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Transcript of Portfolio 2016
3PORTFOLIO 2016
issuu.com/imariacalderon
Houston, Texas U.S.A.001-832-722-8803
I Maria Calderon, PLALandscape Architect
4 I MARIA CALDERON
GRASSY LOWLANDS
+
+COASTAL CLIFFS
TECHNOLOGY
The profile of the Dub’ Hub bridge is designed in balance, but not in competition of adjacent iconic architecture
CALATRAVA BRIDGE (BEYOND)
DUB’ HUB BRIDGE SECTION
DUB’ HUB BRIDGE PLAN
1] DUBLIN, IRELAND PEDESTRIAN BRIDGE COMPETITION
5PORTFOLIO 2016
INTERNATIONAL DESIGN COMPETITION: [second place]
Dub’ Hub pedestrian bridge arches across the Liffey river to connect the lively historic district with the contemporary district in Dublin. The broad, park-like bridge offers direct routes, passive paths, varieties of seating as well as a Wi-Fi hotspot, charging stations, bike parking, and a massive ribbon display panel.
Three rolling hills reminiscent of the irish grassy lowlands provide a variety of paths that traverse through a botanical display of grassland Eco-regions that provide both privacy and sunset views. The hills become intersected on the opposite side with stepped concrete terraces that mimic the rocky morphology of coastal Ireland. The fourth hill is inverted to provide access to the water and act as a small amphitheater.
Team collaborators: Matt Relyae, Jason Buckley, I Maria Calderon
Users bring the bridge to life via social media with real-time messages, images and videos appearing on the LED ribbon. Night time experience of Dublin is dramatically enhanced by the vivid displays of light reflecting off the river.
Recreational access to the River below is provided by a series of steps descending to the waters edge. A botanical display of endemic grasslands is sprinkled on the west slopes of the mounded landscape.
1] DUBLIN PEDESTRIAN BRIDGE
6 I MARIA CALDERON
3D graphic showing building massing and design strategy with three nodes
2] ROCHESTER URBAN INFILL - CORNELL UNIVERSITY STUDIO
A Rustbelt city has its downtown heart sliced out with a sunken highway. The proposed strategy recreates an at-grade pedestrian environment and urban park that reconnects the inner and outer neighborhoods. This landscape patch celebrates Rochester’s hidden river channel by directing storm water through rain-gardens back to the river channel. A proposed building massing strategy improves commerce & connections between the inner and outer-loop neighborhood.
Cornell University, 3rd year studio. In collaboration with Alison Gardiner, Matt Sturz
7PORTFOLIO 2016
Section & Perspective show urban park reusing and celebrating storm-water
2] ROCHESTER URBAN INFILL - CORNELL UNIVERSITY STUDIO
8 I MARIA CALDERON
1 5 10 20yearsb
ulk
he
ad
battery park
Plant Species
Habitat population
Section
Fish Species
vegetated lower intertidal unvegetated gabions
submerged aquatic vegetation Upland (non-tidal) vegetation
shallow, soft bottom marsh edges vegetation
Sandy bottom, vegetation overrepresented fish Still waters
bu
lkh
ea
d
battery park
The intent of this design is to aid in the recovery of endemic estuarine plant and fish species that previously teemed the Hudson river. This river is now lined with remnants of wood piers and a long solid bulkhead or sea wall. Constant dredging and strong currents have prevented natural sediment build up, and therefore, the formation of shallow waters that harbor native estuarine species.
This design takes advantage of two abandoned piers that already have sediment buildup around them and introduces a series of gabion structures that will induce sedimentation around them. The strategically placed gabionsprevent strong southward tides from completely eroding the subsurfacelandscape adjacent to the bulk head. As sediment deposits, the river bottom becomes stabilized with aquatic vegetation.
3] ESTUARINE HABITAT FOR ABANDONED PIERS, NYC
9PORTFOLIO 2016
In order to understand the movement of the strong southward tides that will shape the underwater topography, a water resistant scaled model was built. This model helped inform the sediment deposit diagram previously shown. The design shows some access to pedestrian exploration, but the most interesting user experience will be derived in a kayak or canoe that can better maneuver among the islands and be down close to the water.
Scale model of the existing piers used to test water movement through gabions and evaluate potential sediment buildup.
Top right: Diagram using words and images to depict programmatic elements of estuarine park.
Bottom right: rendered perspective showing preserved historic piers and the topographic buildup of islands.
3] ESTUARINE HABITAT FOR ABANDONED PIERS, NYC
10 I MARIA CALDERON
PROBLEM: The mouth of the Villalobos river draining at Lake Amatilan had thenatural form of a forested river delta but got destroyed in order to build an expensivesediment trap that collapsed in 2010.
2005
2008
PROBLEM: The mouth of the Villalobos river draining at Lake Amatilan had thenatural form of a forested river delta but got destroyed in order to build an expensivesediment trap that collapsed in 2010.
2005
2008
60
Figure 47: This map of the Lake Amatitlan Watershed shows the location of the rivers (blue) in relation to the city (black). The preserved forests (dark green) are mostly on the margins of the city, and the proposed restored forests (light green) are bordering the riparian zones of the rivers. This figure is based on an official map of the city, which does not include the informal settlements often seen in on the steep slopes of the gullies. The orange square marks the location for the mouth of the Villalobos river and the location of a potential site for a constructed wetland.
This lake with its 271km2 watershed is highly polluted and receives immense amounts of sediments through its major inlet, highlighted in orange. The basis for ecological restoration in this project calls for a combination of existing local solutions and acquired research from projects around the world.
Natural river delta - growing at excessive speed and filling lake with nutrient rich sediment
Guatemala CityPopulation, 3.5MM
Lake Amatitlan
Attempt by local municipality to retain sediment (basin broke a year after picture taken)
4] GREEN MOVEMENT AGAINST GREEN WATER, CORNELL UNIVERSITY THESIS
11PORTFOLIO 2016
1
1] River bank stabilization 2] Sediment deposit and slow down
3] Nutrient absorption and velocity attenuation**
4] Percolation and nutrient absorption**
5] visitor center waste water treatment wetland *
** Photos taken during research internship in Australia
* Pilot wetland for wastewater constructed while employed at Lo Verde design build LA firm, Guatemala.
6] Floating pontoons **
23
4 5*
6
2011 STUDENT NATIONAL ASLA RESEARCH AWARD:The proposed solution uses non invasive grasses as a method to prevent soil erosion and increase nutrient absorption. Water is diverted from the river into the land to mimic a wetland environment that showcases different pollution treatment methods.
This site also becomes an educational park by giving access to the public through elevated boardwalks.
4] WETLAND PARK DESIGN - GUATEMALA
12 I MARIA CALDERON
This design charette was conducted as a multi-disciplined, pro-bono effort in order to come up with for kayak access ideas for one of the largest rivers in Texas. The proposed kayak launch overcomes the 18 feet in elevation change through a ramp that minimally impacts existing vegetation and allows boating aficionados to gently hull their kayak to the water.
5] KAYAK LAUNCH, BRAZOS RIVER TX
14 I MARIA CALDERON
The predominant gesture in this design is the intersection of simple geometry. Crossing paths, rectangular planting beds and diagonal mow bands meet at a square, equilateral triangle, circle or right triangle.
Every last corner was designed to create continuous interest so that tenants will derive a sense of ownership in the plantings adjacent to their doors.
As the assistant project manager for this project, I was able to develop most of this project with minimal supervision. I developed two schematic options, and after some client input and value engineering derived this rendered plan, which was presented as shown for initial permitting procedures.
1] MULTI-FAMILY HOUSING COMPLEX, HOUSTON TX
15PORTFOLIO 2016
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JOB #:
SHEET NO.
5305 JacksonHouston, TX 77004
GENERAL NOTES:
DATE:
SCALE:
ISSUES/REVISIONS
AREA
1401NHH4 05 FEB 2016
NOT FOR REGULATORYAPPROVAL, PERMITTING
OR CONSTRUCTION
2605
RE
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.H
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, TX
770
51
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# DATE DESCRIPTION
THESE DOCUMENTS ARE NOT COMPLETE ANDARE ISSUED FOR INTERIM REVIEW ONLY AND
ARE NOT FOR REGULATORY APPROVAL,PERMITTING OR CONSTRUCTION.
S. SCOTT SLAGLE, LANDSCAPE ARCHITECT
DATE: 1.11.2016
L.112
LANDSCAPECONSTRUCTIONPLAN
Construction documentation for this project was a challenge given the acute angles, varied surface materials and custom concrete patterns. Team effort was necessary to derive to a set of plans and details that would be easily interpreted by the client and contractors.
1] MULTI-FAMILY HOUSING COMPLEX, HOUSTON TX
16 I MARIA CALDERON
7] RESIDENTIAL BUILDING ROOF DECK, HOUSTON TX
Pool Section
Roof plan option 2
Pool Section
Roof plan option 1
Schematic Option 1 Proposes a short lap pool with side steps and seating, a grand circular lawn space with concentric cabanas, and various private seating options.
Schematic Option 2 Uses the existing column grid below the roof deck to locate proposed tree planters and arranges spaces in rectangular grid in order to maximize programming. This option provided clean design lines and appealed most to the client.
17PORTFOLIO 2016
7] RESIDENTIAL BUILDING ROOF DECK, HOUSTON TX
SHEET TITLE
SHEET NUMBER
ZCA PROJECT #
2014 Ziegler Cooper ArchitectsArchitect shall own the overall conceptual design prepared and developed
for the project on the intangible exclusive rights or copyright therein.
ISSUES AND REVISIONS
12345
A
B
C
D
700 Louisiana Street, Suite 350Houston, Texas 77002
713.374.0000www.zieglercooper.com
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L2.02--
CAMDEN - CONTE
NO DATE DESCRIPTION1 12.19.2014 ISSUE FOR DESIGN DEVELOPMENT
CONSTRUCTIONPLAN - ROOF DECK
Skethup model studying planter heights Study of shade structures and fountain Marketing rendering
FINAL DESIGN Upon further development of the second design option, a sketchup model was built in order to study the planter heights, the kitchen & bar layout, major shade structures, cabanas and the focal fountain in the pool. The design was then massaged to fit as much programming on the roof deck as possible. This included the pool deck, seating, yoga deck, event lawn, TV bar, fire pit area and a dog run.
18 I MARIA CALDERON
This facility was designed for the care for 300 children within a campus based in the oil and gas industry. Considering the amount of time that children spend at such centers, one must closely consider the spaces where small children stretch, climb, discover, fall and get dirty. Each space was designed to be discoverable in different ways every day and at different stages of their childhood.
This design proposes specialized play equipment for its ability to develop childhood motor, social, emotional and cognitive skills. The subsurface exploration theme is predominant, inspiring the shapes and colors of the fall surfaces and paths, which mimic the corporate colors and pipeline morphology. The play equipment was also selected to trigger exploratory skills and an interest in a symbiotic relationship with nature.
TRIKE LOOP
FALL SURFACE DIAGRAMPRE-K PLAYGROUND
ART ROOM & CHALK BOARD PLAZA
SPRAYGROUND
KITCHEN & VEGETABLE GARDEN GATHER
SPACE
INFANT PLAY
PARENT MEET UP
6-12 MONTH PLAYGROUND
12-24 MONTH PLAYGROUND
8] DAYCARE CENTER, HOUSTON TX
19PORTFOLIO 2016
©
Issue # Issue Date Issue Description
CobbFendley & Associates
Wylie Consulting Engineers
Cardno Haynes Whaley
Clark Condon Associates
FMC TechnologiesCampus at Generation Park
N03
N03
FMG Design, Inc.
Ricca Newmark Design
4b Technology Group, LLC
PHASE 2A - BLDG N03
2 04/10/20151 02/27/2015 ISSUE FOR 100% SD
ISSUE FOR REVIEW3 05/22/2015 ISSUE FOR 50% DD
PLAYGROUND ENLARGEMENT 3
L03.83APLANPLAYGROUND ENLARGEMENT 3
1/8"=1'-0"
SHEET NOTES
LEGEND
SURFACE MATERIAL
PLAY EQUIPMENT SCHEDULE
8] DAYCARE CENTER, HOUSTON TX
20 I MARIA CALDERON
E N E R G Y INITIAL CONCEPT
FORM BECOMES FUNCTION
E N E R G Y INITIAL CONCEPT
FORM BECOMES FUNCTION
Designed during a quick paced charette, various options were rendered using a combination of hand graphics and a computer tablet.
In order to take it one step beyond the commendable quality of a green roof, this design is both an exiting space for building users and a representation of the organization’s mission, which is in the oil & gas exploration industry. The concentric plazas and gardens symbolize the connectivity between the various bodies of an organization - a symbolic gesture evident from aboriginal works of art to company logos. Paver materials are a loose representation of pipeline exploration or fracking below the surface. A large water feature represents oceanic explorations. Tree screens shelter the lawn areas from solar radiation and two shade structures provide seating near building entrances.
9] SCHEMATIC ROOF GARDEN DESIGN CHARETTE
Initial concept
Form becomes function
Perspective
E N E R G Y INITIAL CONCEPT
FORM BECOMES FUNCTION
21PORTFOLIO 2016
E N E R G Y INITIAL CONCEPT
FORM BECOMES FUNCTION
9] SCHEMATIC ROOF GARDEN DESIGN CHARETTE
LAWN
PERENNIAL GARDEN
TREE SCREEN
PLAZA
REFLECTIVE POND
SHADE STRUCTURE
22 I MARIA CALDERON
CAMPBELL ROAD
STREET PERSPECTIVE
CITY HALL PERSPECTIVE
CAMPBELL ROAD
BIRDS EYE PERSPECTIVE
After working through various space programming options for the public park of a small city within Houston, we arrived to a pragmatic but impactful design solution that incorporated existing trees and re-organized spaces. This design re-purposes the park into various rooms that help maximize the programming options and functionality of the largest and most cherished green space in this village.
Earthen mound provides elevated seating for an open air theatre
Food truck parking and spillover plaza
Park birds-eye view
10] CITY HALL PARK RENOVATION, SPRING VALLEY TX
24 I MARIA CALDERON
A comprehensive site analysis of this metropolitan campus on top of a parking structure depicts that students prefer to use the underground and indoor connections to navigate through the campus. The goal of this project was to bring students up to daylight by increasing shade structures, green space, lighting, tree canopies, attractive plazas and direct paths.
Aerial view of the campus & context
Shade study Actual user routes Basement lighting and pathsExisting green space Corridor canopies (blue existing, red remove, yellow add)
Tree additions (green existing, blue add, red remove)
Proposed green space (green add, blue remain, red remove)
11] TRI-C METRO CAMPUS, CLEVELAND OH
25PORTFOLIO 2016
Big Idea collage and sketch
Sketchup study with proposed outdoor uses
11] TRI-C METRO CAMPUS, CLEVELAND OHPERMEABLE PARKING
ENTRYTREE GROVE
SUNKEN GARDEN
PLAZA
PLAZA
ARTISTIC CANOPY
SKYLIGHT CANOPY
FOOD GARDENS
CONCEAL MOAT EDGE
26 I MARIA CALDERON
Through a quick, two day charette, various options were rendered into perspective drawings for the main entrance to a master planned community in a Houston suburb. A park that embraces stormwater use and celebrates it as a water feature is centered within the community. Perspective graphics were generated using a sketchup massing model and a wacom tablet.
Schematic ideas for gateway entry into residential community
12] MASTER PLAN COMMUNITY - GATEWAY & PARK, SPRINGWOODS TX
27PORTFOLIO 2016
Community Park Perspective12] MASTER PLAN COMMUNITY - GATEWAY & PARK, SPRINGWOODS TX
28 I MARIA CALDERON
RIVER PARK SCULPTURES, HALLS BAYOU, TXIn order to generate visual interest throughout a hike and bike trail, a series of sculptural elements reminiscent of endemic vegetation were proposed. These perspective diagrams demonstrate a variety of options that will be installed at trail gateways or pocket parks. Several of these schematic options became emblematic of the master plan project and have now been fully developed into construction documents.
13] TRAIL SCULPTURES, HALLS BAYOU TX
30 I MARIA CALDERON
These decorative structures generate a sense of privacy between hotel bungalows. Desert vegetation inspired designs were waterjet cut into steel panels and powder coated with a textured copper color.
6'-0"
3'-0"5'-0"
escalera ranch Ocotillo
3"
2"
2"
4'-0"
pitchfork ranch
briscoe ranch
waggoner ranchmatador ranch
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
pitchfork ranch
briscoe ranch
waggoner ranchmatador ranch
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
pitchfork ranch
briscoe ranch
waggoner ranchmatador ranch
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
pitchfork ranch
briscoe ranch
waggoner ranchmatador ranch
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"4'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
6'-0"
3'-0"5'-0"
6"
2"
2"
4'-0"
2" X 2" ALUMINUM POST
14" THICK ALUMINUM PANELPOWDERCOAT COLOR AGEDBRONZE
ETCHED LETTERS(BOTH SIDES)
PRIVACY SCREENAELEVATION 1"= 1'-0"
FOOTINGRE: STRUCTURAL
FINISH GRADE
2"
EYE LATCH
2" X 2" ALUMINUM FRAME
NOTE:1. CONTRACTOR TO PROVIDE
SIGNED AND SEALED SHOPDRAWINGS
2. ALL EXPOSED ALUMINUMSHALL BE POWDERCOATEDANTIQUE BRONZE
ART GRAPHIC; WATER JET CUTPATTERN ON PANEL. LANDSCAPEARCHITECT TO PROVIDE PATTERNFILES
14] SCREEN PANELS, SAN ANTONIO TX
Panel enlargementPerforated screen panel
Panel designs
Ocotillo plant Mesquite tree Side oats grama Prickly pear Big bluestem grass
31PORTFOLIO 2016
This double sided sign structure was designed as a compliment to the rustic character of a ranch’s architecture in Texas. A corten steel bracket mounts to the post in a manner that appears both light and robust.
A series of panels for ranch buildings and directions were designed for the entire ranch along with a masterplan showing the location for each of the signs.
BUNKHOUSE
OFFICES
MAINTENANCE
BUNKHOUSE
OFFICES
MAINTENANCE
4'-0"
5'-0"
4"
4"
2"
2"
1'-10
"
3"X4" EXTRUDEDCORTEN STEEL POST
1 1/2" CORTEN STEEL PANEL
212 " STAINLESS STEEL LETTERS,
PIN MOUNTED.FONT: BRITANNIC BOLD
12" COTEN STEEL U BRACKET
12 " Ø STAINLESS STEEL BOLT
SINK POSTS 13 OF HEIGHT ABOVE
GROUND IN CONCRETE AND SANDBASE. SEE DETAIL SHEET 3.3"2"
2"3"
3"2"
8"(V
ARIE
S)
3"
3"X4"x12" EXTRUDED CORTEN
STEEL POST
12 " Ø STAINLESS STEEL BOLT
BRACKET DETAIL SECTION12"=1'-0"
12" CORTEN STEEL U BRACKET
WELDED TO POST
PIN MOUNTED STAINLESS STEEL LETTERS(FOR DOUBLE SIDED SIGNS)
34" CORTEN STEEL PANEL
(BACK TO BACK)
THIS DRAWING IS CONCEPTUAL IN NATURE AND IS SUBJECT TOCHANGE. NO WARRANTIES OR REPRESENTATIONS, EXPRESSED
OR IMPLIED CONCERNING THE ACTUAL DESIGN, LOCATION ORCHARACTER OF THIS PLAN ARE INTENDED. THIS PLAN IS NOT
FOR PERMIT OR CONSTRUCTION PURPOSES.10401 STELLA LINK RD HOUSTON, TX 77025 T: 713.871.1414 CLARKCONDON.COM
SWEDEN RANCH SIGNSTYPICAL POST AND PANEL DISPLAY
SHEET 1
HILCORP VENTURESBENAVIDES, TX16.02.10114-064
0 1 2 3
4"
3"
2" 4"
BUNKHOUSE
OFFICES
MAINTENANCE
BUNKHOUSE
OFFICES
MAINTENANCE
4'-0"
5'-0"
4"
4"
2"
2"
1'-10
"
3"X4" EXTRUDEDCORTEN STEEL POST
1 1/2" CORTEN STEEL PANEL
212 " STAINLESS STEEL LETTERS,
PIN MOUNTED.FONT: BRITANNIC BOLD
12" COTEN STEEL U BRACKET
12 " Ø STAINLESS STEEL BOLT
SINK POSTS 13 OF HEIGHT ABOVE
GROUND IN CONCRETE AND SANDBASE. SEE DETAIL SHEET 3.3"2"
2"3"
3"2"
8"(V
ARIE
S)
3"
3"X4"x12" EXTRUDED CORTEN
STEEL POST
12 " Ø STAINLESS STEEL BOLT
BRACKET DETAIL SECTION12"=1'-0"
12" CORTEN STEEL U BRACKET
WELDED TO POST
PIN MOUNTED STAINLESS STEEL LETTERS(FOR DOUBLE SIDED SIGNS)
34" CORTEN STEEL PANEL
(BACK TO BACK)
THIS DRAWING IS CONCEPTUAL IN NATURE AND IS SUBJECT TOCHANGE. NO WARRANTIES OR REPRESENTATIONS, EXPRESSED
OR IMPLIED CONCERNING THE ACTUAL DESIGN, LOCATION ORCHARACTER OF THIS PLAN ARE INTENDED. THIS PLAN IS NOT
FOR PERMIT OR CONSTRUCTION PURPOSES.10401 STELLA LINK RD HOUSTON, TX 77025 T: 713.871.1414 CLARKCONDON.COM
SWEDEN RANCH SIGNSTYPICAL POST AND PANEL DISPLAY
SHEET 1
HILCORP VENTURESBENAVIDES, TX16.02.10114-064
0 1 2 3
4"
3"
2" 4"
14] RANCH SIGNAGE, BENAVIDES TX
OFFICESOFFICES
2'-2" (VARIES)
9" 2"
5"
2" 1' MIN
3" 2"2"EQ.EQ.
PIN MOUNTED STAINLESSSTEEL LETTERS
12" CORTEN STEEL U CHANNELMOUNTING DETAIL PLAN
12"=1'-0"
BUILDING
12" Ø STAINLESS STEEL FASTENER
34" CORTEN STEEL PANEL
THIS DRAWING IS CONCEPTUAL IN NATURE AND IS SUBJECT TOCHANGE. NO WARRANTIES OR REPRESENTATIONS, EXPRESSED
OR IMPLIED CONCERNING THE ACTUAL DESIGN, LOCATION ORCHARACTER OF THIS PLAN ARE INTENDED. THIS PLAN IS NOT
FOR PERMIT OR CONSTRUCTION PURPOSES.10401 STELLA LINK RD HOUSTON, TX 77025 T: 713.871.1414 CLARKCONDON.COM
SWEDEN RANCH SIGNSTYPICAL POST AND PANEL DISPLAY
SHEEET 2
HILCORP VENTURESBENAVIDES, TX16.02.10114-064
0 1 2 3
3 4"13 4"
2"
5"2"±
TYP.
34" NYLON SPACER
ELEVATION1"=1'-0"
2" 9"
134"3
4"
34"
MOUNTING DETAIL ELEVATION12"=1'-0"
12" CORTEN STEEL U CHANNEL
34" CORTEN STEEL PANEL
34" NYLON SPACER
12" Ø STAINLESS STEEL FASTENER
OFFICESOFFICES
2'-2" (VARIES)9" 2"
5"
2" 1' MIN
3" 2"2"EQ.EQ.
PIN MOUNTED STAINLESSSTEEL LETTERS
12" CORTEN STEEL U CHANNELMOUNTING DETAIL PLAN
12"=1'-0"
BUILDING
12" Ø STAINLESS STEEL FASTENER
34" CORTEN STEEL PANEL
THIS DRAWING IS CONCEPTUAL IN NATURE AND IS SUBJECT TOCHANGE. NO WARRANTIES OR REPRESENTATIONS, EXPRESSED
OR IMPLIED CONCERNING THE ACTUAL DESIGN, LOCATION ORCHARACTER OF THIS PLAN ARE INTENDED. THIS PLAN IS NOT
FOR PERMIT OR CONSTRUCTION PURPOSES.10401 STELLA LINK RD HOUSTON, TX 77025 T: 713.871.1414 CLARKCONDON.COM
SWEDEN RANCH SIGNSTYPICAL POST AND PANEL DISPLAY
SHEEET 2
HILCORP VENTURESBENAVIDES, TX16.02.10114-064
0 1 2 3
3 4"13 4"
2"
5"2"±
TYP.
34" NYLON SPACER
ELEVATION1"=1'-0"
2" 9"
134"3
4"
34"
MOUNTING DETAIL ELEVATION12"=1'-0"
12" CORTEN STEEL U CHANNEL
34" CORTEN STEEL PANEL
34" NYLON SPACER
12" Ø STAINLESS STEEL FASTENER
32 I MARIA CALDERON
Transforming a useless eroded slope into a fruitful orchard garden cannot be left to the discretion of a drawing on paper. Working through the design-build method at Lo Verde Landscape Architecture in Guatemala, allowed the designer to oversee the meticulous layout of each individual stone, carefully cutting into the landscape with a gently sloped one-meter path, curved stairs and flat resting areas.
15] RESIDENTIAL GARDEN, GUATEMALA CITY
Sinuous steps and retention wall made with locally sourced stones
Back yard before improvements
Various rest areas were designed to provide access to orchard and views
Saint Augustine sod and compaction were used to stabilize slopes
33PORTFOLIO 2016
15] RESIDENTIAL GARDEN, GUATEMALA CITY
ORCHARD
RAMP
STABILIZED SLOPE
STEPS
DECK
DECK
WATER GARDEN
FLAT AREA
WALL &LANDING
WALL &LANDING SWIMMING
POOL
34 I MARIA CALDERON
This site was composed of two lots of land that were obliquely adjoined. This allowed for the creation of two outdoor rooms - the shade room and the productive sun garden. The design is a microcosm of productive gardens constructed for a client who prefers sustainability over plain aesthetics. The zigzagged staggering of the path opened up voids that were filled with herb planters, vegetable strips and a constructed wetland for treating gray-water.
A gray water constructed wetland includes staggered walls that force water through a zigzag movement in order to discourage preferential water paths and increase filtration.
Site before improvements
Permeable flagstones were locally sourced voids were planted with zoyzia sod to generate a natural feel. Raised herb gardens helped define the space edge and provide seating.
Food garden rows with a wood band edging for access and maintenance. Bamboo fence was installed to keep pests and dogs out.
16] PERMACULTURE GARDEN, GUATEMALA CITY
35PORTFOLIO 2016
Permaculture garden plan. Site is divided into four main sections divided by a perimetral path, including the shade garden, lawn area with kiosk, food garden, and a wetland.
16] PERMACULTURE GARDEN, GUATEMALA CITY
36 I MARIA CALDERON
Located in the center of Guatemala City, this english style townhouse complex was designed to have a walkable central spine that would encourage neighbor interaction and walkability. Built on top of parking structure, the majority of the garden was planted on a roof, while tree
pits were left as holes that extended 3 meters below ground and were protected by a guardrail. This design was picked from various options presented to the client for its ability to create a sense of broadness due to the winding paths that helped break up the monotony of the houses.
Meandering paths were designed to generate the illusion of a broader corridor between the buildings.
The central gathering space contains path surround an oval lawn area.
Lush flowering plants attract pollinators such as hummingbirds and generate interest at a small scale.
17] PASAJE OAKLAND, GUATEMALA CITY
37PORTFOLIO 2016
This award winning landscape design was published in several magazines throughout Central America including Domus and Prensa Libre. An additional lighting plan was also part of the package.
17] PASAJE OAKLAND, GUATEMALA CITY
38 I MARIA CALDERON
A developer hired Lo Verde to work on a comprehensive analysis of the existing vegetation, to evaluate the proposed circulation by the planner, and redesign the green spaces. The diagrams to the right proposed various changes to circulation within the neihborhoods, preserved existing trees, designated pedestrian paths, located soft trails and bike trails, proposed tree species and designated uses to the different green spaces throughout the community.
18] MULTI-FAMILY DEVELOPENT, GUATEMALA CITY
Circulation and neighborhoods
Pedestrian Paths
Bike PathClay model used to shape park mounds and connectivity to a spring that ran through site.
Green Space Programming
Existing trees
Trails
Proposed Trees
Master Plan
39PORTFOLIO 2016
This park forms part of one neighborhood complex within the master planned community. It attempts to make the largest possible turf area surrounded by an interconnected path for biking, skating and strolling. This park becomes a communal front yard for families to play and stroll.The meandering design of the paths soften the rectilinear architecture and allow for small pockets of ornamental plantings.
18] MULTI-FAMILY DEVELOPMENT, GUATEMALA CITY
Small pocket parks like this one were built in different neighborhoods
40 I MARIA CALDERON
On the sixth story of a multi-family building complex in Guatemala city, lies this large penthouse terrace, which wraps around the entire apartment, a structure reminiscent of colonial architecture. The open views from the building out to the terrace called for a space that allowed distant views in some areas, screening from neighboring buildings, and wind buffering in others. The space was organized into various rooms: a cocktail courtyard, a fire pit, a BBQ, an outdoor yoga room, a sheltered card table and small play spaces for the girls.
Plantings were restricted to the planter edges which were designed to function as a seat ledge and provided enough room for trees in some areas. The palette was a play on various tones of greens and whites, with juxtaposing textures and heights.
Cocktail courtyard
firepit
BBQ
Yoga card table
girls’ play
19] PENT HOUSE TERRACE, GUATEMALA CITY
41PORTFOLIO 2016
This contemporary residence along a golf course in Guatemala had a yard composed mostly of fill and awkward slopes.
The front yard, which was the largest flat space, was built over a parking garage, using staggered steps and retention walls to hide the car access. Grasses of various forms and colors were used to complement the simplistic lines of architecture.
An indoor garden displayed large fern trees, evoking an ancient forest feel. The back yard addressed topography by dividing the space into three areas, the top flat lawn, the middle slope and another flat area on the bottom. The middle portion addressed slope with access steps and a 4 meter long slide that the children of the house use often.
20] PRIVATE RESIDENCE, GUATEMALA CITY
INDOOR- OUTDOOR EVENTS
INDOOR GARDEN
RAMP
FRONT LAWN
PARKING BELOW
STEPS
LOWER FLAT LAWN
UPPER FLAT LAWN
HERBS
slide
steps