Presentation of Seaport Watercolor Paintings AAPA/PRSA ...

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1 Presentation of Seaport Watercolor Paintings AAPA/PRSA-Detroit Public Relations Seminar Detroit, MI Robert C. Morris Director of External Affairs Georgia Ports Authority June 24, 2009 American Association of Port Authorities 703.684.5700 www.aapa-ports.org

Transcript of Presentation of Seaport Watercolor Paintings AAPA/PRSA ...

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Presentation of Seaport Watercolor Paintings AAPA/PRSA-Detroit Public Relations Seminar

Detroit, MI

Robert C. Morris

Director of External Affairs

Georgia Ports Authority

June 24, 2009

American Association of Port Authorities

703.684.5700 • www.aapa-ports.org

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Coming Full CircleSavannah Daily News | Sunday, June 22, 2008

By Allison Hersh

American Association of Port Authorities

703.684.5700 • www.aapa-ports.org

Robert C. Morris may be best known as the director of

external affairs for the Georgia Ports Authority in Savannah.

However, this articulate port spokesman and public relations

expert also has a passion for painting detailed watercolors

celebrating nature and everyday life along the coast.

As a young boy growing up in Washington, D.C., art made a

particularly deep impression on Morris, who says that "art was

the only thing that took my breath away as a child." He

attended Tulane University in New Orleans, where he studied

studio art but ultimately earned a B.A. in English.

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"Twenty," an exhibit of 20 recent watercolors on display at

The Book Lady in downtown Savannah, marks this 47-year-

old artist's return to painting after a two-decade hiatus. In

1985, Morris abruptly put down his paint brush after his

beloved mentor at Tulane University, Hal Carney, died of a

massive heart attack shortly before Morris debuted his first

solo art show.

While mourning Carney's loss with fellow artists at a New

Orleans pub and a local cemetery, Morris' car was broken

into and all the paintings he planned to exhibit were stolen,

along with a portfolio of his best art from college and high

school.

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"It was devastating and life-altering," he explained. "There

was no record that I had ever existed on this planet as an

artist."

He took the double-blow of Carney's death and the theft of

his own art as a divine sign that he needed to choose

another path in life. A talented writer, Morris eventually

became a staff reporter at the Atlanta Journal-Constitution,

an editor at Atlanta magazine, a features editor at Creative

Loafing in Atlanta and a speech writer for former Georgia

Gov. Roy Barnes.

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"I quit painting literally for 20 years," he said. "But about

two and a half years ago, I began to have dreams about

these stolen images. Almost every night, another one of

these paintings would reappear."

Morris decided that he needed to start painting again and

quickly began executing sketches and small paintings of

local scenes. Inspired by artists like Claude Monet, Vincent

Van Gogh and Wassily Kandinsky, he eventually created a

body of watercolor paintings that reflect his love of

Savannah, nature and the port.

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From the pastel splendor of "North Beach" to the amber

landscapes in "Autumn Dawn," Morris delights in capturing

the colors, form and lines of the world around him. He

paints tug boats and container ships floating gracefully

down the Savannah River, using a palette that is alternately

bold and restrained. Utilizing dozens of layers of color

wash, he creates vivid compositions like "Bloody Marsh,"

which re-imagines tidal salt marshes as fiery ribbons of

color.

"When you're working with watercolors, it's as if you're the

master of the universe," he said. "You're orchestrating it,

but it's not really in your control. It's always a mystery as to

what the outcome will be."

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Working from his Gwinnett Street studio, Morris enjoys

rediscovering the medium that originally inspired his

creativity as a boy and as a young man. Although the

quality of the work on display in "twenty" tends to be a bit

uneven, the exhibit marks this long-dormant artist's joyful,

full-circle return.

"I can bring much more maturity and commitment to it at

this stage of my life," he said of his art. "I'm excited about

what will happen next."

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The following watercolor images were painted by Robert

Morris in celebration of, and as a way to communicate the

value of, our vital seaports.

We hope you enjoy the show.

For questions or more info about his paintings, contact:

Robert C. Morris

Tel: (912) 964-3855

[email protected]

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“Blue Night”

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“In Challenging Times”

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“Passage to Brunswick”

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“Passing Cockspur”

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“The Refuge & The Cranes”

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“Tybee Sunset”

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“When The Lights Come On”

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“Bloody Marsh”