!majority!of!their!time!to!
experiments!with!furniture!production.!!
! Postwar!American!designers!embraced!machinebmade!modernism,!
attempting!to!make!modern!furniture!widely!available!to!consumers!so!that!they!
could!replace!what!they!considered!the!fussy,!oldbfashioned!designs!of!their!
ancestors.62!While!there!was!a!joy!in!things!and!a!celebration!of!objects,!much!of!the!
machinebmade!furniture!was!cheaply!made!and!encouraged!a!disposable!lifestyle.63!
The!Eameses!saw!a!place!within!design!where!quality!craftsmanship!could!meet!
lowbcost!needs!to!produce!a!truly!American!modern!aesthetic.!Charles!and!Ray!
Eames!were!among!a!group!of!postwar!designers!that!sought!to!reform!taste!and!
retain!democratic!ideals.!Eames!stated,!“[Our!objective!was]!to!get!what!is!
ultimately!the!most!of!the!best!to!the!greatest!number!of!people!for!the!least.”64!!
! The!Eameses’!ideals!largely!matched!those!of!the!Herman!Miller!Furniture!
Company!and!the!designers!they!employed,!but!developed!from!the!influence!of!the!
Arts!&!Crafts!movement!and!the!Bauhaus.!The!early!furniture!the!Eameses!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!61!For!examples,!of!technological!advances,!!see!Jeffrey!Meikle,!Design(in(the(USA,!(Oxford:!Oxford!UP,!2005),!132.!!62!Hine,!Populuxe,!13!63!Kirkham,!Charles(and(Ray(Eames,!202.!!64!Charles!Eames!made!similar!declarations!many!times!in!his!career.!This!variant!was!taken!from!the!transcript!of!an!interview!with!Charles!and!Ray!Eames!on!the!television!show!Discovery,!produced!by!the!San!Francisco!Museum!of!Art!for!KPIX,!a!CBS!affiliate,!aired!December!17,!1953.!Charles!Eames!and!Ray!Eames!Papers,!box!7,!Manuscript!Division,!Library!of!Congress,!Washington,!D.C.!!
!!34!
developed!was!designed!for!the!middle!class!American!and!was!largely!made!
affordable!through!mechanical!manufacturing.!Mechanical!production!combined!
with!organic!design!and!natural!materials!such!as!wood!made!the!designs!warmer,!
allowing!them!to!fit!naturally!within!the!home!and!become!durable,!getting!better!
with!age.!Eames!chairs!were!still!expensive,!although!within!the!reaches!of!the!
expanding!middle!class.!They!sought!to!counter!“disposable!consumerism,”!the!
manufacture!of!furniture!made!of!cheap!plastics!and!unstable!materials!that!
required!them!to!be!replaced!within!a!relatively!short!time.65!Not!only!made!to!last,!
the!Eameses!believed!that!the!minimalistic!style!allowed!their!furniture!to!make!
transitions!between!rapidly!changing!furniture!fashion!trends.!The!Museum!of!
Modern!Art!had!similar!goals!and!held!exhibitions!to!educate!Americans!on!“good!
design”!that!appealed!to!popular!taste.!The!DCM!and!subsequent!Eames!designs!
were!used!in!these!exhibitions!as!examples!of!successful!designs!that!fused!technical!
advancements!with!organic!forms!(Figure!15).!As!Arlene!Francis!highlighted!in!her!
television!introduction!of!the!Eameses,!just!ten!years!after!its!release,!the!DCM!chair!
had!become!widely!popular,!becoming!a!best!seller!and!inspiring!imitations!that!
allowed!the!Eames!aesthetic!to!permeate!American!visual!culture!and!making!
“Eames”!a!household!name.!!
! In!the!years!that!followed,!the!Eameses!developed!several!legendary!moldedb
plywood!chairs!using!their!“Kazam!!Machine.”!The!Molded!Plywood!Chair!was!the!
first!chair!produced,!quickly!followed!by!the!DCM!later!in!1946,!both!of!which!the!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!65!Hine,!Populuxe,!66.!!
!!35!
Home(show!included!on!the!stage,!building!anticipation!for!the!reveal!of!the!latest!
Eames!design!(Figures!15b16).!In!developing!these!early!chairs,!the!Eameses!
abandoned!the!idea!of!a!singular!moldedbplywood!shell!in!favor!of!constituent!parts!
in!order!to!solve!issues!of!splintering!wood!and!slow!production!rate.66!Charles!and!
Ray!Eames!made!their!designs!readily!available!through!the!Herman!Miller!
Company,!which!marketed!the!furniture!as!“not!only!the!most!advanced!part!of!the!
Herman!Miller!collection,!but!the!most!advanced!furniture!being!produced!in!the!
world!today.”67!Seeing!their!plywood!experiments!as!largely!fulfilled,!the!Eameses!
moved!their!focus!from!plywood!to!that!of!fiberglass!and!would!not!return!to!
moldedbplywood!furniture!until!the!development!of!the!Lounge!Chair!and!Ottoman!
in!1953!(Figure!17).!!
!
Charles*and*Ray:*Public*versus*Personal*Perception'
! After!the!brief!introduction!to!Eames!design!history,!Francis!invited!Charles!
Eames!onto!the!stage!to!introduce!exciting!news:!the!Eameses!were!going!to!give!
the!television!audience!the!first!look!at!their!latest!chair!designed!for!Herman!Miller.!
A!moment!later,!Ray!Eames!joined!her!husband!as!Francis!explained,!“This!is!Mrs.!
Eames!and!she!is!going!to!tell!us!how!she!helps!Charles!design!these!chairs.”68!
Visible!unease!passed!between!Ray!and!Charles!as!Ray!awkwardly!explained!and!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!66!Don!Wallance,!Shaping(America’s(Products((New!York,!Reinhold,!1956),!p.!179.!!67!Herman!Miller!Furniture!Company,!(1948),!!“Catalog!1948.”;!Kirkham,!Charles(and(Ray(Eames,(223.!!!68!Arlene!Francis,!“Interview!with!Charles!and!Ray!Eames,”!Home,((1956),!accessed!September!10,!2013,!https://www.youtube.com/watch?v=z_X6RsNbHFw.!!
!!36!
underemphasized!her!role!in!the!couple’s!working!relationship,!suggesting!that!she!
critiqued!her!husband’s!designs!by!keeping!the!big!picture!in!mind.!Charles!quickly!
jumped!in!to!mention!Ray’s!prestigious!start!as!a!painter!who!studied!under!Hans!
Hoffman.!Francis,!however,!was!a!product!of!her!time!and!continued!to!insist!that!
Ray!was!“behind!the!man,”!playing!a!supportive!role!to!Charles’!genius.69!Francis!
requested!that!Charles!explain!the!intention!and!theory!behind!the!various!chair!
designs;!in!the!mean!time,!Ray!mysteriously!and!silently!disappears!from!the!stage.!!
! Charles!saw!Ray’s!contribution!as!more!important!than!his!in!many!ways,!but!
history!tends!to!under!privilege!her!contributions!and!align!her!decorative!skills!
with!traditional!feminine!concerns.!Although!Ray!recognized!her!lack!of!technical!
skills!when!compared!to!those!of!Charles!and!others!working!in!their!office,!the!
technical!and!aesthetic!aspects!of!the!pieces!they!designed!were!so!closely!related!it!
is!difficult!to!separate!their!individual!contributions.70!Keeping!with!her!past!as!a!
student!of!Hans!Hoffman,!scholarship!tends!to!credit!Ray’s!contributions!to!that!of!
color,!form,!and!interior!décor!arrangements,!aligning!her!role!closely!with!the!
postwar!ideal!of!the!suburban!housewife.!However,!Charles!constantly!emphasized!
her!value,!claiming!Ray’s!contribution!was!strongest!in!structure!consistency.71!!
! Traditional!gender!roles!played!a!large!part!of!Ray’s!almost!invisibility;!
however,!other!factors!were!involved.!Charles!had!been!established!by!the!time!the!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!69!Francis,!“Interview!with!Charles!and!Ray!Eames.”!70!Pat!Kirkham,!“The!Evolution!of!the!Eames!Lounge!Chair!and!Ottoman,”!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design,!Martin!P.!Eidelberg!ed.!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!56.!!71!Kirkham,!Charles(and(Ray(Eames,!82.!!
!!37!
two!met!and!Ray!switched!much!of!her!focus!from!painting!and!textile!design!to!
more!closely!relate!her!interests!to!those!of!Charles.!Her!husband!seemed!
embarrassed!by!the!lack!of!understanding!about!their!partnership,!the!interview!for!
Home(being!only!one!of!many!examples.!However,!Charles!was!seen!as!the!interface!
of!their!partnership!as!he!was!far!more!comfortable!with!public!speaking!and!
running!the!firm!on!a!daybtobday!basis,!while!Ray!preferred!the!environment!of!their!
firm.!Ray!was!remarkably!shy,!thus!Charles!dealt!with!clients!and!employees.72!!
! In!an!interview!concerning!the!Lounge!Chair!and!Ottoman,!a!former!Eames!
staff!member,!Don!Albinson,!stated!that!Ray!was!not!centrally!involved!in!the!
technical!development!of!the!chair.73!He!said,!“She!sat!in!on!all!the!presentations!I!
made,!and!the!two!of!them!were!very!interested!in!forms!and!shapes.!Then!I!would!
make!the!next!prototype.!Ray!was!mainly!in!the!capacity!of!discussing!forms!and!
shapes!and!color.”74!Albinson,!however,!overlooked!an!important!detail!in!the!
working!relationship!of!the!couple.!Charles!and!Ray!Eames!were!known!for!their!
extraordinary!work!ethic!and!consistently!took!projects!home!to!work!on!alone,!
without!the!assistance!of!their!staff!members.75!Ray!may!have!not!been!present!
when!Charles!addressed!the!staff!about!chair!prototypes,!but!this!does!not!mean!
Ray!was!not!actively!involved;!she!shared!her!opinions!with!Charles!privately.76!Ray!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!72!Kirkham,!Charles(and(Ray(Eames,(86.!!73!David!A.!Hanks!and!Pat!Kirkham,!Interview!with!Don!Albinson,!in!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design,((Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!149b153.!74!Hanks!and!Kirkham,!Interview!with!Don!Albinson,!149b153.!75!Kirkham,!“The!Evolution!of!the!Eames!Lounge!Chair,”!56.!76!Kirkham,!Charles(and(Ray(Eames,(57.!!
!!38!
was!a!perfectionist,!streamlining!the!plywood!designs!Charles!worked!on!previously!
and!guiding!their!designs!to!produce!the!best!possible!solution!to!the!design!
problems!they!faced.!!
! The!above!emphasis!on!Ray!is!not!to!suggest!that!their!partnership!was!
completely!equal,!but!to!point!out!that!Charles!and!Ray!Eames!had!an!
extraordinarily!complex!relationship!with!the!professional,!personal,!and!sexual!
spheres!constantly!intersecting!for!more!than!thirty!years.77!It!is!impossible!to!say!
which!of!them!was!responsible!for!specific!aspects!of!their!work,!but!it!is!important!
to!note!Ray’s!considerable!achievements!along!with!those!of!her!husband.!As!Pat!
Kirkham!so!elegantly!states,!“They!recognized!each!other’s!talents,!interests,!
abilities,!ideas!and!encouraged!each!other!to!develop!them!to!their!fullest.”78!The!
Lounge!Chair!and!Ottoman’s!appearance!on!Home,!then,!did!not!provide!the!public!
with!an!accurate!depiction!of!the!Eameses’!partnership.!!
!
A*Glamorous*Debut*
! After!Arlene!Francis!felt!they!had!adequately!addressed!the!breadth!of!the!
Eameses’!production,!the!lights!on!the!stage!quickly!dimmed!and!the!elegant!sound!
of!violins!chimed!in,!setting!the!scene!for!a!glamorous!debut!of!their!newest!design!
(Figure!19).!The!screen!in!front!of!the!chair!lifted!as!the!camera!zoomed!in!for!a!
close!up.!A!spotlight!then!illuminated!the!soft!curves!of!the!wood!and!comfortable!
down!cushions!upholstered!in!black!leather.!(!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!77!Kirkham,!Charles(and(Ray(Eames,!70b71.!!78!Kirkham,!Charles(and(Ray(Eames,(78.!!
!!39!
! The!chair!contains!three!separate!moldedbplywood!pieces!made!from!
rosewood;!two!steel!pieces!connect!the!three!parts!vertically!and!remove!pressure!
from!the!plywood!bends!(Figure!17).!Even!though!the!chair!was!produced!with!a!
multitude!of!leather!color!options,!black!was!(and!continues!to!be)!the!most!popular!
choice.79!The!leather!chosen!by!the!Eameses!was!of!the!finest!glove!quality!and!was!
picked!for!its!fine,!soft,!thin!consistency.80!The!Ottoman!consists!of!one!piece!of!
molded!plywood!set!upon!a!steel!base!that!matches!the!one!supporting!the!chair.!
The!Lounge!Chair!and!Ottoman!were!sold!as!separate!pieces!through!the!Herman!
Miller!Company;!however,!as!with!the!debut!on!Home,!the!chair!is!rarely!seen!
without!the!ottoman!accompanying!it.!The!attention!to!detail!within!the!chair!was!
astronomical;!the!Eameses’!perfectionism!required!over!two!years!of!
experimentation!before!they!considered!the!chair!complete.81!Their!use!of!the!finest!
quality!materials!and!design!precision!placed!the!chair!in!the!realm!of!the!economic!
elite,!a!far!cry!from!their!first!plywood!experiments.!!
According!to!Charles!Eames,!the!pair!never!saw!the!Lounge!Chair!and!
Ottoman!as!a!successful!solution!when!compared!to!their!previous!plywood!chairs,!
although!he!admitted!that!people!had!gotten!a!tremendous!amount!of!pleasure!from!
it,!so!it!was!not!considered!a!failure.82!Indeed,!when!the!name!“Eames”!is!mentioned,!
one!usually!things!of!this!chair!first.!It!has!come!to!be!known!as!the!“Eames!Chair,”!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!79!Black!was!the!most!popular!color.!White!became!popular!in!the!1970’s!when!the!chair!was!“rediscovered.”!For!more!information!on!the!Chair’s!early!production,!see:!Kirkham,!Charles(and(Ray(Eames,(231.!80!Kirkham,!“The!Evolution!of!the!Eames!Lounge!Chair,”!56.!81!Thomas!Hine,!“A!Half!a!Century!of!Lounging:!Sightings!and!Reflections,”43.!82!Neuhart,!Neuhart,!and!Eames,!Eames(Design,!207.!
!!40!
taking!the!limelight!away!from!the!practical!designs!the!Eameses!championed!at!the!
beginning!of!their!long!career.!!!
! The!Lounge!Chair!and!Ottoman!did!not!conform!to!the!democratic!ideals!the!
Eameses!envisioned!for!their!furniture!and!veered!away!from!the!designers’!
previous!plywood!products!such!as!the!Molded!Plywood!Chair!and!the!DCM!
(Figures!15b16).!By!the!time!the!chair!made!its!debut!in!1956,!the!Eameses!had!
strayed!a!long!way!from!their!early!ideas!of!modern!furniture!for!the!masses.!
Charles!and!Ray!Eames!had!become!well!established!and!created!a!reputation!based!
on!high!quality!products!that!were!extensively!tested!before!their!release!for!
production.!Their!products!were!designed!without!compromise!as!they!had!a!great!
deal!of!artistic!freedom,!never!defined!by!market!demands.!The!couple!became!less!
concerned!with!affordable!furniture!and!focused!their!attention!on!solving!
particular!problems!in!furniture!design!as!well!as!commissions!that!they!believed!
maintained!the!integrity!of!their!work!together.83!With!each!project!they!took!on,!
the!Eameses!spent!a!large!amount!of!time,!energy,!and!money!to!research!and!
develop!it.!The!obsessive!perfection!of!their!work!focused!on!the!details,!which!
Charles!claimed,!“make!the!product.!It!is,!in!the!end,!these!details!that!give!the!
product!its!life.”84!!
! This!move!from!massbproduced,!lowbcost!furniture!to!highbend!luxury!pieces!
coincided!with!a!change!in!the!Herman!Miller!Company,!which!remained!the!retailer!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!83!Kirkham,!Charles(and(Ray(Eames,(258.!!84!Mrs.!Harris!Armstrong,!quoted!in!“Eames:!A!man!who!did!what!he!wanted,”!St.(Louis(Post(Dispatch,(August!27,!1978.!!
!!41!
of!most!of!the!Eames!products.!When!Herman!Miller!started!working!with!Charles!
and!Ray!Eames,!they!were!genuinely!concerned!with!the!domestic!market!in!an!
attempt!to!bring!quality!design!to!the!American!public.!It!shared!many!of!the!ideals!
that!MoMA!advertised!in!their!Good(Design(shows,!working!to!place!focus!back!on!
individual!objects!that!held!integrity.85!MoMA!celebrated!high!quality,!visually!
appealing!modern!furniture!pieces!meant!for!everyday!use!in!the!home.86!However,!
Herman!Miller’s!high!standards!and!prices!put!many!its!products!outside!the!reach!
of!the!average!American!and!appealed!more!to!corporations!and!institutions!whose!
main!concern!was!product!durability.!!
! The!Lounge!Chair!and!Ottoman!met!the!needs!of!MoMA!and!the!Herman!
Miller!Company,!institutions!less!concerned!with!lowbcost!products!for!working!
class!America.!However,!this!followed!a!trend!present!in!many!midcentury!designs!
championed!by!MoMA,!Herman!Miller,!and!institutions!concerned!with!design!
quality.!Concerned!that!consumption!had!reached!its!peak!in!the!postwar!buying!
frenzy,!major!corporations!changed!their!marketing!strategies!to!account!for!the!
economic!boom!in!1954!and!to!entice!buyers!into!spending!their!increasing!incomes!
on!more!expensive!furniture.87!The!chair!thus!falls!into!a!period!of!“Populuxe”!
products,!during!which!people!took!unabashed!joy!in!objects,!thrilled!about!the!
higher!standard!of!living!made!possible!by!an!unprecedented!distribution!of!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!85!Mary!Anne!Staniszewski,!The(Power(of(Display:(A(History(of(Exhibition(Installations(at(the(Museum(of(Modern(Art,!59.!86!Betty!Pepis,!“New!Range!Shown!for!‘Good!Design,’”!New(York(Times,(June!20,!1952.!!!87!Hine,!Populuxe,(11.!!
!!42!
disposable!household!income.88!The!Lounge!Chair!and!Ottoman,!then,!embodies!
these!ideals!and!works!as!a!statement!of!personal!luxury!fit!for!the!modern!world.!!!
!
Eames*Advertisements*and*Image*Control*
! In!the!first!years!after!its!initial!appearance,!the!Eameses!carefully!controlled!
the!publicity!material!by!Herman!Miller!to!market!the!chair.!They!promoted!the!
chair!to!middlebclass!homes!and!sought!to!address!the!increased!leisurely!lifestyle!
championed!by!popular!magazines!and!period!newspapers.!The!chair’s!appearance,!
after!all,!spoke!of!relaxation!and!comfort!even!without!a!person!to!lounge!on!the!soft!
down!cushions.!!
! Three!early!advertisements!by!Herman!Miller!provide!important!
perspectives!on!the!chair.!An!ad!from!1956!reads,!“Herman!Miller!presents!an!
upholstered!lounge!chair!designed!by!Charles!Eames”!(Figure!20).!The!ad!goes!into!
more!detail,!claiming,!“The!use!of!feather!and!downbfilled!cushions!gives!one!the!
luxurious!feeling!of!settling!in.!The!leather!cushions!have!builtbin!wrinkles,!and!that!
is!a!clue!that!spells!comfort!to!come,!like!the!war!wellbused!look!of!a!first!baseman’s!
mitt.”89!The!reference!to!baseball!not!only!encourages!a!masculine!interpretation!of!
the!chair,!but!also!positions!the!chair!within!a!uniquely!American!identity!that!
appeals!to!the!nostalgia!of!America’s!favorite!pastime.!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!88!Hine,!Populuxe,(11.!89!Herman!Miller!Advertising,!“Herman!Miller!presents!an!upholstered!lounge!chair!designed!by!Charles!Eames,”!1956.!Reproduced!in:!Martin!P.!Eidelberg,!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!115.!
!!43!
The!image!accompanying!the!text!shows!the!chair!angled!from!the!back!and!
in!bright!red.!The!man!seated!in!the!chair!lounges!back,!wearing!a!buttonbdown!
shirt!and!pleated!pants,!crossing!his!feet!casually.!As!he!smokes!his!pipe!and!reads!
the!newspaper,!he!is!facing!away!from!the!viewer,!allowing!his!face!to!be!shielded!
by!the!headrest,!which!enables!the!viewer!to!imagine!himself!in!the!place!of!the!
sitter.!!
Two!subsequent!advertisements!by!Herman!Miller!send!the!same!message.!
The!first!depicts!a!small,!blonde!boy!seated!in!the!chair!playing!with!an!airplane,!
dwarfed!by!the!enormous!size!of!the!piece!(Figure!21).!The!plane!recalls!modern!
technological!advances!while!the!boy!speaks!to!the!domestic.!The!text!reads,!“It’s!a!
man’s!chair!by!Herman!Miller!.!.!.!luxuriously!comfortable,!completely!relaxing,!
supremely!handsome.!Charles!Eames!designed!it!for!oldbfashioned!bliss,!newb
fashion!tastes.!Slipperbsoft!black!leather,!cradled!in!rosewood.”90!The!next!ad!from!
1959!shows!a!father!in!his!pajamas!asleep!in!the!chair!holding!a!new,!sleeping!baby!
while!a!bottle!lays!idly!between!them!(Figure!22).!The!line!accompanying!the!image!
says,!“Even!if!you!don’t!have!two!o’clock!feeding!at!your!house,!we!think!you!will!
appreciate!the!deep!comfort!of!this!rosewood!and!leather!lounge!designed!by!
Charles!Eames!for!Herman!Miller.”91!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!90!Herman!Miller!Advertising,!“It’s!a!Man’s!Chair,”!1957.!Reproduced!in:!Martin!P.!Eidelberg,!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!120.!91!Herman!Miller!Advertising,!“Even!if!you!don’t!have!two!o’clock!feeding!at!your!house,!we!think!you!will!appreciate!the!deep!comfort!of!this!rosewood!and!leather!lounge!chair!designed!by!Charles!Eames!for!Herman!Miller,”!1959.!Reproduced!in:!
!!44!
These!early!advertisements!by!Herman!Miller!are!pointedly!masculine,!
almost!always!depicting!a!man!seated!in!the!chair!within!the!walls!of!his!suburban!
home.!The!Eameses!and!Herman!Miller!were!targeting!the!new!domesticated!male!
that!Life(had!discovered!in!the!previous!years.!As!the!magazine!argued,!men!were!
beginning!to!have!a!larger!role!within!the!home,!taking!on!many!responsibilities!to!
keep!their!homes!in!order.92!Men!would!return!from!their!workplaces,!educated!on!
modern!design!through!their!office!furnishings!and!communicate!these!trends!to!
their!wives,!thereby!partaking!in!the!decoration!and!style!of!their!households.!Men!
were!told!they!needed!to!be!an!active!part!of!their!families!and!households,!but!also!
partake!in!the!leisurely!lifestyle!they!had!earned!after!a!hard!day’s!work.!Much!of!
this!family!time!revolved!around!the!television,!a!technology!that!transformed!the!
arrangement!of!the!living!space!and!encouraged!men!to!have!their!own!reclining!
chair!in!which!to!relax.!!
Although!design!connoisseurs!praised!the!chair,!there!were!many!criticisms!
that!pointed!to!the!piece!being!unsuited!for!the!average!middlebclass!home.!The!first!
was!the!price.!In!1956,!when!the!chair!was!introduced,!it!sold!for!$404!and!the!
Ottoman!sold!separately!for!$174.93!The!price!alone!placed!the!within!the!elite!and!
away!from!the!average!American.!The!Eameses!were!unhappy!with!the!cost!of!the!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Martin!P.!Eidelberg,!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design!(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!117.!92!Karen!Radkai,!“New!California!Ideas!Spreading!West!to!East,”!Vogue,!April!15,!1954,!60b61,!66b67,!82b83.!!93!In!2004!dollars,!the!$578!for!the!Lounge!Chair!and!Ottoman!translates!to!$4022.!This!figure!is!calculated!with!the!Federal!Reserve!Bank!of!Minneapolic!online!inflation!tool!(http://www.edsel.com/pages/timline.htm,!quotes!monthbbybmonth!production!figures!that!addup!to!only!about!85,000).!
!!45!
chair,!since!!it!conflicted!with!their!early!goals!of!supplying!affordable!furniture!to!
the!masses;!however,!it!was!unavoidable!because!they!insisted!on!the!highest!
quality!leather!and!wood.94!The!chair,!although!mainly!machine!manufactured,!
required!hand!finishing!and!assembly.!Charles!and!Ray!had!set!out!to!create!an!
American!equivalent!of!the!comfortable!leather!lounge!chairs!found!in!English!
gentleman’s!clubs,!but!the!luxury!associated!with!that!!ideal!set!the!chair!out!of!the!
reach!of!!middlebclass!consumers.!95!
Another!prevalent!criticism!was!the!large!size!and!isolating!nature!of!the!
chair.96!The!Lounge!Chair!and!Ottoman,!constructed!to!lean!in!order!to!comfortably!
accommodate!the!relaxing!man,!took!up!far!too!much!space!in!a!suburban!home!
with!limited!space.!The!chair!was!far!better!suited!to!a!modern!home!with!an!open!
floor!plan!where!the!chair’s!presence!was!less!intrusive.!The!chair!did!not!fit!the!
needs!of!the!middlebclass!American!and!soon,!advertisements!changed!to!better!
address!the!chair’s!corporate!clientele.!!
After!the!1960’s,!the!advertisements!for!the!Lounge!Chair!and!Ottoman!
changed!significantly,!showing!not!only!a!change!in!who!the!chair!was!marketed!to,!
but!also!a!change!within!the!Herman!Miller!Company.!One!advertisement!from!1973!
shows!a!man!in!a!plaid!suit!wearing!reading!glasses!and!focusing!on!the!reading!
material!in!his!hand!(Figure!23).!He!holds!a!pen!in!his!right!hand!as!he!adjusts!his!
glasses!and!rests!in!the!Lounge!Chair.!The!caption!reads,!“When!they!load!you!down!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!94!Kirkham,!“The!Evolution!of!the!Eames!Lounge!Chair!and!Ottoman,”!57.!!95!Berry,!Herman(Miller,!91.!!!96!Hine,!“Half!a!Century!of!Lounging:!Sightings!and!Reflections,”!Eames(Lounge(Chair,!33.!
!!46!
with!heavy!reading,!you’re!ready!for!an!easy!chair.”97!As!this!advertisement!reveals,!
the!target!of!this!advertisement!was!no!longer!the!suburban!working!father.!Instead,!
the!advertisements!were!directed!towards!the!high!ranked!executives!who!were!
more!likely!to!buy!the!chair.!The!criticisms!about!its!cost!and!size!did!not!apply!to!
this!market!since!these!men!could!afford!the!chair!and!its!isolation!spoke!to!the!
owner’s!prestige.98!The!men!depicted!within!the!Herman!Miller!advertisements!
projected!informality,!yet!emitted!an!air!of!power!and!control.!Similarly,!Herman!
Miller’s!clientele!focus!largely!shifted!as!they!moved!away!from!the!domestic!market!
in!the!1960’s!and!70’s!and!began!producing!office!systems!and!marketing!to!
corporations!whose!main!concern!was!durability!and!quality!over!price.99!!
Even!though!the!Eameses!enjoyed!early!success!in!designing!lowbpriced!
domestic!furniture,!their!later!furniture!and!success!came!from!corporate!offices!
and!wealthy,!design!conscious!consumers.!The!Lounge!Chair!and!Ottoman!and!the!
advertisements!for!it!record!the!transition!of!the!Eameses’!focus!from!the!domestic!
to!the!corporate!sphere!and!from!the!middlebclass!father!to!the!male!executive.!The!
Lounge!Chair!and!Ottoman,!then,!represents!the!inevitable!result!of!the!Eameses’!
working!process:!a!!highbquality!design!produced!through!extensive!
experimentation,!intense!attention!to!detail!,and!the!finest!materials!available.!!
!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!97!EOG((Executive(Office(Group)(&(the(Multipurpose(Series(advertising!brochure,!Herman!Miller,!1959.!!98!Hine,!“Half!a!Century!of!Lounging:!Sightings!and!Reflections,!35.!!99!Berry,!Herman(Miller,(117.!!
!!47!
A*Better*Idea*of*the*Chair*
The!Home(reveal!of!the!Lounge!Chair!and!Ottoman!gave!the!piece!a!sense!of!
Hollywood!glamour!that!did!not!conform!to!the!image!Charles!and!Ray!Eames!and!
Herman!Miller!wanted!for!the!chair.!The!view!of!the!camera!positioned!Charles!
within!a!tight!frame!that!only!made!room!for!the!chair!beside!him.!Charles!Eames!
quickly!explained!the!materials!used!for!the!chair!before!he!firmly!suggested,!“I!
think!it!would!be!a!better!idea!if!we!would!just!build!it!for!you!right!here!and!you!
could!see!something!about!it.”!Finding!the!Home!show’s!representation!of!the!
Eameses’!design!an!inadequate!depiction!of!the!chair,!Charles!quickly!took!control!of!
the!scene!with!a!short!film!that!encapsulated!the!vision!the!Eameses!held!for!their!
design.!The!Eames!Office!created!the!two!minute!and!fifteen!second!film!the!
previous!weekend!to!explain!their!design!to!the!television.!!
! The!film!shows!a!male!Herman!Miller!employee!in!casual!attire!assembling!
the!chair!(Figure!24).100!The!film!begins!with!the!base!and!shows!the!subsequent!
fifty!steps!at!an!accelerated!rate!until!the!chair!is!full!assembled.!Then,!the!man!
relaxes!in!the!chair,!taking!a!muchbneeded!rest!after!his!hard!work.!The!Ottoman!
then!begins!to!assemble!itself,!appearing!out!of!thin!air.!Again,!assembly!begins!at!
the!base!and!continues!until!the!cushions!are!added!as!the!final!touch.!The!man!then!
puts!his!legs!on!the!Ottoman!just!as!a!woman’s!lower!body!appears!in!the!frame.!Her!
stiff!figure!slides!across!the!space!as!she!holds!a!large!envelope!in!her!hand.!Her!feet!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!100!During!the!Eameses’!appearance!on!Home,(Charles!refers!saying,!“This!is!a!typical!Herman!Miller!employee.”!See!Arlene!Francis,!“Interview!with!Charles!and!Ray!Eames,”!Home,((1956).!!
!!48!
are!flat!and!unmoving,!petrified!in!their!current!position.!The!man!remains!
motionless!as!the!woman!passes;!perhaps!he!has!fallen!asleep!because!the!chair!is!
so!comfortable.!After!that,!the!perspective!changes,!the!music!slows,!and!the!man!is!
shown!facing!away!from!the!viewer,!now!in!a!suit!and!reading!the!newspaper.!The!
tempo!of!the!film!has!slowed!to!real!time,!bringing!the!pace!of!the!man’s!life!down!as!
he!takes!time!to!relax.!A!woman’s!image,!perhaps!his!dream!wife,!slowly!appears!at!
his!feet,!mystically!materializing!on!the!Ottoman!and!looking!adoringly!at!the!man’s!
feet!before!she!slowly!fades!again!into!nothingness.!The!man!transforms!back!into!
the!Herman!Miller!employee!in!casual!clothes!and!sneakers,!his!face!again!visible!to!
the!audience.!He!disassembles!the!chair!quickly!with!the!help!of!another!male!
employee.!The!film!ends!as!they!package!the!Lounge!Chair!and!Ottoman!in!separate!
boxes!with!the!Herman!Miller!logo!displayed!proudly!on!their!sides.!!
! The!film!was!the!Eameses’!effort!to!control!the!reception!of!the!Lounge!Chair!
and!Ottoman!during!a!show!that!had!its!own!motives!in!proclaiming!the!chair!as!a!
design!event.!The!film’s!focus!was!on!the!chair,!turning!a!seemingly!boring!piece!of!
furniture!into!an!entertaining!production!while!informing!the!viewer!exactly!how!
the!Eames!chair!is!assembled!and!packed!and!who!Herman!Miller!imagined!its!
customer!to!be.!The!film!identifies!the!chair!as!masculine;!big!enough!to!
accommodate!the!male!body!comfortably.!It!also!presents!the!chair!as!luxury!item.!
The!Herman!Miller!employee!dreams!that!he!is!the!future!owner!of!the!chair,!a!
wealthy!man!in!an!expensive!suit!who!enjoys!a!leisurely!lifestyle!and!the!loving!
devotion!of!an!adoring!wife.!Interestingly,!the!traditional!housewife!only!appears!in!
!!49!
a!dream,!while!the!working!is!presented!as!a!reality.!Indeed,!the!first!woman!in!the!
film!is!another!Herman!Miller!employee.!The!film!emphasizes!the!sleek,!finished!
pieces!of!the!chair!that!work!together!to!form!the!modern!ideal!of!male!domestic!
comfort.!!
! The!film!offers!an!alternative!view!from!that!of!the!Home(show!in!that!it!
emphasizes!the!construction!and!quality!of!the!chair!as!it!is!constructed!and!
deconstructed!by!the!Herman!Miller!employee.!The!film!focuses!primarily!on!the!
process!the!chair!goes!through!in!order!to!reach!the!consumer,!pointing!to!the!
Eameses’!ideals!of!truth!to!materials!and!joy!in!labor.!The!Home(show,!contrastingly,!
showed!an!overly!glamorous!reveal,!fixating!on!the!designer!name!and!legacy!
associated!with!the!chair!instead!of!reinforcing!the!high!quality!that!had!become!
synonymous!the!Eameses’!name.!!
! The!film!demands!undivided!attention!from!the!audience!due!to!the!quickly!
changing!elements!that!coincide!with!cheerful,!fast!tempo!music.!In!its!form!and!
content,!it!looks!ahead!to!the!Eameses’!increasing!focus!on!multibmedia!
presentations!and!international!exhibitions.!In!these!presentations!and!exhibitions,!
they!fully!utilized!their!increasingly!sophisticated!manipulation!of!images!to!
encourage!intensive!looking!in!order!to!communicate!their!belief!systems!as!well!as!
their!various!clientele’s!ideals.!!
!!!!!!
!
50!
Chapter(3(–(Glimpses(of(the(U.S.A.((
In!January!1959,!designer!George!Nelson!flew!out!to!California!to!meet!
Charles!and!Ray!Eames!in!their!home.!The!United!States!Department!of!State!
commissioned!Nelson!to!design!the!“American!National!Exhibition”!for!display!in!
Moscow!that!summer.!Officially!characterized!as!a!“cultural!exchange,”!the!
government!hoped!it!would!alleviate!tensions!developed!during!the!Cold!War.53!For!
their!part,!Nelson!asked!the!Eameses!to!create!a!film!that!would!illustrate!a!day!in!
the!life!of!an!American!citizen!for!Soviet!audiences!in!the!exhibition’s!opening!
building:!a!large!geodesic!dome!designed!by!the!architect!Buckminster!Fuller!
(Figure!25).!Charles!and!Ray!quickly!agreed!and!spent!the!next!three!days!in!
intensive!discussions!planning!the!basic!outline!for!the!exhibition!with!Nelson;!Billy!
Wilder,!the!Hollywood!film!director;!and!Jack!Masey,!Chief!of!Design!and!
Construction!for!the!exhibition.!Over!the!next!few!months,!the!Eameses!and!their!
staff!continued!to!develop!what!has!become!their!most!famous,!multi\screen!
presentation,!Glimpses(of(the(U.S.A.!The!film!presents!2,200!still!and!moving!images!
in!twelve!minutes!to!create!what!Buckminster!Fuller!later!called!“a!language!of!the!
everyday!life!of!human!beings.”54!The!result!was!a!glittering!portrait!of!American!life!
that!utilized!a!sequence!of!still!photographs!on!seven!screens!to!show!Soviet!citizens!
the!United!States!and!connect!the!two!nations!through!observable!
!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!53!“American!National!Exhibition!in!Moscow,”!Industrial(Design,!March!1959,!47\51.!!54!Buckminster!Fuller,!in!An(Eames(Celebration:(The(Several(Worlds(of(Charles(and(Ray(Eames,!WNET!Television,!New!York,!February!3,!1975.!!!
!!51!
similarities.!The!film!was!by!all!accounts!successful,!evoking!strong!emotional!
reactions!from!even!the!most!unlikely!of!figures,!Nikita!Khrushchev.!!
Americans!saw!themselves!as!the!preeminent!leaders!in!the!manufacture!of!
domestic!products!for!the!modern!home!and!used!what!Joseph!Nye!calls!“soft!
power”!to!attract!Soviets!towards!the!American!way!of!life!and!the!capitalist!
economy!that!enabled!it.103!According!to!historian!Greg!Castillo,!soft!power!seduces!
the!intended!audience!by!displaying!“culture,!values,!belief!systems,!and!perceived!
moral!authority”!and!luring!viewers!to!apply!the!learned!standards!and!ideologies!
to!their!own!lives.104!The!United!States!ambassador!to!the!USSR,!Llewellyn!
Thompson,!suggested!the!exhibition!should!“endeavor!to!make!the!Soviet!people!
dissatisfied!with!the!share!of!the!Russian!pie!which!they!now!receive,!and!make!
them!realize!that!the!slight!improvements!projected!in!their!standard!of!living!are!
only!a!drop!in!the!bucket!compared!to!what!they!could!and!should!have.”105!!
In!1953,!President!Eisenhower!established!the!United!States!Information!
Agency!(USIA)!with!the!intention!“to!understand,!inform!and!influence!foreign!
publics!in!promotion!of!the!U.S.!national!interest,!and!to!broaden!the!dialogue!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!103!Joseph!S.!Nye!Jr.,!Soft(Power:(The(Means(to(Success(in(World(Politics((New!York:!Public!Affairs,!2004),!5b7.!!104!Greg!Castillo,!Cold(War(on(the(Home(Front:(The(Soft(Power(of(Midcentury(Design((Minneapolis:!University!of!Minnesota,!2010),!xi.!!105!Llewellyn!Thompson,!quoted!in!Walter!L.!Hixson,!Parting(the(Curtain:(Propaganda,(Culture,(and(the(Cold(War,(1945H1961!(New!York:!St.!Martin’s!Griffin,!1998),!73.!
!!52!
between!Americans!and!U.S.!institutions!and!their!counterparts!abroad.”106!Jack!
Masey,!the!Chief!of!Design!and!Construction!for!the!upcoming!exhibition!in!Moscow,!
recruited!George!Nelson!and!together!with!the!Eameses!and!Billy!Wilder,!they!
focused!the!American!exhibition!on!the!proliferation!of!domestic!objects!that!were!
readily!available!to!the!average!American.!They!had!only!seven!months!to!plan!the!
exhibition!and!construct!the!buildings.!The!pressure!of!designing!exhibition!pieces!
was!immense,!but!there!was!also!the!potential!for!publicity.!As!George!Nelson!
recalled,!“On!the!one!hand,!glamour!plus!realization!that!the!exhibition!could!have!
an!important!effect!on!U.S.bUSSR!relations.!On!the!other,!the!possibility!of!wrecking!
the!office!by!taking!on!too!large!a!project:!the!Government!as!a!client,!plus!an!
impossible!time!schedule,!offers!fascinating!possibilities!of!exposure!to!a!scandalb
loving!press,!with!congressional!investigation!as!possible!jackpot.”107!
Although!the!exhibition!was!advertised!as!an!amiable!cultural!exchange!
between!the!United!States!and!the!Soviet!Union,!it!played!an!essential!role!in!
President!Eisenhower’s!attempts!to!win!the!Cold!War!through!American!cultural!
information!programs!that!propagated!the!United!States!as!a!country!with!
unparalleled!consumerism!made!available!through!capitalism.!The!American!
National!Exhibition!in!Moscow!sought!to!seduce!Soviet!citizens!through!attractive!
products!that!represented!not!only!the!higher!standard!of!living!available!in!the!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!106!Joseph!Duffy,!“Mission!Statement,”!United(States(Information(Agency,(http://govinfo.library.unt.edu/npr/library/nprrpt/annrpt/vpbrpt96/appendix/usia.html!107!George!Nelson,!“Designer’s!Comments!and!Extracts!from!‘Log,’!in!American!National!Exhibition!in!Moscow,”!Industrial(Design(6,!no.!4!(April!1959):!49.!
!!53!
United!States,!but!also!American!culture,!values,!belief!systems,!and!moral!
authority.108!Eisenhower!hoped!that!Soviet!citizens!would!see!the!great!number!of!
products!unavailable!to!them!and!demand!access!to!such!products!in!their!own!
country,!providing!the!United!States!with!the!upper!hand!in!the!longbraging!Cold!
War.!!
!
The*Eames*Method*
The!Eameses!conceived!the!film!as!a!sevenbscreen!production!that!required!the!
viewer!to!make!connections!between!!various!images!displayed!simultaneously.!The!
seven!screens!were!arranged!in!two!rows!with!four!screens!on!the!top!and!three!
screens!centered!directly!below,!creating!diagonal!lines!between!the!upper!and!
lower!screens!that!would!force!the!eye!to!look!not!only!horizontally!across!screens,!
but!also!utilize!the!eye’s!range!of!movement!to!quickly!shift!in!many!ways,!focusing!
on!each!individual!image!before!it!changed!moments!later!(Figure!26).!The!images!
changed!at!a!relatively!quick!pace!that!coincided!with!the!instrumental,!upbeat!
music!that!accompanied!the!film.!The!format!of!the!film!and!composition!of!images!
was!heavily!tested!in!the!Eames!Office!with!projectors!to!ensure!the!high!quality!of!
work!associated!with!the!Eameses’!name.!The!scale!and!layout!of!the!screens!within!
Buckminster!Fuller’s!dome!was!also!extensively!planned!on!a!scaled!model!to!
perfect!the!placement!of!the!screens;!they!needed!to!be!located!high!above!the!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!108!Castillo,!Cold(War(on(the(Home(Front,!xi.!!
!!54!
crowd!and!tilting!downward!so!that!everyone!within!the!dome!could!watch!the!film!
without!craning!their!necks!or!struggling!to!look!over!the!people!ahead!of!them.!
Although!the!Eameses!took!the!planning!of!their!multibscreen!film!seriously,!
they!could!not!resist!the!opportunity!include!illusionistic!images!that!made!them!
appear!as!giants!when!compared!to!the!scaled!cardboard!figures!that!appeared!
throughout!the!space!(Figure!27).!At!the!same!time,!however,!this!photograph!
shows!the!Eameses’!hands!on!method.!They!not!only!tested!the!film!by!projecting!
the!seven!scenes!onto!a!white!wall,!but!they!also!built!a!model!to!visualize!how!the!
audience!would!physically!interact!with!the!space!where!their!film!was!to!be!played.!
Utilizing!their!handsbon!approach,!the!Eameses!created!a!layout!that!would!allow!
their!film!to!have!the!greatest!impact!of!the!large!Soviet!audience,!This!was!critically!
important,!since!the!film!was!the!Soviet!visitor’s!first!image!of!American!life!upon!
entering!the!American!National!Exhibition.!!
!
A*Sample*Lesson*
! The!American!National!Exhibition!in!Moscow!was!not!the!first!time!George!
Nelson!called!on!the!Eameses.!Nelson!played!a!crucial!role!in!the!Eameses’!career.!
He!recommended!them!to!the!Herman!Miller!Furniture!Company!in!1946,!granting!
them!unhindered!access!to!new!technologies!and!the!opportunity!for!mass!
production,!distribution,!and!influence.!The!Eames’s!affiliation!with!Herman!Miller!
accelerated!their!rapid!ascension!to!the!highest!ranks!of!design.109!Nelson!also!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!109!Kirkham,!Charles(and(Ray(Eames,!372.!!
!!55!
collaborated!with!Charles!and!Ray!to!produce!an!acclaimed!multibmedia!
presentation,!referred!to!as!“Art!X”!or!the!“Sample!Lesson,”!which!described!
Nelson’s!proposal!for!a!new!arts!education!policy!and!curriculum!at!the!University!
of!Georgia!(Figure!28).!The!Eames’!concentrated!on!the!film!alongside!Nelson!and!
Alexander!Girard,!the!founding!director!of!Herman!Miller’s!fabric!and!textile!
division.!All!four!inherited!design!ideals!from!Herbert!Bayer!as!well!as!the!Bauhaus!
and!De!Stijl!movements,!namely:!breaking!the!sight!plane,!forcing!the!eye!to!
constantly!shift!between!image!and!text,!and!engaging!with!the!information!
interactively.110!!They!shared,!too,!an!intense!concern!for!humanistic!design!that!
guides!viewers!to!form!links!across!disciplines!to!develop!creativity!and!encourage!
innovation.!!!
The!Eameses’!use!of!imagery!for!educational!purposes!largely!developed!out!
of!their!toy!production!throughout!the!late!1940’s!and!early!1950’s,!especially!in!the!
House!of!Cards.!Influenced!by!the!Arts!and!Crafts!movement!and!contemporary!
educational!theories,!the!Eameses!believed!that!toys!should!fuel!childhood!
creativity.111!Charles!felt!that!the!educational!system!in!the!United!States!was!
seriously!flawed;!by!focusing!on!specialization!it!failed!to!produce!wellbrounded!
adults!that!could!think!expansively!and!make!abstract!connections.112!Charles!and!
Ray!applied!their!design!technique,!learning!through!experimentation,!to!their!toys!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!110!Kirkham,!Charles(and(Ray(Eames,!167.!!111!Kirkham,!Charles(and(Ray(Eames,!147.!!112!Kirkham,(Charles(and(Ray(Eames,!381.!!
!!56!
and!added!unique!visual!pleasures!and!relationships!through!use!of!color,!texture,!
and!detail.!!
!
Eames*Pedagogy*in*Toys*
! The!House!of!Cards!was!created!in!1952!and!consisted!of!fiftybtwo!cards!
white!cards!featuring!an!asterisk!on!one!side!and!a!single!image!taken!from!the!
Eames’s!vast!collection!of!slides!and!photographs!on!the!other!(Figure!18).!Charles!
and!Ray!selected!everyday!objects!they!believed!embodied!integrity:!a!close!up!of!
spools!of!thread,!medication!and!vitamins,!abstract!and!colorful!patterns,!toy!trucks,!
dolls,!vegetables,!and!many!other!everyday!details.!The!Eameses!included!many!
images!of!objects!that!had!stood!the!test!of!time!and!remained!an!essential!part!of!
everyday!life!as!well!as!images!that!could!not!easily!be!dated!to!a!passing!trend,!but!
would!remain!relevant!for!generations!to!come.!Both!Charles!and!Ray!found!interest!
in!photography!and!film,!as!well!as!the!ability!of!each!medium!to!challenge!the!way!
people!saw!and!interpreted!the!world!around!them.!Many!cards!held!images!from!
the!Eames!House,!including!dolls!and!textiles,!relating!their!work!with!images!and!
media!to!their!concept!of!functional!design.!Not!only!did!the!House!of!Cards!
proclaim!the!importance!of!details!by!including!close!ups!of!various!objects!and!
patterns,!but!it!made!combining!images!central!to!the!toy’s!purpose.!Indeed,!the!
cards!encouraged!children!and!adults!to!make!connections!between!colors!and!
textures!by!linking!the!cards!and!making!threebdimensional!structures.!The!House!
!!57!
of!Cards!allowed!for!freedom!of!experimentation,!something!the!Eameses!valued!
highly.113!!
! The!Eameses!created!the!House!of!Cards!as!a!fun!toy!that!made!learning!
interesting!and!interactive.!!However,!Charles!and!Ray!took!toy!production!very!
seriously.!They!remade!foundational!toys!such!as!blocks,!masks,!cards,!and!tops!that!
had!stood!the!test!of!time!and!developed!a!range!of!skills!while!remaining!
enjoyable.114!The!Eameses!made!the!intended!audience’s!experience!a!priority!and!
insisted!that!every!toy!create!an!enchanting,!lightbhearted!experience!that!
emphasizing!intensive!looking.!!
Using!the!“Sample!Lesson”!and!House!of!Cards!as!models,!the!Eameses’!film!
for!the!Moscow!exhibition!employed!similar!techniques!to!educate!Soviets!on!
American!values.!They!strategically!placed!images!next!to!one!another!to!present!a!
day!in!the!life!of!an!average!American.!It!began!with!distant!shots!of!landscapes!
before!moving!to!everyday!activities!and!families!interacting!within!their!homes!to!
establish!an!observable!“norm.”!The!objects!and!images!of!American!life!selected!by!
the!Eameses!echoed!Cold!War!rhetoric;!the!luxuries!of!American!domestic!life!
justified!the!nation’s!foreign!policies.!Indeed,!domestic!products!are!monumentally!
important!to!understanding!the!political!tension!between!the!United!States!and!the!
Soviet!Union.115!!
!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!113!Kirkham,!Charles(and(Ray(Eames,!147.!!114!Kirkham,!Charles(and(Ray(Eames,!146.!!115!Castillo,!Cold(War(on(the(Home(Front,!116.!!
!!58!
American*National*Exhibition*in*Moscow*
! After!World!War!II,!the!United!States!used!American!design,!consumer!
products,!and!visual!imagery!to!combat!communism!at!world’s!fairs!and!exhibitions!
throughout!the!early!1950s.116!The!1959!Exhibition!occurred!in!a!politically!fraught!
moment,!since!the!Soviets!were!developing!atomic!weaponry!more!quickly!than!the!
United!States.!Six!weeks!before!the!opening!of!the!American!National!Exhibition!in!
Moscow,!the!Soviet!National!Exhibition!opened!in!New!York!City.!It!showcased!their!
technical!advancements,!focusing!primarily!on!a!model!of!Sputnik,!the!first!satellite!
launched!into!the!Earth’s!orbit!less!than!two!years!earlier.!Displays!on!the!Soviet!
launch!of!the!first!transcontinental!missile!asserted!military!prowess!in!order!to!
illustrate!Communism’s!ability!to!compete!with!and!surpass!the!capitalist!countries!
of!the!West.117!!
The!United!States!countered!the!Soviet’s!focus!on!space!exploration!and!
military!weaponry!with!its!emphasis!on!domesticity!and!the!American!high!
standard!of!living.!On!July!24,!1959!the!American!National!Exhibition!in!Sokol’niki!
Park,!Moscow!opened!to!the!Soviet!public.!Visitors!were!met!with!impressive!
buildings!constructed!specifically!for!this!event!as!well!as!advanced!technology!and!
luxury!goods.!Buckminster!Fuller’s!dome!was!placed!at!the!entrance,!forcing!visitors!
to!enter!the!space!before!visiting!subsequent!exhibition!halls!and!stands!that!held!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!116!This!is!a!gross!generalization!of!Cold!War!politics,!a!topic!this!chapter!and!thesis!are!influenced!by!but!is!not!the!main!concern!in!this!chapter.!For!expanded!literature!on!the!Cold!War!and!political!tensions,!please!see!Nye,!Soft(Power:(The(Means(to(Success(in(World(Politics.((117!Castillo,!Cold(War(on(the(Home(Front,!144.!!
!!59!
the!stars!of!the!show:!consumer!goods!(Figure!29).!Soviet!citizens!walked!through!
aisles!and!displays!crowded!with!televisions,!prepackaged!foods,!mail!order!
catalogs,!appliances,!electronics,!clothes,!and!countless!other!American!products!
(Figure!30).!Exhibiters!bombarded!visitors!with!pamphlets!while!companies!such!as!
Pepsi!provided!free!samples!to!give!the!Soviets!a!taste!of!the!American!way!of!
life..118!The!American!government!sought!to!entice!the!Soviet!citizens!with!products!
they!claimed!were!available!to!every!American,!providing!the!people!with!a!literal!
and!metaphorical!taste!of!the!unparalleled!standard!of!living!in!the!United!States.!
The!American!press!focused!primarily!on!the!kitchen!of!the!display!home!
nicknamed!“Splitnik,”!and!it!occasioned!what!has!become!one!of!the!definitive!
events!of!the!Cold!War:!the!“Kitchen!Debate.”!In!a!model!kitchen!filled!with!the!
latest!American!appliances,!Richard!Nixon!and!Nikita!Khrushchev!debated!whether!
the!average!American!citizen!could!own!these!items.!Nixon!emphasized!that!
Americans!could!chose!from!countless!options!and!products,!luxuries!not!available!
to!the!Soviet!public!even!if!it!had!the!economic!means!to!purchase!them.!Through!
coverage!in!newspapers,!magazines,!and!television!programs,!Americans!witnessed!
Nixon!standing!up!for!the!American!way!of!life!against!a!powerful!communist!
nation,!which!also!provided!Nixon!with!a!competitive!edge!in!the!upcoming!
presidential!election.119!The!Russian!press!argued!that!the!model!homes!were!
exaggerations!and!that!the!average!textile!worker!could!not!afford!to!live!in!one.!
Indeed,!the!home!designed!by!George!Nelson!contained!furniture!produced!by!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!118!Castillo,!Cold(War(on(the(Home(Front,!151.!!119!Castillo,!Cold(War(on(the(Home(Front,!160.!!
!!60!
Herman!Miller!and!followed!many!of!the!design!ideals!championed!in!the!Museum!
of!Modern!Art’s!Good(Design!displays!that!were!largely!out!of!the!financial!reach!of!
most!Americans.120!While!Splitnik!was!a!more!realistic!version!of!the!American!
home,!the!display!was!barely!obtainable!by!the!majority!of!expanding!middle!class.!!!
!
!
Glimpses'of'the'U.S.A.'
! When!Charles!Eames!arrived!in!Moscow!the!day!before!the!exhibition’s!
grand!opening,!only!a!select!few!had!seen!the!multibscreen!production!during!its!
completion!in!the!Eames!Office.!Moreover,!it!remained!untested!in!Buckminster!
Fuller’s!geodesic!dome!where!the!seven!expansive!screens!were!housed.!!As!the!first!
stop!in!the!exhibition,!every!visitor!was!greeted!with!the!Eameses’!vision!of!the!
American!story,!displayed!through!relationships!and!contrasts!that!emphasized!the!
diversity!of!the!United!States!as!well!its!relationships!to!the!USSR!(Figure!29).!
! Almost!three!million!Soviets!traveled!through!Fuller’s!dome!and!watched!
Glimpses(of(the(U.S.A.(in!the!six!weeks!the!exhibition!was!open.121!The!multibscreen!
film!began!with!images!of!a!starry!night,!a!scene!visible!from!both!the!United!States!
and!the!Soviet!Union.!The!film!continued!with!scenes!of!the!American!landscape!in!
all!its!diversity,!and!then!focused!on!images!of!neighborhoods!taken!from!an!aerial!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!120!Castillo!estimates!George!Nelson’s!model!apartment!was!designed!for!a!theoretical!family!that!had!an!annual!income!of!$12,000.!The!national!average!at!this!time!was!below!$5,000,!putting!Nelson’s!apartment!well!out!of!the!reach!of!the!working!American.!See!Castillo,!Cold(War(on(the(Home(Front,!154.!121!Kaplan,!Tigerman!and!Adamson,!California(Design,!313.!
!!61!
vantage!point.!Streets!planned!on!grid!lines!gave!way!to!pools,!highways,!industrial!
areas,!urban!landscapes,!and!regional!architecture!from!across!the!fifty!states.!
Highways!and!bridges!illustrated!America’s!wellbdeveloped!infrastructure,!while!
various!consumer!products!illustrated!the!nation’s!high!standard!of!living.!Although!
American!commodities!and!objects!play!a!prominent!role!in!the!film,!the!primary!
focus!is!undoubtedly!human!interaction!with!the!objects,!with!each!other,!and!with!
their!diverse!surroundings.!For!example,!the!Eameses!juxtaposed!photographs!of!
skyscrapers!with!people!walking!along!urban!streets,!to!show!how!Americans!
maneuvered!through!the!city.!The!film!also!shows!daily!rituals!performed!by!
Americans:!reading!the!morning!newspaper,!kissing!their!loved!ones!goodbbye,!and!
hurrying!off!to!their!various!activities!including!work!and!school.!!
Although!Marilyn!Monroe!had!not!yet!reached!fame!in!the!Russia,!the!
Eameses!included!a!film!clip!of!Monroe!winking!and!blowing!a!kiss!to!the!viewer.!
Their!inclusion!of!her!points!to!the!gendering!of!products!within!the!exhibition!as!a!
whole.!Monroe,!a!highly!sexualized!feminine!figure,!underscores!the!feminization!of!
the!domestic!space!and!the!labor!saving!devices!that!made!American!women’s!lives!
easier,!allowing!them!to!do!less!work!and!live!the!glamorous!lifestyle!represented!
by!Monroe!and!made!available!through!American!capitalism.(
( At!the!conclusion!of!the!film,!the!crowd!left!the!dimly!lit!dome!and!entered!
into!rows!of!consumer!products!and!home!displays!(Figure!30).!While!the!sheer!
amount!and!diversity!of!products!was!aimed!to!lure!the!Soviet!visitors!to!a!new!
vision!of!life!under!capitalism,!the!Eameses!carefully!manipulated!images!attempted!
!!62!
to!pull!at!heartstrings,!establishing!a!connection!between!Americans!and!Soviets.!
Glimpses(of(the(U.S.A.(encouraged!visitors!to!leave!the!dome!with!a!positive!image!of!
American!life!that!relied!on!human!interaction!within!the!built!environment.!To!put!
it!differently,!the!film!presented!a!way!of!life!enabled!by!the!!countless!products!
displayed!in!the!subsequent!exhibition!halls!,!the!majority!of!which!were!
unattainable!by!the!Soviet!citizens.!Viewed!alone,!this!reminded!the!Soviets!of!
American!superiority.!However,!the!Eameses!were!careful!to!emphasize!the!human!
element!in!relation!to!these!objects,!establishing!a!connection!between!the!strong!
sense!of!family!life!throughout!America!and!the!commercial!goods!that!enabled!the!
home!to!be!a!comfortable!place!in!which!to!retreat!and!relax.!!
! In!creating!Glimpses(of(the(U.S.A.,(the!Eameses!and!their!staff!utilized!many!of!
the!same!processes!they!used!for!their!previous!films,!exhibitions,!toys,!and!
furniture!designs.!!They!carefully!planned!the!visual!juxtapositions!through!
extensive!experimentation.!A!photograph!from!1968!shows!Charles!and!Ray!
bending!over!a!light!table,!looking!at!slides!through!a!magnifying!glass!and!
rearranging!them!into!groups!(Figure!31).!Each!image!and!every!composition!was!
painstakingly!selected!and!created,!especially!by!Ray!who!was!known!for!her!
insistence!on!perfection!in!every!aspect!of!Eames.122!Charles!spoke!openly!about!
their!design!process,!explaining!some!of!the!decisions!they!made!in!the!production!
of!the!film:!
“We!wanted!to!have!a!credible!number!of!images,!but!not!so!many!that!they!couldn’t!be!scanned!in!the!time!allotted.!At!the!same!time,!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!122!Neuhart,!Neuhart,!and!Eames,!Eames(Design,(p.!10.!
!!63!
the!number!of!images!had!to!be!large!enough!so!that!people!wouldn’t!be!exactly!sure!how!many!things!they!had!seen.!We!arrived!at!the!number!seven.!With!four!images,!you!always!knew!there!were!four,!but!by!the!time!you!got!up!to!eight!images!you!weren’t!quite!sure.!They!were!very!big!images!–!the!width!across!four!of!them!was!half!the!length!of!a!football!field…!We!tried!out!various!tricks!and!rhythms!in!changing!the!images.!We!discovered!that!if!you!had!seven!images!and!changed!one!of!them,!this!put!an!enormously!wasteful,!nonbinformative!burden!on!the!brain,!because!with!every!change!the!eye!had!to!check!every!image!to!see!which!one!had!changed.!When!you’re!busing!checking!you!don’t!absorb!information.”123!!
! In!Glimpses(of(the(U.S.A.,!the!Eameses!relied!on!many!of!the!educational!
techniques!they!emphasized!in!their!multibmedia!presentation!at!the!University!of!
Georgia,!including!the!juxtaposition!of!image,!text,!and!sound!to!give!the!audience!a!
multibsensory!experience!that!concretized!abstract!ideas.!The!seven!screens!broke!
visual!planes,!utilizing!the!mobility!of!the!eye!and!forcing!the!viewers!to!be!
constantly!stimulated!by!information.!As!the!images!changed!on!the!screens!
simultaneously,!the!audience!would!quickly!scan!all!of!the!information!present!in!
the!various!screens!before!being!assailed!by!a!new!serious!of!images!that!
represented!American!everyday!life,!but!in!a!slightly!varied!way.!For!example,!the!
Eameses!showed!the!varied!natural!landscape!of!the!United!States!through!the!
combination!of!distant!shots!of!deserts,!mountains,!rivers!and!a!few!details!present!
within!those!areas!such!as!animals!and!plants!before!quickly!shifting!to!the!
suburban!landscape!that!was!largely!unvaried.!This!allows!the!viewer!to!deduce!that!
suburban!life!was!a!standard!across!the!United!States,!regardless!of!the!region.!In!an!
attempt!to!pack!as!much!information!into!the!twelvebminute!film!as!possible,!the!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!123!Owen!Gingerich,!“A!Conversation!with!Charles!Eames,”!American(Scholar(46!(1977),!333b334.!!
!!64!
Eameses!overloaded!the!film!with!rapidly!changing!images!and!clips!to!tell!a!full!and!
visually!interesting!story!of!the!American!way!of!life!while!keeping!their!message!
accessible!to!a!wide!variety!of!individuals.!The!Soviet!visitors!were!dwarfed!by!the!
seven!large!screens!that!overpowered!viewers!with!size!and!a!proliferation!of!
images.!!
In!Glimpses(of(the(U.S.A.,!the!Eames!Office!chose!images!and!film!clips!that!
broke!from!the!emphasis!of!much!of!the!exhibition!in!Moscow.!While!their!film!
focused!on!American!products!and!advancements,!they!provided!a!human!element!
that!gave!a!more!complete!and!relatable!vision!of!American!life!than!household!
appliances!displayed!in!an!elite!and!glamorous!kitchen.!Typically!credited!to!Ray’s!
genius,!the!end!of!the!multibscreen!film!consisted!of!short!clips!of!individuals!saying!
“good!night,”!which!provided!a!more!personal!and!sentimental!conclusion!to!the!
film!than!if!they!were!saying!“good!bye”!(Figure!31).!Going!to!bed,!lovingly!wishing!
family!members!and!friends!farewell!before!reacquainting!in!the!morning!is!a!
universal!ritual!performed!nightly!by!people!around!the!world.124!!
! The!final!scene!blacked!out!all!but!the!bottom!center!screen,!which!focused!
on!a!bowl!of!forgetbmebnots,!a!flower!that!has!a!strong!use!in!folklore!and!
represents!remembrance,!faithfulness,!and!enduring!love!(Figure!32).!The!flower!
held!similar!meaning!to!the!Soviets!at!the!American!National!Exhibition!and!ended!
the!presentation!on!a!note!of!friendship.125!Ray!chose!the!flower!over!a!clip!of!a!jet!
taking!off,!leading!towards!a!more!progressive!future,!which!emphasizes!the!Charles!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!124!Kirkham,!Charles(and(Ray(Eames,!324.!125!Kirkham,!Charles(and(Ray(Eames,!324.!
!!65!
and!Ray’s!commitment!to!humanistic!aspects!in!their!designs!and!exhibitions!and!
Ray’s!continuing!important!contributions!that!made!the!distinction!between!“very!
good”!and!“Eames.”126!The!flower!proved!to!be!a!successful!close!to!the!film,!
providing!a!moving!visual!as!opposed!to!the!jet,!which!would!have!aligned!the!film!
with!the!Soviet’s!emphasis!on!technological!superiority!at!their!exhibition!in!New!
York.127!The!Eameses!decided!to!take!the!focus!off!of!Cold!War!technologies!and!
advancements!that!created!tensions!between!the!United!States!and!the!Soviet!
Union,!a!tension!that!was!emphasized!by!the!American!press!that!similarly!used!
images!to!emphasize!a!point:!communism!was!a!threat!to!American!life.!
Contrastingly,!the!Eameses!found!images!that!established!strong!bonds!crossb
culturally!that!provided!information!about!the!American!lifestyle!through!details,!
which!the!Eameses!found!to!be!the!most!important!aspect!of!universal!everyday!
life.128!!
! In!an!interview!years!later,!Ray!Eames!remembered!Glimpses(of(the(U.S.A.(and!
the!American!National!Exhibition!in!Moscow!experience!to!be!a!very!“affective.”129!
Her!description!was!apt;!according!to!Kirkham,!their!film’s!universal!message!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!126!Neuhart,!Neuhart,!and!Eames,!Eames(Design,!10.!!127!According!to!Carpenter,!Charles!proposed!a!jet!taking!off!while!Ray!was!responsible!for!the!choice!of!the!flower.!Carpenter,!“Tribute!to!Charles!Eames,”!p.!32.!!128!Ray!Eames!often!quoted!her!husband,!Charles!stating,!“The!details!are!not!details!–!they!make!the!product.!It!is,!in!the!end,!these!details!that!give!the!product!life.”!!Quoted!in,!Doris!Saatchi,!“All!about!Eames,”!House(and(Garden,!February!1984,!129.!129!Ray!Eames,!in!An(Eames(Celebration:(The(Several(Worlds(of(Charles(and(Ray(Eames,!WNET!Television,!New!York,!February!3,!1975.!!!
!!66!
caused!countless!to!leave!the!dome!mystified!and!tearybeyed.130!The!Eameses’!
design!was!careful!never!to!challenge!socialism,!but!to!uplift!the!American!way!of!
life!in!a!country!that!had!an!uneasy!relationship!with!the!United!States!over!the!last!
decade.131!!
The!Eameses!were!well!aware!of!not!only!the!affect,!but!of!the!effect!Glimpses(
of(the(U.S.A.(could!have!on!how!individuals!experienced!the!subsequent!exhibits!that!
boasted!the!higher!standard!of!living!in!the!United!States!and!formed!a!picture!of!
the!American!cultural!identity!through!their!commodities.132!Although!the!
government!and!George!Nelson!did!not!closely!censure!the!production!of!the!film,!it!
is!probable!that!Masey,!Nelson,!Wilder,!and!the!Eameses!meticulously!arranged!the!
flow!of!the!exhibition!with!the!“affective”!film!placed!at!the!beginning!to!allow!
Russians!to!connect!with!the!American!lifestyle!before!revealing!the!preeminence!of!
the!United!States!as!the!overwhelming!world!leader!in!the!production!of!consumer!
goods.!In!this!way,!the!film!is!a!critical!element!of!the!propaganda,!since!it!translates!
consumer!abundance!to!human!happiness!and!connection.!
The!1959!American!National!Exhibition!in!Moscow!was!conceived!as!an!
attempt!to!encourage!cultural!communication!and!understanding.!When!taken!on!
its!own,!the!Eameses’!attempt!to!create!similarities!between!the!United!States!and!
the!Soviet!Union!to!emphasize!human!interaction!to!create!empathy!within!the!film.!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!130!Kirkham,!Charles(and(Ray(Eames,(323.!!131!Kirkham,!Charles(and(Ray(Eames,!372.!132!Marshall!McLuhan,!Understanding(Media:(The(Extensions(of(Man((London:!Sphere,!1973),!15.!!
!!67!
Glimpses(of(the(U.S.A(underscored!that!the!American!way!of!life!was!predicated!of!
family!life!and!domestic!production!while!retaining!the!appropriate!focus!on!
capitalist!politics.!The!film,!thus,!reveals!the!Eameses!goal!in!creating!a!
compassionate!view!of!the!United!States!that!made!the!Soviet!visitors!more!
vulnerable!to!the!barrage!of!American!domestic!products!that!followed!in!the!rest!of!
the!exhibition.!!
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Conclusion))) As!World!War!II!came!to!a!close!in!1945,!materials!such!as!plywood!and!steel!
became!more!readily!available!for!domestic!consumption.!With!the!goal!of!creating!
inexpensive,!highCquality!furniture!that!utilized!the!latest!wartime!developments,!
Charles!and!Ray!Eames!produced!their!first!chair!design,!the!Molded!Plywood!Chair!
(1945C1946).!The!Eameses!believed!that!thin,!molded!plywood!would!be!the!best!
material!for!creating!affordable!and!durable!modern!furniture.!At!the!end!of!their!
long!careers,!their!target!audience!had!largely!changed!from!the!average,!middleC
class!American!to!corporate!patrons!and!government!institutions.!The!couple!no!
longer!experimented!with!plywood!or!fiberglass,!but!focused!their!attention!on!
films!and!exhibitions!designed!to!educate!the!public.!As!the!Eameses’!career!
progressed,!so!did!their!use!and!control!of!images.!Charles!and!Ray!Eames!became!
increasingly!conscious!of!not!only!the!way!their!products!were!portrayed,!but!also!
the!public!reception!of!their!relationship,!working!methods,!and!ideologies!of!design!
and!space,!A!visual!tension!formed!between!the!ways!the!Eameses!represented!
themselves!and!how!the!American!media!portrayed!their!work!and!relationship.!!
In!the!postwar!period,!the!domestic!environment!defined!American!ideals!at!
home!and!abroad.!As!Thomas!Hine!argues!in!his!book,!Populuxe,)“Individual!citizens!
had,!they!were!told,!freedom!to!express!themselves!and!live!on!a!level!of!comfort!of!
which!all!mankind,!up!to!that!moment,!could!scarcely!have!dared!to!dream.”53!This!
ideal!became!a!rallying!cry!for!the!American!middleCclass!and!for!the!American!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!53!Hine,!Populuxe,!60.!!
!!69!
foreign!policy.!As!Hine!persuasively!argues,!the!“ability!to!have!so!great!a!choice!of!
things!to!buy!was!viewed!as!fulfillment!of!the!promise!of!democracy.”134!!
The!glamour!associated!with!the!American!way!of!life!was!highly!gendered,!
since!the!domestic!sphere!was!women’s!domain.!Although!women!were!not!largely!
present!within!the!workplace,!they!were!considered!the!primary!consumers!and!
decision!makers!within!the!home.!However,!as!revealed!through!the!public!
presentation!of!the!Eameses’!designs,!media!such!as!NBC’s!Home(show!and!Herman!
Miller!ads,!promoted!the!designs!as!largely!masculine!coming!from!the!office!of!
Charles!Eames.!!The!Eameses!challenged!traditional!conceptions!of!American!
glamour!ideas!in!their!work!and!in!their!lifestyle.!!
Popular!media!including!magazines!and!television!shows!such!as!Vogue,!Life,!
and!Home!allowed!for!myriad!interpretations!of!the!Eameses’!work!and!targeted!the!
upperbmiddle!classes.!These!sources!had!strong!reader!and!viewership,!influencing!
the!ideas!of!millions!of!individuals!who!sought!to!obtain!the!idealistic!lifestyles!they!
depicted.!The!Eameses!were!well!aware!of!the!power!media!had!upon!reception!of!
their!relationship!and!products!and!sought!to!control!this,!as!evidenced!by!their!
increasing!use!of!images!to!convey!ideals.!Their!products!were!interpreted!in!varied!
ways!that!aligned!it!with!the!highly!gendered!American!conception!of!glamour.!
However,!as!a!couple!that!worked!and!lived!together,!the!Eameses’!challenged!the!
gender!divisions!so!central!to!the!American!way!of!life.!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!134!Hine,!Populuxe,!36.!!
!!70!
The!gendering!of!their!work!applied!to!their!complex!relationship!and!how!
the!public!interpreted!it.!As!the!interview!during!the!1956!Home(show!illustrates,!
Ray!was!frequently!overlooked!and!under!credited!as!the!supporting!wife!of!an!
ambitious!and!successful!male!designer.!This!interpretation!of!their!relationship!
concerned!Charles,!who!constantly!credited!Ray!in!their!designs!and!advocated!her!
vital!role.!The!view!of!their!relationship!was!heavily!influenced!by!the!time;!men!
were!seen!as!providers!while!women!stayed!within!the!domestic!sphere.!However,!
their!individual!interests!and!responsibilities!within!their!working!relationship!also!
influence!this!misinterpretation.!Charles!was!the!public!image,!more!comfortable!
with!public!speaking!and!taking!care!of!administrative!duties!around!the!Eames!
Office.!Ray!shied!away!from!these!aspects!of!their!work!and!involved!herself!more!
heavily!with!the!design!process.!Ray!made!large!advances!in!an!era!of!limited!
opportunities!for!women!and!recent!scholarship!informed!by!feminism!has!
attempted!to!resituate!and!credit!her!for!her!valuable!input.!!
The!images!also!highlight!the!Eameses’!unique!lifestyle!and!abilities!in!using!
design!to!influence!and!represent!American!values!at!a!pivotal!time!in!the!country’s!
history.!Americans!were!seeking!ways!in!which!to!define!themselves!and!the!
Eameses!provided!the!medium,!whether!through!their!humanistic!furniture!designs!
or!their!images!that!characterized!the!nature!of!American!life.!However,!as!I!have!
argued,!the!Eameses’!lifestyle!hardly!represented!that!of!the!average!American,!
creating!a!necessary!tension!between!how!they!represented!themselves,!how!their!
products!were!marketed,!and!how!both!were!received!and!interpreted!by!the!
!!71!
masses!that!were!influenced!by!popular!media!which!placed!common!gender!
prejudices!and!conceptions!upon!their!work!and!their!relationship.!The!gendering!of!
the!American!way!of!life,!embodied!in!the!visual!presentation!of!the!Eameses’!
designs!was!challenged!by!the!Eameses’!personal!relationship!and!professional!
partnership.!The!Eameses’!increasing!control!over!the!presentation!of!their!work!
creates!a!dynamic!tension!between!American!masculine!design,!feminized!glamour,!
and!their!relationship!that!largely!challenged!typical!definitions!of!American!
glamour.!!
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Works&Cited:&&“A#Designer’s#Home#of#His#Own.”#Life.#September#1950:#148A152.#
Armstrong,#Harris.#“Eames:#A#man#who#did#what#he#wanted.”#St.(Louis(Post(Dispatch.((
August#27,#1978.#
Berry,#John#R.#Herman(Miller:(The(Purpose(of(Design.#New#York:#Rizzoli,#2001.#
Borrelli,#Laird.#Fashion(Illustration(Now.#London:#Thames#&#Hudson,#2000.#
Castillo,#Greg.#Cold(War(on(the(Home(Front:(The(Soft(Power(of(Midcentury(Design.##
Minneapolis:#University#of#Minnesota,#2010.#
Chanzit,#Gwen#Finkel,#Herbert(Bayer(and(Modernist(Design(in(America.(Ann#Arbor:##
UMI#Research#Press,#1987.#
Cohen,#Arthur#A.#Herbert(Bayer:(The(Complete(Work.(Cambridge,#Mass.:#MIT#Press,##
1984.#
Dachs,#Sandra,#Patricia#De#Muga,#Laura#García#Hintze,#and#Mathias#Remmele.#Charles((
and(Ray(Eames.(Barcelona:#Ediciones#Polígrafa,#2007.#(
Demetrios,#Eames.#An(Eames(Primer.(New#York:#Universe#Publishers,#2001.#((
Demetrios,#Eames.#Eames:(Beautiful(Details.#Los#Angeles:#Ammo#Books,#2012.#
Doss,#Erika,#ed.#Looking(at(Life(Magazine.#Washington,#D.C.:#Smithsonian#Institution,##
2001.#
Duffy,#Joseph.#“Mission#Statement.”#United(States(Information(Agency.((
http://govinfo.library.unt.edu/npr/library/nprrpt/annrpt/vpA#
rpt96/appendix/usia.html(
Eames,#Charles.#“Merit#Specified#Case#Study#House#1949.”#Arts(&(Architecture(66:#25##
## (1949.)#
!!73!
Eames,!Charles!and!Ray!Eames.!Papers,!box!7,!Manuscript!Division,!Library!of!!
Congress,!Washington,!D.C.!
Eames,!Ray,!in!An(Eames(Celebration:(The(Several(Worlds(of(Charles(and(Ray(Eames.!!
WNET!Television.!New!York,!February!3,!1975.!!!
Eidelberg,!Martin!P.!The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design.!Grand!!
Rapids:!Grand!Rapids!Art!Museum,!2006.!!
Entenza,!John.!“The!Case!Study!House!Program.”!Arts(&(Architecture(58!(1945).!
EOG((Executive(Office(Group)(&(the(Multipurpose(Series(advertising!brochure.!!
Herman!Miller,!1959.!
Field,!Harry!and!Paul!F.!Lazarsfeld.!The(People(Look(at(Radio.!Chapel!Hill:!University!!
of!North!Carolina!Press,!1946.!
Fitoussi,!Brigitte.!Eames:(Furniture(1941H1978.(New!York:!Assouline,!2003.!!
Francis,!Arlene.!“Interview!with!Charles!and!Ray!Eames.”!Home,(1956,!!
https://www.youtube.com/watch?v=z_X6RsNbHFw.!
Friedman,!Alice!T.!American(Glamour(and(the(Evolution(of(Modern(Architecture.(New!!
Haven:!Yale!University!Press,!2010.!!
Fuller,!Buckminster!in!An(Eames(Celebration:(The(Several(Worlds(of(Charles(and(Ray((
Eames.!WNET!Television,!New!York.!February!3,!1975.!!!
Gingerich,!Owen.!“A!Conversation!with!Charles!Eames.”!American(Scholar(46,!1977.!
Hartman,!Carla!and!Eames!Demetrios.!100(Quotes(by(Charles(Eames.!Santa!Monica,!!
CA:!Eames!Office,!2007.!
Herman!Miller!Furniture!Company!“Catalog!1948.”!1948.!
!!74!
Hine,!Thomas.!Populuxe.!New!York:!Knopf,!1986.!!
Hixson,!Walter!L.!Parting(the(Curtain:(Propaganda,(Culture,(and(the(Cold(War,(1945H(
1961.!New!York:!St.!Martin’s!Griffin,!1998.!
Kaplan,!Wendy,!Bobbye!Tigerman,!and!Glenn!Adamson.!California(Design,(1930H(
1964:(Living(in(a(Modern(Way.!Los!Angeles:!Los!Angeles!County!Museum!of!!
Art,!2011.(
Kirkham,!Pat.!Charles(and(Ray(Eames:(Designers(of(the(Twentieth(Century.(Cambridge,!!
MA:!MIT!Press,!1995.!
Marling,!Karal!Ann.!As(Seen(on(TV:(The(Visual(Culture(of(Everyday(Life(in(the(1950s.((
Cambridge:!Harvard!University!Press,!1994.!
McCoy,!Esther.!“An!affection!for!objects.”!Progressive(Architecture,(August!1973.!!
McCoy,!Esther.!Blueprints(for(Modern(Living:(History(and(Legacy(of(the(Case(Study((
Houses.!Los!Angeles:!Museum!of!Contemporary!Art,!1989.!
McCoy,!Esther.!Modern(California(Houses:(Case(Study(Houses(1945H1962.(New!York:!!
Reinhold!Publishing,!1962.!
McLuhan,!Marshall.!Understanding(Media:(The(Extensions(of(Man.(London:!Sphere,!!
1973.!
Meikle,!Jeffrey.!Design(in(the(USA.!Oxford:!Oxford!UP,!2005.!
Nelson,!George.!“Designer’s!Comments!and!Extracts!from!‘Log,’!in!American!National!!
Exhibition!in!Moscow.”!Industrial(Design.(6,!no.!4,!April!1959.!
Nelson,!George!and!Henry!Wright.!Tomorrow’s(House:(A(Complete(Guide(for(the((
HomeHBuilder.(New!York:!Simon!and!Schuster,!1946.(
!!75!
Neuhart,!John,!Marilyn!Neuhart,!and!Ray!Eames.!Eames(Design:(The(Work(of(Charles((
and(Ray(Eames.!New!York:!H.N.!Abrams,!1989.!!
http://www.loc.gov/pictures/item/2006678412.(
Nye,!Joseph!S.!Soft(Power:(The(Means(to(Success(in(World(Politics.(New!York:!Public!!
Affairs,!2004.!
Office!of!Charles!and!Ray!Eames,!Eames(Collection.!Library!of!Congress!Prints!and!!
Photographs!Division,!Washington!D.C.!
Oral!history!interview!with!Ray!Eames,!1980!July!28bAug.!20,!Archives!of!American!!
Art,!Smithsonian!Institution.!
Pepis,!Betty.!“New!Range!Shown!for!‘Good!Design.’”!New(York(Times.(June!20,!1952.!!!
Radkai,!Karen.!“New!California!Ideas!Spreading!West!to!East.”!Vogue.(April!15,!1954:!!
60b61,!66b67,!82b83.!
Rosa,!Joseph.!Glamour:(Fashion,(Industrial(Design,(and(Architecture.(San!Francisco:!!
San!Francisco!Museum!of!Modern!Art,!2004.!!
Saatchi,!Doris.!“All!about!Eames.”!House(and(Garden.!February!1984.!
Smith,!Elizabeth!A.!T.!Case(Study(Houses(1945H1966:(The(California(Impetus.(London:!!
Taschen!Publishing,!2007.!
Smith,!Roberta.!“Eames!Lounge!Chair!Exhibition!at!the!Museum!of!Arts!and!Design.”!!
The(New(York(Times,(May!26,!2006.!(
http://www.nytimes.com/2006/05/26/arts/design/26eame.html.!!
Sontag,!Susan.!On(Photography.!New!York:!Farrar,!Straus!and!Giroux,!1977.!!Talmey,!Allene.!“Eames.”!Vogue.(August!15,!1959:!124b129.!
!!76!
“The!Junkman’s!Pile!Moves!toward!the!Munitions!Factory.”!Life.!April!1937:!64b68.!
Salant,!Katherine.!“A!50bYearbOld!Chair!Design!and,!for!30!Years,!A!Craving.”!The((
Washington(Post.!January!12,!2008.!http://www.washingtonpost.com/wpb!
dyn/content/article/2008/01/11/AR2008011101696.html!
Spigel,!Lynn.!Welcome(to(the(Dream(House:(Popular(Media(and(Postwar(Suburbs.((
Durham,!NC:!Duke!University!Press,!2001.!!
Staniszewski,!Mary!Anne.!The(Power(of(Display:(A(History(of(Exhibition(Installations((
at(the(Museum(of(Modern(Art.!Cambridge,!MA:!MIT,!1998.(
Steele,!James.!Eames(House:(Charles(and(Ray(Eames.(London:!Phaidon,!1994.!!
Wallance,!Don.!Shaping(America’s(Products.(New!York,!Reinhold,!1956.!!
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77!Figures:))!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!1.!Charles!and!Ray!Eames,!Eames&House,!1949.!Reproduced!in:!James!Steele,!Eames&House:&Charles&and&Ray&Eames&(London:!Phaidon,!1994),!26F27.
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Figure!2.!Charles!and!Ray!Eames,!Eames&House,!1949.!Reproduced!in:!James!Steele,!Eames&House:&Charles&and&Ray&Eames&(London:!Phaidon,!1994),!39.
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Figure!3.!Charles!and!Ray!Eames,!Bridge'House,'1945.!Reproduced!in:!John!Entenza,!“Case!Study!Houses!8!and!9,”!Arts'&'Architecture,!December!1945,!accessed!April!7,!2014,!http://www.eamesfoundation.org/wpcontent/uploads/2012/06/!case_study_8Q9.pdf.
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Figure!4.!Charles!and!Ray!Eames,!Eames&House&Floor&Plan,!1949.!Reproduced!in:!John!Entenza,!“Case!Study!House!for!1949!Designed!by!Charles!Eames,”!Arts&&&Architecture,!December!1949,!accessed!April!7,!2014,!http://www.artsandarchitecture.com/case.houses/pdf01/08.pdf.
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Figure!5.!Eames!Office,!Stills!from!House&–!After&Five&Years&of&Living,!1955.!Reproduced!in:!“The!Timeline!of!a!House!&!a!Household!Name,”!accessed!April!7,!2014,!http://www.eameshouse250.org/timeline.html.
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Figure!6.!Charles!and!Ray!Eames,!Eames&House,&1949.!Reproduced!in:!John!Entenza,!“Case!Study!House!for!1949!Designed!by!Charles!Eames,”!Arts&&&Architecture,!December!1949,!accessed!April!7,!2014,!
http://www.artsandarchitecture.com/case.houses/pdf01/08.pdf.
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Figure!7.!Karen!Radkai,!Interior(of(the(glass(and(steel(home(of(Mr.(and(Mrs.(Charles(Eames(in(Pacific(Palisades,(1954.!Karen!Radkai,!“California!Ideas!Spreading!West!to!East,”!Vogue,(April!15,!1954,!61.
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Figure!8.!Karen!Radkai,!Fashion(Model(in(Eames(House,(1954.!Karen!Radkai,!“California!Ideas!Spreading!West!to!East,”!Vogue,(April!15,!1954,!82.
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Figure!9.!Charles!Eames,!1959.!Reproduced!in:!Allene!Talmey,!“Eames,”!Vogue,'August!15,!1959,!124.
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Figure!10.!John!Bryson,!Charles(and(Ray(Eames(at(Eames(House,(Pacific(Palisades,(CA,!1951.!Reproduced!in:!Allene!Talmey,!“Eames,”!Vogue,(August!15,!1959,!125.
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Figure!11.!Charles!and!Ray!Eames,!Eames&House,!1949.!Reproduced!in:!“A!Designer’s!Home!of!His!Own,”!Life,!September!1950,!149.
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Figure!12.!Charles!and!Ray!Eames,!Eames&House,&1949.!Reproduced!in:!“A!Designer’s!Home!of!His!Own,”!Life,!September!1950,!149.
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Figure!13.!Charles!Eames!and!Eero!Saarinen,!Organic(Armchair,(1940;1941.!Reproduced!in: "Organic!Armchair."!Charles(Eames(and(Eero(Saarinen.!Vitra!DesignMuseum,!accessed!April!7,!2014,!http://www.design;museum.de/en/collection/100;masterpieces/detailseiten/organic;armchair-charles;eames;und;eero;saarinen.html.
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Figure!14.!Charles!and!Ray!Eames,!Molded&Plywood&Splints,&194191943.!Reproduced!in:!Allene!Talmey,!“Eames,”!Vogue,&August!15,!1959,!124.
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Figure!15.!Eames!Office,!DCM,!1946.!Reproduced!in:!Pat!Kirkham,!Charles*and*Ray*Eames:*Designers*of*the*Twentieth*Century,!(Cambridge,!MA:!MIT!Press,!1995),!227.
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Figure!16.!Eames!Office,!Molded&Plywood&Chair,!194571946.!Reproduced!in:!John Neuhart, Marilyn Neuhart, and Ray Eames, Eames Design: The Work of the Office of Charles and Ray Eames (New York: Harry N. Abrams, Inc., 1989), 58.
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Figure#17.#Eames#Office,#Profile(View(of(Eames(Lounge(Chair(and(Ottoman,#1956.#Reproduced#in:#Martin#P.#Eidelberg,#The(Eames(Lounge(Chair:(An(Icon(of(Modern(Design((Grand#Rapids:#Grand#Rapids#Art#Museum,#2006),#109H110.
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!
94!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!18.!Eames!Office,!House&of&Cards,!1952.!Reproduced!in:!John Neuhart, Marilyn Neuhart, and Ray Eames, Eames Design: The Work of the Office of Charles and Ray Eames (New York: Harry N. Abrams, Inc., 1989), 168.
!
!
95!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!19.!NBC,!Still!from!Home,!1956.!Reproduced!in:!Martin!P.!Eidelberg,!The'Eames'Lounge'Chair:'An'Icon'of'Modern'Design'(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!103.
!
!
96!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!20.!Herman!Miller!Advertising,!“Herman!Miller!presents!an!upholstered!lounge!chair!designed!by!Charles!Eames,”!1956.!Reproduced!in:!Martin!P.!Eidelberg,!The$Eames$Lounge$Chair:$An$Icon$of$Modern$Design$(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!115.
!
!
97!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!21.!Herman!Miller!Advertising,!“It’s!a!Man’s!Chair,”!1957.!Reproduced!in:!Martin!P.!Eidelberg,!The$Eames$Lounge$Chair:$An$Icon$of$Modern$Design$(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!120.
!
98#!##########################
Figure#22.#Herman#Miller#Advertising,#“Even#if#you#don’t#have#two#o’clock#feeding#at#your#house,#we#think#you#will#appreciate#the#deep#comfort#of#this#rosewood#and#leather#lounge#chair#designed#by#Charles#Eames#for#Herman#Miller,”#1959.#Reproduced#in:#Martin#P.#Eidelberg,#The$Eames$Lounge$Chair:$An$Icon$of$Modern$Design$(Grand#Rapids:#Grand#Rapids#Art#Museum,#2006),#117.
98##
!
99!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!23.!Herman!Miller!Advertising,!“When!they!load!you!down!with!heavy!reading,!you’re!ready!for!an!easy!chair,”!1973.!Reproduced!in:!Martin!P.!Eidelberg,!The$Eames$Lounge$Chair:$An$Icon$of$Modern$Design$(Grand!Rapids:!Grand!Rapids!Art!Museum,!2006),!34.
!
100#!##########################
Figure#24.#Eames#Office,#Stills#from#Eames&Lounge&Chair,#1956.#Reproduced#in:#John#Neuhart,#Marilyn#Neuhart,#and#Ray#Eames,#Eames&Design:&The&Work&of&the&Office&of&Charles&and&Ray&Eames&(New#York:#Harry#N.#Abrams,#Inc.,#1989),#208.
#
!
101!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!25.!Interior!view!of!the!Buckminster!Fuller!geodesic!dome,!1959.!Reproduced!in:!John!Neuhart,!Marilyn!Neuhart,!and!Ray!Eames,!Eames&Design:&The&Work&of&the&Office&of&Charles&and&Ray&Eames&(New!York:!Harry!N.!Abrams,!Inc.,!1989),!238.
!
102$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$26.$View$of$Moscow$Fair$auditorium$showing$the$seven$screens$displaying$Glimpses(of(the(U.S.A.,$1959.$Reproduced$in:$John$Neuhart,$Marilyn$Neuhart,$and$Ray$Eames,$Eames(Design:(The(Work(of(the(Office(of(Charles(and(Ray(Eames((New$York:$Harry$N.$Abrams,$Inc.,$1989),$238.
$
103$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$27.$Charles$in$Model$of$Dome$for$the$1959$American$National$Exhibition$in$Moscow,$1959.$Reproduced$in:$Office$of$Charles$and$Ray$Eames,$Eames&Collection,&Library$of$Congress$Prints$and$Photographs$Division,$Washington$D.C.,$accessed April$7,$2014,$http://www.loc.gov/exhibits/eames/images/uc9637.jpg.
$
104$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$28.$George$Nelson,$Alexander$Girard,$Charles$and$Ray$Eames,$Sample'Lesson,$1952.$Reproduced$in:$Pat$Kirkham,$Charles'and'Ray'Eames:'Designers'of'the'Twentieth'Century,$(Cambridge,$MA:$MIT$Press,$1995),$319.
$
!
105!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!29.!George!Nelson,!Floor!plan!of!the!American)National)Exhibition,!1959.!Reproduced!in:!George!Nelson!Foundation,!“American!National!Exhibition,!Moscow,”!accessed!April!7,!2014,!http://www.georgenelsonfoundation.org/georgeJ!nelson/works/americanJnationalJexhibitionJmoscowJ124.html.
!
106$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$30.$Thomas$J.$O’Halloran,$U.S.S.R.%Moscow,%Temporary%Russian%Exhibition,$August$5,$1959.$Reproduced$in:$Office$of$Charles$and$Ray$Eames,$Eames%Collection,%Library$of$Congress$Prints$and$Photographs$Division,$Washington$D.C.,$accessed$April$7,$2014,$http://www.loc.gov/pictures/resource/ppmsca.19729/.
$
!
107!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Figure!31.!Ray!and!Charles!Eames!selecting!slides!for!the!exhibition,!“Photography!&!the!City,!1968.”!© 2001!Eames!Office,!LLC.!Reproduced!in:!Pat!Kirkham,!“!A!Short!Biography!of!Charles!and!Ray!Eames,”!Charles(and(Ray(Eames:(The(Architect(and(the(Painter,!December!6,!2011,!accessed!April!7,!2014,!http://www.pbs.org/wnet/americanmasters/episodes/charlesTrayTeamesTtheT!architectTandTtheTpainter/essayTaTshortTbiographyTofTcharlesTandTrayTeames/1930/.!
!
107!!
108$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$32.$Eames$Office,$Still$from$Glimpses(of(the(U.S.A.,(1959.$Reproduced$in:$John$Neuhart,$Marilyn$Neuhart,$and$Ray$Eames,$Eames(Design:(The(Work(of(Charles(and(Ray(Eames((New$York:$H.N.$Abrams,$1989),$241.
$
109$!$$$$$$$$$$$$$$$$$$$$$$$$$$
Figure$33.$Eames$Office,$Still$from$Glimpses(of(the(U.S.A.,(1959.$Reproduced$in:$John$Neuhart,$Marilyn$Neuhart,$and$Ray$Eames,$Eames(Design:(The(Work(of(Charles(and(Ray(Eames((New$York:$H.N.$Abrams,$1989),$241.
$
