ORCHESTRA MUSIC ERRATA CATALOG RAVEL Daphnis et Chlo ...

1

ORCHESTRA MUSIC ERRATA CATALOG

RAVEL

Daphnis et Chloe ballet en une acte

AND Suite I (reh. no. 70 to 131)

Leighton/Nieweg errata list - Corrections to Score and Parts 96 pages.

Prepared by: Alan Leighton (Bochumer Symphoniker; BoSy) Date: June 2013, April 2017.

With comments from Clinton F. Nieweg, Date: Feb. 2018 after more proofing using the ms, PR. and original Durand parts.

Sources:

1. ms. - Manuscript: engravers fair copy. (186 pp.) See Steven Bird dissertation for details.

2. D = Durand print score: Durand & Cie. ©1913 D & F 9127 (308 pp. & pages A to G) The original Durand engraving.

3. K1987 Kalmus: Reprint of Durand Suite No. 1 (Kalmus A6082. Latest edition ed. McAlister, ©1987). According to Nieweg,

this edition has been proofread twice, and had thousands of corrections entered.

4. K1989 Kalmus: Ballet Full score edited Clinton F. Nieweg ©1989 Edwin F. Kalmus & Co., Inc. (309 pp.)

Complete ballet (Kalmus A6755. Latest edition ed. Nieweg, ©1989). According to Nieweg, this edition has been proofread only

once, and had many corrections entered.

5. PR = Piano Reduction: Durand ©1910 D. & F. 7748 (114 pp.) Reduced for chorus (SSAATTBB) and piano by the composer.

Includes stage directions in French.

6. CS = Chorus Score: Durand/Kalmus A 6755 (30 pp.)

7. Dissertation: Bird, Steven Carl. "A Preliminary Comparison of the Autograph Score of Maurice Ravel's Daphnis et Chloé

with the 1913 Edition of the Full Score by Durand et Fils." University of Texas at Austin, August 1989. (256 pp.)

Errata lists: Note that a correction to a later edition will usually also need to be made to earlier editions.

Balt9x: Five-item errata list for all the Kalmus editions of Suite 1, compiled sometime between 1985 and 2001, by the Baltimore

S. O.; — also, an undated list (probably 1990s) for the Durand Ballet parts, with one item of interest for this section: the Flute

tie at five bars after reh. no. 70.

BoSy13, BoSy17: New corrections, suggestions, and observations, added by Alan Leighton (Bochumer Symphoniker), and

published for the first time in this list 2013 and 2017.

CN89: One-page errata list for the Banda parts in Suite 1 (Kalmus 1987), prepared in July 1989 by Clinton F. Nieweg.

FW06: Three-page errata list for the complete ballet and both suites (Kalmus 1989, 1998), prepared in Nov 2006 by Douglas

Adams of the Fort Worth Symphony Orchestra.

HS02: Errata list for Suite 1 (Kalmus 1987), prepared in March 2002 by Tim Tull, Houston Symphony.

JRCN10: Supplemental errata list for the complete ballet (Kalmus 1989), dated March 2010, and compiled by Jeanne Rogers and

Clinton F. Nieweg.

Harp09: Nine-page errata list for the Ballet Harp part, compiled in 2009 by Olivier Herbin and Clinton F. Nieweg.

Kal07: Extensive errata list for the Kalmus edition of the ballet and the suites, compiled 2004–2007 by Doug Adams, Nancy

Bradburd, Richard Gardner, Lawrence Halverson, Clovis Lark, Clinton F. Nieweg, Tom Takaro, Greg Vaught.

ms.: The composer’s autograph manuscript (end of Part 2 dated 5/4 1912; Part 1 notated in pencil). Currently housed at the Harry

Ransom Center, Univ. of Texas at Austin, in Box 299 of the Carlton Lake Music Collection. Printed Color scans (150 dpi)

were consulted for this research.

PB02: Errata list for the Durand edition of the ballet, compiled at an unknown date by Pierre Boulez, and passed by Clovis Lark to

Clinton F. Nieweg in about 2002.

: Sixteen Petite Clarinette corrections for all editions of the Ballet and Suite 2, compiled 2004–2007 by Doug Adams, Nancy

Bradburd, Richard Gardner, Lawrence Halverson, Clovis Lark, Clinton F. Nieweg, Tom Takaro, Greg Vaught, Gregory

Williams. None of the corrections apply to Suite 1, but the general comment about the inadequacy of Durand cues was included

in this list.

Phil92p: Nine-page errata list for the complete ballet (parts only, Kalmus 1989), compiled in June 1992 by Clinton F. Nieweg. A

few of these corrections are already printed in the Kalmus 1987 Suite.

Phil92s: Ten-page errata list for complete ballet (score only, Kalmus 1989), compiled in July 1992 by Nancy M. Bradburd and

Clinton F. Nieweg. A few of these corrections are already printed in the Kalmus 1987 Suite.

Phil-nd: Short one-page typed errata list for the complete ballet (Kalmus 1989), compiled at an unknown date, possibly by The

Philadelphia Orchestra library.

SA89: Extensive errata list for Suite 1 (Kalmus 1987), prepared in May 1989 by Greg Vaught, San Antonio Symphony Orchestra.

Includes many annotations in the hand of Clinton F. Nieweg, which are cited as [cfn comment on SA89].

Tor01: Two-page errata list for the complete ballet (Kalmus 1989), compiled before 6 Jun 2001, and possibly compiled by E. G.

Win96, WinCN96: Errata list for complete ballet (Kalmus), prepared in May 1996 by Margo Hodgson, Winnipeg Symphony

Orchestra, with comments in Sep 1996 by Clinton F. Nieweg (WinCN96).

SUITE II 2001: See page 84 of this research. For more comments/corrections see the 3-page preface in the re-engraved score of

the July 2001 Nieweg/Westfall-Kalmus (3rd edition) of Suite II.

2

Abbreviations:

Ms. = Manuscript. UL = Upper Line. LL = Lower line. M. = measure. b. = beat. s/r = should read.

PR= Piano Reduction (Vocal score). CS = Choral Score. D or Dur. = Durand.

Pitches are given using the international standard ISO system, where C4 = “middle C”

This list was compiled from all available errata lists, with additional comments and observations by the compiler. It was

prepared in the hope that it be in some way useful, and an improvement over consulting over a dozen separate lists.

All of the source lists were made with a specific edition in mind; therefore, most errata will not apply to every edition. Moreover,

corrections for the Kalmus/Nieweg editions would be of little help for the original Durand material, as the Nieweg editions are

themselves reprints of the original Durand editions, except proofread and with many thousands of corrections made.

Clinton F. Nieweg writes that many of the wrong notes in the original Durand Ballet and Suites show that the engraver must

have felt that the dotted bar line in the 5/4 sections canceled the accidental on beats 4 and 5. To show the correct notation, Nieweg

added accidentals to some notes in his edition. All such corrections were confirmed by the manuscript and the piano edition.

Positive measure numbers are measures after the given rehearsal number; negative numbers are measures before. The measure

right at a rehearsal number is called “+1”.

The “beat” is given in terms of the unit indicated by the lower number in a time signature. For example, the last eighth note in

a time signature is called beat 6, irrespective of how that measure is actually conducted. A shaded cell indicates that the use of

correction fluid would be necessary to complete the correction cleanly.

Additions or corrections to this errata list are most welcome. Send them to Leighton at gmx.net and to

Nieweg at proofer1 at comcast.net

Status codes: ! – must be corrected; if not, the audience would notice it.

X – should be corrected; if not, the player might notice it.

? – questionable correction; conductor’s decision.

A blank cell indicates a mistake which probably nobody would notice.

Most instrumentation lists are wrong for this work. They omit the 2nd piccolo. 4 players are needed:

1 First Flute, 1 Second Flute doubling Second Piccolo, 1 First Piccolo and 1 Alto Flute in G.

As listed in the score: 1 Petite Flûte I, 2 Grandes Flûtes (la 2e prenant la 2e Petite Flûte), 1 Flûte en Sol

The complete correct instrumentation as shown in Daniels' 5 Orchestral Music Online:

4[1.2/pic2.3/pic1.afl] 3[1.2.Eh] 4[1.2.Ebcl.bcl] 4[1.2.3.cbn] — 4 4 3 1 — tmp+8 — 2hp — cel — str

perc: bd, susp. cym, crash cyms a2, sd, tambour, tri, tambn, tamtam, xyl, crot, cast, windmachine, jeu de timbres à clavier

[For percussion assignment see Carroll below, page 96 of this research]

All pitch corrections on this list were checked in the Ballet and Suites score and parts.

The original Durand print has some corrections and changes to the ms. but also engraved some mistakes where the notation was correct in the

ms. The Nieweg/Durand/Kalmus print has added corrections to the original Durand.

The harp pedals as printed are a disaster. Either completely wrong, on the wrong beat or just missing. Suggest in a new edition removing the

pedal marking from the score and adding corrected ones to the parts only. cfn

2018 Comments from CFN while creating a red marked corrected Ballet Score, after consulting the ms.

This meticulous erratum compilation made the marking easy.

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#

Meas. # Beat Comments

LH = Left Hand; LL = Lower (or Lowest) Line; LS = Lower (or

Lowest) Staff; ML = Middle Line; MS = Middle Staff; RH = Right

Hand; UL = Upper(most) Line; US = Upper(most) Staff

Correction fluid, corrections tape or paste in are necessary to

complete shaded items.

Score Balt9x, Harp09, HS02, JRCN10, Kal07, PB02, Phil92s, SA89,

Tor01, and Win96 Lists were checked.

K1989 Instrumentation

page

add Crash Cymb a2 and Suspended Cymb. Separate players are

needed for the Ballet. The Suites can be covered by one player.

K1989 Clarinets Margin: Mark all score pages for the correct A or Bb Clar used.

Ballet p. 1 1 1 Tmp: ms has ppp. Dur has pp. Use Durand

https://daniels-orchestral.com/

https://daniels-orchestral.com/

3

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 1 1 1

Fl. 1. Clarify that the tie and the slur on the D# continues to the next

page.

p. 1 1to2 to 4

Vn. 1-1: Ms UL notates A5 harmonic. Dur UL notates D5

harmonic. Pno red. notates A6. Use Dur.

p. 3 2 -1 1 Hn. 1: add tie D to D as in the ms.

p. 3 2 3 1

Ob. 1: ms. and Dur. Slurs to b. 3. Kalmus Slurs to C# b. 1 to hear

the articulation of the second C# like beat 3+.

p. 4 3 -1 3 Al.Fl. ms and D. cresc to b.1. Suggest cresc. to b. 3 like bsn.

p. 4 2to3 D.B, No slur in Dur. Slur in Kal. Remove the slur.

p. 4 3 3 Hn. 4. ms Starts new cresc. Dur. Continues cresc from Reh. 3. Use

ms. Add [p] and start new cresc like upper Hns.

p. 6 4 2 Mark Susp. Cymb. Also at Reh. 14 etc.

p. 9 5 2&3 2, 4 Hp. 1: Dur. hairpin missing. Add like strings and as in the ms.

X p. 9 5 2&3 3to4 Vc. UL: ms has E3. Dur. has E2. Use the ms. notation of E3 to stay

in octaves like C.B. Ie. move Dur. up an octave.

p. 10 6 2 C.B. L.L. ms has repeat sign. Dur. dynamics missing. Add pp cresc

sign like Reh. 6 m. 1.

p. 10 6 3 Obs. ms Slur continues. Continue slur to m.5. Per Bird p. 45

p. 11 6 5

Vc. LL: Slur b.1 to 2, and 3 to 4 as in ms.

p. 12 8 -1 1 Tenor II: Add one beat dim. sign as in ms. and PR.

p. 12, 13, and

17

8

11

1, 2

-1

3

3

WW, str. add p for the peak of the hairpin. See Flutes.

X p. 13 8 2, 3

Hp. 1. ms. last note is E in m.1. No note m. 2. Dur. last note is E

nat. in m.1 AND m. 2. [Beat 4. Start the gliss on Eb not D#] PR has

D#. Previous gliss has Eb so E is not possible. Audible pedal

change. Use [Eb] =Va. D#. pedal setting for the gliss. is

D#,Cb,Gb,Eb,Fb,G#,Ab

p. 13 8 3-5

Bsns: 2 and 3. Add slur for 3 measures. Like ob, EH. Slur missing

in the ms.

p. 13 8 4 2 Cl. 2: Add p for Cl. 2 like Fl. 2

p. 14 9 5

Vn. 2 LL: add mf dim sign. Va. LL: add dim sign.

p. 14 9 5 4 Hp. 1: The note E# could read F nat. to avoid a pedal change.

p. 15 10 -1 1 Tenor: Use the ms. notation to finish the phrase with a dim

continues to beat one.

p. 16 10 6 1 Vn. 2 and Vc. 1: Use the ms. slur to b. 1 to keep the dynamic pp.

p. 18 12 -2 1

Hp. 2: ms no dynamic. Dur added a p.which s/r pp to cresc to p on

beat 4, one measure before 12

X K1989 p. 20 13 1 1 Vc. LL: add pizz.

p. 22 15 2,3 1

Hp. 2: ms. gliss. ends on F# 2. Dur. Gliss ends on B# 1 [sic].

Use the F# as b. 1 is B nat. in the C.B.

4

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 23 16 -2 3

Vc. DB: ms has p Vc. UL. Add p to all lines for the hairpin.

N.B. K1989 p. 23 16 1 solo violin: change to sourdine (singular)

p. 23 16 3 3-4

Sop. Cont.: ms. no dim signs. Dur. Added dim sign

(Correct the CS). PR Dim in Tenor only. Remove the dim in the

upper voices in m.3 which use the dim in m. 4

X K1989

p. 24 17 1 1 solo violin: add cautionary A-natural, In the Durand style of

engraving the tie would make the note read natural, but a cautionary

natural would be safer. Change to Otez la sourdine (singular)

p. 24 17 1 1

Va.1: ms. has open string mark ° on A. Va. 2: Has open string mark

° on low G and high A

Add the ° to clarify the fingering, per Bird p. 56 & 57

p. 24 17 3 Bsn: ms has 1e . Dur has á2. Mark for one bassoon like Reh. 18 per

Bird p. 57

p. 25 18 -1 Hp. 1: Remove the key signature. Use ms. - 5 flats only in Hp. 2

like p. 24.

p. 25 18 1 1 Vn. 2: Dur. no dynamic. K p in UL. Add p in LL.

p. 25 18 2 4 Hp. 1: ms. top note of gliss unclear. Dur. printed A-flat in gliss.

Add rests to show the gliss top Ab is on b. 4.

p. 25 18 3 C.B. UL: Add hairpin like Vn. 2

p. 26 19 -3 Hp. 2: Add [hairpin] to show dynamics. Like 18/+3

p. 28 20 -2

Margin: 3rd Bsn marked on LL. Notes on UL. Mark 1.2.3 Bsn on

UL of the Dur. score.

p. 28 20 -1 2

Vn. 1,2: add p to 3 staves.

p. 28 20 -1 4 Vn. 2: LL chord s/r G, Bnat, D#, E per ms and Bird p. 59. Mark

div. a2

K1989 p. 28 20 -1 Vc. lower b. 1, vln 1 lower, vln 2 b. 2: add p

p. 28 20 1 1 Vn. 2: ms and D. p missing both lines. K. added LL. Add p to both

lines. Part OK (but there should not be [brackets] around any note

in the parts. [brackets] are only used in scores.

p. 29 20 2,3,4 Hp. 2 Add hairpins to show that beat 4 is louder. Like Strs.

p. 29 20 4, 5 Tpt: Ms. has Octave B w/hairpin, like Horns. Dynamic ppp. D. has

rests. Add the notation in the ms. per Bird p. 61.

p. 29 20 5

Bsn1, Hn 1: D. Hairpin missing. Add cresc sign 1 to 2. Dim sign 2

to 3.

p. 29 20 6 4 & 6

Add Trg. b. 4. f. Add [susp.] Cymb on b. 6. mf. Per ms. and Bird p.

64

p. 31 22 -2 1

C.B. LL: Add [p]

p. 31 22 -1 6, 7

Bsn 2: Ms. has Cb. Use corrected Dur. of Ab. The C flat is in Bsn

2. Check THE MANUSCRIPT

p. 32

p. 33

23

23

2, 4

3

1 WW, hp. 2: add p like strings.

WW. hp. 2: add p like Reh. 23.

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5

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 32 23 -1 Bsn 1, Hn 1: Ms. has rests. D. doubles Alto Flute. Used D.

p. 32 23 -3 2 Vn. 1, Vc. UL: add downbow to beat 2.

p. 32 23 -2 6-7 Va UL: The print has filled in the Gb. S/r a half note.

p. 32 23 -1 3-6 Vn. 2 LL: add dim sign like UL.

p. 32/33 23 1, 3 3 Crotales: Change the note from Db to C# as crotales are identified

with sharps

p. 32/ 33 23 2,3,4 WW. add dynamics m. 2 p, m. 3 pp, m. 4 p like strings

Hps: same.

p. 33 24 -2 3 Crotales. Ms. has Triangle. Use Crotale but this is the only F

crotale used in the ballet. ?

p. 33 24 -2

Bsn. 1: Remove the [ ]. Cresc sign is in the ms.

p. 33 24 -1 C.B. LL: Add dim sign.

p. 34 24 4 1

Hp. 1: add ff.

X K1989 p. 34 24 4 1 All Bass instruments: The note is Cb per the Key signature and per

the Piano reduction. David Zinman uses a C-nat. CFN: mark all C

as cautionary Cb. ( Timp has the drum set to C-nat. beat 1, 4)?

p. 35 25 3 7 Clar. 2 last note: Ms. has Eb. D. has C. Use the Eb per Bird p. 68

K1989 p. 35 25 5 1 Va lower: add ff

p. 36 26 -1 1 Alto Fl: start dim sign on b. 1 per the ms.

p. 36 26 -1 6 Hps. Add dim sign, and then p at 26

p. 36 26 1 Bsn. 3. Should have the same rhythm as Contabsn.

p. 36 26 2 1 Tpt 1, 2: f s/r mf as in ms. See Reh. 26 m. 4

X

p. 36 26 3 1,2 Horn 3: Notes s/r written A-nat then Bb.

p. 36 26 1, 3 3 Hn. 4: add caution natural to D on beat 3.

p. 37 26 6 Tamb: add cresc. sign as in ms.

p. 38 27 1 Cls, Bsns, Hns: Add f before the cresc. sign to ff on beat 2.

p. 38 27 1 Hp. 1. Mark the C in the gliss. as C-nat as printed in the Dur. part.

Gliss ends on C-nat.

X

K1989 p. 39 28 1 1 Alto flute: Cb s/r D-flat, sounding concert Ab like Vc. upper.

[Ravel and/or the engravers had problems with transposition of

Flute in G.]

p. 39 28 2 1,2 Hp. 1: Add the rests to show the top of the gliss. on b. 4 like m. 4.

K1989 p. 39 28 3 1 Va lower: add ppp. Future similar omissions are not listed in this

chart. Both lines should have the same dynamic.

p. 39 28 4 Cls: Changer en LA


6

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 40 28 6 3 Ob: add staccato on the Ab. Like Fl and Picc.

p. 40 Solo Violin rests line. Not needed. Remove in new engraving.

p. 40 28 7 7 Va. UL: add [p] to start the cresc.

p. 41 29 2 3 Per ms. add stacc. dot.

p. 41 29 4 TEMPO: Change Moins vite to Monis vif Ms. per Bird p. 73

p. 42 30 3 1 C.B. UL: Add p for the change to pizz

K1989 p. 42 30 6 Upper Strings: Otez la sourd is valid for both lines.

C.B.:The Otez les sourd is good for the upper line only canceling

the Sourd. at 29/4. Make the part match this.

p. 44 33 -2, -1 Bsns, Cbn: Both cresc. signs and p in Bsns below the lines.

p. 44 33 1 Bsns: Ms. has a chord A, C, E per Bird p.75; p sub. Missing in

Dur. Piano red. has A, C, D#, F

p. 44, 45 33 -3, +6 2 WW: Ms. has different rhythm. Use Dur. per Bird p.75,76

K1989 p. 45 34 1 1+, 2+ Flutes & EH: add Stacc like other WW. Fix Flute parts.

p. 45 34 1 1 Tmp. Ms. no dynamic. Use [f] like tutti

p. 45 34 3 Tutti: the cresc. sign continues to the next page, measure 4. Add

cresc. sign to Contra Bassoon.

*

p. 46 35

35

-3

+4

Cymb: Jeu ord. = Crash Cymbals a2. Two players are needed for

this section. The crash cymbals can be covered by the castanet

player. Same at 39/4 and 40/4.

See Girsberger et. al. Comments below, page 96.

p. 46 35 4 2 Vn. 1: UL. Per ms. should read both A and C#.

XX K1989

p. 47 36 5 1-2 Vn 1 lower: Change both notes B4 to D5 4th line. D is correct, as

the other strings playing F# move to D, those with A# move to F

nat., and those with D, like this part, move to A#. No B in the chord

is confirmed by the piano edition. Part is correct and has the D5.

p. 47 36 -1 Pte Cl and A Cl: Add cresc. sign. Extend the sign up to the ’ break.

p. 47 36 1 Hp. 1: Gliss. down very fast. The last note must end on beat 1. (the

gliss. starts during the luftpausen before the beat.)

X K1989 p. 47 36 6 1 Vc lower: add sur la touche. CFN

p. 48 37 1, 2 C. Claire (S.D.) add cresc. sign.

p. 49 38 4, 5 E.H.: Add cresc. sign

p. 49 38 4, 5 Bsn. 1,2: Use ms. continuous cresc sign

p. 51 40 1 2 Str: Beat 2 down bow s/r up bow. Beat 2 do not show a bowing.

p. 52 41 -1 1 Bsn. 3: Bsn. 3 does not cresc. Cbn. does cresc.

7

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 52 42 7 3+ Strs: Dim sign starts right after the mf. Add to C.B.

p. 53 42 9 Hp. 2: add bass clef signs to both staves.

X K1989 p. 53 42 10 1 Celesta: Add tie on the Bb from the previous measure. Check that

the part is in bass clef and the Bb is tied.

p. 54

p. 55

p.60

43

44

49

3, 4

3, 4

-3

1

1

1

Harps: To clarify the notation, Move the upper line notes to the

lower line, with stems up. This gives room for the gliss. line up to

the treble clef G. The LH Eb should be stem down. Change the

margin on page 55 to Hrp. as both play this passage per the ms.

Same with different pitches at Reh. 44.

p. 55 44 4 5, 6 Vn. 1: both lines. add sur la touche

x K1989

p. 56 45 3 1 Hp. 2: All notes in the right hand are in Treble Clef. Add the needed

Treble clef sign before the B nat. (meas. 2 beat 2 is all in bass clef)

p. 57 45

46

5, 6

1

1

7

Hp. 2: add mf and then p like Reh. 45, 1, 2.

Hp. 2: add [mp] on the B-nat.

p. 58 47 3 2 Bb Cl 1. Cb s/r Eb in octaves. Ledger line missing.

p. 58 47 -1 6 Hp. 1: F s/r F#

X K1989

p. 58 47 1 1 Celesta: Both hands should be in Treble clef. Remove bass clef in

right hand and add Treble clef in left hand. 47 measure 2 change

left hand and key signature to treble clef. Fix part to all Treble clef.

p. 59 48 -2 Vlns: Down bow s/r up bow. Starting upbow is standard to create

the dim. at the end of the phrase.

p. 59 48 1 Hn. 1. Solo is played open.

p. 61 50 1 3 Vc. UL: per ms. s/r C and Eb double stop add [

p. 61 50 1 4 Vn 2 LL: ms. no tie. Remove tie in the style of the Dur. engraving.

p. 62 50 5, 6, 7 1 or 4 Fl. and Picc. add staccato like 50/4 in picc.

p. 63 51 -1 1 Hp. 1: add pp.

p. 63 51 1,3,5 2 Vn 1 UL: Dur. shows broken chord.

p. 63 51 1,3,5 2

Vn 1 LL: ms. B3, C4, B4. Dur. Low B3 omitted. Use Dur. double

stop or add ms. B3 and divide the chord.

p. 65 52 6 Strings: Show the cresc. sign for the complete measure.

p. 66 53 1 1 Cls: ms. ppp. Dur. pp. Use the ms. like other WW.

p. 66 53 1 1 Hps. Mark for harps a2.

p. 67 54 5 Bsn 2., Hn 2, C.B. U.L. Remove the slur from concert A# to A-nat.

8

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X

p. 68 54 6 & 7 2+ Chorus: 2nd Sop., 2nd Ten B(#) is correct as in the Full Score. The

sources have different pitches for the 8th note. Ms & FS have B# &

D#. PR has B# & D nat. CS has Sopranos B nat and D# (no B# in

the key sign.) Tenors B# & D# (has 7 sharps in Key sign.)

p. 68 55 1 Vn. 2, Va, Vc. add dim. sign for the complete measure. No dim in

Vn. 1 or C.B.

p. 68 – 69 55-57 Cls: Add enharmonic insert from Bird p. 93.

p. 69 56 2 Cls: Continue slur to 56/3 beat 2.

p. 70 57 -4 Vc. UL: Add Solo con Tutti per Ravel

p. 70 57 -2 C.B both lines: Add Sourdines for 57/8

p. 71 57 4 Fl. Hps. Str: add p after the previous dim. sign. See Horn.

p. 72 57 -3 4, 5 Va: ms. not notes slurred. Slur each two notes like Vc. b. 1.

p. 72 58 1-4 Va. UL: ms. mf notes 8ba. Use Dur. pitches but fix the f to mf.

p. 73 58 5-6 Va., Vc.: Start the dim. sign right after the mf like ms. and Fl.

Add to Vc. and end with p.

p. 74 59 2 1 Vns., Va.: ms. has repeat sign. Dur. engraver mistake. Down bow

in measure 2 s/r Up bow.

p. 75 60 1 1 Hp. 2. UL: The E-nat s/r a dotted quarter note to show the length of

the gliss.

X K1989 p. 75 60 2 1+ C.B. lower: add pp

N. B.

p. 75 60 2 2 Vc solo: change to sourdine (singular)

X K1989 p. 75 60 2 6 clar. 1: (F-sharp) third note; clar. 2: F-natural 1st & 4th notes

N.B.

p. 76 61 -3

Solo cello and U. cello play the upper line. Add “Solo col Tutti”

p. 76 61 -2, -1 EH, Bsns: Start each dim with p for clarity like beat 1.

p. 76 61 1 1

D.B.: Has only the Harmonic G. Continue the notation with the

playing harmonic D like 61/-2

p. 76 61 3 Bcl.: as in ms. slur and continue to m. 4

p. 77 62 1 1 Hn. 1. Ms.= p after the > Dur. = p on b. 1. Print fp per Bird p. 98

p. 77 62 3 5 Tutti: Use ms. Continue dim. to m. 6. Fix the beginning of m. 4.

p. 78 63 -2 1 Va., Vc., D.B. UL: add p. Not to C.B. LL.

p. 78 63 3 5 Cl. Bcl: Add ff in new engraving when room.

p. 79

p. 81

64

66

-3,2

+5, 6

Tp. 1,2: no slur in ms. Use the articulation.

All Tpts. Same.

p. 80 65 3, 4 Bcl., Vc.: Hairpin on the complete measure.

X K1989 p. 80 65 5 5 E-flat Cl.: C-flat s/r C-natural

p. 81 66 1 1 Bsn. 2, Hn. 3&4: f is missing

9

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







p. 81 66 6 Tutti: open dim. sign to measure 7.

p. 82 67 -2 1 Fls.: Continue previous dim. sign.

p. 82 67 -2 4 Obs.: add f.

p. 82 67 -1 1 Cls.: add p.

p. 83 69 2 4 Cbn.: dim sign starts on the Bb.

B. p. #/ I p. # = B. the page number in the Kalmus Ballet score.

= I. the page number in the Kalmus Suite I score

N.B. K1989

70

Suite 1 start: Rehearsal 70 (Page 84) to End: Rehearsal 130 plus

11 measures (Page 149)

K1987 Ballet p. 84 /

Suite I p. 1

70 Add missing reh. no. 70 at very beginning of Suite I. [cfn comment

on SA89]

B. p. 84/ I p. 1 70 5 2,3,4 Hp. 1. RH: add quarter rest and half rest.

B. p. 85/ I p. 2 71 -3 3,4 Fl.: add bracket over the triplet figure.

B. p. 85/ I p. 2 71,

72

1 1+ Cel. and Hp. I: add f.

B. p. 85/ I p. 2 72 4 3, 4 Vc.: Slur these beats only.

B. p. 85/ I p. 2 72 4 Hp. 1: end of measure both line need a treble clef for the next page.

B. p. 86/ I p. 3 73 1-4 Cbn.: add [dim. sign for 4 measures ]. See C.B. LL.

B. p. 86/ I p. 3 73 1-2-3 Vn. I LL: dim sign for 3 measures.

B. p. 86/ I p. 3 73 4 1 CB. UL: p s/r [pp]

B. p. 86/ I p. 3 73 4 C.B. LL: Remove the hairpin. Use the dim for 4 measures sign.

B. p. 87/ I p. 4 74 1 Vns. Va.: all lines add toujours sur la touche.

B. p. 87/ I p. 4 74 2 5 Alto Fl.; Remove the excess DIRT dot.

K1987 B. p. 87/ I p. 4 74 3 4 — Fl. 1&2: Remove the excess DIRT dot between the two correct

dots. [BoSy13]

— Fl. 2: Remove excess tie from previous note. [BoSy13]

N.B. B. p. 87/ I. p. 4 74 4 (Vc. US: The repeat sign and the tie were omitted in the ms.

[BoSy13])

K1987 B. p. 87/ I p. 4 74 4, 5 1 Fl. 1&2: Remove the excess dot from the first note. [BoSy13]

X K1987 B. p. 88/ I p. 5 74 6 1 Fl. 3: Add missing tie from previous bar. [BoSy13]

K1987 B. p. 88/ I p. 5 74 6 1 Tpt.: Add missing 1°. [BoSy13] cfn not used in the Dur. engraving

style.

N.B. B. p. 88/ I p. 5 74 8 3–4 (Vla.: The ties are missing from the ms. [BoSy13])

K1987 B. p. 88/ I p. 5 74 8 5& Vla. US: On Bb Add missing dot to make dotted 8th note. [BoSy13]

Stop the trill line before the grace notes. cfn

N.B. B. p. 88/ I p. 5 74 8 5& (Vla. LS: No “trill to” note is in the ms. [BoSy13])

N.B. B. 88/ I pp. 5–6 75–

76

(Vla.: The ties are missing from the ms. [BoSy13])

K 1987 B. p. 89/ I. p. 5 75 -3 1 Harp: remove the p. not needed. cfn

N.B. B. p.88/ I pp. 5–

6

75 -1 (Bass: From here to 76 in the ms., Ravel forgot the repeat signs

in the Bass. [BoSy13])

X K1987 B. p. 88/ I p. 5 75 1 1 Celesta: Clarify NAT. for GNAT., if necessary. [BoSy13]

K1987 B. p. 89/ I p. 6 76 -1 1 Vla. LS: Add missing dot to make dotted half note. [BoSy13]

N.B. B. p. 89/ I. p. 6 76 -1 1 (Vla., Vc.: The cresc. hairpin is not in the ms. [BoSy13])

(Vc. LS: The slur to the next bar, and the first note of the next bar,

are not in the ms. [BoSy13])

10

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







K1987 B. p. 89/ I p. 6 76 -4 1 — Ob.: Add missing 1°. [BoSy13]

— Hn. US: Add missing 2°. [BoSy13]

— Hn. LS: Add missing 4°. [BoSy13]

These type of markings are not usually engraved by Dur. on facing

pages. cfn

! ? K1987,

K1989

B. p. 89/ I p. 6 76 1 1 Bass LS: Add editorial jeu ord. (Missing also from part.) [BoSy13;

inspired by Tor01 at 76+3] Not needed as the previous marking was

pizz which automatically cancels jeu ord. cfn

X K1987,

K1989

B. p. 89/ I p. 6 76 1 1 — Harp 2: Add f [Harp09], to match the ms. [BoSy13]

— Harp 2: Start the dim. hairpin at the top note of the gliss., to

match the ms., and to match the similar spot in the next bar.

[BoSy13]

K1987,

K1989

B. p. 89/ I p. 6 76 1 1 Bass: Neither arco nor pizz. are in the ms.; LS: arco was added by

the Durand editors. Add (pizz.) for the US, to match the printed

part. [BoSy13]

N.B. B. p. 89/ I p. 6 76 1 1 (Vc. LS: The ms. has a quarter rest instead of an 8th note plus 8th

rest. [BoSy13])

N.B. B. p. 89/ I p. 6 76 1 5 (Vc. LS: pizz. is missing from the ms. [BoSy13])

X K1987,

K1989

B. p. 89/ I p. 6 76 1 4 Vla. US: Add missing sur la touche, to match the ms. and the

printed part. [BoSy13]

N.B. K1987,

K1989

B. p. 90/ I p. 7 76 2 Harp 2: Harp09 writes that the dim. hairpin should start right after

the mf, but the ms. clearly shows that the dim. hairpins here and in

the previous bar start at the high note of the gliss. [BoSy13]Yes cfn

! K1987 B. p. 90/ I p. 7 76 2 1 Clar. 2: Remove the tr, and continue the wavy line over the page

break from the previous bar. [BoSy13]

K1987 B. p. 90/ I p. 7 76 2 1 — Fl. US: Add missing 3. [BoSy13]

— Fl. MS: Add missing 1.2. [BoSy13]

X K1987 B. p. 90/ I p. 7 76 2 4 Vla. LS: Add missing pp. [BoSy13]

X K1987 B. p. 90/ I p. 7 76 2 4–6 Celesta: Add missing dim. hairpin, to match the ms. (Missing from

the printed part, too.) [BoSy13]

! ? K1987,

K1989

B. p. 90/ I p. 7 76 3 1 Vc. LS: Add editorial jeu ord. [Tor01] Missing also from part. Not

needed to cancel pizz.

! K1987 B. p. 90/ I p. 7 76 3 2& Harp 2 RH: The 16th note eFLAT2 should be an 8th note, as in the

ms. and the printed part. [BoSy13]

X K1987 B. p. 90/ I p. 7 76 3 5 Horn 4: Add editorial dynamic? SA89 suggests [pp]; cfn comment

on SA89 suggests [p]. BoSy13 thinks this decision should be left to

the player and the conductor.

Needs a printed dynamic. Then the conductor can adjust. cfn

X ? K1987 B. p. 90/ I p. 7 76 3–4 Bass: The ms. has no dynamics for either staff; the score and

printed part add dynamics for the LS.

— Add pp at 76+3 for the US, to match the other lines?

— And if yes, then: Change pp editorially to ppp at 77+1, beat 1?

[BoSy13] yes cfn.

K1987 B. p. 90/ I p. 7 76 4 Hn. 1: There is one slur too many here. [BoSy13]

N.B. B. p. 90/ I p. 7 77 -1 (Vc. LS: No dim. hairpin in the ms. [BoSy13])

N.B. B. p. 90/ I p. 7 77 1 (Vc. US: No sur la touche in the ms. [BoSy13])

X K1987,

K1989

B. p. 90/ I p. 7 77 1–2 Vln. 2: Add missing slurs from 77+1, beat 1, to +2, beat 3&. [SA89,

Phil92s, JRCN10] Missing also from the printed part in all 3 divisi

lines; in the ms., it is missing from the US, but present in the LS.

[BoSy13]

K1987 B. p. 90/ I p. 7 77 1–2 Fl. 1&3: Add editorial ties, for continuous trills. [BoSy13]

X K1987 B. p. 90/ I p. 7 77 1 1 Clar.: Add missing 1°. [BoSy13]

X K1987,

K1989

B. p. 90/ I p. 7 77 2 1 Vln. 2 LS: Add missing mf, to match the other lines. [BoSy13]

11

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

B. p. 90/ I p. 7 77 2 4–6 Vln. 2 Both lines: Add missing slur [SA89, Phil92s], to match the

ms.; missing also from the printed parts. [BoSy13]. Match Vn I. cfn

!! ??

N.B.

B. p. 91/ I p. 8

Use the string

dim. sign. in the

style of Ravel

77 3–4 The page break in the ms. is between these two bars; Ravel has

a dim. hairpin in each bar. Durand engraved one continuous

hairpin over the bar line in the strings, but two separate

hairpins in the winds. Conceivably, a case could be made for

two separate hairpins in the strings too. Unfortunately, in other

spots Ravel was not careful about indicating through open or

closed hairpins whether or not he wanted them to extend across

a page break, leaving us to ponder this conundrum here.

[BoSy13] Use the string style, fix Cl. 2, Bcl. cfn

X K1987 B. p. 91/ I p. 8

78 -1 2–6 Vln. 1, both staves: Add missing slur, to match Vln. 2 (and the ms.).

Missing also from the printed part. [BoSy13]

X D, K87 B. p. 91/ I p. 8

78 -1 4 Fl. 3: Add missing dot to make dotted quarter note. [SA89]

X D, K87 B. p. 91/ I p. 8

78 -1, -2 Clar. 1: Add missing cresc. hairpin, ending with mf at beat 1 of

78+1. [PB02] K1987 score is OK, but the printed part must be

corrected. [BoSy13]

K1987 B. p. 91/ I p. 8

78 -1, -2 Fl. 1: Add editorial tie for continuous trill. [BoSy13]

X ? K1987 B. p. 91/ I p. 8

78 -1 to

-4

Harps: Add and alter dynamics editorially, so they match the

Violins? [BoSy13] yes cfn

! D, K87 B. p. 91/ I p. 8

78 -3 5 Vln. 2 US: Add missing FLAT to make BFLAT. [SA89, PB02]

X K1987 B. p. 91/ I p. 8

78 -3, -4 Clar. 2, B. Clar.: The dim. hairpin should be continuous, as in the

strings. [BoSy13]

K1987 B. p. 91/ I p. 8

78 -4 — Fl. 1&3: Add missing 3° on the top staff, and 1° on the second

staff. [BoSy13]

— Fl. 1&3: Add editorial ties for continuous trills. [BoSy13]

— Fl. 3: Fill in notehead on beat 5. [BoSy13]

— Fl. 3: Clarify 8th rest on beat 6. [BoSy13]

X K1987,

K1989

B. p. 91/ I p. 8

78 1 Vln. 1, Lower half: Add missing dim. hairpin. [SA89, Phil92s]

N.B. B. p. 91/ I p. 8

78 1 (Strings: No sur la touche in any part in the ms. [BoSy13])

Durand with Ravel proofing (?) added many instructions to the

print edition. cfn

! K1987 B. p. 91/ I p. 8 78 1 1 Hn. 4: Add missing ledger line (should be D, not F). [SA89]

! ? K1987 B. p. 91/ I p. 8

78 1 1 Vc. US: The ms. doubles the low GNAT. Natural, making a

quadruple stop. Change the score and parts to match? [BoSy13

N.B. B. p. 91/ I p. 8 78 1 1 (Vc. LS: NAT. omitted from GNAT. in ms. [BoSy13])

N.B. B. p. 91/ I p. 8 78 1 1–3 (Vc. LS: Slur only over beats 2 & 3 in ms. [BoSy13])

K1987 B. p. 91/ I p. 8 78 1 2& Harp 2 RH: Add missing dot to make dotted 8th note. [BoSy13]

X K1987 B. p. 91/ I p. 8 78 1 4 — Vln. 1, LL: Add missing dot to the DNAT. [BoSy13]

— Vc. US: Add mf, to match ms. [BoSy13]

X K1987 B. p. 91/ I p. 8 78 1 5& — Fl. 1 & AF: The dim. hairpin should be an accent >, to match the

printed part (Fl. 1) and the ms. [BoSy13]

— Harp 1 RH: Add missing dot to make dotted 8th rest [BoSy13]

N.B. B.pp.92,93/

I pp.8,9

78 1–2 (Vc. LS: The dim. hairpin is missing from the ms. [BoSy13])

! ? K1987 B. p. 92/ I. p. 9 78 2 1 Cello US: The final Gnat of the figure, here at b. 1, was originally

present in the ms., but was erased by Ravel. Remove here?

[BoSy13] Keep it. cfn

K1987 B. p. 92/ I. p. 9 78 2 1 Eoliphone: Add missing wavy line; should resemble 76+2.

[BoSy13]

12

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 B. p. 92/ I. p. 9 78 2 4 Eoliphone: Add missing dot to make dotted quarter note. [BoSy13]

X K1987 B. p. 92/ I. p. 9 78 2 4–6 Vc. US: Add editorial word [gliss.] to match the score and the ms.

in the similar figure one bar earlier. (Missing also in the ms.) Fix

part too. [BoSy13]

X K1987 B. p. 92/ I. p. 9 78 2 4, 5& Harp 1: Add missing dots to make dotted 8th notes. [SA89]

N.B. B. p. 92/ I. p. 9 78 3 (Vc. US: No sur la touche in the ms. [BoSy13]) use Dur.cfn

N.B. B. p. 93/I. p. 10 79 1 (Strings: No jeu ord. in any part in the ms. [BoSy13]) Use Dur. cfn

X K1987 B. p. 93/I. p. 10 79 1 1 Vla.: The ms. has très espressif. Add très to the score and printed

part to match. [BoSy13]

N.B. B. p. 93/I. p. 10 79 3 (Vln. 2: No jeu ordinaire in the ms. [BoSy13])

N.B. B. p. 93/I. p. 10 79 3 2–3 — (Vln. 2: ms. has first two notes slurred, and no tie from beat 3 to

beat 4 [BoSy17]. In other words, the phrasing in the score matches

Vc., not Vla. [see next item].) Use Dur. cfn

— (Vla.: No slur or port. in the ms. [BoSy13])

X K1987 B. p. 93/I. p. 10 79 3 4 — AF, Harp 2 LH: Add missing dot to make dotted quarter note.

[SA89, BoSy13]

— Vla. US: The dim. hairpin should begin right after the mf.

[BoSy13]

— Bass US: The mf should be right at beat 4, and the dim. hairpin

should follow immediately. [BoSy13]

X K1987 B. p. 93/I. p. 10 79 3–4 Vc. LS: Add missing dim. hairpin, to match US, and to match the

ms. [BoSy13]

X ? K1987 B. p. 93/I. p. 10 79 4 2–3 Vla.: Add a slur, to match the ms.? (See next item, too.) If so, add it

to the part, too. [BoSy13]

X ? K1987 B. p. 93/I. p. 10 79 4 4–6 Vla.: Extend the slur to cover all three beats, to match the

(admittedly sloppy) ms.? (See previous item.) If so, do it in the part,

too. [BoSy13] I would bow as printed. cfn

N.B. B. p. 93/I. p. 10 79 4 4–6 (Vc.: Ravel notated the two 8th notes without dots in the ms.

[BoSy13])

X K1987 B. p. 93/I. p. 10 79 4 1 Vc. US: Add missing dot, to make a dotted quarter note. Missing

also from ms. [BoSy13]

N.B. B. p. 93/I. p. 10 80 1 (Strings: No sur la touche in any part in the ms. [BoSy13])

X ? K1987 B. p. 93, 94

/I. p. 10, 11

80 1–4 Vc.: The ms. has different slurs for this figure. The first four 8th

notes are slurred, then after that always in groups of three 8th notes,

until the last two 8th notes, which are slurred together. Change the

score and parts to match? [BoSy13 Use Dur. cfn

X K1987 B. p. 93/I. p. 10 80 3 Bsn. 3: Add missing 3°. [BoSy13]

X K1987 B. p. 93/I. p. 10 80 2 6 Vla. LS: Add missing dots, to match other lines. [BoSy13]

! D, K87 B. p. 94/I. p. 11 80 4 Clar. 1: Add missing nat. to make Cnat. [PB02] (ink in K1987, sort

of.) needs to be Clarified.

B. p. 94/I. p. 11 81 -1 1 (Vln. 2: The accidentals were forgotten in the ms. [BoSy17])

N.B. B. p. 94/I. p. 11 81 -2 5–6 (Vc.: The slur was forgotten in the ms. [BoSy13])

B. p. 94/I. p. 11 81 -1 2 Vc. US: D s/r D#

! ?? K1987.

K1989

B. p. 94/I. p. 11 81 1 1 Hp 1 LH: Add missing 8ba? [Phil92s] This would make sense, but

the ms. is identical to the score. Without the 8ba, the RH should

notate the second note C from the bottom as B#, as in the part.

[BoSy13] CFN: Ravel would not have overlapped the hands, Add

the 8ba to match the D.B. pitch. See 82/2.

Hp. II places both C’s in the LH 8ba.

N.B. B. p. 94/I. p. 11 81 1ff. (Strings: No jeu ordinaire in any part in the ms. [BoSy13])

X D, K87 B.p. 95/ I. p. 12 82 -2 1 Bsn. 2: Add missing tie from previous bar. [PB02].

X K1987 B. p. 95/ I. p. 12 82 1 1 B. Clar.: Add missing p, to match the other lines, and to match the

ms. [BoSy13]

13

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ? K1987 B. p. 95/ I. p. 12 82 1 1 — Clar. 1: Add editorial cresc. hairpin, to match all other lines?

Missing also from the ms. and the printed part. [BoSy13] yes cfn

— Clar. 1: Add editorial slur to the next bar? (It is missing from the

ms., but the cresc. hairpin is missing also. Perhaps Ravel had a

momentary lapse of concentration, and forgot to include these two

features for Clar. 1, even though they are present in all other Winds

at this point.) [BoSy13] yes cfn

— C. Bsn.: Change pp to ppp, to match the Basses? There is no

dynamic in the ms. [BoSy13] Use ppp cfn

X K1987 B. p. 95/ I. p. 12 82 2 1 Hn. 4: Clarify BNAT. Pitch dotted half note.[BoSy13]

X ??? K1987,

K1989

B. p. 95/ I. p. 12 82 2 1 Bsn. 3: Part has p; Score has mf. (C. Bsn. and Tuba parts also have

mf.) Which is right, the part or the score? [BoSy13] The manuscript

has p for Bsn. 3, and mf for B. Clar., Bsns. 1&2, and the brass, so

the parts seem to be right. Change mf to p in Bsn. 3 (and C. Bsn.)

in score. [Phil92s, BoSy13] Use p cfn

X ? K1987 B. p. 95/ I. p. 12 82 2 3

#2 Cfn

Vla., Vc., Bass: BoSy13 asks: Why do only these instruments have

sur la touche? No such designation is present here in the ms. (same

goes for the entire stretch from 78 to here), and it seems unlikely

that only the lower strings would play this way, leaving the Violins

playing the extremely similar figure with jeu ordinaire.

BoSy13 sees three possibilities:

1) Remove from the lower strings.

2) Add to the Violins

3) Leave as is, strange as it may be.

N.B. B. p. 95/ I. p. 12 82 3 (Vla. US: The note value of the first note is missing the dot in the

ms. [BoSy13])

(Vla. LS, Vc.: The note values of both notes are missing the dots in

the ms. [BoSy13])

K1987 / I p. B

(Banda)

84 -2 1 For corrections in the Choral lines see the PR and CS lists below,

pages 94, 95.

The music for the BANDA pages are in an “appendice” to the

Ballet Score.

— Fl.: Add missing 1°. [BoSy13]


K1987 / I. p. C (Banda) 86 -4 1 — Hn. US: Add missing 1°. [BoSy13]


X K1987 B. p. 96/ I. p. 13 86 2 1 Tén.: Add courtesy nat. for Anat. [BoSy13]

K1987 / I. p. C (Banda) 87 -3 1 Clar.: Add missing 1°. [BoSy13]

! D, K1987 / I. p. C (Banda) 87 4 Choir (Sop. & Tén.): Add missing tie between the 8th note at beat

2& and first 8th note of beat 3 [PB02]. [Same applies to the Banda,

where appropriate — BoSy13.] (Missing from the ms. [BoSy13]

! D, K1987 / I. p. D

(Banda)

88 -2 Fl. 1–3, AF, Clar. 1&2, Bsns. 1&2: Add missing tie between the 8th

note at beat 2& and first 8th note of beat 3 [BoSy13, inspired by

PB02]. [Same applies to the chorus (Sop. & Tén.). — PB02]

! [?] D, K87 Score, p. 14 88 1 Hn. 1: Add [muted] [PB02].

! [?] D, K87 Score, p. 14 88 [2] Tpt. 1: Add cup [mute] [PB02; he wrote 88+1].

X K1987 B. p. 97/ I. p. D

(Banda)

88 2 1 Vc.: Add missing Unis. [BoSy13]

? Kalmus looks correct. CFN

K1987 B. p. 97/ I. p. E

(Banda)

89 -1 — Tpt. 1: Dotted half note should be a half note plus quarter rest.

[BoSy13] Kalmus looks correct to me CFN

— Vc.: Add missing dot, to make dotted half note, and fix bad

printing. [BoSy13] Kalmus looks correct to me CFN

! [?] D, K87 B. p. 97/ I. p. 14 89 -1 Hn. 1: Add [stopped] [PB02]. Why? CFN

X K1987 B. p. 97/ I. p. 14 89 -2 1 Bass (choir): Add missing slurs from previous measure, to match

the ms. [BoSy13]

14

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







! [?] D, K87 B. p. 97/ I. p. 14 89 [-2] Tpt. 1: Add straight [mute] [PB02; he wrote 89-1]. WHY?

! D, K87 B. p. 97/ I. p. 14 89 3 1 Tpt. 1: The 32nd rest s/r 16th. [SA89, PB02] per ms. Piano reduction

is also wrong. CFN

! K1987 B. p. 97/ I. p. 14

p. E (Banda)

90 In the margin at the left, “Cors” should be removed, and replaced

with “1er Cor” at the US, and “1re Tromp.” at the LS. [BoSy13]

Ballet score is correct. cfn

X K1987 B. p. 97/ I. p. 14

p. E (Banda)

90 1 — Fl.: Add missing 1°. [BoSy13]

— EH: Add missing cresc. hairpin, and [mf] at 90+3, beat 1. [__

(hairpin); cfn89 (mf)]

! [?] D, K87 B. p. 97/ I. p. 14 90 3 Hn. 1: Add open [PB02]. Why see 89 – 1 CFN

! [?] D, K87 B. p. 97/ I. p. 14 90 4 Tpt. 1: Add open [PB02]. Why see 89 – 2 CFN

X K1987 B. p. 98/ I. p. 15 91 1 1 Choir (Sop.): The slur should continue from the previous page.

[BoSy13]

! K1987 B. p. 98/ I. p. F

(Banda)

91 1 1 Flutes need a dynamic here; in the version with chorus, the

crescendo starts over at a soft dynamic. (cfn89 use pp as in Ballet)

X K1987 B. p. 98/ I. p. F

(Banda)

91 1 1 Tpt. 1: Add missing dim. hairpin. [cfn comment on SA89]

X K1987,

K1989

B. p. 98/ I. p. 15;

Score, p. F

(Banda)

91 2 3 Vln. 2 LS, Vc. US: Add missing cresc. hairpin, to match the ms.,

and to match the printed parts. [Phil92s, BoSy13; SA89 said to

remove it from the parts, but cfn said correctly to add it to the

score.]

N.B. B. p. 98/ I. p. 15 91 2 1, 2 (Vc. LS: The slur is missing from b. 1 in the ms.; because of a

repeat sign , b. 2 is also affected. [BoSy13])

N.B. B. p. 98/ I. p. 15 91 2–3 (Vln. 1&2: sur la touche is missing from the ms.; jeu ordinaire a

few beats later shows it was forgotten in error. [BoSy17])

X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -1 1 Vc. US: Remove sub. (Banda) or subit. (full score); the dynamic

should simply be pp, to match the ms. and the part. [BoSy13]

N.B. B. p. 98/ I. p. 16 92 -1 3 (Vla.: The ms. has a slur to the next bar. [BoSy13])

(Vla.: The word gliss. is missing in the ms. [BoSy13])

X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -1 3 Vln. 1 (full score only), Vc. US: Clarify the up-bow mark ⋁.

[BoSy13]

X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -2 Vln. 2 LS: The cresc. hairpin should be under the whole bar, ending

at the p on beat 3, to match the ms.; note that it continues from the

previous measure, so should be open at the left. [BoSy13] use pp

sub.

K1987 B. p. 98/ I. p. 16 92 -2 — Bsns. 1&2: Remove superfluous secondary slur. [BoSy13]

— GC: Remove erroneous whole rest. [BoSy13]

! D, K87 B. p. 98/ I. p. 16 92 -2 [1] Tén.: D# s/r F# (up a third) [PB02]. Confirmed by the ms. [BoSy13]

X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -2 1 — Fl., Sop.: Slur should continue from previous page (full score

only). [cfn comment on SA89 (Fl.), BoSy13 (Sop.)]

— Vln. 2 US: Add an editorial sur la touche, to match the score for

the Vln. 2 LS in the previous bar. [BoSy13; the addition is also

implied by jeu ord. at 92+1.]

— Vc. US: Add cresc. hairpin, continuing from previous bar, to

match the ms. Fix part, too. [BoSy13]

K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -2 1 — Fl. 1&2: Add missing à2. [BoSy13]

— Ob: Add missing à2 (Banda score only). [BoSy13]

I read that only 1. Oboe should play. CFN

— Vla.: Remove nonsensical subit. (full score) or sub. (Banda); the

dynamic should simply be pp, to match the ms. and the printed part.

[BoSy13]

15

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K=Kal

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X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 -2 3 Vln. 1: Add an editorial sur la touche, to match the score for the

Vln. 2 LS in the previous bar. [BoSy13; the addition is also implied

by jeu ord. at 92+1.]

X K1987 B. p. 98/ I. p. 16

Score, p. G

(Banda)

92 1 1 — Bsn. 3, C. Bsn., Tbn. 3 (full score only), Tuba. Cont. & Tén.

(full score only): Add missing wedge accent, to match other lines,

and (for most lines) to match the ms. [BoSy13; cfn comment on

SA89 writes to remove the articulation from Bsns. 1&2 from the

score, and presumably leave the marks out here for Bsn. 3 and C.

Bsn.] cfn no wedge for the instruments that continue to play.

— Tamb. (full score only): Add missing ff, to match all other lines,

and to match the ms. [BoSy13]

— Vc. LS: Add missing jeu ord., to match the ms. and the printed

part. [BoSy13]

K1987 B. p. 98/ I. p. 16 92 1 1 Tamb.: Remove superfluous upward stem from the quarter note.

[BoSy13]

X K1987 B. p. 98/ I. p. 16

p. G (Banda)

92 2 1 Vc., Bass: Remove the slur, to match the ms., the full score, and

the printed part. [BoSy13]

K1987 B. p.100/ I. p. 17 92 3 1 Bsns. 1&2: Add missing à2. [BoSy13]

! K1987,

K1989

B. p.100/ I. p. 17 92 4 2 Bsn. 3, C. Bsn.:Beat 2, First 8th s/r A (as in previous bars). [SA89,

Phil92s, HS02]

N.B. B. p.100/ I. p. 17 93 1, 2 (Vla. LS: No dynamics in the ms. at 93+1; because of the repeat

sign , +2 is also affected. [BoSy13])

! K1987 B. p.100/ I. p. 17 93 1, 2 2 Clar. 2: Add missing nat, to make Bnat. [SA89]

N.B. B. p.100/ I. p. 17 93 1, 2 2& (Vc., Bass: No accents > in the ms. [BoSy13])

X K1987 B. p.100/ I. p. 17 93 2 2& Vla. LS: Add missing dim. hairpin for the last two 16th notes.

[BoSy13]

K1987 B. p.100/ I. p. 17 93 2 2& Vla. US: Remove superfluous pizz. and f, to match Vln. 1 US.

[BoSy13] Remove superfluous pizz., keep the f. Add f to Vn1. cfn

X K1987 B. p.101/ I. p. 18 94 -1 1 — Tbn. 1: Add missing quarter rest. [BoSy13]

— Tbn. 2: Add [mf]. [SA89]

X K1987 B. p.101/ I. p. 18 94 -1 2 Tbn. 1: Add [f]. [SA89]

X ? K1987 B. p.101/ I. p. 18 94 -2, -3, -4 Vln. 2 (both staves), Vla. LS: Should there be one slur for each

beat, to match the ms., and to match the other string lines with 16th

notes which start at beat 2? (If so, fix parts too.) Cf. 98-2 to -4.

[BoSy13] Add bowings.

(Vla. LS: The slur is missing from the ms. in 92-2, beat 2.

[BoSy13])

! K1987 B. p.101/ I. p. 18 94 -2 1 Clar. 1: Add missing # to make C#, to match the other lines, and to

match the printed part. Missing also in the ms. [BoSy13]

X K1987 B. p.101/ I. p. 18 94 -4 2 Vla. US: Add missing arco. [BoSy13]

X K1987,

K1989

B. p.101/ I. p. 18 94 1 1 — C. Bsn.: Add missing mf to make ff-mf, as in the ms. and as in

the other similar lines. [BoSy13]

— Tbns. 1&2: Add staccato dots, to match Tbn. 3, and to match the


— Tbns. 1–3, Cymb.: Add missing ff [Tbns. 1&2: cfn comment on

SA89, JRCN10; Cymb.: Phil92s], to match ms. [BoSy13]

— Tuba: ff s/r ff-mf. [SA89]

X ? K1987 B. p.101/ I. p. 18 94 1 1 Hn. 1–4, Tuba: Add accents >, in addition to the ffmf, to match the

ms., and to match the similar spot at 98+1 in the Hns.? [BoSy13]

16

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K=Kal

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DUE TO A DEADLINE THE BALLET PAGES

ARE NOT SHOWN FOR THE REST OF THE

ENTRIES. THE PAGE NUMBER CAN BE

FOUND BY LOOKING AT THE REHEARSAL

NUMBER. N.B. Score, pp. 18–19 94 1–4 1, 2 (Vla.: The ms. has the dim. hairpin only on beat 1 in 94+1, and

because of repeat signs , bars 2–4 are also affected. [BoSy13])

See also the note about the accent > in Vc. & Bass.

! ? K1987 Score,

pp. 18–19

CFN no accents

94 1–4 1, 2 Vc., Bass: The ms. has an accent > on beat 1 in the first bar, and

then repeat signs for the following bars; the other strings have

the dim. hairpin on beat 1 only, too, followed by the repeat signs.

The printed score adds a dim. hairpin on beat 2 in the other strings,

presumably to match the woodwinds. Should the Vc. & Bass play

the accent > on each beat, for all four measures? (Same idea in later

bars: due to repeat signs, 94+6 and 98+6; due to similar material,

98+1–4.)

— Arguments in favor of playing the accents >: 1) The expressive

statement of the 16th notes in the Vc. and Bass would match the 16th

notes in the other instruments. 2) Where the figure recurs at 94+6

(and 98+6), the ms. also has only repeat signs — but the printed

score has the accent >, at least on beat 1.

— Argument against: The Timp. has the same accent > on beat 1,

but no repeat signs in the following bars in the ms., and no repeated

accents > there.

[BoSy13]

! D, K87 Score, p. 19 94 2, 3, 4, 6 Timp.: Should have 2 tremolo lines, not 3 (rhythm should match

Violins). [PB02; SA89 incorrectly writes 3 tremolo lines at 94+1.]

X K1987 Score, p. 19 94 2 1 Hn. 1–4: Add missing ties from previous page. [SA89, BoSy13]

K1987 Score, p. 19

CFN add the

triplet brace

94 3 1 Bsns. 1&2, Bsn. 3: Remove the slur, to match the Bsns. 1&2 and

Tbn. 1–3 printed parts, to match the Horn line in the score and ms.,

and to match Bsn. 3 in the ms. [BoSy13]

X ? K1987 Score, p. 19 94 4 End C. Bsn.: Add missing slur to next bar. [SA89] (Not in the ms. for C.

Bsn., but it is in the B. Tuba. [BoSy13])

! K1987 Score, p. 19 94 5 1 Tbn. 3: Add missing nat to make Cnat. [Phil-nd, Win96; see also

95-1] N.B. Score, p. 19 94 5 1 (Vla. LS: The ms. forgot the FLAT for B FLAT Because of a repeat sign ,

bar 94+3 is also affected. [BoSy13])

X K1987 Score, p. 19 94 5 2 Picc. Fl.: The staccato dot should be a wedge accent. [BoSy13]

X ? K1987 Score, p. 19 94 5 2 — Tamb.: Add accent >, to match the similar spot at 98+5 and +7?

[BoSy13; see also 95-1] yes cfn

— GC: Add missing wedge, to match all other lines, including the

Cymbals? [BoSy13; see also 95-1] yes cfn

N.B. Score, p. 19 94 5 2 (Vla. LS: The ms. forgot the ff. Because of a repeat sign , bar

94+3 is also affected. [BoSy13])

! K1987 Score, p. 20 95 -1 1 — Tbn. 3: Add missing NAT to make cfnAT. [Phil-nd, Win96]

— Timp.: Half note s/r quarter note; 3 tremolo lines are correct

(matching the strings). [BoSy13]

X K1987 Score, p. 20 95 -1 1 Tbn. 2: Remove tie/slur from previous bar. [BoSy13]

X ? K1987 Score, p. 19 95 -1 2 — Tamb.: Add accent >, to match the similar spot at 98+5 and +7?

[BoSy13]

— GC: Add missing wedge, to match all other lines, including the

Cymbals? [BoSy13]

N.B. Score, p. 20 95 1 1 (Vc., Bass: The p is missing from the ms. [BoSy13])

17

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K=Kal

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! K1987 Score, p. 20 95 2 1 Clar. 1: Clarify first note as EFLAT. [SA89]

X K1987 Score, p. 20 95 2–4 Vla.: Add missing cresc. hairpin, to match the ms., and to match the

other string lines. [BoSy13]

X K1987 Score, p. 20 95 3 1 B. Clar., Bsns. 1&2: Add editorial staccato dots, to match the other

WWs, and to match the Bsn. printed parts. [BoSy13] no. cfn

X ? K1987 Score, p. 21 95 5 1 Harp 1: Change f to mf, to match the ms., and to emphasize the

two-measure swell? [BoSy13]

! K1987 Score, p. 21 95 5 2 Harp 1: Add missing mi#, to match the printed part. [BoSy13]

Pedal E# can be set at 95/1

X K1987 Score, p. 21 95 5–6 Hn. 3: Add missing slur, matching Hn. 1. [SA89]

! K1987 Score, p. 21 95 6 Harp 2: Add missing sol FLAT, to match the printed part.

[BoSy13] Gb pedal can be set at 95/1.

X ? K1987 Score, p. 21 95 6, 8 1 Timp., GC: Change f to mf, to match the Timp. in the ms.?

[BoSy13] YES cfn Tamb. mf

! K1987 Score, p. 21 95 6 2& Vln. 2 LS: Last two 16th notes s/r F(#), not E(#). Should be identical

to the spot two bars later. [BoSy13]

X ? K1987 Score, p. 21 95 7 Harps 1&2: Repeat the dynamics of 95+5, mf and f to match the

repeat signs in the rest of the orchestra in the ms.? [BoSy13]

X D, K87 Score, p. 21 95 7 1 Tpts.: mf s/r p [PB02]. Confirmed by ms. [BoSy13]

! K1987 Score, p. 21 95 7 2& Tpt. 1: Add missing # to make C#. [BoSy13]

X K1987 Score, p. 21 95 8 Vln. 2 US, Vla. LS: Add missing dim. hairpin, to match the other

lines, and to match the ms. and the printed parts. [BoSy13]

! K1987 Score, p. 21 95 8 1& Clar. 1: Add missing # to make G#. [SA89]

! K1987 Score, p. 21 95 8 2& Harp 1: Add missing mi NAT. [BoSy13]

N.B. Score, p. 22 96 -3, -4 (Vla.: The ms. forgot the Col. I in the LS. [BoSy13])

X K1987 Score, p. 21 96 1 1& Cymb.: The staccato dot should be a wedge, to match the ms. (The

part is wrong, too.) [BoSy13]

X K1987 Score, p. 23 97 -2 1 B. Clar.: Add missing mf, to match the ms. Missing from the

printed part, too. [BoSy13]

N.B. ! Score, p. 23 97 -2 1 (Vla. LS: The ms. has different notes: Bb–e. [BoSy13]) NO

N.B. Score, p. 23 97 -2 2 (Vla. LS: The ms. forgot the NAT. for CNAT. [BoSy13])

K1987 Score, p. 22 97 -3 End Bsn. 2: The dim. hairpin should end here, as Bsn. 2 has no more

notes on the next page. [BoSy13]

X K1987 Score, p. 22 97 -4 1 Hn. LS: Add missing 3°. [BoSy13]

! K1987,

K1989

Score, p. 22 97 -4 1& Vln 2 LS: C# s/r CNAT. [Kal07]

X ? K1987 Score, p. 22 97 -4 1& Cymb.: Add staccato dot to match the printed part? [BoSy13] yes

K1987 Score, p. 22 97 -5 1& Vla.: Clarify CNAT. (Bad printing.) [BoSy13]

X ? K1987 Score, p. 22 97 -6 EH: Add editorial ff, to match the dynamic level of the other

instruments. [SA89]

K1987 Score, p. 22 97 -7 1 Tpts.: Add missing 1.2.3. [BoSy13]

X K1987 Score, p. 23 97 3 1 Vln. 2 LS: Add missing arco. [BoSy13]

X K1987 Score, p. 23 97 3 2 Vc.: Change the f to mf, to match the ms., and to match the similar

spot in the next measure. Fix the part too. [BoSy13]

N.B. Score, pp. 24–25 97 3, 4 2& (Bass: No accents > in the ms. [BoSy13])

X K1987 Score,

pp. 23–24

97 3, 4 2& Bsn. 3, C. Bsn.: Add editorial accent >, to match 93+1 and +2.

Missing from the ms., too. [BoSy13]

18

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K=Kal

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X ? K1987 Score, p. 24

CFN: USE 94

98 -2, -3, -4 Vln. 2 (both staves), Vla. LS, Vla. US (98-4 only): Should there be

one slur for each beat, to match the ms., and to match the other

string lines with 16th notes which start at beat 2? (If so, fix parts

too.) Cf. 94-2 to -4. [BoSy13]

(The slurs are less consistent in the ms. here than at 92-2 to -4, but

generally follow the one slur per beat pattern. The three exceptions

are as in the printed score, and are found in Vln. 2 at 98-3 and -4,

and in Vla. LS at 98-4. [BoSy13])

N.B. Score, p. 24 98 -4 2 (Vla.: The first two 16th notes of beat 2 in the ms. have been

switched in the score. The ms. has g#–a in the US and e#–f# in the

LS. [BoSy13])

(Vla. US: The second two 16th notes are wrong in the ms.: g(#)–a.

[BoSy13])

X K1987 Score, p. 24 98 -5 1 Bsn. 3: Add missing slur to first two 16th notes, to match the printed

part. [SA89] Missing from the ms., too. [BoSy13]

X K1987 Score, p. 24 98 -5 2& Hn. LS: Add missing 3°. [BoSy13]

X K1987,

K1989

Score, p. 25 98 1 1 — Picc. Clar.: Add missing ff to match other lines [SA89,

JRCN10], and to match the ms. [BoSy13]

X K1987 Score, p. 25 98 1 1 — Tbn. 3: Add staccato dot, to match Tbn. 1&2 lines and printed

parts, and to match the ms. [BoSy13]

— Tuba: Remove slur from previous bar. [SA89]

— Tuba: Add accent >, in addition to the ffmf, to match the ms.,

and to match the Hns. [BoSy13]

— Timp.: f should probably read mf, as at 94, i.e. the complete

dynamic should read ff >mf. [BoSy13]

— Cymb.: Add missing tie to next bar [cfn comment on SA89 for

the Cymb. part], to match the ms. [BoSy13]

K1987 Score, p. 25 98 1 1 Bsns. 1&2: Add missing à2. [BoSy13]

D, K87 Score, p. 25 98 3 1 Tpts: Add missing 3 to triplet. [PB02] (Present in K87 Tpt. 3&4

parts.)

! K1987 Score, p. 25 98 4 Hn. 1–4: Add missing slur to next bar [SA89]; slur also missing

from ms. [BoSy13]

N.B. Score, p. 25 98 5 2 (Bass: No wedge in the ms. Also in +7 because of a repeat sign .

[BoSy13])

X K1987 Score, p. 25 98 5 1 Tpts.: Add missing cresc. hairpin. [BoSy13]

D, K87 Score, p. 25 98 5 1 Hns. & Tpts.: Add missing 6 to sextuplet. [PB02]

! D, K87 Score,

pp. 25–26

98 5, 7 1 Timp.: Should have 3 tremolo lines, not 2 (rhythm should match

Violins). [PB02] SEE 94

K1987 Score,

pp. 25–26

98 5, 7 1 Fl. 1&2: Add missing à2. [BoSy13]

X K1987,

K1989

Score,

pp. 25–26

98 5, 7 2 Tbn. 3, Tuba, Cymb., & GC: Add missing wedges, to match the

other instruments, to match the Tbn. 3 and Tuba printed parts, and

to match the similar spot at 94+5 and +7. [BoSy13; Phil92s for

Cymb. at 98+7]

X K1987 Score, p. 26 98 6 1 — Harp 2: Add missing ff, to match the printed part, to match the

ms., and to match Harp 1. [BoSy13]

— Timp.: Add missing mf, to match the ms., to match the printed

part, and to match the lines immediately above. Before entering

the dynamic, see the next item regarding the accent >. [BoSy13]

X K1987 Score, p. 26 98 6 1 Hns. 1–4: Remove accent >, to match the ms., to match Hn. 3&4

printed part, and to match the similar figure at 94+6. [BoSy13]

! K1987 Score, p. 26 98 7 1 Vln. 2 US: A s/r G. [SA89]

19

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K=Kal

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X K1987 Score, p. 26 98 7 2 — Bsn. 3 & C. Bsn.: Add missing wedge accent, to match the

printed parts, to match similar spots elsewhere in the score, and to

match the ms. [BoSy13]

— Vln. 1 LS: Add missing wedge accent, to match the other lines

here, to match similar spots elsewhere in the score, and to match the

ms. [BoSy13]

X ? K1987 Score, p. 26 98 7 2 Vln. 1 US: Clarify the flageolet diamond? [BoSy13]

!! K1987 Score, p. 26 99 2 1 Vla. US: Change two notes, to match the ms. They should be the

same pitches as at 99+4. [BoSy13]

1) Change top note in triple stop from D to BNAT.

2) Change middle note in triple stop from FNAT. to D

X K1987 Score, p. 27 99 4 Vln. 2 US & LS: The second slur should be on the first two notes of

beat 2, not the last two notes of beat 1. [BoSy13]

X K1987 Score, p. 27 99 8 C. Bsn.: Remove the tie, to match the ms.; the tie must be removed

from the printed part, too. [BoSy13]

X K1987 Score, p. 28 100 1-4 Tbn. 3: Add missing whole rest. [BoSy13]

N.B. Score, p. 28 100 1 1 (Vla. LS: The ms. forgot the # for G#. [BoSy13])

! ??? K1987,

K1989

Score, p. 28 100 2 1 Fl. 2 & Ob. 1: Should the first note (E) actually be D? D would

better fit the pattern and the harmony. [FW06; BoSy13 agrees.]

YES USE D but There is no confirmation of this in the ms. or

the piano edition. [cfn in Kal07]

! K1987 Score, p. 28 100 2 2& Clar. 1: Change A to G, one step lower, to match the other lines,


! K1987 Score, p. 28 100 3 1 Vln. 2 LS: The second 16th note s/r A, not B. It should be the same

note as in the previous measure. Confirmed by the ms. (Wrong in

the printed part, too.) [BoSy13]

X [??] K1987,

K1989

Score, p. 28 100 4 1 Harp 2: Add f to score, to match the part. [Harp09; BoSy13 thinks

not.]

! K1987 Score, p. 28 101 1 1 Vln. 1 LS: Add flag to make 8th note, add 8th rest. [SA89]

X K1987 Score, p. 28 101 1 1 Hn. 4, Tpt. 4, Tbns. 1&2, Tbn. 3 & Tuba: Add editorial staccato

dot, to match the other Winds. [SA89 (Tpt. 4); BoSy13 (others)]

N.B. Score, p. 28 101 1 1 (Vla. LS: The ms. forgot the NAT. for CNAT. [BoSy13])

K1987 Score, p. 29 101 2 1 — Bsns. 1&2: Add missing à2. [BoSy13]


— Tpt.: Add missing 1.2.3. [BoSy13]

! K1987 Score, p. 29 101 3 1 Tpt. 2&3: BNAT./GFLAT s/r BFLAT/GNAT. [SA89]

X K1987 Score, p. 29 101 3 1 Vln. 1 US: Add missing pizz. [BoSy13]

! K1987 Score, p. 29 101 3 2 Vla. US: Add missing NAT. to uppermost note of the quadruple-

stop, to make CNAT. [BoSy13]

X ? K1987 Score, p. 29

101 5 1 Tpts.: Should the wedge be a staccato dot, to match the other

Winds? There is no articulation in the ms. or in the printed parts.

[BoSy13; SA89 writes to add staccato dots in the Tpt. 1&2 printed

part. BoSy retained wedges. Cfn use wedge.

N.B. Score, pp. 29–30 101 5–8 (Vc., Bass: The cresc. hairpin is missing from the ms. [BoSy13])

X K1987 Score, p. 29 101 6 1 Hns.: Add missing accents >. [SA89]

X K1987,

K1989

Score, p. 29 101 6 1 Clar.: mf s/r [p.] per piano reduction and strings. [SA89, Phil92s]

N.B. Score, p. 29 101 6 1 (Vla.: No dynamic in the ms. [BoSy13])

X K1987 Score, p. 30 102 -1 1 C. Bsn.: Add missing slur; part is OK. [BoSy13]

X K1987 Score, p. 30 102 -1, -2 Bass: Add missing cresc. hairpin, to match Vc. in score and Bass


X K1987 Score, p. 30 102 -1 2 Tamb.: Add missing rests. [BoSy13]

X ?? K1987 Score, p. 30 102 -1 End GC: Add editorial accent >, to match the WWs and Brass?

[BoSy13] YES CFN

20

Status

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K=Kal

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X K1987 Score, p. 30 102 -2 — The dots for “Animez peu à peu” should continue until 102,

according to the ms. [BoSy13]

— Tpts.: Add missing accents >. [SA89, cfn comment on SA89]

K1987 Score, p. 30 102 -2 1 Bsns. 1&2: Add missing à2. [BoSy13]

X K1987 Score, p. 30 102 2 2 Vln. 1 US: Add missing accent >. [BoSy13]

K1987 Score, p. 30 102 2 2 Fl. 1, Clar. 1: Add missing 3 to triplet. [BoSy13]

X K1987 Score, p. 30 102 3 Tuba: Clarify or add missing accents > where necessary. [BoSy13]

K1987 Score, p. 31 102 4 1 — Ob.: Add missing à2. [BoSy13]

— Bsns. 1&2: Add missing à2. [BoSy13]

— Hn. US: Add missing à2. [BoSy13]

— Hn. LS: Add missing à2. [BoSy13]

X K1987 Score, p. 31 102 5 1 — Ob. 1&2: Clarify the accent > on the last note of the triplet.

[BoSy13]

— Vla. US: The dim. hairpin should start at the last 16th note of the

bar, to match the ms. [BoSy13]

X K1987 Score, p. 31 102 5–8 Timp.: Add missing accents >, to match the printed part and to


X ?? K1987 Score, p. 31

YES SEE Bass

Clar. cfn

NO SEE VLN 1

L.S. cfn

102 6 2 — EH: Change the quarter note to an 8th note plus 8th rest?

Although the ms. and the printed score agree on the quarter note,

this change would allow the last EH note to match the value of the

last note of all other instruments with a similar line. [BoSy13]

— Vla. US: Change the four 16th notes to three 16th notes plus a 16th

rest? Though the ms. and the printed score agree on four 16th notes,

this change would allow the last notes of this figure to match the

last notes of other string instruments with a similar line. [BoSy13]

X K1987 Score, p. 31 102 7 C. Bsn.: Add missing accent > to each note. [SA89]

X K1987 Score, p. 32 103 1 Bsn. 2: Add missing whole rest, or add 1° at beat 1, to indicate Bsn.

1. [BoSy13] NOT IN THE Dur style.

K1987 Score, p. 32 103 1 EH, Picc. Clar.: Add missing whole rests. [BoSy13]

! K1987 Score, p. 33 104 -1 Harp 2: Add missing NAT. to each F, to make FNAT. [BoSy13]

X K1987 Score, p. 33 104 -1 2 — Fl. 1&2: Add missing whole rest. [BoSy13]

— Bsns. 1&2, Bsn. 3: Add editorial staccato dots, so the 8th notes

do not interfere with the second 16th note in C. Bsn. [BoSy13]

N.B. Score, p. 33 104 -2 1 (Vla. US: The ms. has an erroneous a1 as the second 16th note.

[BoSy13])

X ? K1987 Score, p. 33 104 -2 2 Fl. 1&2, Ob. 1&2, Picc. Clar., Clar. 1: Add editorial staccato dots,

to match the similar lines in the printed score in 104-1, beat 1?

[BoSy13]

X [??] K1987,

K1989

Score, p. 33 104 -3 Tpts.: Add slur to measure 104-2 like the Tbns.? (The piano edition

has articulation for this passage.) [Kal07] The ms. has plenty of

room for a slur for the Tpts., but included one only for the Tbns.

[BoSy13] Add editorial slur for 2 measures like tbn] CFN

K1987 Score, p. 33 104 -3 1 — Tpts.: Add missing à4. [BoSy13]

— Tbns. 1&2: Add missing à2. [BoSy13]

N.B. Score, p. 33 104 1 1 (Vla.: The ms. has f, not p, with a dim. hairpin starting at 104+3

(q.v.). [BoSy13])

(Vc., Bass: No dynamic in the ms. [BoSy13])

X K1987 Score, p. 33 104 2 Bsn. 3 & C. Bsn.: Add missing whole rest. [BoSy13]

N.B. Score, p. 34 104 3–6 (Vla.: The ms. has a dim. hairpin, ending in p at 103+7. [BoSy13])

X K1987 Score, p. 34 105 -2 1 Tpt. US: Add missing 1°. [BoSy13]

X K1987 Score, p. 34 105 -3 1 Vla. US: Add missing accent >. [SA89]

X K1987 Score, p. 35 106 -4 1 — Picc. Fl. 1: Add missing slur from previous bar. [SA89]

— Tpt. LS: Add missing 3°. [BoSy13]

— Tpt. 3: Add staccato dot. [SA89] NO cfn

21

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 35 106 1 1 Tpt. 1: Add staccato dot. [SA89]

N.B. Score, p. 35 106–

107

1 (Vla.: No accents > in the ms. at 106+1. Because of repeat signs ,

the entire stretch from 106 to 107 is affected. [BoSy13])

X K1987 Score, p. 36 106 3–4 Harp 1, LH: Add missing flageolet circle under the notes. They

should match the previous measures. (Part is OK.) [BoSy13] Both

OO should be stacked, one above the other, under the staff for LH

harmonics in all measures. cfn

X ? K1987 Score, p. 36 107 -1 2 Vln. 1 US, Vln. 2 US: Add [pp], to match the similar spot at 111-1?

[BoSy13]

X K1987 Score, p. 36 107 -2 1 — Picc. Fl. 2, Clar. 1&2: Add editorial staccato dots, so the 8th

notes do not interfere with the second 16th note in Picc. Fl. 1 and

Picc. Clar. [BoSy13]

— Trps. 1, 2, & 4: Add staccato dots, similar to other spots such as

106+1 in Trp. 1. [BoSy13]

X K1987 Score, p. 36 107 -4 2 Vc.: Add missing quarter rest. [BoSy13]

X K1987 Score, p. 36 107 -5 2& Picc. Fl. 1&2: Last note of the bar s/r 8th note, not 16th note.

[BoSy13]

X K1987 Score, p. 36 107 -5, -6 Harp 1 LH: Add missing flageolet circle under the notes. They

should match the previous measures. [BoSy13]

X K1987 Score, p. 36 107 -6 1 — Picc. Fl. 1: The slur should continue from the previous page, to

match the ms. (sort of). [BoSy13]


— Tpt. 3: Add staccato dot. [SA89] NO cfn

— Vln. 2 LS: Add missing slur, continuing from previous measure.

[BoSy13]

X K1987 Score, p. 37 107 1 1 — Tpt. LS: Add missing 3°. [BoSy13]

— Tpt. 3: Add missing staccato dot, [to match WWs]. [Balt9x. =

Zinman] Yes at the end of the phrase.cfn

X ? K1987 Score, p. 37 107 1 1 — Harp 1: Add [pp], to match the similar spot at 111? [BoSy13]

— Vln. 1 LS, Vln. 2 LS: Add [ppp], to match the similar spot at

111? [BoSy13]

— Vla., Vc. LS, Bass LS: The pizz. line is p in the ms. and in the

Bass printed part, but is pp here and in the Vla. and Vc. printed

parts. Which is correct? [BoSy13 left pp in the score, and changed

the Bass part.] I would use pp. cfn

N.B. Score, p. 37 107 1 1 (Bass US: No arco in the ms., and actually it is not strictly

necessary. [BoSy13])

X K1987 Score, p. 37 107 2–4 Bass: Add missing cresc. hairpin, to match the other lines, and to

match the printed part. [BoSy13]

N.B. Score, p. 37 107 2 1 (Bass US: NAT. is missing from FNAT. in the ms. [BoSy13])

X K1987 Score, p. 37 107 3, 4 1 Bsn. 2, C. Bsn.: Add missing accents >. [SA89]

N.B. Score, p. 37 107 3–4 (Vla., Vc., Bass: Cresc. hairpin is missing from the ms. [BoSy13])

N.B. Score, p. 37 107 5 1 (Vla. US: arco missing from ms. [BoSy13])

(Vla., Vc., Bass LS: No ff in the ms. [BoSy13])

X K1987 Score, p. 37 107 5, 6 1 Vla. LS: Add missing accents >. [BoSy13]

N.B. Score, p. 37 107 5, 6 1 (Vla. US, Vla. LS, Vc. US: Accents > missing from the ms.

[BoSy13])

(Vla. LS: The NAT. is missing from the CNAT. in the ms.; because

of a repeat sign , the next bar is also affected. [BoSy13])

(Bass LS: No accent > in the ms. at +5; because of repeat sign ,

measure +6 is also affected. [BoSy13])

X K1987 Score, p. 37 107 5, 6 2 EH, Picc. Clar: Accents > s/r tenuto lines. [SA89, cfn comment on

SA89]

X K1987 Score, p. 37 107 6 1 Picc. Clar: Tenuto line s/r accent >. [BoSy13]

22

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 37 107 6 1& Ob. 1&2: Remove the staccato dot, to match the printed parts, and

to match the Clarinet line. [BoSy13]

N.B. Score, pp. 37–38 107 6–8 (Strings: No dim. hairpin in the ms. [BoSy13])

X K1987 Score, p. 38 108 -1 1 Bsn. 3: Slur should be only on the 16th notes. [BoSy13]

X ? K1989 Score, p. 38 108 -1 1 Bsn. 3: Add editorial [p] [SA89]; or [mp]. [BoSy13] I would use [p]

as that is the Ravel style.cfn

K1987 Score, p. 38 108 -1 1 Hn. 2: Add missing whole rest. [BoSy13]

N.B. Score, p. 38 108 -1 1 (Vla. LS: No accent > in ms. [BoSy13])

(Bass US: NAT. is missing from FNAT. in the ms., and the FLAT

is missing from EFLAT. [BoSy13])

X K1989 Score, p. 38 108 -1, -2 Bass LS: Add missing dim. hairpin, to match other lines? (After the

page break the dim. hairpins suddenly are above their respective

notes, not below. Adding the hairpin here would add an extra one to

the page, but it would be easier to follow in the lower Bass stave.)

[BoSy13] Move all dim. signs under the lines. cfn

N.B. Score, p. 38 108 -2 1 (Bass US: No mf in the ms. [BoSy13])

! K1989 Score, p. 38 108 -2 1 Vln. 2 US: Add missing NAT. to the upper note of the triple-stop,

to make CNAT. [BoSy13]

X K1987 Score, p. 38 108 -2 1 — Fl., AF: Tenuto line s/r accent >. [SA89, cfn comment on SA89]

— Bsn. 2, C. Bsn.: Add missing accents >. [SA89]

— C. Bsn.: Add editorial [mf ]. [SA89]

N.B. Score, p. 38 108 1 1 (Vla.: No dynamic in the ms. [BoSy13])

(Bass US: No pp in the ms., and a quarter note value is present

there. [BoSy13])

(Bass LS: No pp in the ms. [BoSy13])

! [??]

NO

D, K87 Score, p. 38 108 [1] [1] Hn. 1&2: PB02 writes to add # to make C#, but cfn writes the

piano reduction has E# here. Add (nat) to be sure a C nat is

played.

N.B. Score, p. 38 108 2–4 1 (Vla. LS: Accent > missing from the ms. at +2; because of repeat

signs , the next two bars are also affected. [BoSy13])

K1987 Score, p. 39 109 -4 1 Hn. US: Add missing 2°. [BoSy13] K1987 Score, p. 40 110 -1 to

-6

Harps 1&2: The ms. has repeat signs and thus continues the

pattern of F# on beat 3 and GFLAT on beat 6 (Harp 1) and DFLAT

on beat 3 and C# on beat 6 (Harp 2). The same applies to 110–111.

This should be corrected in a new edition so that the pattern

continues. [BoSy13]

X K1987 Score, p. 40 110 -4 1 — Hn. LS: Add missing 3°. [BoSy13]

— Tpt. US: Add missing 1°. [BoSy13]

X K1987 Score, p. 40 110 -6 1 — Hn. US: Add missing 1°. [BoSy13]


K1987 Score, p. 40 110 -6 1 Vla. US: Remove superfluous pp, to match the ms. [BoSy13]

! D, K87 Score, p. 40 110 -6 2 Clar. 1: First note of second beat s/r GFLAT. [SA89, PB02]

! K1987 Score, p. 41 110 Picc. Clar.: Add missing # to key signature for the EFLAT Clar., to

match 2 NAT.s in concert pitch. [BoSy13]

X K1987 Score, p. 41 110 1 1 — Hn. US: Add missing 1°. [BoSy13]



— Tpt. 1: Add staccato dot. [SA89]


— Vla. US: Remove superfluous pp. [BoSy13]

X K1989 Score, p. 41 110 2–3 Picc. Clar.: This slur should be continuous from 110+1 to +5, to


N.B. Score, p. 41 110 3 1 (Bass: pizz. is missing from the ms. [BoSy13])

N.B. Score, p. 41 110 3 2 (Bass: The quarter rest is missing from the ms. [BoSy13])

23

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 41 110 5 1 — Ob. 2, EH, Picc. Clar., Clar. 2: Add editorial staccato dot, so the

8th note does not interfere with the second 16th note in Ob. 1 and

Clar. 1. [BoSy13]

— Tpts. 2, 3, & 4: Add staccato dots, similar to other spots such as

109+1 in Trp. 1. [BoSy13] NO better overlap without staccato.

CFN

! K1987 Score, p. 41 110 5 1& Tpt. 3&4: Add a4 Ôtez les sourdines. [BoSy13] for all trumpets

CFN

X K1987,

K1989

Score, p. 42 111 1 1 — Tpt. US: Add missing 1°. [BoSy13]

— Tpt. 1: Add editorial staccato dot. [BoSy13]

— Tpt. 1: Add [pp] to return to the starting dynamic, and to match

the lower strings. [BoSy13]

— Cymb., Crotales: Add ppp, to match the ms., and to match the

upper strings. (Fix parts, too.) [BoSy13] Use pp cfn

— Vln. 1 LS: Add missing wedge [Phil92s], to match the ms.

[BoSy13]

— Vla. US: Add pp, to match the ms. and the printed part, and to

match the lower strings. [BoSy13]

Vln. 2 LS: Remove accent >. [BoSy13]

N.B. Score, p. 42 111 1 1 (Vc. USD: arco is missing from the ms. [BoSy13])

N.B. Score, p. 42 111 1–2 1 (Vc., Bass: The accents > are missing from the ms. [Missing in Vc.

US only from +2.] [BoSy13])

! K1987 Score, p. 42 111 1 1& Tpt. 1&2: Add 1.2. Ôtez les sourdines. [SA89]

X K1987 Score, p. 42 111 2 1& C. Bsn.: Add missing 8th rest. [BoSy13]

! K1987 Score, p. 42 111 3 1 Vln. 2 US: Add missing pizz. [BoSy13]

! K1987 Score, p. 42 111 3–4 2 Fl. [1]: Add missing NAT. for CNAT. to match the printed part.

Missing also from the ms. [BoSy13]

N.B. Score, pp. 42–43 111 3–10 1 (Vla. LS: The accents > are missing from the ms. [BoSy13])

! K1987 Score, p. 42 111 4 — Tpts.: Add sans sourdines (for their entrance in 111+5).

[BoSy13]

— Vla. US: Add missing FLAT for EFLAT on beat 2. Missing also

from the ms.; the part is OK. [BoSy13]

N.B. Score, pp. 42–43 111 4–10 1 (Vc., Bass: The accents > are missing from the ms. [BoSy13])

X K1987 Score, p. 42 111 5 1 Cymb.: Add missing open tie to next bar, to match the ms.

[BoSy13] for the L.V. cfn

X K1987 Score, p. 42 111 6 Hn. 2, Hn. 4: Clarify the accents >. (Poor printing.) [BoSy13]

X K1987 Score, p. 42 111 6 1 — Hn. 1&2, Hn. 3&4, Tpt. 1&2: Add missing accent >. [SA89:

Tpts.] (Or clarify the bad printing. [BoSy13: Hns.])

— Vln. 2, Vla., Vc.: The dim. hairpins should begin at the

beginning of the measure, and be open at the right, to continue

across the page break. [JRCN10, BoSy13]

! K1987,

K1989

Score, p. 42 111 6 2 Vc. US: Add missing FLAT to make EFLAT. Fix part, too. [SA89,

Phil92s] Missing from the ms., too. [BoSy13]

X K1987 Score, p. 42 111 6 End Picc. Clar.: This dim. hairpin should end here. [BoSy13]

X K1987,

K1989

Score, p. 42 111 6 End All strings: The dim. continues across the page turn. Open the end

of these dim. hairpins. [JRCN10, BoSy13]

Also WW and brass that continue to play. CFN

X K1987 Score, p. 43 112 -1 1 Hn. 4: Add missing pp, to match the ms., and to match the printed

part. [BoSy13]

X ? K1987 Score, p. 43 112 -2 1 C. Bsn.: Add editorial [p] [SA89], to match the Basses [BoSy13].

N.B. Score, p. 43 112 -2 2 (Vla. US: pizz. missing in ms. [BoSy13])

X K1987 Score, p. 43 112 -3, -4 Vc. LS: The dim. hairpin should start here, as in the US; to match

the printed part and the ms. [BoSy13]

24

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 43 112 1 Harps 1&2: Add missing key signature of two nat.-signs, to match

the strings. [BoSy13]

X K1987,

K1989

Score, p. 44 113 -1, -2 1 Vla. LS: Add missing accents >. [Phil92s]

X K1987 Score, p. 44 113 -6 Hn. US: Add missing 1°. [BoSy13]

X K1987 Score, p. 44 113 2 2 Vla. LS: Add missing quarter rest. [BoSy13]

X K1987 Score, p. 45 114 3 — Hn. US: Add missing 1°. [BoSy13]


X K1987,

K1989

Score, p. 45 114 3–8 1 Vla. (Both staves): Add missing accents > [Phil92s], to match the

printed part. Missing also from the ms. [BoSy13] add to 116+2

X K1987 Score, p. 45 114 8 End — AF: The slur should extend beyond the page break. [BoSy13]

— Bass LS: Remove 8th rest. [SA89]

N.B. Score, pp. 44–47 114–

116

1 (Vla., Bass: The accents > are missing from the ms. at 114+1, and

because of repeat signs , all the measures up to and including

115+10 [Vla.] or 116+2 [Bass] are affected. [BoSy13])

X K1987 Score, p. 46 115 1 1 Hn. US: Add missing 1°. [BoSy13]

X K1987,

K1989

Score,

pp. 46–47

115–

116

Vla. both staves: Add missing accents > [Phil92s]. Missing also

from the ms. and the printed part. [BoSy13]

K1987,

K1989?

Score, p. 46 115 5 1 Hp. 2: Add a cautionary (p). Harp 1 is mf. Harp 2 stays p. [Harp09]

Not used in the Durand engraving style cfn

K1987 Score, p. 46 115 5 1 Vln. 2 LS: Add courtesy (pizz.). [BoSy13]

X ? K1987 Score, p. 46 115 6 1 Tpt. 1: Add editorial slur on the 16th notes, to match the Piccolos? It

is not in the ms. [BoSy13] NO CFN

! K1987 Score, p. 46 115 6 2& Picc. Fl. 1: Add missing FLAT to make BFLAT. [BoSy13] on last

note.

X K1987 Score, p. 46 115 6 End AF, EH: Slur should continue over the page break. [BoSy13]

X K1987 Score, p. 47 115 7 1 — EH: Add editorial staccato dot, so the 8th note does not interfere

with the second 16th note in AF and Clar. 2. [BoSy13]

— Clar.: Add missing 2°. [BoSy13]



X K1987 Score, p. 47 115 8 Ob. 1: Add missing staccato dots, to match the previous bar.

[BoSy13]

X K1987 Score, p. 47 115 9 1 Clar. 2: Add editorial staccato dot, so the 8th note does not interfere

with the second 16th note in Fl. 1 and AF. [BoSy13]

X K1987 Score, p. 47 116 1–2 1 Vla. LS: Add missing accents >, to match the printed part. Missing

also from ms. in 116+1; because of the repeat sign , +2 is also

affected. [BoSy13]

K1987 Score, p. 48 117 -3 1 — Ob.: Add missing 1°. [BoSy13]


X K1987,

K1989

Score, p. 48 117 1–3 1 Vla. LS: Add missing accents > [Phil92s], to match the printed part

and the ms. [BoSy13]

X K1987 Score, p. 48 117 3 Tpt. 3&4: Add missing cresc. hairpin. [SA89]

X K1987,

K1989

Score, p. 49 117 4 Bass: Add missing cresc. hairpin, continuing from previous page.

[Phil92s]

X K1987 Score, p. 49 117 5 1 Ob. 2: Add editorial staccato dot, so the C is not played

simultaneously with the D in Oboe 1. [BoSy13]

X K1987,

K1989

Score, p. 49 117 5 1 Vla. LS: Add missing accents >. [Phil92s] Already fixed in K1987.

[BoSy13]

X K1987,

K1989

Score, p. 49 117 5 1 Bass: Add missing mf. [Phil92s]

! D, K87 Score, p. 49 117 6 [1] Clar. 2: Fourth note of first beat s/r ANAT., not AFLAT. [PB02]

X ? K1987 Score, p. 49 118 -3 1 Picc. Clar.: Add slur on the 16th notes, to match the Flutes’

articulation? [BoSy13] YES CFN


25

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







! K1987 Score, p. 49 118 1 1 Vc. US: D s/r C, to match the printed part and the ms. [BoSy13]

N.B. Score, p. 49 118 1 2 (Vla. US: The p is not here in the ms.; it is on beat 1 of the next bar.

[BoSy13])

X K1987 Score,

pp. 49 & 50

118 1 4 Vc. LS: Place the mp here at the same spot as the mp in the Vc. US,

to match the ms. Remove it from the next bar. (N.B.: The ms. has

mf in both staves, not mp as in the score and part.) [BoSy13] No

keep as Dur.printed.

X K1987 Score, p. 50 119 -4 1 — AF: Add missing FLAT to key signature. [BoSy13]

— Bsn.: Add missing 1°. [BoSy13]

X K1987 Score, p. 51 119 3 1 — AF: Add missing FLAT to key signature. [BoSy13]

— Clar. 2: The slur should continue from the previous page, to

match the printed part and the ms. [BoSy13]

— Bsns. 1&2: Add missing 1°. [BoSy13]

X K1987 Score, p. 51 119 3, 4 1 Bsn. 1: Add missing accent >. [BoSy13]

X K1987 Score, p. 51 119 5 1 Clar. 2: Add editorial staccato dot, so the 8th note does not interfere

with the second 16th note in Ob. 1 and Clar. 1. [BoSy13]

N.B. Score, p. 51 120 -1 — (Vla. LS: The middle note of the triple stop in the ms. is an

erroneous gFLAT, instead of the correct aFLAT. [BoSy13])

— (Bass: No cresc. hairpin in the ms. [BoSy13])

X ? K1987 Score, p. 51 120 -1 1 — Bsn. 1: Move p here from one bar later? This would be similar to

the dynamics in the Tpts. More exactly, Bsn. 1 should have p

here, and Bsn. 2, as it stands, one bar later. [BoSy13; Yes]

— Vla.: The p applies to the LS, and is not in the ms. Should a p be

added editorially to the Vla. US (to match the printed part), Vc.

(both staves; or here, perhaps mp would be better), and Bass? Mark

all p. cfn

X K1987 Score, p. 51 120 -1, -2 Clar. 1: The slur should continue over the bar line; it should start at

120-5 and finish at 120+1. This is clear in the ms. [BoSy13]

X K1987 Score, p. 51 120 -2

-3

1

1

— Fl., AF: Slur should be only on the 16th notes. [SA89, cfn

comment on SA89]

— Vla. US: Add missing accent >. [BoSy13]

X K1987 Score, p. 51 120 1 1 Harp 1: Add missing f, to match the printed part. (Harp 1 is missing

entirely from the ms.) [BoSy13]

Vc. US: Remove blob from under the note. There is no articulation

here, other than the slur. [BoSy13]

X ? K1987 Score, p. 51 120 1 4 Vc. LS: The ms. has mf right at beat 1, with no dim. hairpin. The

score and part both have f at beat 1, plus dim. hairpin ending with

mf at beat 4. Change score and parts to match ms.? [BoSy13] I

would use Dur. cfn

X K1987 Score, p. 52 121 -1 to

-3

1 Vla. US: Add missing accents >, if you can find room. [BoSy13]

X K1987 Score, p. 52 121 -1 End Vc. US: End the slur on beat 6, to match the printed part. The slur

in the score matches the ms. (because of repeat signs there), but

the part is more practical. [BoSy13]

X ? K1987 Score, p. 52 121 -2, -3 Cymb.: Add editorial staccato dots, to match the similar spot six

bars earlier. [BoSy13]

X K1987 Score, p. 52 120–

121

There should be dots for Animez peu à peu, continuing until 121,


X K1987 Score, p. 52 121 -5 1 — Hn. US: Add missing 1°. [BoSy13]



K1987,

K1989

Score, p. 52 121 -5 4 Vc. US: Remove arco. [Kal07]

! K1987 Score, p. 53 121 1 1 Tpt. 1&2: Add missing Ôtez les sourdines. (Missing from the ms.,

too.) [BoSy13] mark a4 for all tpts. cfn

26

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 53 121 1 1 — Vla. LS: Add missing accent >, to match the printed part and the

ms. [BoSy13]

— Vla. LS, Bass: Add missing f, to match the other lines, and to

match the printed parts and the ms. [BoSy13]

K1987 Score, p. 53 121 1 Tbns. 1&2: Change Ve to 5e. [BoSy13]

! ? K1987 Score, p. 54

Still a question.

CFN 2017

121–

122

2 — Vla. LS: The ms. is different from the score at 122-9: it has E1

(like 122-4), not c1 (like 121+3). So did Ravel want E or C here?

Both notes fit the chord, but C better fits the pattern of chords in the

rest of the strings and in the harps. (Because of the heavy use of

repeat signs in the ms., this question also affects 122-5 and -7.

The piano reduction is of no help.) [BoSy13; who stuck with C,

— Vla. LS: If the previous question was answered with “E”, then

one must ask if it would be better to replace the C in 121+3 and +4

with E also, even though the ms. clearly has C. [BoSy13— Vla. LS:

If the first question was answered with “C”, then one must ask if it

would be better to replace the “E” in 122-4 to -1 with C, so the D–

C, D–C pattern would continue. [BoSy13, who likes C

X K1987 Score, p. 53 121 2 — Tbns. 1&2: Add missing slurs, starting on the first note here, and

ending on the first note of the next bar; to match the ms. [BoSy13]

But the others are not slurred. cfn

— Tbns. 1&2: The dotted line for Ve position should continue to

the end of the bar, to match the ms. [BoSy13]

K1987 Score, p. 53 121 3 1 Tbns. 1&2: The dim. hairpin should be an accent >. [BoSy13]

X ? K1987 Score, p. 53 121 4 Tpt. 1–4: Remove slurs from triplets, to match ms. [BoSy13]

! K1987,

K1989

Score, p. 53 121 4 End Bsns. 1&2: Add Tenor clef, to apply in bar 5. [SA89, Kal07]

X K1987,

K1989

Score, p. 53 121 5 Tbns. 1&2: Add missing accents > on the second and third 8th notes.

[SA89, JRCN10]

X K1987 Score, p. 53 121 5 End Fl. [1], Ob. 1&2: Clarify that the slur continues over the page break.

[BoSy13]

N.B. Score, pp. 53–54 121 5, 6 1 (Vla.: The accents > are missing from the ms.; because of the repeat

signs , 121+7-10 are also affected. [BoSy13])

X K1987 Score, p. 55 122 -1 1 Vla. US, Bass: Add missing accents >. [BoSy13]

X K1987 Score, p. 55 122 -1 End Tuba: Remove the slur to the next bar, to match the Tbns., and to


X ? K1987 Score, p. 55 122 -1, -2 Timp.: Add editorial cresc. hairpin, to match all other lines? [SA89

for Timp.; cfn comment on SA89 for score.]

X K1987 Score, p. 55 122 -1 to

-3

1 Vla. LS: Add missing accents >. [BoSy13]

K1987 Score, p. 55 122 -4 1 Clar.: Add missing à2. [BoSy13]

! K1987,

K1989

Score, p. 54 122 -5 End Bsns. 1&2: Remove the superfluous Tenor clef at the end of

121+10 (=122-5). [SA89, Kal07]

X K1987 Score, p. 54 122 -5, -7 1 — Ob. 1&2: Add missing accent >. [BoSy13] only 2.

— Tbn. 1: JRCN10 writes to remove the accent > for Tbn. 1, but

does not clarify that it should be retained for Tbn. 2. Place the

accent > under the stem in the score, to clarify that it is for Tbn.

2, and also clarify in the parts. [SA89, BoSy13]

K1987 Score, p. 54 122 -5, -7, -9 1 Vla. LS: Add courtesy NAT. for the ANAT.[BoSy13]

Why? cfn

! K1987 Score, p. 54 122 -6 1 Bsn. 2: Add missing FLAT to make BFLAT. [BoSy13]

27

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Score, p. 54 122 -6, -8 1 — Picc. Fl. 1: Add missing staccato dots, to match ms. Missing

from part, too. [BoSy13]

— AF: Add missing accents >, to match ms. (Missing from part,

too.) [SA89]

—Vln. 1 LS: Add missing accents >. [BoSy13]

X K1987 Score, p. 54 122 -7 1 Tbn. 3 & Tuba: Add missing accent >. [SA89]

X K1987 Score, p. 54 122 -8 1 Tpt. 1&2: Add missing accents >. [SA89]

! K1987,

K1989

Score, p. 54 122 -9 1 Bsns. 1&2: Change Bass clef to Tenor clef. [SA89, Kal07]

X K1987 Score, p. 54 122 -9 1 Tbn. 2: Add missing accent >. [SA89, given as 121+6] (Place under

the stem, to clarify that it is for Tbn. 2. [BoSy13])

K1987 Score, p. 54 122 -9 1 Hn. US: Add missing à2. [BoSy13]

X ? K1987 Score, p. 55 122 1 1 Cymb.: Add staccato dot, to match the printed part, to match most

of the Winds here, and to match subsequent spots in the ms.? [cfn

comment on SA89]

X K1987 Score, p. 55 122 1 1, 2 Tpt. 1& 2: Add missing accents > [SA89]

! K1987 Score, p. 55 122 1 2& Hn. 1: Add missing NAT. to make ANAT. [SA89]

X K1987,

K1989

Score, p. 57 123 -1 1 — Picc. Fl. 1&2: Add missing à2. [BoSy13]

— Vln. 1, both staves: Remove ff [SA89, Phil92s]

! K1987 Score, p. 57 123 -1 2 Ob. 2: Add missing NAT. to second 16th note, to make BNAT.

[SA89]

N.B. Score, pp. 56–57 123 -1, -2 (Vla., Vc. US: The ms. breaks the slur over the 16th notes at the bar

line, as in the printed part. Four bars earlier, the slur is over both

bars of the figure. [BoSy13])

N.B. Score, p. 56 123 -2 1 (Bass: No up bow mark in the ms. [BoSy13])

! K1987 Score, p. 56 123 -2 2 Ob. 2: Add missing NAT. to second 16th note, to make GNAT.

[SA89]

X K1987 Score, p. 56 123 -4 1 — AF: Add missing dim. hairpin, to match other lines. [BoSy13]

— Hn. 1&2, Hn. 3&4, Tpt. 1&2, Tpt. 3&4, Tbns. 1&2, Tbn. 3 &

Tuba: Add missing ff, to match the printed parts. [BoSy13]

— Cymb.: Add staccato dot, to match the printed part, to match

most of the Winds here, and to match the ms. [cfn comment on

SA89]

N.B. Score, p. 56 123 -6 1 (Vc., Bass: No up bow mark or pp in the ms. [BoSy13])

X K1987 Score, p. 56 123 -6 1 Vln. 2 LS: Add missing up bow ⋁ . [BoSy13, with thanks to SA89]

X K1987 Score, p. 57 123 1 — B. Clar.: Add cresc. hairpin [SA89] — editorially, to match the

other lines. [BoSy13]

— Vln. 2 LS: Add missing p at beat 2, to match the other lines.

[Phil92s]

— Bass: Add missing staccato dot, to match the Vc., and to match

the ms. (Fix part, too.) [BoSy13]

N.B. Score, p. 57 123 1 2 (Vla. LS: The cresc. hairpin is missing from the ms. [BoSy13])

(Bass: pizz. missing from the ms. [BoSy13])

! K1987 Score, p. 57 123 1 2 Vln. 2 US: Add missing g(#)2 (same pitch as the first note of the

bar), to match the ms. As it stands, the Div. is superfluous, but

adding the missing note fixes that problem. [BoSy13]

28

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K=Kal

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X ? K1987 Score, p. 57

Or add a dot on

1+ for all

instruments on

all measures.

Ravel could

have meant

accent dots.

123 2, 4 Woodwind articulation: The inconsistencies of Ravel’s notation

have been remarked upon by cfn at the bottom of the SA89 list.

BoSy has the following ideas:

— Only Flute instruments should have staccato dots and a slur on

the 16th notes. (But all of them should have the slur.) (Add to AF in

123+4, remove from Picc. Clar. in same bar.)

— No instrument should have staccato dots on the 8th notes, as at

that speed, there is no difference between notes with or without

dots. (Remove from the WW instruments in 123+2; only Picc.

Fl., Fl. 1, and Picc. Cl. need dots removed from 123+4.)

[BoSy13, aiming towards a unification of the articulation. See also

124+2,4,6.]

N.B. Score, p. 57 123 2 (Vla. LS: The dim. hairpin is missing from the ms. [BoSy13])

X ? K1987 Score, p. 57 123 2 1 Vc. LS: The ms. has mf here, which fits better the dynamic contours

here and in the next two bars. Change the score and printed part to

match? [BoSy13] YES CFN

X K1987 Score, p. 57 123 2 1& — EH: Add courtesy NAT. for the DNAT., to match the ENAT.

two bars later. [BoSy13]

— Harp 1: Add missing # to make E#, to match the printed part.

[SA89] Missing from the ms., too. [BoSy13]

X K1987 Score, p. 57 123 3 1 Bsns. 1&2: Remove the mf, to match the ms., which has no

dynamic here for the Bsns. (Fix the part, too.) [BoSy13]

N.B. K1987 Score, p. 57 123 3 1 Bsn. 3 & C. Bsn.: The mf is intended for C. Bsn., not Bsn. 3.

[BoSy13]

! K1987 Score, p. 57 123 4 1 — Picc. Fl. 1&2: Add missing # to second 16th note, to make C#, to

match the printed parts. Missing also from ms. [BoSy13]

— B. Clar.: Add missing #, to make D#. Missing also from ms. (Fix

the part too.) [BoSy13]

X ? K1987 Score, p. 57 123 4 1 Vc. LS: The f is not in the ms.; remove it here and in the printed

part? (In its favor, it does fit the dynamic contour of 123–124 very

well, and matches in spirit the mf in 123+2.) [BoSy13] Keep the f

CFN

X ? K1987,

K1989

Score, p. 57 123 4 1& AF, Ob. 1&2, EH, Picc. Clar., Clar. 1&2: Add staccato dots to

match Fl. 1 & Picc. Fl. 1&2, and to match the similar figure two

bars earlier. [Phil92s] But see BoSy13 item at 123+2,4: no dots on

the 8th notes.

N.B. Score, p. 57 123 4 2 (Bass: # missing from C# in the ms. [BoSy13])

X K1987 Score, p. 57 123 4 2 Harp 1: Add editorial f, to match the printed part. [BoSy13]

N.B. Score, p. 58 124 1 — (Animez peu à peu is two bars earlier in the ms.; it is one bar

earlier in several printed parts. [BoSy13])

— (Vc., Bass: No p in the ms. [BoSy13]) NO use Durand. cfn

X K1987 Score, p. 58 124 1 1 — Picc. Fl. 1&2: Add missing à2. [BoSy13]

— EH: Add missing p subito, if you can find room! [BoSy13]

— Harp 2: Add gliss. line and slur, continuing from the previous

page. [BoSy13]

K1987 Score, p. 58 124 1 1 Tempo marking: “Animez peu a peu” s/r “Animez peu à peu”.

[BoSy13]

K1987 Score,

pp. 58–59

124 There should be dots for Animez peu à peu, continuing until 125,


29

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X ? K1987 Score,

pp. 58–59

See 123/ 2,4

CFN

124 2, 4, 6 1 Woodwind articulation: The inconsistencies of Ravel’s notation

have been remarked upon by cfn at the bottom of the SA89 list.

BoSy has the following ideas:

— Only Flute instruments should have staccato dots and a slur on

the 16th notes. (But all of them should have them.) (The score is

OK as printed.)

— No instrument should have a staccato dot on the 8th note, as at

that speed, there is no difference between notes with or without

dots. (Remove from all Flute instruments in 124+2,4,6; and

from the Oboes in 124+6.)

[BoSy13, aiming towards a unification of the articulation. See also

123+2,4.]

X K1987 Score, p. 58 124 3 1 Harp 1: Change f to mf, to match the ms., and to better fit the

crescendo. Fix part, too. [BoSy13]

! K1987 Score, p. 58 124 4 2 Tamb.: The rest should be a note, as in the previous bars, to match

the repeat signs ( ) in the ms. Fix part. [BoSy13]

! K1987 Score, p. 58

The line is no

longer in unison

with the Picc.

See 124/6

124 5 1, 2 Fl. [1] (first note of each beat): The ms. has F(NAT.) and G(NAT.)

YES ; the printed part has AFLAT and BFLAT NO; the printed

score has erroneous FFLAT and GFLAT NO. Either remove the

flats, to make F(NAT.) and G(NAT.); to match the ms.; or add a

ledger line, to match printed parts. [BoSy13, who removed the flats]

CFN

N.B. Score, pp. 58–59 124–

125

(Vla., Vc., Bass: No cresc. hairpin in the ms. [BoSy13])

X ? K1987 Score, p. 59

See 123/ 2,4

CFN

125 -1 1 Picc. Fl. 1&2, Fl. [1], Ob. 1&2: Remove all dots. [BoSy13, striving

for a unification of the articulations, not only here but with other

spots in the piece. No authoritative wisdom is claimed.]

X K1987 Score, p. 59 125 -1 1 — Picc. Fl. 1&2: Add missing à2. [BoSy13]

— Ob. 1&2: Add missing à2. [BoSy13]

N.B. Score, p. 59 125 1 (Vc., Bass: arco missing from the ms. [BoSy13])

K1987 Score, p. 59 125 1–2 Tbns. 1&2, Tbn. 3: Add dotted line for 5e position, to match the

ms., and to match 121+1 to +2. [BoSy13

! K1987 Score, p. 59 125 2 Harps 1&2: Add missing LaNAT. [BoSy13]

X ? K1987 Score, p. 59

Use Score

reading CFN

125 3 Horns: Two choices:

— Clarify that the f is at beat 2, and Add missing dim. hairpin after

the f [BoSy13; to match the score],

— or: Remove the f , and Add a dim. hairpin for the entire bar

[BoSy17; to match the ms.]

! K1987 Score, p. 59 125 3 1 EH: The second note should almost certainly be F, as in the

previous bars. The BFLAT (= sounding EFLAT/D#) does not fit

into the harmony; and as it comes after a page break in the ms., it is

almost certainly a simple “Flüchtigkeitsfehler” (slip of the pen) by

Ravel. [BoSy13] YES cfn

K1987 Score, p. 59 125 3 1 Vc.: Add missing Div., to match the obvious. [BoSy13]

X K1987 Score, p. 59 125 3 2 Clar.: Add missing à2. [BoSy13]

N.B. Score, p. 59 125 4 2 (Vla. US: The staccato dots and the pp are both missing from the

ms. [BoSy13])

! ? K1987 Score, p. 59 125 4 1 Hns.: Wouldn’t it be simpler for the players if the 2° and 3° parts

were reassigned to 3° and 4°, with 2° tacet? That way each player

continues the pattern from the previous bars. [BoSy13] YES CFN

X K1987 Score, p. 59 125 4 2 Clar. 2: Add missing slur. (Good luck!) [BoSy13]

30

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! ? K1987 Score, p. 59 125 4 2 Vln. 2 US: At beat 2, the printed part assigns the notes from the

score to the UL and ML of the three-part divisi; would it not be

more logical for only one line to play these notes (including the

final BNAT. in the next bar)? [BoSy13, who chose the ML:

Quarter rest added here for the UL, and a three-part divisi

added for the final ML note in the next bar (with a whole rest

added at the bottom of the LS); Also, “en 3” added in margin of

next page for “Vons Div.”]

! K1987,

K1989

Score, p. 60 126 1 1 Vln. 2: Several points need correcting. It is not clear to which divisi

line the 8th note BNAT. belongs (see previous note), and depending

on how one decides that question, some of the following errors will

be corrected differently.

— Add [editorial] ppp for the 8th note, to match the Vla. LS.

[JRCN10]

— Clarify that the BNAT. is ML only [BoSy13]; or UL and ML

[JRCN10, conforming with the printed parts]; or the UL only. YES

Middle line only cfn

— In margin: “Vons” are “2ds Vons” [BoSy13]; or the US is “1ers

Vons” and the LS is “2ds Vons” [Kal07; JRCN10] (and Div. must be

removed).

X K1987 Score, p. 60 126 1 1 — Clar.: Add missing 1°. [BoSy13]

— Bsn. 3 & C. Bsn.: Add missing 3°. [BoSy13]

— Vc. US: Add missing p to make ppp, to match Bsn. 3, G.C., Vln.

2 [? – see previous note], & Vla. LS. (The ms. has pp not only for

Vc. US, but also for Vla. LS; the other instruments are as printed in

the score.) [BoSy13]

K1987 Score, p. 60 126 1 1 Bass: Add missing Div., to match the part, and to match the

obvious. [BoSy13]

X K1987 Score, p. 60 126 1 4 Vc. US: Add editorial [pp], to match other strings’ dynamic.

[BoSy13] Only necessary if the dynamic at beat 1 was changed.

! ? K1987 Score, p. 60

Yes mark for the

del Mar reading.

CFN

126 1–2 Choir (Bass and Tén.): Norman del Mar makes the excellent case

that it is the 2nd Basses who enter here at 126+1, and the 2nd Tenors

who enter a bar later at 126+2. He further posits that the 1st Tenors

enter at 128-2, and the 1st Basses at 128-1. If this line of reasoning

is followed, then 2° or 2ds or some such indication should be added

here. [BoSy13, having read N. del Mar, Orchestral Variations

(London: Eulenburg, 1981), p. 169, no. 10.]

X ? K1987 Score, p. 60

Mark the

margins see

comments. CFN

126 2 1 Vla. LS: Add editorial [pp], to match other strings’ dynamic. [cfn

comment on SA89] The ms. has the pp at 126+1; the printed score

changed that to ppp, to complete the previous figure. [BoSy13]

Upper line in part: ppp s/r pp per cfn: My editorial opinion

confirmed by the line in the piano vocal score. Score is not clear.

Top line is Violin I with all rests. Remove the bracket in the margin.

2nd line is Violin II, upper part 2 with only B nat. add ppp same as

lower viola ppp.

N.B. Score, p. 60 126 2 1 (Vla. LS: No pizz. in the ms. [BoSy13])

X K1987 Score, p. 61 127 -2 1 Clar.: Add missing à2. [BoSy13]

K1987 Score, p. 61 127 2 4 Vc. US: Remove superfluous NAT. from BNAT. [BoSy13]

! ? K1987 Score, p. 62 128 -1, -2 Choir (Bass and Tén.): Norman del Mar makes the excellent case

that it is the 2nd Basses who enter here at 126+1, and the 2nd Tenors

who enter a bar later at 126+2. He further posits that the 1st Tenors

enter at 128-2, and the 1st Basses at 128-1. If this line of reasoning

is followed, then 1° or 1ers or some such indication should be added

here. [BoSy13, having read N. del Mar, Orchestral Variations

(London: Eulenburg, 1981), p. 169, no. 10.]

31

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! K1987 Score, p. 62 128 -2 1 — Hn. 3: Add missing NAT. to make BNAT. [BoSy13]

— Hn. 3&4: The 8va passage ends with this note; add missing 8 and

dotted line. [BoSy13] S/r 8ba. CFN

X K1987 Score, p. 62 128 -2 1 — Vc. US: Change the 8th note plus two 8th rests to a quarter note

plus 8th rest, to match the pizz. note values from the previous

figures. Wrong also in the ms. and the printed part. [BoSy13]

— Bass: Add missing p, to match the other lines, and to match the

ms. (Fix the part, too.) [BoSy13]

! K1987 Score, p. 62 128 2 1 Bass (choir) UL: Remove the double-dotted quarter note, and add

two dots to the 8th note (all the while keeping the tie): the rhythm

should be the same as in the Tén., one line above. [BoSy13]

N.B. Score, p. 62 128 3 1 (Vla. LS: The NAT. is missing from ENAT. in the ms. [BoSy13])

X K1987 Score, p. 62 128 3–4 Bass: Add missing cresc. hairpin, to match the ms., and to match

the other strings. [BoSy13]

X K1987 Score, p. 63 129 -1, -2 Picc. Fl., Tbn. 3 & Tuba: Add missing cresc. hairpin. [SA89,

BoSy13]

! K1987 Score, p. 63 129 -2 1 Bass (choir): C# s/r D#, as in the next measure. [BoSy13]

X K1987 Score, p. 63 129 -2 1 — Picc. Fl.: Add missing 1°. [BoSy13]

— Clar.: Add missing à2. [BoSy13]

X K1987 Score, p. 63 129 -2 1 Strings: The cresc. hairpin should be open at left, as it continues

from the previous measure. [BoSy13]

N.B. Score, p. 63 129 -2 1 (Vc. US: The ms. has a doubly erroneous quarter note value;

because of a repeat sign , the next bar is affected too. The printed

materials are correct. [BoSy13])

N.B. Score, p. 63 129 -2 4 (Vc. LS: The ms. has a doubly erroneous quarter note value;

because of a repeat sign , the next bar is affected too. The printed

materials are correct. [BoSy13])

! K1987 Score, p. 63 129 1 1 — Picc. Fl.: Add missing mf. [SA89] Score has mf. ?cfn

— Vc. LS: Add missing pizz. [SA89, cfn comment on SA89], to

match the printed part. Missing in the ms., too. [BoSy13]

N.B. Score, p. 63 129 1 (Vla.: The time signature is missing from the ms. [BoSy13])

X K1987 Score,

pp. 63–64

129 1–8 Hn. 1&2: Add missing cresc. hairpin, to match the ms. and the

printed parts. [BoSy13]

! K1987 Score, p. 63 129 2 1 Bsn. 2: Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Score, p. 63 129 2 1 Bass (choir) UL: Add missing dots to make double dotted 8th note,

as in the similar figures elsewhere. [BoSy13]

! D, K87 Score, p. 63 129 2 2 — Picc. Fl. 2: Last note of the bar s/r C(#), not BNAT. [PB02]

— Bsn. 1: First note of beat 2 s/r D(#), not C(#). [PB02].

X K1987 Score, p. 63 129 3 1 Bsn. 1: Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Score, p. 64 130 -1 to

-4

Tbn. 3 & Tuba: Add missing cresc. hairpin. [BoSy13]

! K1987 Score, p. 64 130 -1 1 Bass (choir) LL: C# s/r D#, as in the next measure. [BoSy13]

X K1987 Score, p. 64 130 -1 1 Picc. Fl. 1, Ob. 1, Clar. 1., Bsn. 2, Tpt. 4: Add editorial staccato dot

on the final 8th note of the figure. [SA89: Tpt.; BoSy13: the rest]

X K1987 Score, p. 64 130 -1, -3, -5 1 Bass 1. (choir): Add missing dim. hairpin, to match the ms., and to

match similar figures previously. [BoSy13]

! D, K87 Score, p. 64 130 -1 2 Ob. 2: First note of beat 2 s/r D(#), not C(#). [PB02].

X K1987 Score, p. 64 130 -1 2 Fl. 1, Picc. Clar., Clar. 2, Bsn. 1: The slur should continue over the

page break. [BoSy13]

X K1987,

K1989

Score, p. 64 130 -1 End — Tbn. 3: Remove slur to 130. [SA89, JRCN10]

— Tuba: Remove slur to 130. [SA89, JRCN10]

32

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X K1987 Score, p. 64 130 -2 1 Picc. Fl. 2, Ob. 2, Picc. Clar., Clar. 2, Bsn. 1: Add editorial staccato

dot on the final 8th note of the figure. [BoSy13]

X K1987 Score, p. 64 130 -3 1 Picc. Fl. 1, Ob. 1, Bsn. 2: Add editorial staccato dot on the final 8th

note of the figure. [BoSy13]

X K1987 Score, p. 64 130 -4 1 — Picc. Fl. 2, AF, Ob. 2, EH, Bsn. 1: Add editorial staccato dot on

the final 8th note of the figure. [BoSy13]

— Clar.: Add missing à2. [BoSy13]

! D, K87 Score, p. 64 130 -5 1 — Picc. Fl. 2: Third note of the first beat s/r D(#), not C(#). [PB02].

— Tuba: G(#) s/r F (#). [SA89].

X K1987 Score, p. 64 130 -5 1 — Picc. Fl.: Add missing 2°. [BoSy13]

— Ob.: Add missing à2. [BoSy13]

— Bsn. 2: Add editorial staccato dot on the final 8th note of the

figure. [BoSy13]

— Also, add missing slur, continuing from the previous bar.

[BoSy13]

— Tbns. 1–3, Tuba: Add missing cresc. hairpin, continuing from

the previous bar. [BoSy13]

— Bass (choir) UL: Add missing tie to next beat. [BoSy13]

X K1987 Score, p. 64 130 -5 1 Picc. Fl., AF, Ob., EH, Bsns., Hns., Timp.: The cresc. hairpin

continues from the previous bar; here it should be open at the left.

[BoSy13]

! K1987 Score, p. 64 130 -5 1& Bsn. 1: Add missing NAT., to make GNAT. [BoSy13]

N.B. Score, p. 65 130 1 (Vla.: The time signature is missing from the ms. [BoSy13])

X K1987 Score, p. 65 130 1 1 — Tpt. 4: Add missing slur from previous page. [BoSy13]

— Tbn. 3 & Tuba: Add missing ff. [BoSy13]

X ? K1987,

K1989

Score, p. 65 130 1 1 Picc. Fl. 2, Fl. 1, Ob. 2, Picc. Clar., Clar. 1&2: The slur should

continue from the previous page. [Phil92s]

N.B. Score, p. 65 130 1 1 (Vla., Vc., Bass: No dynamic in the ms. [BoSy13])

! K1987,

K1989

Score,

pp. 65–66

130 1–9 1 Tenors: Add missing NAT. to make ANAT., to match Horns 1&3,

etc. [Phil92s]

X ? K1987 Score,

pp. 65–66

130 1–10 1 Timp.: Add editorial accent >, to match the printed part, and to

match some other lines such as the Tbns. The accent > is not in the

ms. [BoSy13]

! K1987 Score,

pp. 65–66

130 1–10 2 AF: Add missing NAT. to make DNAT. (sounding ANAT.), to

match Tbn. 2, Vla., etc. [BoSy13]

X K1987,

K1989

Score, p. 65 130 5 2 Tpts. 3&4: Remove accent >. [JRCN10]

X K1987 Score, p. 66 130 6 — Picc. Fl., Bsns. 1&2, Tpt. 1&2, Tpt. 3&4: Add missing à2.

[BoSy13]

— AF, Ob. 1&2: Fix key signatures. Oboes should have five

SHARPS, but the AF only four. [BoSy13]

! K1987 Score, p. 66 130 7 2& Jeu de Timbres, LS: BNAT. s/r A, one step lower. [BoSy13]

N.B. Score, p. 66 130 11 1 (Vla. UL: The lowest note of the triple stop is an erroneous A(#),

not F(#). [BoSy13])

(Vla., Vc., Bass: No wedges in the ms. [BoSy13])

! K1987 Score, p. 66 130 11 1 EH: A(FLAT) s/r B(FLAT), to match the harmony. Wrong in the

ms. and printed part, too. [BoSy13]

X ? K1987 Score, p. 66 130 11 1 GC: Add wedge, to match other lines. [BoSy13]

Ballet score p.

222

169 4 1 Viola, UL [p] and stacc. LL [p then dim.]

Ballet score p.

258

198 1 1 Bcl. add ff

Ballet Score p.

282

209 6 2 Bcl. s/r Fnat, Gnat, Fnat. Clarify the Gnat.

33

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K=Kal

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Ballet Score

p. 302

218 -1 2,3 Tpts, Tbns, perc. Add ff and dim sign like measure 218 -2.

X ?? All parts 81 1 Add missing [q.n.] = 50? (To match the score and the ms.)

[BoSy17]

! D Vocal Score 87 4 Sop. & Ten.: Add missing tie between the 8th note at beat 2& and

first 8th note of beat 3 [PB02]. (Missing also from the ms.

[BoSy13])

! D Vocal Score 92 -2 Tenors: D# s/r F# (up a third) [PB02].

! D Flutes 1 & 2 Throughout the work many cues in [almost] all instruments do not

have the correct pitches. The Durand engravers did not add the

accidentals needed, especially on transposed parts. [PC07, JRCN10]

Flutes 1 & 2 Balt9x, HS02, SA89, and Win96 have been checked.

JRCN10, Kal07, Phil92p, and Tor01 have no comments.

N.B. Flute 2 For convenience, the instrument column will list “Flute 2”, even

when Piccolo is actually called for.

! D, K87 Flute 1 70 6–7 Last DNAT. of the 1st bar tied to the first D of the second. [PB02]

Fix slur over the bar line. Like Horn at 71 and Clarinet at 72.

confirmed by part and piano edition. CFN

! K1987 Flute 1 71 1 1 Change staccato dot to °, to match ms. [BoSy13, after alert by

SA89.]

K1987 Flute 1 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Flute 1 75 5 Cue: Add missing tie from previous bar. [BoSy13]

Add missing NAT. at beat 1, to make BNAT. [BoSy13]

Add missing 3 to triplet on beat 2. [BoSy13]

X K1987 Flute 1 77 -2 Retenu is actually at 77-1. [BoSy13]

K1987 Flute 1 77 1–2 Add editorial tie, for continuous trill. [BoSy13]

K1987 Flute 1 77 3 Add editorial tie for continuous trill. [BoSy13]

K1987 Flute 1 77 5–6 Fl. 1: Add editorial tie for continuous trill. [BoSy13]

X K1987 Flute 1 78 2 2& Last note of bar should have a tenuto line. [BoSy13]

K1987 Flute 1 79 2 Cue: The slur should end on the first note. [BoSy13]

X K1987 Flute 1 79 3 3 Cue: Add missing tie to beat 4. [BoSy13]

K1987 Flute 1 90 3 1 Cue: — Add missing FLAT to last note, to make BFLAT. [BoSy13]

— Add missing “6” for the sextuplet. [BoSy13]

K1987 Flute 1 90 4 2 Cue: Add missing “6” for the sextuplet. [BoSy13]

N.B. K1987 Flute 1 91 2–3 The slur should not be broken as suggested by SA89. The score

should be fixed to match the part, and to match the ms. [cfn

comment in SA89; BoSy13]

X K1987 Flutes 1 & 2 94 5, 7 1 Slur should end on beat 2. [SA89]

X K1987 Flutes 1 & 2 96 3 1&, 2& Add missing dim. hairpin for each pair of 16th notes. [BoSy13; these

are not accents >, as suggested by SA89]

K1987 Flute 1 97 7 Cue:

— Add missing slur for beat 1. [BoSy13]

— Add missing slur from beat 2 to the end of b 1 of the next bar.

[BoSy13]

X K1987 Flutes 1 & 2 98 5, 7 1 Slur should end on beat 2. [SA89]

X K1987 Flutes 1 & 2 99 6 1 Add missing staccato dots on the 16th notes. [SA89]

X K1987 Flute 2 99 8 2 Remove erroneous staccato dots from the 8th notes. [BoSy13]

X K1987 Flutes 1 & 2 100–

102

The dots for Animez peu à peu should continue until 102,


34

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







! ??? K1987 Flute 2 100 2 1 Should the first note (E) actually be D??? D would better fit the

pattern and the harmony. [FW06; BoSy13 agrees]

There is no confirmation of this in the ms or the piano

edition. [Cfn in Kal07]

X K1987 Flute 1 100 2 2 Remove erroneous staccato dots from the 8th notes. [SA89]

X K1987 Flutes 1 & 2 100 4 1 — Add missing staccato dots on the 16th notes. [cfn comment on

SA89]

— Add missing continuation of the cresc. hairpin for the entire bar.

[SA89]

X K1987 Flutes 1 & 2 101 1 1 Add missing staccato dots. [SA89]

X K1987 Flutes 1 & 2 101 5 1 Add missing staccato dots. [SA89]

X K1987 Flutes 1 & 2 102 -1, -2 Add missing cresc. hairpin. [SA89]

X K1987 Flutes 1 & 2 102 1–2 Add missing accents >:

— Fl. 1, 102+2, beat 1: both notes. [SA89]

— Fl. 1, 102+2, beat 2: last note of triplet. [SA89]

— Fl. 2: each note, including the 16th note pick-up before 102.

[SA89]

X K1987 Flute 1 102 3 2 Add missing accent > on the last note of the bar. [SA89]

X K1987 Flute 2 102 3 2 Both times, the 8th note plus 16th rest s/r dotted 8th note. [BoSy13]

X K1987 Flutes 1 & 2 102 4 Remove the dim. hairpin from this bar. The diminuendo should

begin in the next bar, as per the score and the ms. [BoSy13]

X K1987 Flutes 1 & 2 102 6 Add accent > on each note where missing, including the 16th pick-

up. [SA89]

X K1987 Flutes 1 & 2 103 3 The cresc. hairpin should continue to the end of this bar. [BoSy13]

! K1987 Flute 1 103 7 1 Sixth note of the sextuplet s/r D. [SA89, HS02]

X ? K1987 Flutes 1 & 2 104 -2 2 Add editorial staccato dots, to match the similar lines in the printed

score in 104-1, beat 1? [BoSy13]

X K1987 Flute 2 106 1 1 Remove mf, which in the score is for Picc. Fl. 1. [BoSy13]

X K1987 Flute 1 107 -1, -2 Add missing dim. hairpin. [BoSy13]

X K1987 Flute 2 106 5 1 The f s/r ff. [SA89]

X K1987 Picc. Fl. 2 106 7 1 Add editorial staccato dot, so the 8th note does not interfere with the

second 16th note in Picc. Fl. 1 and Picc. Clar. [BoSy13]

X K1987 Flute 1 106 7–8 Add missing dim. hairpin. [SA89]

X K1987 Flutes 1 & 2 107 5 The dim. hairpin should begin in the next bar. [SA89]

X K1987 Flute 1 108 -2 1 Tenuto line s/r accent >. [SA89]

X K1987 Flutes 1 & 2 108 -4 1 Remove the dim. hairpin from this bar. The diminuendo should

begin in the next bar, as per the score and the ms. [BoSy13]

X K1987 Flute 1 111 3 2 Accent > s/r tenuto line. [BoSy13]

X K1987 Flutes 1 & 2 111 6 The dim. hairpin should be continuous until 112. [BoSy13]

X K1987 Flute 1 112 -2 2 Add missing tenuto line. [BoSy13]

X K1987 Flute 1 115 3–4 2 The cresc. hairpin should extend for the entire length of these two

bars. [BoSy13; SA89]

X K1987 Flute 2 115 6 1 Add missing slur over the first two 16th notes. [BoSy13; SA89:

should be staccato dots plus slur]

K1987 Flute 1 117 1–2 Cue: Add missing slur. [BoSy13]

K1987 Flute 1 117 3–4 Cue: Add missing slur. [BoSy13]

X K1987 Flute 2 119 1 1 Cue: Add # for D#. [BoSy13]

X

(no

room)

K1987 Flutes 1 & 2 120–

121



X K1987 Flute 1 120 -2 1& Add missing staccato dot. [BoSy13]

X K1987 Flute 1 121 -2 1& Add missing staccato dot. [BoSy13]

! K1987,

K1989

Flutes 1 & 2 122 1 Add missing Un peu moins animé. [Win96]

35

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Flutes 1 & 2 122 3–4 The slur should include the two 16th notes in 122+5. [SA89]

X K1987 Flutes 1 & 2 122 7–8 1 Both staves: Both bars should be under one slur. [SA89]

X K1987 Flute 2 123 1 1 Add missing dim. hairpin. [SA89]

X K1987 Flute 1 123 1 1 Add missing staccato dot. [SA89]

X K1987 Flute 1 123 1 1& Remove staccato dot. [SA89]

X /

X ?

K1987 Flutes 1 & 2 123 2, 4 To be consistent with BoSy13’s suggestion for the Woodwind

articulation (see note in score), the following changes must be

made:

— Add missing staccato dots on the 16th notes of Picc. 2 at 123+2.

[BoSy13]

— Remove all dots from the 8th notes in both instruments in both

bars. [SA89 for Fl. 1; BoSy13 for Picc. 2]

See also 124+2,4,6.

X K1987 Flutes 1 & 2 124 -1 1 Add missing più f. [BoSy13]

X K1987 Flutes 1 & 2 124 1 Remove staccato dots. [Balt9x, SA89]

K1987 Flutes 1 & 2 124 There should be dots for Animez peu à peu, continuing until 125,


X ? K1987 Flutes 1 & 2 124 2, 4, 6 To be consistent with BoSy13’s suggestion for the Woodwind

articulation (see note in score), the following changes must be

made:

— Add staccato dots on the 16th notes should any be missing.

[BoSy13]

— Remove from all dots from the 8th notes in both instruments.

[BoSy13; SA89 for Fl. 2 at 124+2, beat 2.]

See also 123+2,4.

! K1987 Flute 1 124 5 1, 2 First note of each beat: The ms. has F(NAT.) and G(NAT.); the

printed part has AFLAT and BFLAT; the printed score has

erroneous FFLAT and GFLAT. Either change the score to match

the printed part, or fix both to match the ms. [BoSy13, matched the

ms.]

X K1987 Flutes 1 & 2 125 1 2 Add missing dim. hairpin as on beat 1. [SA89]

X K1987 Flutes 1 & 2 128 4–5 Break slur at bar line. [SA89]

! D, K87 Flute 2 129 2 Last note of the bar s/r C(#), not BNAT. [PB02].

! D, K87 Flute 2 129 4 1 Third note of the first beat s/r D(#), not C(#). [PB02].

X K1987 Flute 2 129 5 1 — Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

— Add missing slur from previous line. [SA89]

X K1987 Flute 2 129 7 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

N.B. K1987 Flutes 1 & 2 130 -1, +1 SA89 suggests breaking the slur at the bar line, presumably to

match the score. But the ms. is clear that the slur should continue

across the bar line. Leave as is here, and fix the score. [BoSy13]

! K1987 Flutes 1 & 2 130 1 1 Add missing Très animé. [BoSy13]

Flutes 1 & 2

(Banda)

CN89 was checked.

! D, K87 Flutes 1 & 2

(Banda)

87 4 Both staves: Add missing tie between the 8th note at beat 2& and

first 8th note of beat 3 [PB02 mentions this erratum for the choir;

this is the same music in the orchestral version. (Missing also from

the ms. [BoSy13])]

X K1987 Flutes 1 & 2

(Banda)

90 2 2 Remove spot from page. [CN89]

! ??? K1987 Flutes 1 & 2

(Banda)

91 1 1 ??? — The flutes need a dynamic here. (The version with chorus

has the cresc. starting over at a soft dynamic.) [CN89]

36

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







! D Flute 3 / Picc.

Flute 1

Throughout the work many cues in [almost] all instruments do not



Flute 3 / Picc.

Flute 1

SA89 was checked.

Balt9x, HS02, JRCN10, Kal07, Phil92p, Tor01, and Win96 have no

comments.

K1987 Flute 3 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Flute 3 75 5 Cue:

Add missing tie from previous bar. [BoSy13]

Add missing NAT. at beat 1, to make BNAT. [BoSy13]

Add missing 3 to triplet on beat 2. [BoSy13]

X K1987 Flute 3 77 2 Add editorial tie, for continuous trill. [BoSy13]

X K1987 Flute 3 77 3 Add editorial tie for continuous trill. [BoSy13]

K1987 Picc. Flute 1 79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

X K1987 Picc. Flute 1 79 3 3 Cue: Add missing tie to beat 4. [BoSy13]

X K1987 Picc. Flute 1 92 1 1 The staccato dot should be a wedge accent. [BoSy13]

X K1987 Picc. Flute 1 93 6 1 Cue: last two notes s/r A# and B, not G# and A. [BoSy13]

X K1987 Picc. Flute 1 100 1 Animez s/r Animez peu à peu [BoSy17]

X K1987 Picc. Flute 1 100–

102



X K1987 Picc. Flute 1 103 7 1 Add missing dim. hairpin. [SA89]

X K1987 Picc. Flute 1 106 2 End There should be no break in the slur here; it should be continuous

from 106 to 107. Confirmed (sort of) by the ms. [BoSy13]

X K1987 Picc. Flute 1 106 5 Remove the dim. hairpin from this bar. The diminuendo should

begin in the next bar, as per the score and the ms. [SA89]

X K1987 Picc. Flute 1 107 -2 1 Slur should continue from previous line. [SA89]

X K1987 Picc. Flute 1 107 -1, -2 The dim. hairpin should continue from previous line, and end at

107. [SA89]

X K1987 Picc. Flute 1 107 5 1 Remove the dim. hairpin from this bar. The diminuendo should

begin in the next bar, as per the score and the ms. [SA89]

X K1987 Picc. Flute 1 107 6 1 Remove the tenuto line. [SA89]

X K1987 Picc. Flute 1 111 3–4 2 Cue: Add missing NAT. for CNAT. to match the printed part. This

mistake is also in the score and the ms. [BoSy13]

X K1987 Picc. Flute 1 114 2 2 Cue: The last note s/r C# (or DFLAT), not D#. [BoSy13]

K1987 Picc. Flute 1 115 3–4 Cue: Add missing slur. [BoSy13]

X K1987 Picc. Flute 1 116 -3 1& Add missing staccato dot. [SA89]

K1987 Picc. Flute 1 117 4 Cue: The cresc. hairpin should continue through this bar. [BoSy13]

X K1987 Picc. Flute 1 118 -3 1& Add missing staccato dot. [SA89]

X K1987 Picc. Flute 1 119 1 Cue: Add sharps for D# and E#. [BoSy13]

X K1987 Picc. Flute 1 120–

121



X K1987 Picc. Flute 1 120 5 1& Add missing staccato dot. [SA89]

X K1987 Picc. Flute 1 121 5 1 Add missing staccato dot. [BoSy13]

X K1987 Picc. Flute 1 121 7, 9 1 Add missing staccato dots, to match ms. Missing from score, too.

[BoSy13]

K1987 Picc. Flute 1 122 5 1 Remove erroneous à2. [BoSy13]

X ? K1987 Picc. Flute 1 123 2, 4 To be consistent with BoSy13’s suggestion for the Woodwind

articulation (see note for score), the following changes must be

made:

— Add missing staccato dots on the 16th notes. [BoSy13]

— Remove all dots from the 8th notes. [BoSy13]

See also 124+2,4,6.

37

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







K1987 Picc. Flute 1 124 There should be dots for Animez peu à peu, continuing until 125,


X ? K1987 Picc. Flute 1 124 2, 4, 6 To be consistent with BoSy13’s suggestion for the Woodwind


made:

— Remove all dots from the 8th notes. [BoSy13; SA89 for 124+4,

beat 2.]

See also 123+2,4.

K1987 Picc. Flute 1 127 5–6 Cue: Add missing slur. [BoSy13]

X K1987 Picc. Flute 1 128 5–6 Add missing cresc. hairpin. (Missing from score, too.) [SA89]

X K1987 Picc. Flute 1 129 1 1 Add missing mf [SA89], and add missing staccato dot. [BoSy13]

X K1987 Picc. Flute 1 129 5, 7 Remove the cresc. hairpin, and replace with a continuous cresc.

hairpin from 129 to the end of the line. Note that the f should

remain! [BoSy13]

X K1987 Picc. Flute 1 129 6, 8 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

Flute 3 (Banda) CN89 has no comments.

! D, K87 Flute 3 (Banda) 87 4 Add missing tie between the 8th note at beat 2& and first 8th note of

beat 3 [PB02 mentions this erratum for the choir; this is the same

music in the orchestral version. (Missing also from the ms.

[BoSy13])]

! D Alto Flute Throughout the work many cues in [almost] all instruments do not



Furthermore, in this part, most cues are in C, without any

notification of that fact. [BoSy13]

Alto Flute SA89 and Win96 were checked.

Balt9x, HS02, JRCN10, Kal07, Phil92p, and Tor01 have no

comments.

X K1987 Alto Flute 78 -1 Cue: Add missing dot to make dotted half note. [BoSy13]

X K1987 Alto Flute 78 -2 Cue: trill FLAT. [SA89]

X K1987 Alto Flute 78 1 The cresc. hairpin should be an accent >, to match the ms. The

score has an erroneous dim. hairpin. [BoSy13]

The cresc. hairpin s/r dim. hairpin. [SA89]

K1987 Alto Flute 82 1 Cue: Add missing slur. [BoSy13]

X K1987 Alto Flute 82 2 1 Add missing p. [SA89]

X K1987 Alto Flute 92 1 1 The staccato dot should be a wedge accent. [BoSy13]

X K1987 Alto Flute 99 5–6 This cresc. hairpin should be two bars later. (See score.) [SA89]

X K1987 Alto Flute 99 6, 8 2 Remove staccato dot, which is not in the score, from the A.

[BoSy13]

X K1987 Alto Flute 100–

102



X K1987,

K1989

Alto Flute 100 2 Articulation on the 16th notes should be staccato dots with a slur

above them. [Win96]

X K1987 Alto Flute 100 3–4 The cresc. hairpin should continue for four bars, from 100 to 101.

[SA89; cfn comment on SA89]

X K1987 Alto Flute 104 -1 1 — Add missing staccato dot. [SA89]

— Encore plus animé should be at 104+1. [BoSy13]

K1987 Alto Flute 106 5–6 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Alto Flute 108 -2 1 Tenuto line s/r accent >. [BoSy13]

K1987 Alto Flute 111 2 1 Add missing accent > and slur. (See score.) [BoSy13]

X K1987 Alto Flute 115 6 End Slur should continue over the line break. [BoSy13]

K1987 Alto Flute 119 5 Cue: Add missing slur. [BoSy13]

38

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Alto Flute 120–

121



X K1987 Alto Flute 121 1 2 Remove erroneous accent > to match score and other instruments.

[SA89]

X K1987 Alto Flute 121 7, 9 1 Add missing accents. (Missing from score, too.) [SA89; cfn

comment on SA89]

X K1987 Alto Flute 121 1 1–2 Add missing cresc. hairpin from p to the end of the bar. [BoSy13]

X ? K1987,

K1989

Alto Flute 123 2, 4 To be consistent with BoSy13’s suggestion for the Woodwind


made:

— Add missing staccato dots on the 16th notes at 123+4. [BoSy13]

— Remove all dots from the 8th notes in 123+2. [BoSy13]

See also 124+2,4.

X K1987,

K1989

Alto Flute 123 4 1& Add staccato dots to match Fl. 1 & Picc. Fl. 1&2, and to match the

similar figure two bars earlier. [Phil92s] But see previous item: no

dots!

X K1987 Alto Flute 124 -1 1 Animez peu à peu should be at 124+1. [BoSy13]

K1987 Alto Flute 124 There should be dots for Animez peu à peu, continuing until 125,


X ? K1987 Alto Flute 124 2, 4 1 To be consistent with BoSy13’s suggestion for the Woodwind


made:


See also 123+2,4.

X K1987 Alto Flute 126 2, 6 1 Add missing dim. hairpin for beat 1. [BoSy13]

X K1987 Alto Flute 127 2 1 Add missing dim. hairpin for beat 1. [BoSy13]

X K1987 Alto Flute 129 5 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

! K1987 Alto Flute 130 1, 3 2 Add missing NAT. to make DNAT., to match Violas, Tbn. 3, etc.

[BoSy13]

Alto Flute

(Banda)

CN89 has no comments.

! D, K87 Alto Flute

(Banda)

87 4 Add missing tie between the 8th note at beat 2& and first 8th note of

beat 3 [PB02 mentions this erratum for the choir; this is the same

music in the orchestral version. (Missing also from the ms.

[BoSy13])]

X K1987 Alto Flute 129 5 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

! D Oboes 1 & 2 Throughout the work many cues in [almost] all instruments do not



Oboes 1 & 2 HS02, SA89, and Win96 lists were checked.

Balt9x, JRCN10, Kal07, Phil92p, and Tor01 have no comments.

K1987 Oboes 1 & 2 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

X K1987 Oboes 1 & 2 74 -2 Un peu retenu is actually at 74-1. [BoSy13]

X K1987 Oboes 1 & 2 77 -2 Retenu is actually at 77-1. [BoSy13]

X K1987 Oboe 1 79 3 3 Cue: Add missing tie to beat 4. [BoSy13]

X K1987 Oboes 1 & 2 92 1 1 The staccato dots should be wedge accents. [BoSy13]

K1987 Oboe 1 93 1 2 Cue: Add missing slur for the first two 16th notes of beat 2.

[BoSy13]

! K1987 Oboe 2 95 -1 1 Add missing NAT. to make CNAT., as two bars earlier. [SA89]

K1987 Oboe 2 95 6 2& Add courtesy NAT. to the BNAT., to match the identical spot two

bars later. [BoSy13]

39

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Oboes 1 & 2 96 1–3 All staccato dots should be wedge accents. [BoSy13]

X K1987 Oboes 1 & 2 98 -2 1 Add missing cresc. hairpin for beat 1. [BoSy13]

! K1987 Oboes 1 & 2 99 -3 2& Add missing 8th rest. [BoSy13]

X K1987 Oboes 1 & 2 99 1 1 The dynamic s/r p. [SA89, HS02]

X K1987 Oboes 1 & 2 99 5 1 The dynamic s/r mf. [SA89]

X K1987 Oboes 1 & 2 100–

102



X K1987 Oboes 1 & 2 100 1 1 The dynamic s/r mf. [SA89]

! ??? K1987 Oboe 1 100 2 1 Should the first note (E) actually be D??? D would better fit the

pattern and the harmony. [FW06; BoSy13 agrees]

There is no confirmation of this in the ms. or the piano edition.

[cfn in Kal07]

X K1987 Oboes 1 & 2 102 -1 Slur should end at the first note of 102 [SA89], (but the accent there

must be retained). [BoSy13]

X K1987 Oboes 1 & 2 102 3, 4 1 Add missing accent > on the 16th note. [SA89]

X K1987 Oboes 1 & 2 102 5 1 Add missing accent > on the last note of the triplet. [SA89]

X K1987,

K1989

Oboe 2 103 4 Add missing key sig (two NAT.s). [Win96]

X ? K1987 Oboes 1 & 2 104 -2 2 Add editorial staccato dots, to match the similar lines in the printed


K1987 Oboe 1 107 2 1 Cue: The slur should only be on the two 16th notes. [BoSy13]

X K1987 Oboe 2 110 5 1 Add editorial staccato dot, so the 8th note does not interfere with the

second 16th note in Ob. 1 and Clar. 1. [BoSy13]

X K1987 Oboes 1 & 2 111 1 1 Add missing staccato dot. [SA89]

! K1987 Oboe 2 118 -3 1 The note on beat 1 should be a rest. Oboe 2 has one bar rest here.

[BoSy13]

X K1987 Oboe 2 118 -4 1 Add editorial staccato dot, so the C is not played simultaneously

with the D in Oboe 1. [BoSy13]

X K1987 Oboes 1 & 2 120–

121



X K1987 Oboes 1 & 2 123 -4 1 Add missing wedge accents, to match the score. [BoSy13; SA89

said they should be staccato dots.]

X ? K1987 Oboes 1 & 2 123 2 1& To be consistent with BoSy13’s suggestion for the Woodwind

articulation (see note for score), the following change must be

made:

— Remove the dots from the 8th notes. [BoSy13]

X K1987,

K1989

Oboes 1 & 2 123 4 1& Add staccato dots to match Fl. 1 & Picc. Fl. 1&2, and to match the


dots!

K1987 Oboes 1 & 2 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Oboes 1 & 2 128 4 End The slurs should end here. [SA89]

X K1987 Oboes 1 & 2 129 The slurs should be broken here, to match the score. [BoSy13]

X K1987 Oboes 1 & 2 129 -2 1 The slurs should begin here, and end at the next of the next bar.

[SA89 BoSy13]

X K1987 Oboe 2 129 5, 7 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Oboes 1 & 2 129 5–8 Add missing cresc. hairpin. [SA89]

X K1987 Oboe 1 129 6, 8 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Oboe 2 129 8 The slur should continue from here to the end of the piece,

according to the score and the ms. [BoSy13]

! D, K87 Oboe 2 129 8 2 First note of beat 2 s/r D(#), not C(#). [PB02].

! K1987 Oboes 1 & 2 130 1 1 Add missing Très animé. [BoSy13]

40

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Oboes 1 & 2

(Banda)

CN89 was checked.

! K1987 Oboes 1 & 2

(Banda)

90 3 Oboe 1 only. [CN89]

! K1987 Oboes 1 & 2

(Banda)

91 1 3 Add missing # in both staves, to make C#. [CN89]

! D Cor Anglais Throughout the work many cues in [almost] all instruments do not





Cor Anglais SA89 was checked.


comments.

K1987 Cor Anglais 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

X K1987 Cor Anglais 74 -2 Un peu retenu is actually at 74-1. [BoSy13]

K1987 Cor Anglais 75 3 1 Cue: Add missing tie from previous bar, and NAT. to make BNAT.

[BoSy13]

X K1987 Cor Anglais 77 -3 Retenu is actually at 77-1. [BoSy13]

K1987 Cor Anglais 93 1 2 Cue: Add missing slur for the first two 16th notes of beat 2.

[BoSy13]

X K1987 Cor Anglais 96 3 1 Add editorial ff, to match the dynamic level of the other

instruments. [SA89]

X K1987 Cor Anglais 96 5 1 Add missing f. [SA89]

X K1987 Cor Anglais 99 2 The cresc. hairpin should start at beat 1 of the next bar. [BoSy13]

X K1987 Cor Anglais 100–

102



X K1987 Cor Anglais 102 3 1 Add missing accent > on the 16th note. [SA89]

X ?? K1987 Cor Anglais 102 6 2 Change the quarter note to an 8th note plus 8th rest? Although the

ms. and the printed score agree on the quarter note, this change

would allow the last EH note to match the value of the last note of

all other instruments with a similar line. [BoSy13]

K1987 Cor Anglais 107 2 1 Cue: The slur should only be on the two 16th notes. [BoSy13]

X K1987 Cor Anglais 107 5, 6 2 Accents > s/r tenuto lines. [SA89]

X K1987 Cor Anglais 110 5 1 Add editorial staccato dot, so the 8th note does not interfere with the


X K1987 Cor Anglais 115 7 1 Add editorial staccato dot, so the 8th note does not interfere with the

second 16th note in AF and Clar. 2. [BoSy13]

K1987 Cor Anglais 117 3–4 Cue: Add missing slur. [BoSy13]

X K1987 Cor Anglais 119 1 1 Cue: Add missing # to match D#. [BoSy13]

K1987 Cor Anglais 119 14 Cue: Add missing slur. [BoSy13]

! K1987 Cor Anglais 119 6–7 Copy these two bars, and paste them in at the top of the next page,

to avoid a lousy page turn. [BoSy13]

X K1987 Cor Anglais 120–

121


according to the ms. [BoSy13

X K1987 Cor Anglais 122 -3 The cresc. hairpin should start at beat 1 of the next bar (122-2).

[BoSy13]

X K1987 Cor Anglais 123 2 1& Add NAT. for the DNAT., to match the ENAT. two bars later.

[BoSy13]

X ? K1987 Cor Anglais 123 2 1& To be consistent with BoSy13’s suggestion for the Woodwind


made:


41

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Cor Anglais 123 4 1& Add staccato dot to match Fl. 1 & Picc. Fl. 1&2, and to match the


dots!

X K1987 Cor Anglais 124 1 1 — Animez peu à peu is here, not before. [BoSy13]

— Add dotted line between the words of peu à peu. [BoSy13]

K1987 Cor Anglais 124 There should be dots for Animez peu à peu, continuing until 125,


! K1987 Cor Anglais 125 3 1 The second note should almost certainly be F, as in the previous

bars. The BFLAT (= sounding EFLAT/D#) does not fit into the

harmony; as it comes after a page break in the ms., it is almost

certainly simply a “Flüchtigkeitsfehler” by Ravel. [BoSy13]

K1987 Cor Anglais 126 7 1 Cue: Add missing NAT. on third note to make BNAT. [BoSy13]

K1987 Cor Anglais 126 7 2 Cue:

— Add missing # on first note to make G#. [BoSy13]

— Accidental on second note should be double-sharp, to make FX.

[BoSy13]

— Add missing # on last note to make D#. [BoSy13]


— Add missing # on first note to make C#. [BoSy13]

— Add missing # on second note to make D#. [BoSy13]

— Accidental on second note should be double-sharp, to make FX.

[BoSy13]


— Add missing NAT. on third note to make BNAT. [BoSy13]

— Add missing # on last note to make C#. [BoSy13]

X K1987 Cor Anglais 129 2 End Clarify that the slur extends across the page break. [BoSy13]

X K1987 Cor Anglais 129 5 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Cor Anglais 130 -1 End Make sure the slur extends to the first note of the next line.

[BoSy13]

X ? K1987 Cor Anglais 130 -2, -1 Add 8va [SA89], presumably to alleviate the large interval at 130

[BoSy13]. [cfn comment on SA89 says why, not in ms.? BoSy13

says, Leave it to the player.]

! K1987 Cor Anglais 130 11 1 A(FLAT) s/r B(FLAT), to match the harmony. Wrong in the ms.

and printed part, too. [BoSy13]

Cor Anglais

(Banda)

CN89 was checked.

X K1987 Cor Anglais

(Banda)

90 3 1 Add missing mf. [CN89]

! K1987 Cor Anglais

(Banda)

92 1 1 Add missing Animé et très rude. [CN89]

! D Clarinets

1 & 2






Clarinets

1 & 2

JRCN10 and SA89 Lists were checked.

Balt9x, HS02, Kal07, Phil92p, Tor01, and Win96 have no

comments.

K1987 Clarinets

1 & 2

71 1–4 Cue: Add missing slurs. (See score.) [BoSy13]

X K1987 Clarinets

1 & 2

71 4 3& to 4 Cue: Add missing tie. [BoSy13]

42

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ? K1987 Clarinet 1 73 1 1 Add staccato dot, to match ms.? (Missing from score, too.)

[BoSy13]

X K1987 Clarinets

1 & 2

73 4 The high point of this swell should be on beat 3 of this bar. [SA89]

X K1987 Clarinet 1 74 7 2 Cue: Add missing NAT. to make CNAT. [BoSy13]

X K1987 Clarinet 1 74 7 3 Cue: Add missing FLAT to make BFLAT. [BoSy13]

X K1987 Clarinet 1 74 8 Cue: Add missing FLAT to last note to make BFLAT. [BoSy13]

X K1987 Clarinets

1 & 2

76 1 The pp should be on beat 4 of this bar. [BoSy13]

! K1987 Clarinet 2 76 2 Remove the tr, and continue the wavy line from the previous bar.

[BoSy13]

X K1987 Clarinet 2 77 3–4 The dim. hairpin should be continuous, as in the strings. [BoSy13]

X D, K87 Clarinet 1 77 5–6 Add missing cresc. hairpin, ending with mf at beat 1 of 78+1.

[SA89, PB02]

X K1987 Clarinet 1 78 1 1 Add missing staccato dot. [SA89]

X K1987 Clarinets

1 & 2

78 2 1er Mouvt should be at 78+1, beat 2. [BoSy13]

X K1987 Clarinets

1 & 2

79 -1 Add missing Retenu. [BoSy13]

X K1987 Clarinet 1 79 -2, -1 Cue:

— Add missing flats where necessary, to make BFLAT. [BoSy13]

— Add missing slur. (See score.) [BoSy13]

X K1987 Clarinets

1 & 2

79 4 The dim. hairpins should start right after the mf in the previous bar.

[SA89]

! D, K87 Clarinet 1 81 -1 Add missing NAT. to make CNAT. [PB02] (Printed sloppily in

K1987. Needs clarification.) [BoSy13]

K1987 Clarinet 1 82 -1 Remove the superfluous 1°. [BoSy13]

X K1987 Clarinet 1 82 1 Add editorial cresc. hairpin, to match all other lines. Missing also

from the score and the ms. [BoSy13]

X K1987 Clarinet 1 91 -1 Cue: A and E should have nat.-signs, but I see no room to add them.

[BoSy13]

X K1987 Clarinet 1 91 1 Cue:

— Add missing NAT. at beat 1, to make BNAT. [BoSy13]

— Add missing slur over whole bar. [BoSy13]

X K1987,

K1989

Clarinet 2 91 2 The slur should start at bar 3. [SA89, JRCN10]

X K1987 Clarinets

1 & 2

92 1 1 The staccato dots should be wedge accents. [BoSy13]

X K1987 Clarinets

1 & 2

96 1–2 All staccato dots should be wedge accents. [BoSy13]

K1987 Clarinet 1 96 3, 7 Remove the superfluous 1°. [BoSy13]

K1987 Clarinet 1 97 1, 2 1 Cue: Add missing #, to make F#. [BoSy13]

K1987 Clarinet 2 97 6 1 Remove the superfluous 2°. [BoSy13]

X K1987 Clarinets

1 & 2

100–

102



X K1987 Clarinets

1 & 2

100 1 1 — Animez s/r Animez peu à peu. [BoSy13]

— The cresc. hairpin should begin right after the mf. [BoSy13]

! K1987 Clarinet 1 100 2 2& Change A to G, one step lower, to match the other lines, and to


! ? K1987 Clarinets

1 & 2

101 3–5 The BoSy13 clarinetists switched parts every beat, to facilitate the

fingerings. (Note the missing flat in 101+2 — see next item.)

[BoSy13]

! K1987 Clarinet 2 101 4 2 Add missing flat to the second 16th note, to make eFLAT3.

[BoSy13]

43

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Clarinets

1 & 2

102 -1 Add missing accent to last note. [SA89, JRCN10]

X K1987,

K1989

Clarinets

1 & 2

102 -3 1 Fix dynamic: mf s/r p. [SA89, who put a question mark with it; cfn

comment on SA89: yes; JRCN10 cites the piano reduction and the

strings; BoSy13 thinks the composer changed mf to p in the ms.]

X K1987 Clarinets

1 & 2

102 3 2 — Remove accent from first note. Should be only a dim. hairpin.

[BoSy13]

— Add missing accent to last note. [SA89]

K1987 Clarinet 1 104 -1 Remove the superfluous 1°. [BoSy13]

X ? K1987 Clarinet 1 104 -2 2 Add editorial staccato dots, to match the similar lines in the printed


K1987 Clarinet 1 106 1–4 Cue: Add missing slur over all four bars. [BoSy13]

X K1987 Clarinets

1 & 2

106 7 1 Add editorial staccato dots, so the 8th notes do not interfere with the

second 16th note in Picc. Fl. 1 and Picc. Clar. [BoSy13]

X K1987 Clarinets

1 & 2

108 -1 to -3 The dim. hairpin should be continuous. [BoSy13]

X K1987 Clarinet 2 110 5 1 Add editorial staccato dot, so the 8th note does not interfere with the


X K1987 Clarinet 2 111 5, 6 Add missing accents. (They are missing from the score due to lack

of room; the ms. notates the accents inconsistently all through this

section, and so is no help.) [BoSy13]

X K1987 Clarinets

1 & 2

114 5–8 Cue: All A’s are ANAT.’s; add missing nat.signs. [BoSy13]

K1987 Clarinet 2 115 5 1 Remove the superfluous 2°. [BoSy13]

X K1987 Clarinet 2 115 6 1 Add missing 2°. [BoSy13]


second 16th note in Fl. 1 and AF. [BoSy13]

K1987 Clarinet 1 117 1–4 Cue: Add missing slur over all four bars. [BoSy13]

X K1987 Clarinet 1 117 6 1 Add missing dim. hairpin. [SA89]

X K1987 Clarinet 2 117 7 1 Add missing staccato dot. [SA89]



X K1987 Clarinets

1 & 2

120–

121



X K1987 Clarinet 1 120 -1, -2 The slur should continue over the bar line; it should start at 120-5

and finish at 120+1. This is clear in the ms. [BoSy13]

X K1987,

K1989

Clarinets

1 & 2

121 -1 Slur should end at the first note of 121. [SA89, JRCN10]

X K1987 Clarinets

1 & 2

121 7 2 Remove the tenuto lines. [SA89]

K1987 Clarinet 2 122 5 1 Remove superfluous slur from F#G. The large slur from the

previous bar is enough. [BoSy13]

X ??

Not

done

K1987,

K1989

Clarinets

1 & 2

123 4 1& Add staccato dots to match Fl. 1 & Picc. Fl. 1&2, and to match the

similar figure two bars earlier. [Phil92s] But see BoSy13 item at

123+2,4 for the score: no dots on the 8th notes!

K1987 Clarinet 1 124 -1 1 Add a cautionary NAT. for the CNAT. [BoSy13]

X K1987 Clarinets

1 & 2

124 1 1 Animez s/r Animez peu à peu. [BoSy13]

K1987 Clarinets

1 & 2



X K1987 Clarinet 2 126 1 1 Add missing pp, to match the dynamic of the chorus in the score.

[BoSy13]

X K1987 Clarinets

1 & 2

126 5 1 — Add missing SOLI, to match the score. [BoSy13]

— Slur in Clar. 1 should start on the first note. [BoSy13]


44

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Clarinets

1 & 2

127 4 1 Add missing dim. hairpin for beat 1. [BoSy13]

X K1987 Clarinet 2 129 7 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Clarinet 1 129 8 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Clarinet 2 130 -1 Add missing slur, which should end on the first note of the next bar.

(The slur is continuous from here to the end of the piece.) [BoSy13;

SA89 said merely “slur all”]

Clarinets 131

198

214

1

2

-1

Slur starts on b.1+, the A-sharp

Second to last note s/r E-sharp. NO per CFN use Enat. C# concert

Clarinet 2 last note s/r F-sharp

Clarinets

1 & 2 (Banda)

CN89 was checked.

X K1987 Clarinets

1 & 2 (Banda)

84 3 Cue: Add missing dot to make dotted half note. [CN89]

! D, K87 Clarinets

1 & 2 (Banda)




the ms. [BoSy13]) CN89 says to “darken” the slur in Clar 2.]

X K1987 Clarinet 1

(Banda)

89 3 Add missing slur to 90. (Should match Clar. 2.) [CN89]

! D Picc. Clar. Throughout the work many cues in [almost] all instruments do not





Picc. Clar. JRCN10 and SA89 lists were checked.


comments.

Picc. Clar. 12

65

3

5

3,4

5

Cue: s/r quarter notes, not eighth notes

Cb s/r C-natural to match flutes, EH, Clarinets

X K1989 Picc. Clar. 92 1, 2 2 Cue: Add missing NAT. for ANAT. [BoSy13]

X K1989 Picc. Clar. 94 1 1 Cue: Add missing nat.-signs for GNAT. and ANAT. [BoSy13]

X K1989 Picc. Clar. 97 6 Cue:

— Add missing slur over the whole bar. [BoSy13]

— Add missing NAT. to second-to-last note, to make GNAT.

[BoSy13]

X K1989 Picc. Clar. 97 7 1 Cue:

— Add missing slur over the whole beat. [BoSy13]

— Add missing NAT. to last note, to make ANAT. [BoSy13]

X K1989 Picc. Clar. 97 7 2 Cue:

— Add missing slur starting here, and ending at the end of the next

bar. [BoSy13]

— Add missing # to second-to-last note, to make B#. [BoSy13]

X K1987,

K1989

Picc. Clar. 98 1 1 Add missing ff to match other lines [SA89, JRCN10], and to match

the ms. [BoSy13]

X K1987 Picc. Clar. 100–

102


according to the ms. [BoSy13] Added “(bis 102)” in pencil.

X K1987 Picc. Clar. 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1989 Picc. Clar. 103 1 1 Cue: Add missing NAT., to make DNAT. [BoSy13]

45

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ? K1987 Picc. Clar. 104 -2 2 Add editorial staccato dots, to match the similar lines in the printed


K1989 Picc. Clar. 106 1–4 Cue: Add missing slur. [BoSy13]

X K1989 Picc. Clar. 106 1, 3 Cue: Add missing NAT. to each note. [BoSy13]

X K1989 Picc. Clar. 109 5 Cue: Add missing NAT. to each note. [BoSy13]

X K1989 Picc. Clar. 109 7, 8 Cue: Add missing nat.-signs to make GNAT. and ANAT. [BoSy13;

but I couldn’t find room for most of them, so did not do this

correction.]

X K1989 Picc. Clar. 110 2–3 This slur should be continuous from 110+1 to +5, to match the ms.

Wrong also in the score. [BoSy13]

X K1987 Picc. Clar. 110 5 1 Add editorial staccato dot, so the 8th note does not interfere with the



X K1989 Picc. Clar. 117 3 1 Cue: Add missing NAT., to make CNAT. [BoSy13]

X ? K1987 Picc. Clar. 118 -3 1 Add slur on the 16th notes, to match the Flutes’ articulation?

[BoSy13]

X K1989 Picc. Clar. 119 1 1 Cue: Add missing #, to make D#. [BoSy13]


X K1987 Picc. Clar. 120–

121



X K1987 Picc. Clar. 122 7 This cresc. hairpin should continue through the subsequent bar as

well. [BoSy13]

X ? K1987 Picc. Clar. 123 2, 4 To be consistent with BoSy13’s suggestion for the Woodwind


made:


X

No.

K1987,

K1989

Picc. Clar. 123 4 1& Add staccato dots to match Fl. 1 & Picc. Fl. 1&2, and to match the

similar figure two bars earlier. [Phil92s] But see the previous item:

no dots!

X K1987 Picc. Clar. 124 -1 Add missing dim. hairpin. [SA89]

X K1987 Picc. Clar. 124 -1 2 Add missing staccato dot. [cfn comment on SA89]

X K1987 Picc. Clar. 124 1 1 — Animez s/r Animez peu à peu. [BoSy13]

— Remove the erroneous staccato dots. [SA89]

— Remove the erroneous en dehors. [BoSy13]

K1987 Picc. Clar. 124 There should be dots for Animez peu à peu, continuing until 125,


X K1989 Picc. Clar. 127 5 Cue:

— Add missing NAT. on first note, to make BNAT. [BoSy13]

— Add missing # to second note, to make C#. [BoSy13]

X K1989 Picc. Clar. 127 6 Cue: Add missing # to first note, to make D#. [BoSy13]

X K1987 Picc. Clar. 129 7 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Picc. Clar. 130 There should be no break in the slur here. It should start at the bar

before 130, and continue to the end of the piece [BoSy13]

Picc. Clar.

(Banda)


D Bass Clar. Throughout the work many cues in [almost] all instruments do not





Bass Clar. JRCN10 and SA89 were checked.


comments.

46

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Bass Clar. 50 -2 4 s/r F-nat.

N.B. K1987 Bass Clar. 72 1–4 Why on Earth the Durand engraver would transpose a BFLAT-

Clarinet cue into C for insertion into a BFLAT Bass Clarinet part

remains an inscrutable mystery! [BoSy13]

X K1987 Bass Clar. 73 4 The high point of this swell should be on beat 3 of this bar. [SA89]

X K1987 Bass Clar. 77 3–4 The dim. hairpin should be continuous, as in the strings. [BoSy13]

X K1987 Bass Clar. 79 -5 Retenu is actually at 77-1. [BoSy13]

K1987 Bass Clar. 81 3 Cue: Add missing slur to next bar. [BoSy13]

X K1987 Bass Clar. 82 2 2 Clarify half-note value. (Bad printing.) [BoSy13]

X K1987 Bass Clar. 92 1 1 The staccato dot should be a wedge accent. [BoSy13]

X K1987 Bass Clar. 95 3 1 Add editorial staccato dot, to match the other WWs. [BoSy13]

X K1987 Bass Clar. 97 -2 1 Add missing mf, to match the ms. Missing from score, too.

[BoSy13]

X K1987 Bass Clar. 100 1 1 Animez should read Animez peu à peu [BoSy13]

X K1987 Bass Clar. 100–

102



X K1987 Bass Clar. 102 5–6 The dim. hairpin should be continuous. [SA89]

X K1987 Bass Clar. 102 6 1& Add missing accent >. [SA89]

X K1987 Bass Clar. 103 6 The dim. hairpin should start on beat 1. [BoSy13]

X K1987 Bass Clar. 106 5–8 1 Cue: Add missing nat.-signs to make GNAT. [BoSy13]

X K1987 Bass Clar. 107 1 1, 2 Cue: Add missing nat.-signs to make GNAT. [BoSy13]

K1987 Bass Clar. 107 2 1 Cue: Add missing slur for the first two 16th notes of beat 1.

[BoSy13]

X K1987 Bass Clar. 107 2 2 Cue: Add missing NAT. to make GNAT. [BoSy13]

X K1987 Bass Clar. 107 6 1 The slur should be only on the two 16th notes. [SA89]

X K1987 Bass Clar. 107 6–7 The dim. hairpin should be continuous. [BoSy13]

K1989 Bass Clar. 121 3–4 Cue: Add missing slur, ending on beat 1 of 121+5. [BoSy13]

X K1989 Bass Clar. 121 5, 1 Cue:

— GNAT. s/r G#. [BoSy13]

— Add missing accent. [BoSy13]

X K1989 Bass Clar. 121 5 2 Cue: Add missing F# for Clar. 2. [BoSy13]

K1989 Bass Clar. 121 6, 8, 10 Cue: Add missing slur, ending on beat 1 of next bar. [BoSy13]

X K1989 Bass Clar. 121 7, 9 1 Cue:

— Add missing # to make G#. [BoSy13]

— Add missing accent. [BoSy13]

X K1987 Bass Clar. 122 1 1 Add missing staccato dot. [SA89]

X K1987 Bass Clar. 123 1, 3 Add missing cresc. hairpin [SA89] (editorially, in +1), to match the

other lines, (and to match the score in +3) [BoSy13].

! K1987 Bass Clar. 123 4 1 Add missing #, to make D#. Missing also from ms. (Fix the score

too.) [BoSy13]

X K1987 Bass Clar. 124 -1 1 Animez s/r Animez peu à peu, and should be at 124+1. [BoSy13]

K1987 Bass Clar. 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Bass Clar. 124 2 Move cresc. to 124+1. [BoSy13]

X K1987,

K1989

Bass Clar. 126 -1 to 1 Tie E Flat to downbeat. [SA89, JRCN10]

X K1987,

K1989

Bass Clar. 129 5 Add missing cresc. hairpin, ending at 130. [SA89, JRCN10] We

added poco a poco cresc. [BoSy13]

47

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Bass Clar. 191

198

203

204

204

209

209

-1

1

-1

-3

-3

6

7

2

1

5

2

1

Remove p (the dim is to an assumed pp as pp is the starting note)

Add ff

Add slur

Match score for dynamics. 3 cresc. signs.

Slur 1st two eighth notes D# to E.

s/r Fnat, Gnat, Fnat.

s/r F-natural

Bass Clar.

(Banda)

CN has no comments.

! D Bassoons

1 & 2




Bassoons

1 & 2

Balt9x and SA89 were checked.

HS02, JRCN10, Kal07, Phil92p, Tor01, and Win96 have no

comments.

K1987 Bassoon 1 73 1 Cue: Add missing slur over the whole bar. [BoSy13]

X K1987 Bassoon 1 73 4 The high point of this swell should be on beat 3 of this bar.

[BoSy13]

X K1987 Bassoons

1 & 2

77 -3 Retenu is actually at 77-1. [BoSy13]

K1987 Bassoon 1 79 1 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

K1987 Bassoon 1 79 2 Cue: Add missing slur, which should start on the second note and

end on the last note of the bar. [BoSy13]

K1987 Bassoon 1 79 3 1 Remove blot at the beginning of the bar. [BoSy13]


K1987 Bassoon 1 81 1 Bons above the Bsn. 1 line is completely illogical here. It should be

moved to 81-1. [BoSy13]

X K1987 Bassoon 1 81 5–6 Clarify the dotted half note values. [BoSy13]

K1987 Bassoon 2 82 2 1 Add missing opening parenthesis, to make (NAT.). [BoSy13]

K1987 Bassoon 1 90 1–2 Cue: Add missing slur, which should cover both bars. [BoSy13]

X K1987 Bassoon 1 90 3 1 Cue: Add missing FLAT to last note, to make BFLAT. [BoSy13]

X K1987 Bassoon 1 90 4 1 Cue: Add missing tie to next bar. [BoSy13]

K1987 Bassoon 1 91 1 Cue: Add missing slur over whole bar. [BoSy13]

X K1987 Bassoons

1 & 2

91 2 — In Bsn. 1, the slur should start in the next bar. [SA89]

— In Bsn. 2, the slur should cover only this bar. [BoSy13]

X K1987 Bassoons

1 & 2

91 3–4 The slurs should start here, and end at the first note of 92+1 [SA89],

to match the score and the ms. [BoSy13]

X K1987 Bassoons

1 & 2

92 1 1 Add missing wedge accents, to match the score and ms. [BoSy13;

SA89 wanted to add a staccato dot; CN comment on SA89 wanted

to remove the articulation from the score.]

X K1987 Bassoon 1 93 4 Cue: Add missing slur over whole bar. [BoSy13]

K1987 Bassoon 1 93 5–6 Cue: Add missing slur, which should cover the notes in both bars.

[BoSy13]

X K1987 Bassoons

1 & 2

94 2 End Add missing accent > to the last note. [SA89]

K1987 Bassoons

1 & 2

94 3 The dim. hairpin under should apply only to the first two 16th notes

of beat 2, not to the whole bar. [BoSy13; SA89 erroneously wanted

to add an accent >; cfn comment on SA89 wanted to remove the

dim. hairpin entirely. cfn changed to keep the dim. sign 2018]

N.B. K1987 Bassoons

1 & 2

95 3 1 SA89 wanted to remove the staccato dot here. Instead, it should be

added editorially to the score and to the B. Clar., to match the other

WWs. [BoSy13]

48

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Bassoon 1 97 6 Cue: Add missing slur over whole bar. [BoSy13]

X K1987 Bassoon 1 97 7 1 Cue: Add missing slur over whole beat. [BoSy13]

X K1987 Bassoon 1 97 7 2 Cue: Add missing slur over whole beat here, and ending at the end

of beat 1 of the next bar. [BoSy13]

X K1987 Bassoons

1 & 2

98 3 2 Add missing dim. hairpin for the first two 16th notes. [BoSy13;

SA89 erroneously wanted to add an accent >.]

X K1987 Bassoons

1 & 2

100–

102



K1987 Bassoons

1 & 2

101 1–3 Add missing dotted line before peu, and between peu and a.

[BoSy13]

K1987 Bassoons

1 & 2

101 4 Add missing accent grave: a s/r à. [BoSy13]

! K1987 Bassoons

1 & 2

103 -1 This figure, including the pick-up in the previous bar and the two

16th notes in the subsequent bar, should be removed from Bsn. 2.

Both the score and the ms. have it only for Bsn. 1. [BoSy13]

X K1987 Bassoons

1 & 2

103 -2 1 Add missing dim. hairpin for the two 16th notes. [BoSy13; SA89

possibly wanted to do this, too, or maybe the symbol on that list is

an accent.]

X K1987 Bassoons

1 & 2

103 4 The cresc. hairpin should end with the ff on beat 1. [BoSy13]

X K1987 Bassoons

1 & 2

104 -1 2 Add editorial staccato dots, so the 8th notes do not interfere with the

second 16th note in C. Bsn. [BoSy13]

K1987 Bassoon 1 107 -1 to

-4

2 Cue: Add missing slur, covering all four bars. [BoSy13]

K1987 Bassoon 1 107 2 1 Cue: Add missing slur for the first two 16th notes. [BoSy13]

X K1987 Bassoon 2 107 3, 4, 7 1 Add missing accents > [SA89]

K1987 Bassoons 109 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Bassoons 110 3–6 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Bassoon 2 111 5, 6 2 Change accent > to tenuto line. [SA89]

X K1987 Bassoon 2 111 6 1 The cresc. hairpin in the next bar should start here at beat 1.

[BoSy13]

X K1987 Bassoon 1 111 6 2 Remove accent >. [SA89]

X K1987 Bassoons

1 & 2

112 -1 2 Change accent > to tenuto line. [SA89]



X K1987 Bassoons

1 & 2

120–

121



X ? K1987 Bassoons

1 & 2

120 -1 1 — Bsn. 1: Add p here? This would be similar to the dynamics in the

Tpts. [BoSy13]

— Bsn. 2: If p is added here for Bsn. 1, then put parentheses around

the p in the next bar, for the Bsn. 2. [BoSy13]

X K1987 Bassoons

1 & 2

121 1 1 Add missing accent >. [SA89]

X K1987 Bassoons

1 & 2

122 1 1 Add missing staccato dots. [SA89]

X K1987 Bassoons

1 & 2


X K1987 Bassoons

1 & 2

123 1 1 — Add missing ff. [Balt9x; SA89]

— The staccato dots should be wedge accents. [BoSy13]

X K1987 Bassoons

1 & 2

123 3 1 Remove the mf, to match the ms., which has no dynamic here for

the Bsns. (Fix the score, too.) [BoSy13]

X K1987 Bassoons

1 & 2

124 1 1 Animez [peu à peu] is here, not before. [BoSy13]

49

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







K1987 Bassoons

1 & 2



X K1987 Bassoon 2 126 5 1 Add missing pp, to match the dynamic of the chorus in the score.

[BoSy13]

! K1987 Bassoon 2 127 5–6 Add missing notes for Bsn. 2! (The stems for the Choir cues should

be downwards, and the Bsn. 2 notes should have upward stems.

Also, reiterate à déf. de Chœurs and (pp) for the cues.) [SA89]

! K1987 Bassoon 2 128 3–4 Add missing note and rests for Bsn. 2! (The Bsn. 2 note should have

an upward stem.) [BoSy13]

X K1987 Bassoons

1 & 2

129 1–4 Correction in K1987 was poorly executed; the dynamic should be

mf at 129+1 with a continuous cresc. hairpin (applying to both

lines) thereafter. [BoSy17]

X K1987 Bassoons

1 & 2

129 2 1 Remove mf. [SA89]

X K1987 Bassoon 2 129 2, 4, 6, 8 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

X K1987 Bassoon 1 129 3, 5, 7 1 Add editorial staccato dot on the final 8th note of the figure.

[BoSy13]

Bassoons

1 & 2 (Banda)


! D, K87 Bassoons

1 & 2 (Banda)




the ms. [BoSy13])]

! D Bassoon 3 Throughout the work many cues in [almost] all instruments do not



Bassoon 3 HS02 and SA89 was checked.

Balt9x, JRCN10, Kal07, Phil92p, Tor01, and Win96 have no

comments.

X K1987 Bassoon 3 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Bassoon 3 72 34 1 Cue: Add missing slur, starting at the second note, and ending at the

end of the subsequent bar. [BoSy13]


X K1987 Bassoon 3 74 -2 Un peu retenu is actually at 74-1. [BoSy13]

X K1987 Bassoon 3 74 4 End Cue: Add missing tie to next bar. [BoSy13]

X K1987 Bassoon 3 75 -1 1 Remove erroneous accent >, to match the score and the ms.

[BoSy13]

X K1987 Bassoon 3 77 -4 Retenu is actually at 77-1. [BoSy13]

X K1987 Bassoon 3 79 -1 Cue: Add missing FLAT to the second note, to make BFLAT.

[BoSy13]

X K1987 Bassoon 3 79 -2 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Bassoon 3 79 -2 Cue: Add missing slur, starting at the second note, and ending at the


K1987 Bassoon 3 79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

K1987 Bassoon 3 79 2 Cue: Add missing slur, which should start on the second note and

end on the last note of the bar. [BoSy13]

N.B.

?

K1987 Bassoon 3 82 1 1 SA89 writes to add pp here, but that dynamic in the score is for C.

Bsn. It would seem better leave no dynamic here in Bsn. 3, to match

the Horns and Basses, and to reduce the C. Bsn. dynamic to ppp to

match those same instruments. [BoSy13]

50

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Bassoon 3 82 3 The dim. hairpin in the previous bar should continue through this

bar. [cfn comment on SA89 (listed in C. Bsn.)]

K1987 Bassoon 3 90 1–2 Cue: Add missing slur, which should cover both bars. [BoSy13]

X K1987 Bassoon 3 90 3 1 Cue: Add missing FLAT to last note, to make BFLAT. [BoSy13]

X K1987 Bassoon 3 90 4 1 Cue: Add missing tie to next bar. [BoSy13]

K1987 Bassoon 3 91 3 1 Remove superfluous pp, which in the score is intended for the C.

Bsn. [BoSy13]

X K1987 Bassoon 3 92 1 1 Add missing wedge accent, to match other lines, and to match the

ms. [BoSy13; SA89 wanted to add a staccato dot; cfn comment on

SA89 wanted to remove the articulation from the score.]

! K1987 Bassoon 3 92 4 2 First 8th s/r A (as in previous bars). [HS02]

N.B. K1987 Bassoon 3 94 1 1 The accent > in the score is intended for C. Bsn., not Bsn. 3; no

change necessary to the printed part. [BoSy13]

K1987 Bassoon 3 94 3 1 Remove the slur, to match the Bsns. 1&2 printed part, and to match

Bsn. 3 in the ms. [SA89]

X K1987 Bassoon 3 94 3 2 Remove the accent > [cfn comment on SA89], to match the score,


X K1987 Bassoon 3 95 4, 5, 6 The cresc. hairpins should continue to the end of the bar. [BoSy13]

X K1987 Bassoon 3 97 1 1 The dotted 8th note should be an 8th note plus 16th rest. [BoSy13]

X K1987 Bassoon 3 97 3, 4 2& Add editorial accent >, to match 93+1 and +2. [BoSy13]

X K1987 Bassoon 3 100–

102



K1987 Bassoon 3 100 1 1 Add missing dotted line after Animez. [BoSy13]

X K1987 Bassoon 3 104 -1 2 Add editorial staccato dot, so the 8th note does not interfere with the

second 16th note in C. Bsn. [BoSy13]

K1987 Bassoon 3 106 5–8 Cue: Add missing slur, covering all four bars. [BoSy13]

X ? K1989 Bassoon 3 108 -1 1 Bsn. 3: Add editorial [p] [SA89]; or [mp]. [BoSy13]

X K1989 Bassoon 3 108 -3 Add missing dim. hairpin. [FW06]


X K1987 Bassoon 3 111 5 Add editorial ff (at end of cresc.). [SA89; cfn comment on SA89]

X K1987 Bassoon 3 112 -2 1 Add missing accent >. [SA89]

K1987 Bassoon 3 119 5 Cue: Add missing slur, starting here, and ending on the first note of

119+7. [BoSy13]

X K1987 Bassoon 3 120–

121



X K1987 Bassoon 3 122 -2 The cresc. hairpin should begin here, not in the previous bar.

[BoSy13]

X K1987 Bassoon 3 123 1 1 Add missing wedge accent. [SA89]

X K1987 Bassoon 3 123 2 1 Add missing accent >. [SA89]

X K1987 Bassoon 3 123 3 1 — Remove the mf, if present, to match the ms., which has no

dynamic here for Bsns 1–3. [BoSy13]

— Remove the nonsensical cresc. hairpin, which in the score is

intended for the C. Bsn. note. [BoSy13, elaborating on a short

instruction by cfn contained in his commentary on SA89.]

X K1987 Bassoon 3 124 1 1 Animez peu à peu is here, not before. [BoSy13]

K1987 Bassoon 3 124 There should be dots for Animez peu à peu, continuing until 125,


K1987 Bassoon 3 125 -1, -2 The cresc. hairpin should be continuous. [BoSy13]


Bassoon 3

(Banda)


! D Contra Bsn. Throughout the work many cues in [almost] all instruments do not



51

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Contra Bsn. SA89 was checked.


comments.

X K1987 Contra Bsn. 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Contra Bsn. 72 34 1 Cue: Add missing slur, starting at the second note, and ending at the


X K1987 Contra Bsn. 72 4 1 Cue: Add missing FLAT to make BFLAT. [BoSy13]

X ?? K1987 Contra Bsn. 73 1–4 Add a dim. hairpin, to match the other lines? If so, should it also

end at pp at 73+4?. (Missing from score, too.) [BoSy13]

X K1987 Contra Bsn. 77 -4 Retenu is actually at 77-1. [BoSy13]

X K1987 Contra Bsn. 79 -1 Cue:

Add missing FLAT to the second note, to make BFLAT. [BoSy13]

Add missing dot to each note, to make dotted 8th – dotted quarter –

dotted 8th. [BoSy13]

X K1987 Contra Bsn. 79 -2 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Contra Bsn. 79 -2 Cue: Add missing slur, starting at the second note, and ending at the


K1987 Contra Bsn. 79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

X ? K1987 Contra Bsn. 82 1 1 Change pp in score (and p in part) to ppp (in both places), to match

the Basses? There is no dynamic in the ms. [BoSy13; SA89

suggests changing the p in the part to pp.]

X K1987 Contra Bsn. 82 2 1 Change mf to make p. [BoSy13]

X K1987 Contra Bsn. 82 3 The dim. hairpin in the previous bar should continue through this

bar. [cfn comment on SA89]

K1987 Contra Bsn. 90 1–2 Cue: Add missing slur, which should cover both bars. [BoSy13]

X K1987 Contra Bsn. 90 4 1 Cue: Add missing tie to next bar. [BoSy13]

K1987 Contra Bsn. 91 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Contra Bsn. 92 1 1 Add missing wedge accent, to match other lines, and to match the

ms. [BoSy13]

X K1987 Contra Bsn. 94 1 1 Add missing accent, to match the score, where the accent > is

intended for C. Bsn., not Bsn. 3. [BoSy13]

X K1987 Contra Bsn. 94 1 1 Add missing mf to make ffmf, as in the ms. and as in the other

similar lines. [BoSy13]

X K1987 Contra Bsn. 94 1 1 Add missing accent >. [SA89]

X ? K1987 Contra Bsn. 94 4, 6 End Add editorial tie to next bar, to match Tuba. [SA89, cfn comment

on SA89] (Not in the ms. for C. Bsn., but it is in the B. Tuba.

[BoSy13])

X K1987 Contra Bsn. 97 3, 4 2& Add editorial accent >, to match 93+1 and +2. [BoSy13]

X K1987 Contra Bsn. 97 4 2& The cresc. hairpin should end here with a f. [SA89]

X K1987 Contra Bsn. 99 8 Remove the tie, to match the ms.; the tie must be removed from the

score, too. [BoSy13]

X K1987 Contra Bsn. 100–

102



K1987 Contra Bsn. 106 5–8 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Contra Bsn. 107 3, 4, 7 1 Add missing accent >. [SA89]

X K1987 Contra Bsn. 107 4 1 The slur should apply only to the first two 16th notes of beat 1, not

to the whole beat. [SA89]

K1987 Contra Bsn. 107 5 1 Add ff at the end of the cresc. hairpin, to show how far the

crescendo should go. [BoSy13]

X K1987 Contra Bsn. 107 8 Add missing staccato dot to each note. [BoSy13]

X K1989 Contra Bsn. 108 -2 1 Add editorial mf. [SA89]

52

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#








X K1987 Contra Bsn. 111 5 Add editorial ff (at end of cresc.). [SA89; cfn comment on SA89]

X K1987 Contra Bsn. 111 9 1 Add p. [SA89] (Matches the Basses. [BoSy13])

K1987 Contra Bsn. 119 5–7 Cue: Add missing staccato dot on last note of cue, and

Add missing slur, covering all the notes in these three bars.

[BoSy13]

X K1987 Contra Bsn. 120–

121



X K1987 Contra Bsn. 120 1 1 Remove the accent >, which in the score is intended for Horn 1.

[BoSy13]

X K1987 Contra Bsn. 121 7 1 Add missing accent >. [SA89]

X K1987 Contra Bsn. 122 1 1 Make sure the note has a staccato dot. [BoSy13]

X K1987 Contra Bsn. 123 2 1 The f s/r mf. [SA89]

X K1987 Contra Bsn. 124 -1 1 Remove the accent >. [SA89]

X K1987 Contra Bsn. 124 1 1 Animez peu à peu is here, not before. [BoSy13]

K1987 Contra Bsn. 124 There should be dots for Animez peu à peu, continuing until 125,



Contra Bsn.

(Banda)


! D Horns 1 & 2 Throughout the work many cues in [almost] all instruments do not





Horns 1 & 2 Phil92p and SA89 were checked.

Balt9x, HS02, JRCN10, Kal07, Tor01, and Win96 have no

comments.

X K1987 Horns 1 & 2 70 7 1 Cue: Add missing tie from previous bar. [BoSy13]

K1987 Horns 1 & 2 70 7 1 Cue: Add missing slurs (see score). [BoSy13]

N.B. K1987 Horn 1 71 1 1 Cue: CN! suggests removing the C3, but actually it is helpful to

some hornists. Leave it as is. [BoSy13] ! CN comment in SA89.

The current engraving rule is “no cue notes in a measure where an

instrument plays.”

K1987 Horn 1 74 5 4 Cue: The slur should end on the first note of the next bar. [BoSy13]

X K1987 Horns 1 & 2 74 7 1 — Add missing 1° Solo from score. [BoSy13]

— Change dynamic from mf to pp. [SA89]

K1987 Horns 1 & 2 76 3–4 There are too many slurs here. [BoSy13]

! K1987 Horn 1 77 1 1 Add missing + for each horn. [SA89]

X K1987 Horns 1 & 2 78 1–2 The dim. hairpins should be one continuous hairpin. Also, place the

pp in Horn 2 between the two lines, as the endpoint of the dim.

hairpin. [BoSy13]

K1987 Horns 1 & 2 87 1–5 Cue: Add missing slur, covering all five bars. [BoSy13]

X D, K87 Horns 1 & 2 87 4 4 Cue: Add missing tie between the 8th note at beat 2& and first 8th

note of beat 3 [PB02 mentions this erratum for the choir; this is the

same music in the orchestral version. (Missing also from the ms.

[BoSy13])]

X K1987 Horns 1 & 2 87 4 6 Cue: Add missing tie to the next bar. [BoSy13]

! K1987 Horn 1 88 1 Add missing time signature. [BoSy13]

X [?] D, K87 Horn 1 88 1 [??] Add muted [PB02].

X K1987 Horn 1 88 2 1–2 Add missing dim. hairpin in the cue. [SA89]

X [?] D, K87 Horn 1 89 -1 [??] Add stopped [PB02].

X K1987 Horn 1 89 -1, +1 Add missing tenuto lines on the last five notes of the cue. [BoSy13]

53

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Horn 1 89 -2 3& Add missing 3 to the three 32nd notes in the cue; it should be a

triplet. [SA89]

X K1987 Horns 1 & 2 89 3 1 Cue:

— The 32nd rest s/r 16th. [cfn comment on SA89]

— Add missing 3 to the triplet 32nd notes. [SA89]

— Add missing tenuto lines to the last three notes. [BoSy13].

K1987 Horns 1 & 2 90 1–2 Cue: Add missing slur, which should cover both bars. [BoSy13]

X [?] D, K87 Horn 1 90 3 [??] Add open [PB02].

X K1987 Horn 1 91 -1 2 Cue: Add missing 6 to the sextuplet. [BoSy13]

X ? K1987 Horns 1 & 2 94 1 1 Hn. 1–4: Add accents >, in addition to the ffmf, to match the ms.,

and to match the similar spot at 98+1? [BoSy13]

X K1987 Horns 1 & 2 96 5 1 Reduce the dynamic from ff to f. [SA89]

X K1987 Horns 1 & 2 96 5–6 1 Add missing dim. hairpin for both bars. [SA89]

! K1987 Horns 1 & 2 98 4 Add missing slur to next bar. [SA89]

D, K87 Horns 1 & 2 98 5 1 Add missing 6 to sextuplet [PB02]

X K1987 Horns 1 & 2 98 6 1 Remove the accents from here and from the score, to match the ms.,

and to match the similar figure at 94+6. [BoSy13]

X K1987 Horns 1 & 2 100–

102



X ?? K1987 Horns 1 & 2 103 -1 There is no dynamic in the score or the ms.; the pp here seems to be

editorial. Remove it? [BoSy13]

X K1987 Horn 2 103 1 1, 2 Add missing dim. hairpins, one for each pair of 16th notes, beneath

the line. [SA89]

X K1987 Horns 1 & 2 103 7 Add missing dim. hairpin between the lines, for the entire bar.

[SA89]

X K1987 Horn 2 103 8 1 Add missing p. [SA89]

K1987 Horn 1 106 5–8 Cue: Add missing slur, covering all four bars. [BoSy13]

K1987 Horn 2 106 5 Add missing whole rest. [BoSy13]

! ???

NO!

D, K87 Horns 1 & 2 108 [1] [1] [??] Add missing # to make C# [PB02]. CFN says No: piano

reduction has E# here.

X K1987 Horn 2 111 1 2 Change accent > to tenuto line. [SA89]

X K1987 Horn 1 111 3 2 Change accent > to tenuto line. [SA89]

X K1987 Horn 2 111 6 1 — Add missing accent >. [SA89]

— Add dim. hairpin under the whole measure. [BoSy13]

X K1987 Horns 1 & 2 111 6–7 The dim. hairpin should be continuous from bar 6 until 112.

[BoSy13]

! K1987 Horn 1 113–

116

1 All the accents > should be dim. hairpins, to match the score, and to


X K1987 Horns 1 & 2 120–

121



X K1987 Horn 1 120 4 1 Add missing accent >. [SA89]

X K1987 Horns 1 & 2 124 1 — Animez peu à peu is here, not before. [BoSy13]

— Remove all staccato dots. [SA89]

K1987 Horns 1 & 2 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Horns 1 & 2 124 4 Remove all staccato dots. [SA89]

X ? K1987 Horns 1 & 2 125 3 Clarify that the f is at beat 2, and Add missing dim. hairpin after the

f [BoSy13; to match the score], or: Remove the f, and Add a dim.

hairpin for the entire bar [BoSy17; to match the ms.]

! ? K1987 Horn 2 125 4 1 Wouldn’t it be simpler for the Horn players to reassign the 2° and

3° parts to 3° and 4°, with 2° tacet? That way each player continues

the pattern from the previous bars. [BoSy13: Yes. Horn 2 has one

bar rest here. cfn]

54

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Horn 1 126–

128

Add cautionary (#) at the beginning of each new line for the F#.

[BoSy13]

! K1987,

K1989

Horn 2 127 5 1 Add missing NAT. to make DNAT. [Phil92p]

X K1987 Horns 1 & 2 130 1, 6, 9 1 The accents > should be a dim. hairpin under the whole beat.

[BoSy13]

Horn 2 (Banda) CN89 was checked.

X K1987 Horn 2 (Banda) 85 1–4 Add missing dim. hairpin. [CN89]

! K1987 Horns 1 & 2

(Banda)

91 1 Both horns are open. [CN89]

X K1987 Horn 2 (Banda) 91 2 The slur should start at bar 3. [CN89]

Horn 1

(sur la scène)

SA89 was checked.

JRCN10, Kal07, Phil92p, Tor01, and Win96 have no comments.

X D, K87 Horn 1

(sur la scène)

87 4 Cue, both lines: Add missing tie between the 8th note at beat 2& and



the ms. [BoSy13])]

X K1987 Horn 1

(sur la scène)

88 1 End Add missing tie to next bar. [SA89]

X K1987 Horn 1

(sur la scène)

88 2 1–2 Add missing dim. hairpin. [SA89]

! K1987 Horn 1

(sur la scène)

89 3 1 Cue:

— The 32nd rest s/r 16th; [BoSy13]

— Add missing f [BoSy13]

— Add missing 3 to the triplet 32nd notes. [SA89]

— Add missing tenuto lines to the last three notes [BoSy13].

X K1987 Horn 1

(sur la scène)

90 3 Fix très près [BoSy13]

X K1987 Horn 1

(sur la scène)

90 3 3 Remove tie into next bar. [SA89]

X K1987 Horn 1

(sur la scène)

91 -1 1 Cue:

— Add missing 6 to the sextuplet. [BoSy13]

— Add missing f [BoSy13]

! D Horns 3 & 4 Throughout the work many cues in [almost] all instruments do not





Horns 3 & 4 SA89 was checked.


comments.

K1987 Horn 3 72 3 1 Cue:

— Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

— The slur over this and the next bar should start at the second note

of beat 1. [BoSy13]

K1987 Horn 3 74 5 4 Cue: Add missing slur, which continue over the end of the next bar.

[BoSy13]

X K1987 Horn 4 76 3 Add editorial dynamic? SA89 suggests [pp]; cfn comment on SA89

suggests [p]. BoSy13 thinks this decision should be left to the

player and the conductor.

X K1987 Horn 4 76 4 The high point of the swell should be right at beat 3. [BoSy13]

X K1987 Horn 4 78 6 Add missing slur to next bar. [SA89]

! K1987 Horn 4 79 3 4 Add missing ledger line, to make C (not E). [BoSy13]


55

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Horn 4 80 1–4 The slur should be unbroken, over all four bars. [SA89]

X ? K1987 Horns 3 & 4 94 1 1 Hn. 1–4: Add accents >, in addition to the ffmf, to match the ms.,

and to match the similar spot at 98+1? [BoSy13]

X K1987 Horns 3 & 4 94 5 2 The staccato dots should be wedge accents. [BoSy13]

! K1987 Horns 3 & 4 98 4 Add missing slur to next bar. [SA89]

D, K87 Horns 3 & 4 98 5 1 Add missing 6 to sextuplet [PB02]

X

NO!

K1987 Horns 3 & 4 98 6 1 Add missing accents >, to match the score? [SA89] No, remove

them from the score, to match the ms., and to match the similar

figure at 94+6. [BoSy13]

X K1987 Horns 3 & 4 100–

102



X K1987 Horn 4 101 1 1 Add editorial staccato dot, to match the other Winds. [BoSy13]

X K1987 Horns 3 & 4 101 6 1 Add missing accents >. [SA89]

X K1987 Horns 3 & 4 102 1 2& Add missing accents >. [SA89]

X K1987 Horns 3 & 4 103 8 1 The dynamic p should be before the dim. hairpin, not after. [SA89]

! K1987 Horn 4 107 6 This bar should have a half note C with accent, as in Horn 3, except

without the tie to the next bar. [SA89]

! K1987 Horn 4 107 7 This bar should have a whole rest. [SA89]

K1987 Horn 3 110 4 The dim. hairpin should start right at the beginning of the bar.

[BoSy13]

X K1987 Horn 4 111 6 1 Add missing accent >. [SA89]

X K1987 Horns 3 & 4 118 1 1 The dynamic s/r p. [SA89]

X K1987 Horn 4 112 -1 Add missing dim. hairpin. [SA89]

X K1987 Horns 3 & 4 120–

121



X K1987 Horns

3 & 4


K1987 Horns 3 & 4 124 There should be dots for Animez peu à peu, continuing until 125,


X ? K1987 Horns 3 & 4 125 3 Clarify that the f is at beat 2, and Add missing dim. hairpin after the

f [BoSy13; to match the score], or: Remove the f , and Add a dim.

hairpin for the entire bar [BoSy17; to match the ms.]

! ? K1987 Horns 3 & 4

125 4 1 Wouldn’t it be simpler for the players to reassign the 2° and 3° parts

to 3° and 4°, with 2° tacet? That way each player continues the

pattern from the previous bars. [BoSy13: Yes: 3rd and 4th should

continue with their notes for one last time, here.]

X K1987 Horn 3 127 5 1 Add missing NAT., to make BNAT. [SA89] (Missing from score,

too.)

! K1987 Horn 3 128 -2 1 Add missing NAT. to make BNAT. [BoSy13]

X K1987 Horn 4 128 2 1 Add missing dim. hairpin. [BoSy13]

X K1987 Horns 3 & 4 129–

130

The long cresc. hairpin should be between the lines, and the dim.

hairpins on beat 1 of bars 129+2, +4, +6, and +8, should be above

and below the lines, respectively. (See also next item.) [BoSy13;

SA89 wrote to remove the small dim. hairpins entirely.]

X K1987 Horns 3 & 4

(à déf de Ch)

129 2, 4, 6, 8 — Add missing dim. hairpin for beat 1. [BoSy13]

— Add missing tenuto line for beat 2. [BoSy13]

X K1987 Horn 4 129 4 Remove the tie to the next bar. [BoSy13]

X K1987 Horns 3 & 4 130 1 1 The dim. hairpin should be under beat 1 only. [BoSy13]

Horns 3 & 4

(Banda)

CN89 was checked.

! K1987 Horns 3 & 4

(Banda)

85 4 Third Horn only, until 87. [CN89]

! K1987 Horns 3 & 4

(Banda)

91 1 Both horns are open. [CN89]

56

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Trumpets

1 & 2

JRCN10, SA89, and Win96 have been checked.

Balt9x, HS02, Kal07, Phil92p and Tor01 have no comments.

! D Trumpets

1 & 2




X K1987 Trumpet 1 74 3 3 Cue: Add missing FLAT, to make BFLAT. [BoSy13]

X K1987 Trumpet 1 74 4 6& Cue: Add missing tie to next bar. [BoSy13]

X D, K87 Trumpets

1 & 2

87 4 4 Cue: Add missing tie between the 8th note at beat 2& and first 8th

note of beat 3 [PB02 mentions this erratum for the choir; this is the


[BoSy13])]

X K1987 Trumpets

1 & 2

87 4 6 Cue: Add missing tie to the next bar. [BoSy13]

K1987 Trumpet 1 88 1 1 Cue: Add missing 6 to sextuplet. [BoSy13]

X K1987 Trumpets

1 & 2

88 1 6 Cue: Add missing tie to the next bar. [BoSy13]

! [?] D, K87 Trumpet 1 88 [2] [??] Add cup mute [PB02; he wrote 88+1].

! K1987,

K1989

Trumpet 1 88 2 1 Cue:

— The 32nd rest s/r 16th rest. [SA89, JRCN10]

— Add missing 3 to the triplet 32nd notes. [SA89, JRCN10]

— Add tenuto lines where missing (see score) [SA89].

! [?] D, K87 Trumpet 1 89 [-2] [??] Add straight mute [PB02; he wrote 89-1].

! D, K1987,

K1989

Trumpet 1 89 3 1 Cue: The 32nd rest s/r sixteenth rest, then 32nd triplet. Confirmed

by ms. although the Piano reduction is also wrong.

— The 32nd rest s/r 16th rest. [SA89, PB02, JRCN10].

— Add missing 3 to the triplet 32nd notes. [SA89, JRCN10]

— Add missing tenuto lines to the last three notes [SA89].

K1987 Trumpet 1 90 3 1 Cue: Add missing 6 to sextuplet [BoSy13]

! [?] D, K87 Trumpet 1 90 4 [??] Add open [PB02].

X K1987 Trumpet 1 91 1 1 Add missing dim. hairpin. [SA89, clarified by cfn comment]

X K1987 Trumpets

1 & 2


X K1987 Trumpet 1 94 1 1& Cue: Add missing accent > to last note. [BoSy13]

X K1987 Trumpet 1 94 2 Cue: Add missing accent > to each note. [BoSy13]

X K1987 Trumpet 1 94 3 1 Cue: Add missing accent > to each note. [BoSy13]

X K1987 Trumpet 1 94 3 2 Cue:

— Add missing dim. hairpin to the first two notes. [BoSy13]

— Add missing accent > to the last note. [BoSy13]

X K1987 Trumpet 1 94 4 Cue: Add missing dim. hairpin to the first two notes. [BoSy13]

X D, K87 Trumpets

1 & 2

96 -2 1 mf s/r p [PB02]. Confirmed by ms. [BoSy13]

X K1987 Trumpet 1 97 6–8 Cue: Add missing sharps where necessary to make C# and F#, to

reflect the correct pitches. [BoSy13]

X K1987,

K1989

Trumpets

1 & 2

98 3 2 Accent(s) > should be dim. hairpin(s) on the first two 16th notes.

[WinCN96]

X K1987,

K1989

Trumpets

1 & 2

98 4 1 Accent(s) > should be dim. hairpin(s) on the two 16th notes.

[WinCN96]

X K1987 Trumpets

1 & 2

100–

102


according to the ms. [BoSy13] BoSy added “(bis 102)”

X K1987,

K1989

Trumpets

1 & 2

100 1 1 Add missing Animez peu à peu. [WinCN96]

X ? K1987 Trumpets

1 & 2

101 5 1 Add missing to match the score [BoSy13]; or add staccato dot, to

match the WWs [SA89]. (BoSy added wedges.)

57

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Trumpets

1 & 2

102 6 Add dim. hairpin for the two 16th notes, in addition to the dim.

hairpin. [SA89, who may have wanted an accent >; WinCN96]

X [??] K1987 Trumpets

1 & 2

104 -3 [???] Add slur to measure 104 – 2 like the Tbns. The piano edition

has articulation for this passage. [Kal07]

X K1987 Trumpet 1 105 1 1 Add missing staccato dot. [SA89]

X K1987 Trumpet 1 106 1 1 Add editorial staccato dot. [SA89]

X K1987 Trumpets

1 & 2

107 -2 1 Add staccato dots, similar to other spots such as 106+1 in Trp. 1.

[BoSy13]

X K1987 Trumpet 1 110 1 1 Add editorial staccato dot. [SA89]

X K1987 Trumpet 2 111 -2 1 Add staccato dot, similar to other spots such as 109+1 in Trp. 1.

[BoSy13]

X K1987 Trumpet 1 111 1 1 — Add editorial staccato dot. [BoSy13]

— Add pp, to return to the starting dynamic, and to match the lower

strings. [BoSy13]

X K1987 Trumpets

1 & 2

112 -5 1 Add missing accents. [SA89]

X K1987 Trumpets

1 & 2

112 1 1 Add missing Un peu moins animé. [BoSy13]

K1987 Trumpets

1 & 2

115 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X ? K1987 Trumpet 1 115 6 1 Add slur and dots on the 16th notes, to match the Piccolos? It is not

in the ms. [BoSy13]

X K1987 Trumpets

1 & 2

120–

121



X ? K1987 Trumpets

1 & 2

121 4 Remove slurs from triplets, to match ms., and to match Tpt. 3 part.

[SA89]

X K1987 Trumpets

1 & 2

121 7 1 Add missing accents. [SA89]

X K1987,

K1989

Trumpet 2 121 9 1 Add accent. [JRCN10]

X K1987 Trumpets

1 & 2

122 1 1 The f s/r ff. [SA89]

X K1987 Trumpets

1 & 2

122 1 1, 2 Add missing accents > [SA89]

! K1987 Trumpets

1 & 2

123 2,

4

Wrong notes!! They should moved up a whole step. F-F# s/r G-G#

and G-G# s/r A-A#. [SA89] Score is correct.

X K1987,

K1989

Trumpets

1 & 2

124 1 1 Add missing Animez peu à peu. [WinCN96]

K1987 Trumpets

1 & 2



X K1987 Trumpets

1 & 2

125 -1 1 The cresc. hairpin should continue from the last bar. [BoSy13]

X K1987 Trumpet 1 128 1–4 Cue: The Fl. and Picc. Fl. key signatures have five sharps Add

missing sharps here as necessary to reflect the true pitches being

played. [BoSy13]

X K1987,

K1989

Trumpets

1 & 2

130 2,4,6,8,1

0

Remove slurs. (Modern notation would use a Bracket over the

notes with a 3. This notation was not used by Durand.) [SA89,

JRCN10]

X K1987,

K1989

Trumpets

1 & 2

130 3 1 Both staves: Remove accent. [SA89, JRCN10]

X K1987,

K1989

Trumpet 2 130 4,6,8 1 Add accent. [SA89, JRCN10]

Trumpets

1 & 2 (Banda)


58

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Trumpet 1

(sur la scène)

SA89 was checked.

JRCN10, Kal07, Phil92p, Tor01, and Win96 have no comments.

X D, K87 Trumpet 1

(sur la scène)

87 4 Cue, both lines: Add missing tie between the 8th note at beat 2& and



the ms. [BoSy13])]

X K1987 Trumpet 1

(sur la scène)

88 1 1 Cue: add missing f

X K1987 Trumpet 1

(sur la scène)

88 1 3 Cue: Add missing tie (to next bar) to last note. [SA89; but cfn

comment said not to add it. Measure 2 should start with a 16th rest.]

! K1987 Trumpet 1

(sur la scène)

88 2 1 Cue:

— The 32nd rest s/r 16th; [BoSy13]

— Remove tenuto line from the first 16th note. [SA89]

— Add tenuto lines where missing (see score) [SA89, BoSy13].

! D, K87 Trumpet 1

(sur la scène)

89 3 1 Cue: The 32nd rest s/r 16th [PB02, cfn comment on SA89].

X K1987 Trumpet 1

(sur la scène)

89 3 2& The dim. hairpin should begin later. (See score.) [cfn comment on

SA89] Score and ms. have beat 2. [BoSy17]

K1987 Trumpet 1

(sur la scène)

90 3 1 Cue: Add missing FLAT on last sextuplet, to make BFLAT

[BoSy13]

X K1987 Trumpet 1

(sur la scène)

91 1 1 Add missing dim. hairpin. [SA89]

! D Trumpets

3 & 4




Trumpets

3 & 4

Balt9x, JRCN10, and SA89 were checked.

HS02, Kal07, Phil92p, Tor01, and Win96 have no comments.

K1987 Trumpet 3 73 2 Cue: Add missing slur over the whole bar. [BoSy13]

K1987 Trumpet 3 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Trumpets

3 & 4

92 1 1 Add missing wedge accents. [SA89]

K1987 Trumpet 4 94 1 Cue: Add accent > to every note but the first. [BoSy13]

K1987 Trumpet 4 94 2 Cue: Add accent > to every note. [BoSy13]

K1987 Trumpet 4 94 3 1 Cue: Add accent > to every note. [BoSy13]

K1987 Trumpet 4 94 3 2 Cue: Add accent > to the last note, and add a dim. hairpin to the first

two notes. [BoSy13]

K1987 Trumpet 4 94 4 Cue: Add dim. hairpin to the first two notes. [BoSy13]

X D, K87 Trumpet 3 96 -2 1 mf s/r p [PB02]. Confirmed by ms. [BoSy13]

X K1987 Trumpet 3 96 5 1 Add missing staccato dot. [SA89]

X K1987 Trumpets

3 & 4

97 6–8 Cue: Add missing sharps where necessary to make C# and F#, to

reflect the true pitches played. [BoSy13]

D, K87 Trumpets

3 & 4

98 5, 7 1 Add missing 6 to sextuplet [PB02]

K1989 Trumpets

3 & 4

100–

101

(+3)

Add dashes to connect the words Animez peu à peu, as in some

other parts. [BoSy13]

X K1987 Trumpets

3 & 4

100–

102



X K1987 Trumpet 4 101 1 1 Add editorial staccato dot, to match the other Winds. [SA89]

X ? K1987 Trumpets 3 101 5 1 Add missing to match the score [BoSy13]; or add staccato dot, to

match the WWs [SA89’s suggestion for Tpt. 1&2 printed part].

(BoSy added wedges.)

X K1987,

K1989

Trumpets

3 & 4

102 -1, -2 Add missing accent > to each note. [SA89; JRCN10 (102-1 only)]

59

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Trumpets

3 & 4

102 6 Add dim. hairpin for the two 16th notes, in addition to the dim.

hairpin. [JRCN10; SA89 seems to have wanted an accent >.]

X [??] K1987 Trumpets

3 & 4

104 -3 [???] Add slur to measure 104 – 2 like the Tbns. The piano edition

has articulation for this passage. [Kal07]

X K1987 Trumpet 3 105 5 1 Add staccato dot [SA89]


X K1987 Trumpet 4 107 -2 1 Add staccato dot, similar to other spots such as 106+1 in Trp. 1.

[BoSy13]

X ? K1987 Trumpet 3 107 1 1 Add missing staccato dot, [to match WWs]. [Score erratum: Balt9x

= Zinman]


X K1987 Trumpets

3 & 4

111 -2 1 Add staccato dots, similar to other spots such as 109+1 in Trp. 1.

[BoSy13]

K1987 Trumpet 4 111 1 Add Ôtez les sourdines here, so the Tpt. 4 player will be more

likely to see it. [BoSy13]

X K1987 Trumpets

3 & 4

111 6 The dim. hairpin should continue through 111+8. [SA89]

K1987 Trumpets

3 & 4


K1987 Trumpets

3 & 4

115 5, 7, 8 Cue: Add missing staccato dot to each note. [BoSy13]

K1987 Trumpets

3 & 4

115 9–10 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Trumpets

3 & 4

120–

121



K1987 Trumpet 3 120 -1 1 Cue: Add missing staccato dot. [BoSy13]

K1987 Trumpet 3 120 -1 to

-3

Cue: Add missing slur, covering the notes in all three bars.

[BoSy13]

X K1987 Trumpets

3 & 4

121 7, 9 1 Add missing accent >. [SA89]

X K1987 Trumpets

3 & 4


K1987 Trumpets

3 & 4



X K1987 Trumpet 3 125 1 1 Remove the accent >. [SA89]

K1987 Trumpets

3 & 4

129 1 Cue: Add missing accent > on beat 1, and tenuto line on beat 2.

[BoSy13]

K1987 Trumpets

3 & 4

129 5, 6 1 Cue: Add missing accent > on beat 1. [BoSy13]

X K1987 Trumpet 3 129 7, 8 2 Add missing staccato dots. [SA89]

X K1987 Trumpet 4 129 8 1 Add editorial staccato dot on the final 8th note of the figure. [SA89]

X K1987,

K1989

Trumpets

3 & 4

130 4, 6, 8,

10

1 Remove accent >. [SA89, JRCN10]

X K1987,

K1989

Trumpets

3 & 4

130 5 2 Remove accent >. [SA89, JRCN10]

Trumpets

3 & 4 (Banda)


Trombones

1 & 2

JRCN10 and SA89 were checked.


comments.

D Trombones

1 & 2


have the correct pitches. … [PC07, JRCN10] Exceptionally, this

part is all right. [BoSy13]

60

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







K1987 Trombones

1 & 2


K1987 Trombone 1 81 5–6 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Trombone 1 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

K1987 Trombone 1 93 4 Cue: Add missing slur over whole bar. [BoSy13]

X K1987 Trombone 2 94 -1 1 Add editorial mf. [SA89]

X K1987 Trombone 1 94 -1 2 Add editorial f. [SA89]

X K1987,

K1989

Trombones

1 & 2

94 1 1& fff s/r ff. [SA89, JRCN10] ff also on beat 1.

X K1987,

K1989

Trombones

1 & 2

94 3 2 — The accent > s/r dim. hairpin on the first two 16th notes.

[BoSy13]

— Add missing slide to the first two 16th notes. [SA89, JRCN10]

(Done in ink, and gliss. added in pencil for clarification. [BoSy13])

— Remove tenuto. [SA89, JRCN10]


X K1987 Trombone 1 97 8 2 Add missing cresc. hairpin. [SA89]

X K1989 Trombones

1 & 2

100–

101

(+5)



X K1987 Trombones

1 & 2

100–

102



X K1987 Trombones

1 & 2

101 1 1 Add editorial staccato dot, to match the other Winds. [BoSy13]

K1987 Trombones

1 & 2


K1987 Trombones

1 & 2


X K1987 Trombone 1 115,

116

1 1 Add (FLAT) to confirm EFLAT. [BoSy13]


X K1987 Trombones

1 & 2

120–

121



K1987 Trombone 2 120 -1 1 Remove superfluous p. [BoSy13]

X K1987 Trombones

1 & 2

121 1 — Tbn. 1: Add missing dotted line for 5e position, ending at the

end of the next bar, to match the ms. But first add the slur

mentioned at 121+2. [BoSy13]

— Tbn. 2: Add missing 5e position plus a dotted line ending at the

end of the next bar, to match the ms. [BoSy13]

X K1987,

K1989

Trombones

1 & 2

121 2 Add missing slur. [JRCN10]

X K1987 Trombones

1 & 2

121 3 Remove accents >. No! The accents are in both the score and the

ms. [BoSy13]

X K1987,

K1989

Trombones

1 & 2

121 5 1&-2& Add accents on last three notes. [SA89, JRCN10]

X K1987 Trombone 2 121 6 1 Add missing accent >. [SA89]

X K1987,

K1989

Trombone 2 121 7, 9 Remove slur to next measure. [SA89, JRCN10]

X K1987,

K1989

Trombones

1 & 2

121 8, 10 — Tbn. 1: Remove accent within the tie [JRCN10].

— Tbn. 2: Add the accent here. (Like 121+6.) [SA89]

X K1987 Trombones

1 & 2


K1987 Trombones

1 & 2



61

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Trombones

1 & 2

125 1–2 — Tbn. 1: Add dotted line for 5e pos., to match the ms., and to

match 121+1 to +2. [BoSy13]

— Tbn. 2: Add missing 5e pos. plus the dotted line, as in Tbn. 1.

[BoSy13]

K1987 Trombones

1 & 2

128 -2 to +2 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Trombones

1 & 2

129 -2 1 The cresc. hairpin should start here, not before. [BoSy13]

Trombones

1 & 2 (Banda)


Trombone 3 JRCN10, SA89, and Win96 have been checked.

Balt9x, HS02, Kal07, Phil92p, and Tor01 have no comments.

! D Trombone 3 Throughout the work many cues in [almost] all instruments do not

have the correct pitches. … [PC07, JRCN10]



X K1987 Trombone 3 82 1 1 — Remove the blob after the half note. [SA89]

— The cresc. hairpin should extend under the entire bar. [BoSy13]


X K1987,

K1989

Trombone 3 92 1 1 — Add missing ff. [SA89, JRCN10]

— The staccato dot should be a wedge accent. [BoSy13]


X K1987,

K1989

Trombone 3 94 3 2 — The accent > s/r dim. hairpin on the first two 16th notes. [cfn

comment on SA89]

— Add missing slide to the first two 16th notes. [SA89, JRCN10]

(No room for the slide line; gliss. added in pencil. [BoSy13])

— Remove tenuto. [SA89, JRCN10]

X K1987 Trombone 3 94 4 1 The accent > s/r dim. hairpin on the two 16th notes. [cfn comment

on SA89]

! K1987,

K1989

Trombone 3 94 5 1 Add missing NAT. to make CNAT. [Phil-nd, Win96]

! K1987,

K1989

Trombone 3 94 7 1 Add missing NAT. to make CNAT. [Win96]


X K1987 Trombone 3 98 1 1 Add staccato dot, to match Tbn. 1&2 lines in score and printed

parts, and to match the ms. [BoSy13]

X K1989 Trombone 3 100–

101

(+5)




102



X K1989 Trombone 3 100 1 1 Cue: Remove #, to make ENAT. [BoSy13]

X K1987 Trombone 3 101 1 1 Add editorial staccato dot, to match the other Winds. [BoSy13]

X K1989 Trombone 3 103 1 1 Cue: The first note s/r D, up a half step from the printed C(#).

[BoSy13]



121



X K1987 Trombone 3 121 6, 8, 10 1 Add missing accent >. [SA89]

X K1987 Trombone 3 122 1 1 Add missing staccato dot. [SA89]

X K1987 Trombone 3 124 1 1 Animez [peu à peu] is here, not before. [BoSy13]

K1987 Trombone 3 124 There should be dots for Animez peu à peu, continuing until 125,


62

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Trombone 3 125 1–2 Add dotted line after 5e pos., to match the ms., and to match Tbn.

1&2. [BoSy13]

K1987 Trombone 3 128 -2 to +2 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Trombone 3 129 -1, -2 Add missing cresc. hairpin. [BoSy13]

X K1987 Trombone 3 129 4 The cresc. hairpin should continue through this bar. [BoSy13]

Trombone 3

(Banda)

CN89 has no coments.

! K1987 Trombone 3

(Banda)

88 1 Replace the Treble clef with a Bass clef. [BoSy13]

Tuba JRCN10 and SA89 have been checked.


comments.

! D Tuba Throughout the work many cues in [almost] all instruments do not



K1987 Tuba 81 3–4 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Tuba 81 5–6 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Tuba 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Tuba 92 1 1 Add missing wedge accent, to match other lines. [BoSy13]

X K1987 Tuba 93 4 Cue: Add missing # to make G#. [BoSy13]

K1987 Tuba 93 4 Cue: Add missing slur over whole bar. [BoSy13]

X K1987 Tuba 94 1 1 Add missing mf to make ff-mf. [SA89]

X ? K1987 Tuba 94 1 1 Add accent >, in addition to the ff-mf, to match the ms., and to

match the similar spot at 98+1 in the Hns.? [BoSy13; added in ink.]

X K1987 Tuba 96 1 1 Add staccato dot, if missing. [BoSy13]

K1987 Tuba 97 6 Cue: Add missing slur over whole bar. [BoSy13]

X ? K1987 Tuba 98 1 1 Add accent >, in addition to the ffmf, to match the ms., and to

match the similar spot at 98+1 in the Hns.? [BoSy13; added in ink.]

X K1989 Tuba 100–

101

(+6)



X K1987 Tuba 100–

102



X K1987 Tuba 101 1 1 Add editorial staccato dot, to match the other Winds. [BoSy13]

X K1987 Tuba 120–

121



X K1987,

K1989

Tuba 120 -2 Cresc. hairpin s/r dim. hairpin [SA89, JRCN10]

X K1987,

K1989

Tuba 120 -3 Remove accent [SA89, JRCN10]

X K1987,

K1989

Tuba 121 3, 8 Add accents. [SA89, JRCN10]

X K1987 Tuba 122 -1 Remove the slur to the next bar, to match the Tbns., and to match

the ms. [BoSy13]

X K1987 Tuba 124 1 1 Add missing Animez peu à peu. [BoSy13]

K1987 Tuba 124 There should be dots for Animez peu à peu, continuing until 125,


K1987 Tuba 124 5–6 Cue: Remove all staccato dots. [BoSy13]

X K1987 Tuba 124 6 2 Cue: Remove FLAT to make DNAT. [BoSy13]

K1987 Tuba 128 -2 to +2 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987,

K1989

Tuba 130 -1 Remove slur to 130. [SA89, JRCN10]

X K1987,

K1989

Tuba 130 5 Remove accents and tenuto. [SA89, JRCN10]

63

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







Tuba (Banda) CN89 has been checked.

X K1987 Tuba (Banda) 88 -1 3 Remove dot to make a simple quarter note F#. [CN89]

! K1987 Tuba (Banda) 88 -1 End Add missing Bass Clef. [BoSy13]

X K1987 Tuba (Banda) 88 3 Add missing tie from previous bar. [CN89]

Timpani JRCN10 and SA89 were checked.


comments.

! D Timpani Throughout the work many cues in [almost] all instruments do not



K1987 Timpani 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Timpani 92 1 1 Add missing Animé et très rude. [SA89]

X K1987 Timpani 94 1 1 Accent > is backwards (<) in the part. [SA89]

! D, K1987 Timpani 94 1–4, 6 Should have 2 tremolo lines, not 3 (rhythm should match Violins).

[PB02, who had this comment only for the score, where it is

misprinted in bars 2 thru 4, and 6]

X K1987 Timpani 94 5 Remove slur or tie. [SA89 — BoSy17: ?? K1987 OK]

X

[???]

K1987,

K1989

Timpani 94 5, 7 2 [???] It should be an accent not a wedge. [SA89, JRCN10].

According to our timpanist, the sound would be the same either

way; but the ms. and the score have an accent >, so it should be

changed in the part. [BoSy13]

X ? K1987 Timpani 95 6, 8 1 Change f to mf, to match the Timp. in the ms.? [BoSy13]

X K1987 Timpani 98 1 1 The dynamic f should probably read mf, to match 94; i.e., the

complete dynamic here should be ffmf. [BoSy13]

X K1987 Timpani 98 5 Remove slur or tie. [SA89 — BoSy17: ?? K1987 OK]

! D, K1987 Timpani 98 5, 7 1 Should have 3 tremolo lines, not 2 (rhythm should match Violins).

[PB02]

X

[???]

K1987,

K1989

Timpani 98 5, 7 2 [???] It should be an accent not a wedge [SA89, JRCN10].

According to our timpanist, the sound would be the same either

way; but the ms. and the score have an accent >, so it should be

changed in the part. [BoSy13]

X ? K1987 Timpani 98 6 1 Add accent >, to match the Hns. in the score and to match the Hn.

1&2 printed part, even though the accent > is not in the ms. for any

instrument, is not in the Hn. 3&4 printed part, is not the score for

this instrument here, and is not present for any instrument in the

similar figure at 94+6? And if it is to be added here, should it be

added at 94+6? [BoSy13]

X K1987 Timpani 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Timpani 100–

102



K1987 Timpani 112 -1, -3 1 Cue: Add missing slur, covering the two 16th notes. [BoSy13]

X K1987 Timpani 120–

121



X K1987 Timpani 122 -1, -2 1 Add cresc. hairpin ending in [ff]. [SA89]

K1987 Timpani 122 7–8 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Timpani 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987,

K1989

Timpani 124 -1 Add accent. [SA89, JRCN10]

X K1987 Timpani 124 1 1 Animez [peu à peu] is here, not before. [BoSy13]

K1987 Timpani 128–

129

Cue: Add missing slur, covering all six bars. [BoSy13]

X K1987 Timpani 128 1–4 Cue: Add missing sharps where necessary to make C# and D#, to


64

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Timpani 130 11 1 Add missing wedge accent. [cfn comment on SA89]

D Tam-Tam Throughout the work many cues in [almost] all instruments do not

have the correct pitches. … [PC07, JRCN10] But in this part, for

once, all pitches are correct. [BoSy13]

Tam-Tam Balt9x, HS02, JRCN10, Kal07, Phil92p, SA89, Tor01, and Win96

have no comments.

! K1987 Tam-Tam 70 1 1 — Add missing reh. no. 70 at the beginning of the piece. [cfn

comment on SA89 for score]

— Add missing slur/tie to next bar. [BoSy13]

K1987 Tam-Tam 103 5 Cue: Add missing accent ^. [BoSy13]

! D Eoliphone Throughout the work many cues in [almost] all instruments do not



Eoliphone Balt9x, HS02, JRCN10, Kal07, Phil92p, SA89, Tor01, and Win96

have no comments.

! K1987 Eoliphone 70 Remove the Tacet jusqu’a before 70, as the piece starts here.

[BoSy13]

K1987 Eoliphone 72 3 1 Cue: Add missing tie from previous bar, and add FLAT to make

BFLAT. [BoSy13]

K1987 Eoliphone 72 3 1 Cue: The slur over this and the next bar should start at the second

note of beat 1. [BoSy13]

K1987 Eoliphone 72 3 3 Cue: Move the FLAT, to make AFLAT and FNAT. [BoSy13]

K1987 Eoliphone 72 4 2 Cue: Clarify the pitch of the F (bad printing). [BoSy13]

X K1987 Eoliphone 73 1–4 The high point of these swells should be on beat 3 of every bar.

[BoSy13]

! K1987 Eoliphone 74 1 Time signature s/r , not . [BoSy13]

K1987 Eoliphone 75 4 1 Cue: Add missing NAT., to make BNAT. [BoSy13]

K1987 Eoliphone 75 5 2 Cue: Add missing 3 for the triplet. [BoSy13]

X K1987 Eoliphone 75 5 3–4 Cue: Add missing tie. [BoSy13]

! K1987 Eoliphone 76 1, 2 4 Change the dotted quarter note editorially to two dotted 8th notes,

and place the high point of the swell at the second dotted 8th note.

The dim. hairpin should continue into the next bar. [BoSy13]

X K1987 Eoliphone 77 6 2 Cue: Add missing slur from beat 2 to beat 6, to match Vln. 2 (and

Vln. 1 in the ms.). [BoSy13]

X K1987 Eoliphone 79 3 Cue: Fix bad printing, including note values, ties, slurs, and the

glissando line (see score). [BoSy13]

K1987 Eoliphone 80 1 Add pencil lines for the beats, so the swell follows the contour of

the cello and harp lines. [BoSy13]

! K1987 Eoliphone 80 3 TACET jusqu’a 91 s/r Le reste TACET. [BoSy13]

! D Triangle Throughout the work many cues in [almost] all instruments do not



Triangle JRCN10 and SA89 were checked.


comments.

K1987 Triangle 94 5, 7 2 Cue: The staccato dots should be wedges. [BoSy13]

X K1987 Triangle 95 1–4 2 Cue: Add missing sharps to make F#. [BoSy13]

X K1987 Triangle 99 5–8 2& Cue: Add missing sharps to make F#. [BoSy13]

X K1987 Triangle 99 6, 8 1 Cue: Add missing sharps to make C#. [BoSy13]

X K1987 Triangle 100–

102



X K1987 Triangle 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Triangle 104 1 1 Cue: These notes are Viol. pizz. [SA89]

65

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Triangle 109 6–8 Cue: Add missings sharps where necessary to make C# and F#, to


X K1989 Triangle 110 2 2& Cue: Add missing #, to make C#. [BoSy13]

K1987 Triangle 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Triangle 124 1 1 Animez [peu à peu] is here, not before. [BoSy13]

X K1987,

K1989

Triangle 124 4–6 The cresc. hairpin should be continuous from 124 to 125. [JRCN10,

cfn comment on SA89]

X K1987 Triangle 128 1–4 Cue: Add missing sharps where necessary to make C# and D#, to


! D Tambourine Throughout the work many cues in [almost] all instruments do not



Tambourine JRCN10 and SA89 were checked.


comments.

K1987 Tambourine 94 5, 7 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 Tambourine 94 5, 7 2 Cue: The staccato dots should be wedges. [BoSy13]

X K1987 Tambourine 95 3 The cresc. hairpin should extend into the next bar (see score).

[BoSy13]

K1987 Tambourine 98 5, 7 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 Tambourine 98 5, 7 2 Cue: The staccato dots should be wedges. [BoSy13]

X K1987 Tambourine 100–

102



X K1987 Tambourine 100 1 The cresc. hairpin should start right at beat 1. [BoSy13]

XX K1987 Tambourine 101 1 1 Add missing flag, to make an 8th note. [BoSy13]

K1987 Tambourine 109 1–4 Cue: Add missing slur, covering all four bars and ending on the first

note of bar +5. [BoSy13]

X K1987 Tambourine 109 3–4, 6–8 Cue: Add missing sharps where necessary to make C# and F#, to


K1987 Tambourine 109 5–8 Cue: Add missing slur, covering all four bars and ending on the first

note of bar 110+1. [BoSy13]

K1987 Tambourine 110 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Tambourine 123 -1, -2 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Tambourine 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987,

K1989

Tambourine 124 1 1 — Animez peu à peu is here, not before. [JRCN10, cfn comment

on SA89]

— The cresc. hairpin should start here, not at 124+5. [SA89, cfn

comment on SA89, JRCN10]

K1987 Tambourine 127 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Tambourine 127 3 Cue: Add missing sharps where necessary to make A# and D#, to


K1987 Tambourine 127 5–6 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Tambourine 128 4 2 Cue: Add missing # to make C#, and change ANAT to A#, to


X K1987 Tambourine 104 1 1 Cue: These notes are Viol. pizz. [SA89

! D Snare Drum

(Tambour)




Snare Drum JRCN10, Phil92p, and SA89 were checked.

Balt9x, HS02, Kal07, Tor01, and Win96 have no comments.

K1987 Snare Drum 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

66

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ? K1987,

K1989

Snare Drum 94 5, 7 2 Add accent > [Phil92p, SA89], to match the similar spot at 98+5

and +7. The wavy line should be shortened, so it does not cover

these notes [BoSy13]

X K1987,

K1989

Snare Drum 98 5, 7 2 Add accent > [Phil92p], to match the score and the ms. The wavy

line should be shortened, so it does not cover these notes [BoSy13]

X K1987,

K1989

Snare Drum 100 Continuous cresc. sign to 101. [SA89, JRCN10] (Present in the

1987 edition.)

X K1987 Snare Drum 100–

102



X K1987 Snare Drum 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

K1987 Snare Drum 114 1–2 Cue: Add missing slur, covering both bars. [BoSy13]




X K1987 Snare Drum 120–

121



K1987 Snare Drum 121 10–14 Cue: Add missing slur, covering all five bars. [BoSy13]

X K1987 Snare Drum 122 1 1 The fff s/r ff. [SA89]

X K1987 Snare Drum 122 5 1 The fff s/r ff. [SA89]

K1987 Snare Drum 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Snare Drum 124 1 1 Animez peu à peu is here, not before. [BoSy13]

K1987 Snare Drum 124 1–5 Add dotted lines for Animez peu à peu. [BoSy13]

X K1987 Snare Drum 124 2–6 Do the correction for 124+4, then add numbers 2 through 6 for the

repeated figures here. [BoSy13]

!!! K1987 Snare Drum 124 4 2 The rest should be a note, as in the previous bars, to match the

repeat signs ( ) in the ms. Fix the score, too. [BoSy13]

X K1987 Snare Drum 127 1–4 Cue: Add missing sharps where necessary to make C#, D#, and A#,

to reflect the true pitches played. [SA89]


X K1987 Snare Drum 127 3–4 Cue: Add missing # where necessary to make G#. [SA89]

! D Cymbals Throughout the work many cues in [almost] all instruments do not



Cymbals JRCN10, Phil92p, and SA89 were checked.


X K1987 Cymbals 81 2 3& Cue: Add missing # to make F#. [BoSy13]

K1987 Cymbals 81 5–6 Cue: Add missing slurs, similar to the Bsn. cue two bars earlier.

[BoSy13]

K1987 Cymbals 91 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

! K1987 Cymbals 92 1 1 Add (2 Cymb.), to match the ms. [BoSy13]

X K1987 Cymbals 92 1 1 The staccato dot should be a wedge, as in the score. [BoSy13]

K1987 Cymbals 93 4 Cue: Add missing slur over whole bar. [BoSy13]

X K1987 Cymbals 93 4–6 Cue: Add missing sharps to make F# and C#. [BoSy13]

K1987 Cymbals 93 5–6 Cue: Add missing slur, which should cover the notes in both bars.

[BoSy13]

! K1987 Cymbals 94 1 1 Add (2 Cymb.), to match the ms. [BoSy13]

X K1987,

K1989

Cymbals 94 1 1 — f s/r ff. [Phil92p]

— Add missing tie/slur to end of bar. [SA89, Phil92p]

X K1987 Cymbals 94 5, 7 2 The staccato dots should be wedges, as in the score. [BoSy13]

X K1987 Cymbals 95 6, 8 1 Remove staccato dot, to match the score, and to match the ms.

[SA89]

67

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Cymbals 96 1 1& The staccato dot should be a wedge, to match the ms. (The score is

wrong, too.) [BoSy13]

X ? K1987 Cymbals 96 5 1& Add staccato dot to score, to match the parallel spot at 96+1? [cfn

comment on SA89] (Already in K1987 part.) (Removed from part,

to match ms. [BoSy13])

K1987 Cymbals 97 6 Cue: Add missing slur over the whole bar. [BoSy13]

X K1987 Cymbals 97 6–8 Cue: Add missing sharps where necessary to make C# and F#, to


K1987 Cymbals 97 7 1 Cue: Add missing slur over whole beat. [BoSy13]

K1987 Cymbals 97 7 2 Cue: Add missing slur over whole beat here, and ending at the end

of beat 1 of the next bar. [BoSy13]

K1987 Cymbals 97 8 2 Cue: Add missing slur over whole beat. [BoSy13]

X K1987 Cymbals 98 1 1 Add missing tie/slur to end of bar [cfn comment on SA89], to match

the ms. Missing also from the score. [BoSy13]

X K1987 Cymbals 98 5, 7 2 Wedges should be added, to match the similar spot at 94+5 and +7.

[BoSy13]

X K1987 Cymbals 100–

102



X K1987 Cymbals 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1989 Cymbals 100 1 2 Cue: Add missing #, to make F#. [BoSy13]

X K1989 Cymbals 100 2 2& Cue: Add missing #, to make C#. [BoSy13]

X K1989 Cymbals 100 4 1 Cue: Add missing #, to make C#. [BoSy13]

K1987 Cymbals 106 1–4 Cue: Add missing slur over all four bars. [BoSy13]

X K1987,

K1989

Cymbals 111 1 1 Add ppp to return to the starting dynamic, to match the ms., and to

match the upper strings. (Add to score, too.) [BoSy13]

X K1987 Cymbals 111 5 1 Add missing tie to next bar, to match the ms. [BoSy13]




X K1987 Cymbals 120–

121



X ? K1987 Cymbals 120 4, 5 Add editorial staccato dots, to match the spot six bars earlier.

[BoSy13]

N.B. K1987 Cymbals 122 1 1 Remove staccato dot, to match the score? [SA89] It was added to

the score, to match the printed part, to match most of the Winds

here, and to match subsequent spots in the ms. [cfn comment on

SA89]

N.B. K1987 Cymbals 122 4 1 Remove staccato dot, to match the score? [SA89] Add to the score,

to match the printed part, to match most of the Winds here, and to

match the ms. See 123. [cfn comment on SA89]

X K1987 Cymbals 124 1 1 Add missing Animez peu à peu. [BoSy13]

K1987 Cymbals 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Cymbals 126 5–8 Cue: Add missing accidentals to make Fx, C#, G#, D#, and A#.

[BoSy13]


X K1987,

K1989

Cymbals 129 -1 Add p. [SA89, JRCN10]

! D G.C.

(Bass Drum)




G.C.

(Bass Drum)

SA89 was checked.

Balt9x, JRCN10, HS02, Kal07, Phil92p, Tor01, and Win96 have no

comments.

68

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







K1987 G.C. 79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

X K1987 G.C. 79 3 3 Cue: Add missing tie to beat 4. [BoSy13]

K1987 G.C. 80 1 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 G.C. 80 2–3 Cue: Add missing slur, covering both bars. [BoSy13]


X K1987 G.C. 81 1 1 Add p to make ppp [SA89], to match the score and the ms.

[BoSy17]

X K1987 G.C. 82 1 The dim. hairpin should continue until beat 3 of the next bar.

[BoSy13]

! K1987 G.C. 90 Add missing treble clef, so the player knows what to make of the

cues. [BoSy13]

K1987 G.C. 90 1–2 Cue: Add missing slur, which should cover both bars. [BoSy13]

X K1987 G.C. 90 3 1 Cue: Add missing FLAT, to make BFLAT. [BoSy13]

X K1987 G.C. 94 5, 7 2 Replace staccato dots with wedges [BoSy13], to match all other

lines, including the Cymbals. [BoSy13]

X ? K1987 G.C. 95 6, 8 1 Change f to mf, to match the Timp. in the ms.? [BoSy13]

! K1987 G.C. 96 1 End Add missing Bass clef, so the player knows what to make of the

cues. [BoSy13]

K1987 G.C. 97 1, 2 1 Cue: Add missing #, to make F#. [BoSy13]

X K1987 G.C. 98 5, 7 2 Replace the staccato dots with wedges, to match the previous spot

at 93+5 and +7. [BoSy13]

X K1987 G.C. 100–

102



X K1987 G.C. 100 1 1 Add missing Animez peu à peu. [BoSy13]

X K1989 G.C. 100 1 2 Cue: Add missing #, to make F#. [BoSy13]

X K1989 G.C. 100 2 2& Cue: Add missing #, to make C#. [BoSy13]

X K1989 G.C. 100 3 1& Cue: BNAT. s/r G, down a third. [BoSy13]

X K1989 G.C. 100 4 1 Cue: Add missing #, to make C#. [BoSy13]

X ?? K1987 G.C. 102 -1 End Add editorial accent, to match the WWs and Brass? [BoSy13]

X K1987 G.C. 103 1 The cresc. hairpin should begin one bar later. [BoSy13]

K1987 G.C. 115 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

K1987 G.C. 115 5–8 Cue: Add missing staccato dot for each note, where necessary.

[BoSy13]


K1987 G.C. 117 5–6 Cue: Add missing staccato dot for each note. [BoSy13]


K1987 G.C. 119 5–6 Cue: Add missing staccato dot for each note. [BoSy13]

! K1987 G.C. 119 6 The Cue is for Gde Fl. [BoSy13]


X K1987 G.C. 120–

121



X K1987 G.C. 124 1 1 Add missing Animez peu à peu. [BoSy13]

K1987 G.C. 124 There should be dots for Animez peu à peu, continuing until 125,


X ? K1987 G.C. 130 11 1 Add wedge, to match other lines. [BoSy13]

! D Crotales Throughout the work many cues in [almost] all instruments do not



Crotales Balt9x, HS02, JRCN10, Kal07, Phil92p, SA89, Tor01, and Win96

have no comments.

K1987 Crotales 78 -1 Cue: Add missing slur from beat 2 to beat 6, to match the ms. (and

now the Vln. 1 in the score and parts). [BoSy13]

69

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Crotales 111 1 1 Add ppp to return to the starting dynamic, to match the ms., and to

match the upper strings. (Add to score, too.) [BoSy13]

X K1987 Crotales 127 1–6 Cue: Add missing sharps where necessary to make C#, D#, and A#,

to reflect the true pitches played. [BoSy13]

X K1987 Crotales 127 3–4 Cue: Add missing # where necessary to make G#. [BoSy13]

X K1987 Crotales 127 6 2& Cue: Add missing NAT. to make GNAT. [BoSy13]

X K1987 Crotales 128 1–2 Cue: Add missing sharps where necessary to make C#, D#, G#, and

A#, to reflect the true pitches played. [BoSy13]

X K1987 Crotales 129 5 Cue: Add missing sharps where necessary to make C# and D#.

[BoSy13]

D Jeu de Timbres Throughout the work many cues in [almost] all instruments do not

have the correct pitches. … [PC07, JRCN10] But in this part, all the

pitches are right. [BoSy13]

Jeu de Timbres Balt9x, HS02, JRCN10, Kal07, Phil92p, SA89, Tor01, and Win96

have no comments.

K1987 Jeu de Timbres 115 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]



X K1987 Jeu de Timbres 120–

121



K1987 Jeu de Timbres 129–

130

Cue: Add missing slur, covering all these bars. [BoSy13]

X H2010 Houston

perc score

92

94

94

1

5

7

Cymb.: Add missing wedge accent [BoSy13]

X H2010 Houston

perc score

94 5, 7 2 Tamb.: Add accent >, to match the similar spot at 98+5 and +7.

[BoSy13]

X H2010 Houston

perc score

96 1 1& Cymb.: The staccato dot should be a wedge, to match the ms. (The

orchestra score is wrong, too.) [BoSy13]

X H2010 Houston

perc score

96 5 1& Cymb.: Remove the staccato dot, to match the ms., and to match the

orchestra score. [BoSy13]

X K1987 Houston

perc score

100–

102



!! H2010 Houston

perc score

100 1–4 2 T. de Basque: The rests should each be a quarter note. (Two notes

per bar starting at 100.) [BoSy13]

H2010 Houston

perc score

101 1 1 — T. de Basque: The quarter note should be an 8th note plus 8th rest.

[BoSy13]

— Cymb.: Add missing staccato dot. [BoSy13]

X H2010 Houston

perc score

111 1 1 Cymb., Crotales: Add ppp to return to the starting dynamic, to

match the ms., and to match the upper strings. [BoSy13]

X H2010 Houston

perc score

111 5 1 Cymb.: Add missing tie to next bar, to match the ms. [BoSy13]

X K1987 Houston

perc score

120–

121



X ? Houston

perc score

120 4, 5 Cymb.: Add editorial staccato dots, to match the spot six bars

earlier. [BoSy13]

N.B. H2010 Houston

perc score

120 4, 5 Cymb.: The staccato dots are not in the score or the ms., but are a

good idea. [BoSy13]

X ? H2010 Houston

perc score

122 1 1 — Tamb.: The quarter note should be an 8th note plus 8th rest.

[BoSy13]

— Cymb.: Add staccato dot, to match most of the Winds here, and

to match subsequent spots in the ms.? [BoSy13]

70

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X H2010 Houston

perc score

122 5 1 — Tamb.: The quarter note should be an 8th note plus 8th rest.

[BoSy13]

— Cymb.: Add staccato dot, to match most of the Winds here, and

to match the ms. [BoSy13]

X Houston

perc score

123 -4 1 Cymb.: Add staccato dot to full score, to match the printed part, to

match most of the Winds here, and to match the ms. [cfn comment

on SA89]

X H2010 Houston

perc score

123 1 1 Cymb.: Add staccato dot, to match the score, and to match the ms.

[BoSy13]

X H2010 Houston

perc score

123 1–4 1 Tamb.: The quarter note should be an 8th note plus 8th rest.

[BoSy13]

K1987 Houston

perc score



X H2010 Houston

perc score

124 1 Triangle and Tambourine: Start the cresc. hairpin here, at the same

spot as Tambour etc. [BoSy13]

!!! Houston

perc score

124 4 2 Tamb.: The rest should be a note, as in the previous bars, to match

the repeat signs ( ) in the ms. [BoSy13]

X H2010 Houston

perc score

125 1 1 Triangle: Half note should be a quarter note plus quarter rest.

[BoSy13]

X H2010 Houston

perc score

130 11 1 T. de Basque: The orchestral score has no wedge on the last note for

this instrument. [BoSy13]

Harps 1 & 2 JRCN10 and SA89 were checked. Balt9x, HS02, Kal07, Phil92p,

Tor01, and Win96 have no comments.

The pedal changes in the score and parts are incomplete. Parts

need them. Remove all pedals in the score. Parts with complete

pedals changes marked are available. [email protected]

D Harps 1 & 2 Throughout the work many cues in [almost] all instruments do not

have the correct pitches. … [PC07, JRCN10] Exceptionally, this

part is OK in that respect. [BoSy13]

K1987,

K1989

Harp 1 70 5 RH: Add a quarter rest and a half rest. LH: Change the two quarter

rests to a half rest. Should be like 71+1 and +6. [Harp09]

X K1987 Harp 1 70 5 1& RH: Remove the blob, which might be mistaken for a staccato dot.

[BoSy13]

K1987 Harp 1 72 1 1& RH: Clarify FLAT for DFLAT. [BoSy13]

X K1987,

K1989

Harps 1 & 2 74 -4 Un peu retenu is actually at 74-1. [Harp09]

K1987,

K1989

Harp 1 74 1 LH: Change to Bass clef; and add a Bass clef at the end of the

previous measure. (No need to put in a treble and then a Bass clef

before the first note.) Fix the key signature. [Harp09]

X K1987,

K1989

Harp 2 76 1 1 — Add f [Harp09], to match the ms. [BoSy13]

— Start the dim. hairpin at the top note of the gliss., to match the

ms., and to match the similar spot in the next bar. [BoSy13]

N.B. K1987,

K1989

Harp 2 76 2 Harp09 writes that the dim. hairpin to start right after the mf, but the

ms. clearly shows that the dim. hairpins here and in the previous bar

start at the high note of the gliss. [BoSy13] YES dim on the down

gliss. only. CFN.

X ? K1987 Harps 1 & 2 77 3–6 Add dynamics editorially, to match the violins? (See score.)

[BoSy13]

K1987K19

89

Harps 1 & 2 77 6 2 Mark page turn V. S. [Harp09]

X K1987

K1989

Harp 2 78 1 2& Clarify that the sign before the mf is a dim. hairpin, not an accent >.

[Harp09]

X K1987 Harp 2 78 1 4 The dim. hairpin here should continue through the next bar.

[BoSy13]

71

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ?? K1987K19

89

Harps 1 & 2 78 5 3 The cresc. hairpin should start at beat 4, to match the score and the

ms. [BoSy17; Harp09 is in error with beat 3]

K1987K19

89

Harp 2 81 -1, -2 1 Remove the superfluous p from each of these bars. [Harp09]

! K1987K19

89

Harp 1 81 1 RH: Add # to make B#. (Should be a C-major chord.) [_____;

SA89 writes to change the B to a C; Harp09 writes to change the

LH to Bass clef.]

K1987 Harp 1 81 5–6 Cue: Add missing slur, covering both bars. [BoSy13]

K1987

K1989

Harps 1 & 2 92 1 1 Mark cue Bons/Tuba as the tuba is easier to hear. [Harp09]

K1987 Harp 1 92 2 1 Cue: Add missing slur, covering the two 16th notes. [BoSy13]

X K1987

K1989

Harps 1 & 2 93 3 2 Cue: Fix slur – see score. [Harp09]

!!! K1987 Harps 1 & 2 94 3 Remove erroneous 95. [BoSy13]

K1987K19

89

Harps 1 & 2 94 7 2 Mark page turn TIME. [Harp 09, who had it as 95+5.]

!!! K1987 Harps 1 & 2 95 Reh. no. 95 should be 8 bars before 96, in the first bar of page 6.

[BoSy13]

X ? K1987 Harp 1 95 5 1 Change f to mf, to match the ms., and to emphasize the two-

measure swell? [BoSy13]

X ? K1987 Harps 1 & 2 95 7 Repeat the dynamics of 95+5, to match the repeat signs in the

rest of the orchestra in the ms.? [BoSy13]

! K1987 Harp 1 95 8 2& Add missing miNAT. — solNAT. [BoSy13] Add all of the pedal

changes to the parts only.

X K1987 Harps 1 & 2 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Harps 1 & 2 100–

102



X K1987

K1989

Harp 2 100 2–4 Add missing cresc. hairpin, ending at 101. (Remove the f and the

cresc. hairpin one bar before 101.) [SA89, JRCN10, also thus in the

ms. [BoSy]; Harp09 writes to add the f to the score.]

K1987 Harp 1 102 8 1 Cue: Add missing slur, covering the two 16th notes. [BoSy13]

K1987K19

89

Harps 1 & 2 103 1-5 Mark the measures 1,2,3,4,5. [Harp09] The 6th measure at 103+6

should also be marked. [BoSy17]

K1987K19

89

Harps 1 & 2 103 8 Mark page turn, TIME. [Harp09]

X K1987

K1989

Harp 1 104 1 etc LH: Put both harmonic circles under all the notes. Same

throughout the work. [Harp09]

X K1987K19

89

Harp 1 106 7 Open the dim. hairpin, which continues into the next measure.

[Harp09]

X ? K1987 Harp 1 107 1 1 Add pp, to match the similar spot at 111? [BoSy13]

X ? D, K1987,

K1989

Harps 1 & 2 109 Why did the engraver not continue the previous pattern with F# in

the Harp I on beat 3, and C# in Harp II on beat 6? [Harp09] Good

question, as the ms. has repeat signs throughout this passage.

[BoSy13]

K1987 Harps 1 & 2 109 3–8 The ms. continues the pattern of F# on beat 3 and GFLAT on beat 6

(Harp 1) and DFLAT on beat 3 and C# on beat 6 (Harp 2). The

same applies to 110–111. This should be corrected in a new edition.

[BoSy13]

X K1987,

K1989

Harp 2 111 1 RH: Remove the Bass clef. [Harp09] (Should actually be removed

from both Harp 2 lines. [BoSy17])

X K1987,

K1989

Harp 2 111 10 LH: In the margin fix the nat.-signs to be in Bass clef. [Harp09]

(But if the bass clefs were removed at 111+2, then there is no need

to fix the accidentals. [BoSy17])

72

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987,

K1989

Harp 2 112 1 1 LH: Treble clef s/r Bass clef. [Harp09]

K1987 Harp 2 112 5 1 Cue: Add missing accent >. [BoSy13]

K1987,

K1989

Harp 2 115 5 1 Add a cautionary (p). Harp 1 is mf. Harp 2 stays p. [Harp09]

K1987,

K1989

Harp 2 116–

118

Number the measures 1 to 13. [Harp09]

K1987,

K1989

Harps 1 & 2 116 1 1 The à2 would be clearer if placed above the staff. [Harp09]

K1987,

K1989

Harps 1 & 2 118 1 1 The à2 would be clearer if placed above the staff. [Harp09]

X K1987 Harps 1 & 2 120–

121



K1987,

K1989

Harp 1 122 - 2 1 Add a cautionary f. [Harp09]

K1987 Harp 1 122 7 Cue: The slur starts here and continues over the page turn.

[BoSy13] (I added a slur in the next bar, starting on the last note of

this bar, and continuing over the page break.)

K1987,

K1989

Harp 1 122 8 Add slur on the cue into measure 9. [Harp09] Cf. previous item.

K1987 Harp 1 123 1 Cue: Add missing slur, continuing from previous page. [BoSy13]

K1987 Harps 1 & 2 124 -1 Remove Animez here, and replace with Animez peu à peu at

124+1, to match the score. Then add dots continuing until 125, to


! K1987 Harp 1 124 1 Add missing UtNAT. RéNAT. FaNAT. LaFLAT SiFLAT.

[BoSy13]

X K1987 Harp 1 124 3 1 Change f to mf, to match the ms., and to better fit the crescendo.

Fix the score, too. [BoSy13]

! K1987,

K1989

Harp 2 125 -1 Add missing Ut#. [Harp09]

X K1987 Harp 1 125 1 1 Add missing ff. [BoSy13]

! K1987 Harps 1 & 2 125 2 Add missing LaNAT. [BoSy13]

K1987,

K1989

Harps 129 5–8 Cue: Add missing slur, covering all four bars. [BoSy13] Or to put it

another way: Add slur to the cues as in the style of this engraving.

[Harp09, for 129+5 and +6.]

! K1987 Harps 1 & 2 130 1 2 Add missing NAT., to make ANAT. [BoSy13; SA89 says to change

the key signature to C to eliminate the A#]

Celesta SA89 was checked.


comments.

! D Celesta Throughout the work many cues in [almost] all instruments do not



K1987 Celesta 71 -1 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 Celesta 73 3 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 Celesta 73 4–5 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Celesta 74 7 1 Cue: Add missing NAT., to make ANAT. [BoSy13]

X K1987 Celesta 76 2 4–6 Add missing dim. hairpin, to match the ms. (Missing from the score,

too.) [BoSy13]

K1987 Celesta 77 -2 Retenu is actually at 77-1. [BoSy13]

K1987 Celesta 77 4 Cue: Add missing slur, covering the entire bar. [BoSy13]

K1987 Celesta 78 -1 Cue: Add missing slur from beat 2 to beat 6, to match the ms. (and

now the Vln. 1 in the score and parts). [BoSy13]

! K1987 Celesta 78 1 End Add missing bar line. [SA89]



73

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K1987 Celesta 115 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Celesta 117 1–4 This cue is the Htb. [BoSy13]


X K1987 Celesta 119 1–4 This cue is the Cl. [BoSy13]


X K1987 Celesta 120–

121



K1987 Celesta 120 1–3 Cue: Add missing slur, covering all three bars. [BoSy13]

X K1987 Celesta 120 4 Remove the staccato dots, to match score. [SA89]

Violin 1 JRCN10 and SA89 were checked. Balt9x, HS02, Kal07, Phil92p,

Tor01, and Win96 have no comments.

! D Violin 1 Throughout the work many cues in [almost] all instruments do not



X K1987 Violin 1 x 74 -2 Un peu retenu is actually at 74-1. [BoSy13]

K1987 Violin 1 74 3 1–4 Cue: Add missing slur. [BoSy13] Added, including missing tie from

previous bar.

K1987 Violin 1 74 4 6 Cue: Add missing slur starting here, and ending at beat 4 of the next

bar. [BoSy13]

X K1987 Violin 1 77 -1 Add missing Retenu. [BoSy13]

! K1987 Violin 1 77 2 4–6 These notes should be Div. en 2, to match the score, and to match

the ms. [BoSy13]

X K1987 Violin 1 78 -1 All three staves: Add missing slur from beat 2 to beat 6, to match

Vln. 2 (and the ms.). [BoSy13]

X K1987 Violin 1 78 1 Lower half: Add missing dim. hairpin. [SA89]

X K1987 Violin 1 79 -4 Retenu should be at 79-1. [BoSy13]

K1987 Violin 1 79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

X K1987 Violin 1 79 3 3 Cue: Add missing tie to beat 4. [BoSy13]

K1987 Violin 1 79 4 4–6 Cue: The slur should only be on beats 4–5. [BoSy13]

X K1987,

K1989

Violin 1 82 2 1-2 LS: add slur [from] C to ENAT. [JRCN10]

X ? K1987 Violin 1 82 2 3 Add sur la touche? (See lengthy note for the score at this point.)

[BoSy13] (BoSy13 added it in the score and parts.)

K1987 Violin 1 91 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Violin 1 91 3 3 Add an editorial sur la touche, to match the score for the Vln. 2 LS

in the previous bar. [BoSy13; the addition is also implied by jeu

ord. at 92+1.]

X K1987 Violin 1 92 1 1 The staccato dot should be a wedge. [BoSy13]

X K1987 Violin 1 94 5, 7 2 The staccato dot should be a wedge. [BoSy13]

X K1987 Violin 1 94 6 2 Add missing dim. hairpin on the first two 16th notes, to match the

score, and to match the similar spot at 94+1. [BoSy13]

X K1987 Violin 1 98 5, 7 2 Both staves: The staccato dots should be wedges, to match the ms.,

and to match the score. [BoSy13]

X K1987 Violin 1 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Violin 1 100–

102



X K1987 Violin 1 102 1 2& US: Add missing accent >. [SA89]

X K1987 Violin 1 102 2 2 US: Add missing accent >. [SA89]

X K1987 Violin 1 102 3 Clarify that the dim. hairpins apply to the US only. [BoSy13]

X K1987 Violin 1 102 3 1& US: Add missing accent >. [SA89]

X K1987 Violin 1 102 5–7 1& Add missing dim. hairpin. [SA89]

X ? K1987 Violin 1 107 -1 4 US: Add pp, to match the similar spot at 111-1? [BoSy13]

74

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X ? K1987 Violin 1 107 1 1 LS: Add ppp, to match the similar spot at 111? [BoSy13]

X K1987 Violin 1 107 5 1 LS: Add missing accent >. [SA89]

X K1987 Violin 1 110 3 Remove dim. hairpin, which should start in next bar. [SA89]

X K1987 Violin 1 111 -1 LS: Add missing dim. hairpin (to ppp). [BoSy13]

X K1987,

K1989

Violin 1 111 1 1 LS: Add missing wedge [Phil92s], to match the ms. [BoSy13]

X K1987 Violin 1 111 4 1 US: Add missing accent >. [SA89]

X K1987 Violin 1 111 6 Dim. hairpin should be continuous from here until the end of the

figure, as in the ms. [BoSy13]

K1987 Violin 1 115 1–4 Cue: Add missing slur, covering all four bars. [BoSy13]

X K1987 Violin 1 115 3 2& Cue: The last note s/r A, up a step. [BoSy13]

X K1987 Violin 1 117 1 2& Cue: Add missing dot, to make dotted quarter note. [BoSy13]



X K1987 Violin 1 120–

121



X K1987 Violin 1 122 3 End Both staves: Clarify that the slur extends over the line break.

[BoSy13]

X K1987 Violin 1 122 3, 7 1 Both staves: Add missing up bow ⋁ [SA89]

X K1987 Violin 1 122 7–8 1 Both staves: Both bars should be under one slur [SA89]

X K1987 Violin 1 122 8 1 Add missing cresc. hairpin (continuing from previous bar). [SA89]

X K1987 Violin 1 123 -1 1 Remove erroneous ff [SA89]

X K1987 Violin 1 123 4 The dim. hairpin should continue to the end of the bar. [BoSy13]

K1987 Violin 1 124 There should be dots for Animez peu à peu, continuing until 125,


K1987 Violin 1 124 1 1 LS: Add caution parentheses around arco. [BoSy13]

! K1987 Violin 1 124 6 1& US: BFLAT s/r AFLAT [SA89]


Violin 2 JRCN10, Kal07, Phil92p, SA89, and Tor01 were checked.

Balt9x, HS02, and Win96 have no comments.

! D Violin 2 Throughout the work many cues in [almost] all instruments do not



X K1987 Violin 2

73 1–3 Two Upper Staves: The dim. hairpin should be continuous, to match

the score and the ms., and to match the two Lower Staves.

[BoSy13]

! K1987 Violin 2

73 3 1 US: Add missing FLAT to make AFLAT. [BoSy13]

X K1987 Violin 2

74 1 1 Add missing toujours sur la touche between the staves, after ppp.

[BoSy13]

K1987 Violin 2

75 5 Cue: — Add missing NAT. at beat 1, to make BNAT. [BoSy13]

— Add missing tie from previous bar. [BoSy13]

K1987 Violin 2

75 5–6 Cue: Add missing slur, starting in the previous bar of rest, and

ending on the last note of the cue. [BoSy13]

X K1987 Violin 2

77 -2 Retenu is actually at 77-1. [BoSy13]

! K1987,

K1989

Violin 2

77 1–2 Add missing slurs from 77+1, beat 1, to +2, beat 3&. [SA89,

JRCN10]

! K1987 Violin 2

77 2 4–6 Should be evenly divided Divisés en 2, to match score. [BoSy13]

! K1987,

K1989

Violin 2

77 2 4 to 6 [In both lines,] slur beat 4 to 6 like Vln. 1 [SA89, JRCN10], to


75

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! K1987 Violin 2

77 3 1 Should be Divisés en 3 again. [BoSy13]

X K1987 Violin 2

77 3 End The dim. hairpins should be open, to indicate continuation into the

next bar. [BoSy13]

X K1987 Violin 2

77 5–6 LS: Add cresc. hairpin [BoSy13]

! K1987,

K1989

Violin 2

77 6 2–6 Should be evenly divided Divisés en 2, to match score. [Tor01]

! K1987 Violin 2

77 6 End US: Add Div. at end of bar, with lines to UL and ML at 78. (At

78+1, the upper two lines are the US divisi from the score.)

[BoSy13]

X K1987,

K1989

Violin 2

78 1 UL, ML: Add missing dim. hairpin over two bars (78+1 and +2)

[Tor01]

X K1987,

K1989

Violin 2

78 1 1–4 LS: Add missing slur. [Phil92p]

X K1987,

K1989

Violin 2

78 1 2–3 LS: Add missing dim. hairpin. [cfn comment in SA89; Phil92p]

X K1987 Violin 2

79 -1 Add missing Retenu. [BoSy13]

K1987 Violin 2

79 1–2 Cue: Add missing slur, which should end on the first note of 79+2.

[BoSy13]

X K1987 Violin 2

79 3 — Add missing jeu ord. [SA89]

— Add missing up bow ⋁ [cfn comment in SA89]

! K1987 Violin 2

80 1 1 Add missing 1er Mouvt. [BoSy13]

X ?? K1987.

K1989

Violin 2

81 1 Add missing [q.n.] = 50? (To match the score and the ms.)

[BoSy17]

K1987 Violin 2

82 2 1 The dim. hairpin should start right after the p. [BoSy13]

X ? K1987 Violin 2

82 2 3 Add sur la touche? (See lengthy note for the score at this point.)

[BoSy13] [Added to Vln. 1 & 2]

X K1987 Violin 2

90 3 1 Cue:

— Add missing FLAT to last note, to make BFLAT. [BoSy13]


— Add missing accents > to the first four notes. [BoSy13]

X K1987 Violin 2

91 -1 2 Cue:


— Add missing accents > to the first four notes. [BoSy13]

K1987 Violin 2

91 -1 3 Cue: Add missing tie to the next bar. [BoSy13]

K1987 Violin 2


N.B. K1987 Violin 2

91 2 3 LS: The cresc. hairpin is correct; it is present in the ms. [BoSy13.

X K1987 Violin 2 92 -2 — US: Add sur la touche at beat 1, to match the score for the Vln.

2 LS in the previous bar. [BoSy13; the addition is also implied by

jeu ord. at 92+1.]

— LS: The cresc. hairpin should be under the whole bar, ending at

the p on beat 3, to match the ms.; note that it continues from the

previous measure, so should be open at the left. [BoSy13]

X K1987 Violin 2 92 1 1 Both staves: The staccato dots should be wedge accents. [BoSy13]

76

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X ? K1987 Violin 2 93 3–5 Should there be one slur for each beat, to match the ms., and to

match the other string lines with 16th notes which start at beat 2? (If

so, fix score too.) Cf. 97+3-5. [BoSy13]

X K1987,

K1989

Violin 2

95 6 Cresc. hairpin s/r dim. hairpin [SA89, JRCN10]

! K1987,

K1989

Violin 2

96 5 1& LS: C# s/r CNAT. [Kal07]

X ? K1987 Violin 2 97 5–7 Should there be one slur for each beat, to match the ms., and to



X K1987 Violin 2 100 1 1 Animez s/r Animez peu à peu. [BoSy17]

X K1987 Violin 2 100–

102



! K1987 Violin 2 100 3 1 LS: The second 16th note s/r A, not B. It should be the same note as

in the previous measure. [BoSy13]

X K1987 Violin 2 101 6–8 1 The cresc. hairpin should be continuous through all three bars, to

match the ms. and the score. [BoSy17]

X K1987,

K1989

Violin 2

101 7 1 Add mf [Phil92p].

X ? K1987 Violin 2

107 -1 1 US: Add pp, to match the similar spot at 111-1? [BoSy13]

X ? K1987 Violin 2

107 1 1 LS: Add ppp, to match the similar spot at 111? [BoSy13]

X K1987 Violin 2

107 5, 7 1 Both staves: Add missing accents > [SA89]

X K1987 Violin 2

111 1 1 LS: Add missing dim. hairpin from previous bar [BoSy13]

X K1987 Violin 2

111 5 1 Both staves: Add missing accents > [SA89]

X K1987 Violin 2

111 6 Dim. hairpin should start here, and continue to the rest at 112-1.

[BoSy13]

X K1987 Violin 2 111 6 1 LS: Add missing accent > [SA89]

X K1987 Violin 2 120–

121



X K1987 Violin 2 122 3, 7 1 Both staves: Add missing up bow ⋁ [SA89]

X K1987 Violin 2 122 7–8 1 Both staves: Both bars should be under one slur. [SA89]

! K1987 Violin 2 123 1 2 UL: The D# s/r G(#) (same pitch as the first note of the bar), to


K1987 Violin 2 124 There should be dots for Animez peu à peu, continuing until 125,


! ? K1987 Violin 2 125 4 2 — The printed part assigns the notes from the score to the UL and

ML of the three-part divisi; would it not be more logical for only

one line to play these notes (including the final BNAT. in the next

bar)? [BoSy13, who chose the ML, and added a three-part divisi

for the final ML note in the next bar.] YES CFN

— Whichever line the notes are in, the missing slur must be added

on the first two 16th notes. [Phil92p]

77

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! K1987,

K1989

Violin 2 126 1 1 Several points need correcting. In the score, it is not clear to which

divisi line the 8th note BNAT. belongs (see previous note), and

depending on how one decides that question, some of the following

errors will be corrected differently.

— Add missing ppp for the 8th note, to match the Vla. LS.

[JRCN10]

— Clarify that the BNAT. is ML only [BoSy13]; or UL and ML

[JRCN10, conforming with the printed parts]; or the UL only.

USE ML part only cfn

— In margin: “Vons” are “2ds Vons” [BoSy13]; or the US is “1ers

Vons” and the LS is “2ds Vons” [Kal07; JRCN10] (and Div. must be

removed).

X K1987 Viola JRCN10, Phil92p, and SA89 have been checked.


! D Viola Throughout the work many cues in [almost] all instruments do not



In the Viola part, an accidental must be fixed in fully half the cues

— namely in 1 out of 2! [BoSy13]

X K1987 Viola 73 3 1 Bottom two staves: Remove pp, which in the score pertains to the

US, not the LS. (Confirmed by the ms.) [BoSy13]

K1987 Viola 74 1 Add (sur la touche). [FW06]

! K1987,

K1989

Viola 76 1 4–6 Eighth notes s/r dotted eighth notes. [SA89, JRCN10]

X K1987 Viola 76 3 — Remove the dynamics from the LS, so that the dynamics above

the staff apply. [BoSy13]

— Move the p down from right under the MS to right in front of the

dim. hairpin. [BoSy13]

! K1987 Viola 76 3 2 LS: G(FLAT) s/r E(FLAT), down a third. [BoSy13]

X ?? K1987,

K1989

Viola 78 5 3 The cresc. hairpin should start at beat 4, to match the score and the

ms. [BoSy17; Check string parts.

X K1987 Viola 79 1 1 The ms. has très espressif. Add très to the score and printed part to

match. [BoSy13]

X K1987 Viola 79 3 4 The dim. hairpins should begin right after the mf. [BoSy13]

X ? K1987 Viola 79 4 2–3 All staves: Add a slur, to match the ms.? (See next item, too.) If so,

add it to the score, too. [BoSy13]

X ? K1987 Viola 79 4 4–6 All staves: Extend the slur to cover all three beats, to match the

(admittedly sloppy) ms.? (See previous item, too.) If so, do it in the

score, too. [BoSy13]

! K1987,

K1989

Viola 82 2 1–2 US: Add slur [from] C to ENAT. [JRCN10]

X ? K1987 Viola 82 2 3 Remove sur la touche? (See lengthy note for the score at this

point.) [BoSy13]

X K1987 Viola 90 3 1 Cue: Add missing FLAT to last note, to make BFLAT. [BoSy13]

X K1987 Viola 91 1 2 LS: Clarify the NAT. on the sixth note (FNAT.). [BoSy13]

X K1987 Viola 92 -1 3 Add missing mf. [SA89]

K1987 Viola 93 3 LS: Add missing cresc. hairpin from here to the end of the line.

[BoSy13]

X ? K1987 Viola 93 3–5 LS: Should there be one slur for each beat, to match the ms., and to



X K1987 Viola 95 3 The cresc. hairpin should begin one bar earlier, to match the ms.,

and to match the other string lines. [BoSy13]

78

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K=Kal

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N.B. K1987 Viola 95 3 Both staves: It was totally unnecessary for the engraver to print the

chords again. Repeat signs would have been sufficient.

[BoSy13] Repeat signs added in pencil above the US.

X K1987 Viola 95 5, 8 1, 2 LS: Add missing dim. hairpins on the first two 16th notes of each

figure, as in the US. [BoSy13]

X K1987 Viola 96 1 1& Clarify CNat. (Bad printing.) [BoSy13]

X ? K1987 Viola 97 5–7 LS, US (+5 only): Should there be one slur for each beat, to match

the ms., and to match the other string lines with 16th notes which

start at beat 2? (If so, fix score too.) Cf. 93+3-5. [BoSy13]

!!! K1987 Viola 99 2–3 1 US: Use this paste-over in order to fix one triple-stop, to match the

ms. [BoSy13]:

X K1987 Viola 100–

102

US: The dots for Animez peu à peu should continue until 102,

according to the ms. [BoSy13] Added “jusqu’à 102”

X K1987,

K1989

Viola 101 5 1 LS: Add clarifying arco. [Phil92p]

X K1987 Viola 102 2 2& LS: Add missing accent > on last note. [SA89]

X K1987 Viola 102 3 1& LS: Add missing accent >. [SA89]

X K1987 Viola 102 3 2& US: Add missing accent >. [SA89]

X K1987 Viola 102 5 — US: The dim. hairpin should start at the last 16th note of the bar,

to match the ms. [BoSy13]

— LS: Add missing dim. hairpin starting at beat 1 here, and

continuing through the first two 16th notes in the next bar. Note that

the extra dim. hairpin for those two 16th notes should remain, as in

similar figures elsewhere. [BoSy13]

X ?? K1987 Viola 102 6 2 US: Change the four 16th notes to three 16th notes plus a 16th rest?

Although the ms. and the printed score agree on four 16th notes, this

change would allow the last notes of this figure to match the last

notes of other string instruments with a similar line. [BoSy13]

X K1987 Viola 103 7–8 Between MS and LS, there should be one dim. hairpin for both

bars, ending with pp on the last note of the figure. [BoSy13]

X K1987 Viola 107 5, 6 1 LS: Add missing accent >. [BoSy13]

X K1987,

K1989

Viola 107 6 2 LS: Remove dot. [SA89; JRCN10]

X K1987 Viola 107 6–7 The dim. hairpin should be continuous until 108. [BoSy13]

X K1987 Viola 108 -1 1 Both staves: Add missing accents >. [SA89]

X K1987 Viola 109 3 1 Remove superfluous pp. [BoSy13]

X K1987 Viola 110 1 1 Remove superfluous pp, or put in parentheses. [BoSy13]

X K1987 Viola 111 5 1 US: Add missing accent >. [SA89]

X K1987 Viola 111 6 Dim. hairpin should:

— be continuous until 112. [BoSy13]

— start at beat 1. [BoSy13]

X K1987 Viola 111 10 1 LS: Add missing accent >. [SA89]

X K1987 Viola 115 1 1 Both staves: Add missing accents >. [BoSy13]

X K1987 Viola 116 2 1 Add (p) in parentheses [for the LS]. [SA89]

X K1987 Viola 118 1 2 — Add missing p [SA89]

— Put p in next bar in parentheses (for the LS). [BoSy13]

79

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X K1987 Viola 119 5, 6 1 US: Add missing accent >, to match score and ms. [BoSy13]

K1987 Viola 120–

121



X ? K1987 Viola 120 -1 1 The p in the score applies to the LS, and is not in the ms. See the

note for this spot in the score. If the p is added editorially to the

US, it may remain as is in the printed part. However, if it is moved

down one line in the score, then it must also be moved beneath the

LS here. [BoSy13: We moved the p beneath the LS.]

K1987 Viola 121 6, 8, 10 1 LS: Add courtesy NAT. for the ANAT. [BoSy13]

!!! ??? K1987 Viola 121 6, 8, 10 2 LS: See the lengthy note in the score errata on the question of which

pitch is to be played here. It boils down to: E or C? In any case,

because of at least one misprint in the part, the pitches must be

checked and corrected as necessary. [BoSy13]

BoSy13 has added a note in pencil in the first stand part, to

explain that the two C’s (in +6 and +8) and the E in +10 are E’s

in the ms. and C’s in the score; and to ask if the E’s in the four

bars before 122 should be changed to C’s.

X K1987,

K1989

Viola 122 -2 Cresc. starts here, not previous measure. [SA89, JRCN10]

X K1987 Viola 122 3, 7 1 Both staves: Add missing up bow ⋁ . [cfn comment on SA89]

! K1987,

K1989

Viola 122 7 1 LS: Add arco. [cfn comment on SA89; JRCN10]

X K1987 Viola 122 7–8 1 Both staves: Both bars should be under one slur. [SA89]

! K1987 Viola 123 1 1 US: Add missing flag for the 8th note. [BoSy13]

X K1987 Viola 123 1 2 US: Add missing p. [SA89, which mistakenly said 123+2]

K1987 Viola 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Viola 124 1 1 US: Add missing p [SA89]

K1987 Viola 124 5 US: Actually, this bar could also have had a repeat sign , but as

Ravel wrote the chords out in the ms., so too wrote the copyist the

chords out here. [BoSy13]

X K1987 Viola 125 1 1 LS: Add arco. [BoSy13]

X K1987,

K1989

Viola 126 1 1 US: ppp s/r pp [SA89, JRCN10]

! K1987,

K1989

Viola 126 1 1 — Move arco note from MS to LS. [FW06, who also suggests

moving Div. en 2 back one bar.]

— Make clear that the LS note is the last of Div. en 3, and the US

notes are the first of Div. en 2. [BoSy13]

— LS: Add missing ppp. [JRCN10]

— LS: Add dim. hairpin under 126-1 and -2. [BoSy13]

X K1987 Viola 126 2 1 LS: Add pp. [cfn comment on SA89]

Cello Balt9x, JRCN10, Phil92p, SA89, and Tor01 have been checked.

HS02, Kal07, and Win96 have no comments.

! D Cello Throughout the work many cues in [almost] all instruments do not

have the correct pitches. … [PC07, JRCN10] But in this part, all the

pitches are right. [BoSy13]

X K1987 Cello 73 4 The high point of this swell should be on beat 3 of this bar.

[BoSy13]

K1987 Cello 74 1 Add (sur la touche). [FW06]

K1987 Cello 74 8 The 8 (for the 8th bar of the figure) is missing. [BoSy13]

! K1987,

K1989

Cello 76 1 US: Add jeu ord. [SA89, JRCN10]

! ? K1987,

K1989

Cello 76 3 LS: Add editorial jeu ord. [Tor01] Missing also from score.

80

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X K1987,

K1989

Cello 77 1 1 US: Add missing pp. [Phil92p]

X K1987,

K1989

Cello 77 3 LS: Hairpins should match US. [SA89, JRCN10]

X K1987,

K1989

Cello 77 5–6 LS: Add missing cresc. hairpin to match US. [SA89, JRCN10]

! ? K1987 Cello 78 1 1 US: The ms. doubles the low GNAT., making a quadruple stop.

Change the score and parts to match? [BoSy13]

X ? K1987 Cello 78 1 4 US: Add mf, to match ms.? It would be true to Ravel, but it would

make the part a little crowded. [BoSy13]

X K1987 Cello 78 1 4–6 US: Add missing gliss., to match the score and the ms. [BoSy13]

! ? K1987 Cello 78 2 1 US: The final GNAT. of the figure in the previous measure, here at

b. 1, was originally present in the ms., but was erased by Ravel.

Remove it here? [BoSy13]

X K1987 Cello 78 2 4–6 US: Add editorial gliss., to match the score and the ms. in the

similar figure one bar earlier. Fix score too. [BoSy13]

X ?? K1987,

K1989

Cello 78 5 3 The cresc. hairpin should start at beat 4, to match the score and the

ms. [BoSy17] Check all string parts.

X K1987 Cello 79 -1 Add missing Retenu. [BoSy13]

K1987 Cello 80 1 US: Lowest line of staff has a major gap. [BoSy13]

X ? K1987 Cello 80 1–4 The ms. has different slurs for this figure. The first four 8th notes are

slurred, then after that always in groups of three 8th notes, until the

last two 8th notes, which are slurred together. Change the score and

parts to match? [BoSy13

K1987 Cello 80 1 1–2 US: The slur is obscured by “sur la touche”. [BoSy13]

X K1987 Cello 81 -1 LS: Add missing dim. hairpin to match US. [SA89]

X ? K1987 Cello 82 2 3 Remove sur la touche? (See lengthy note for the score at this

point.) [BoSy13]

X D, K87 Cello 87 4 4 Cue: Add missing tie between the 8th note at beat 2& and first 8th

note of beat 3. [PB02 mentions this erratum for the choir; this is the


[BoSy13])]

K1987 Cello 87 1–5 Cue: Add missing slur, covering all five bars. [BoSy13]

K1987 Cello 88 1 1 Cue:

— Add missing 6 to sextuplet, and

— Add missing accent > to the last note. [BoSy13]

X K1987 Cello 88 1 3 Cue: The first four notes should be 32nd notes, to match the score

and the ms. [BoSy13]

! K1987 Cello 89 -1 Both Add missing tie from previous bar. [BoSy13]

! K1987,

K1989

Cello 90 3 Both staves: Add missing tie from previous bar. [Phil92p, Tor01]

X K1987,

K1989

Cello 91 1 1 US: Add missing flag to make an 8th note. [Phil92p]

X K1987 Cello 91 2 3 US: The cresc. hairpin is correct; it is present in the ms. and

matches the other parts; in fact, it should continue through the

first two 16th notes of the next bar, to match the ms. [BoSy13.

SA89 mistakenly said to remove it here; cfn has to add it to the

score.]

X K1987 Cello 92 -1 3 US: Add missing up-bow ⋁, to match the score and to match the

ms. [BoSy13]

X K1987 Cello 93 1, 2 2& Add missing accents >. [SA89]

X K1987 Cello 94 1 1 Add missing accent >. [SA89]

X K1987 Cello 97 -2 2 LS: Clarify E. (Bad printing.) [BoSy13]

81

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Cello 97 -3 End The dim. hairpin should open at the right, to continue over the line

break. (To match the score and the ms.) [BoSy13]

X K1987 Cello 97 3 2 Change f to mf, to match the ms., and to match the similar spot in

the next measure. Fix the score too. [BoSy13]

X K1987 Cello 100–

102



K1987 Cello 100 Add missing dotted lines between “Animez peu à peu”. [BoSy13]

X K1987 Cello 103 -1 1 LS: The accent > should be a dim. hairpin under both 16th notes.

[BoSy13]

X K1987,

K1989

Cello 103 -3 LS: Add missing accent > to each note, if missing. [JRCN10,

BoSy13]

X K1987 Cello 103 -3 2 US: The 8th note plus 16th rest should be a dotted 8th note, to match

the score and the ms. [BoSy13]

X K1987,

K1989

Cello 104 1 1 Both staves: Remove pizz. [SA89, JRCN10]

K1987 Cello 106 1–4 Cue: Add missing slur over all four bars. [BoSy13]

X K1987,

K1989

Cello 107 5 1 Both staves: f s/r ff. [SA89, JRCN10]

X K1987,

K1989

Cello 107 6–7 1 The dim. hairpin should continue through both bars. [SA89,

JRCN10]

X K1987 Cello 107 7 1 US: Add missing accent >. [SA89]

X K1987,

K1989

Cello 108 -1 1 LS: Add missing accent >. [SA89, JRCN10]

X K1987 Cello 108 1 1 LS: 8th note plus 8th rest s/r quarter note. [BoSy13]

K1987 Cello 109 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Cello 110 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Cello 111 1 2 LS: Remove accent >. [BoSy13]

! K1987 Cello 111 6 2 US: Add missing FLAT to make EFLAT. Fix score too. [SA89]

Missing from the ms., too. [BoSy13]

X K1987 Cello 111 6–8 Dim. is continuous until 112. [SA89, JRCN10]. Add sempre dim. in

bars 6–7 and extend dim. hairpin back into bar 7. [BoSy13]

! K1987 Cello 111 7 1& US: Add missing NAT. to make CNAT. [BoSy13]

X K1987 Cello 115 5 1 LS: p s/r mf [SA89]. Better yet, remove the dynamic entirely from

LS. [BoSy13]

X K1987,

K1989

Cello 116 1 1 LS: Add missing f and dim. hairpin. [Balt9x, SA89, JRCN10]

X K1987 Cello 116 1 4–6 US: Remove dim. hairpin. [Balt9x]

X K1987 Cello 118 -2 1 LS: mf s/r mp [SA89]. Better yet, remove the dynamic entirely from

LS. [BoSy13]

X K1987 Cello 118 1 1–3 — US: Remove dim. hairpin. [BoSy13]

— LS: Add missing f and dim. hairpin. [BoSy13]

X K1987 Cello 118 1 4 LS: Place mp here at the same spot as mp in the US, to match the

ms. Remove it from the next bar. [BoSy13]

X K1987 Cello 120–

121



X ? K1987 Cello 120 -1 1 The score has p for Vla. LS. Should mp be added editorially to the

Vc. (both staves)? [BoSy13]

X ? K1987 Cello 120 1 4 — LS: See note for score. Add mf at beat 1, and remove dim.

hairpin, in score and parts to match ms.? [BoSy13]

— If not, add missing mf here (to match score here, and to match

the similar spot at 118), or at beat 1 of the next bar (to match similar

spot at 116). [BoSy13]

K1987 Cello 120 2 2 US: Remove “arco” [Kal07]

82

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Cello 122 3, 7 1 Both staves: Add missing up bow ⋁ [BoSy13, with a tip of the hat

to SA89]

X K1987 Cello 122 7–8 1 US: The slur should continue through both bars. [SA89].

X K1987 Cello 123 -1 1 LS: Remove the cresc. hairpin; the one between the staves applies

to both. [cfn comment on SA89 list].

X ? K1987 Cello 123 2 1 LS: The ms. has mf here, which fits better than the f the pattern of

dynamics here and in the next two bars. Change the score and

printed part to match? If so, then add it between the staves, similar

to the dynamic two bars later, and remove the dynamics below the

LS here and in the next bar. [BoSy13]

X ? K1987 Cello 123 4 1 The f is not in the ms.; remove it here and from the Vc. LS in the

score? (In its favor, it does fit the dynamic contour of 123–124 very

well, and matches in spirit the mf in 123+2.) [BoSy13]

K1987 Cello 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Cello 124 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Cello 126 1 1 US: Add missing p to make ppp, to match C. Bsn., G.C., Vln. 2, &

Vla. LS. [BoSy13]

X K1987 Cello 126 1 4 US: Add editorial pp, to match other strings’ dynamic. [BoSy13]

K1987 Cello 128 -2 1 US: Change the 8th note plus two 8th rests to a quarter note plus 8th

rest, to match the pizz. note values from the previous figures.

Wrong also in the ms. and score. [BoSy13]

X K1987 Cello 12345 128 3–6 The cresc. hairpin should be continuous. [BoSy13]

Bass Balt9x, JRCN10, Phil92p, SA89, and Tor01 have been checked.

HS02, Kal07, and Win96 have no comments.

! D Bass Throughout the work many cues in [almost] all instruments do not



X K1987,

K1989

Bass 73 1 1 LS: Add missing mf. [Tor01]

X K1987 Bass 73 2 End LS: The dim. hairpin should end be open at the right, to match the

score and the ms. [BoSy13]

X K1987,

K1989

Bass 73 3 1 LS: Add missing pp. [SA89, Tor01]

X ? K1987,

K1989

Bass 73 3–5 Parts and score do not match. Keep these points in mind while

deciding what to change:

— US: Score and printed part both have p at +4, beat 1. Phil92s

says it s/r pp, presumably to match the other lines. The ms. has p

with a continuous dim. hairpin. [BoSy13 changed score and part to

pp.]

— US: The K1987 printed part matches the ms. with a continuous

dim. hairpin in 73+4 to +5. But the swell with the rest of the

orchestra, as in the printed score, makes sense. SA89 and Tor01

suggest adding the missing swell to the part (cresc. hairpin then

dim. hairpin at beat 3). BoSy13 added the swell to the part in +4,

with high point at beat 3 marked in pencil.

— LS: The dim. hairpin ends one bar earlier in the printed part than

in the score. In the ms. it continues as in the score, but unlike the

score there is no swell. SA89 and Tor01 suggest adding the missing

swell (cresc. hairpin plus dim. hairpin). BoSy13 shortened the long

dim. hairpin in the score, and added the swell to the part in +4, with

the high point at beat 3 marked in pencil. [BoSy13]

83

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X ? K1987 Bass 74 1 1 — US: Either add missing pp, to match the score, or add editorial

ppp, to match the other lines. The the ms. has pp. [BoSy13 ppp.]

— US: Add cautionary FLAT for DFLAT. [BoSy13]

! ? K1987,

K1989

Bass 76 1 1 LS: Add editorial jeu ord. (Missing also from score.) [BoSy13;

inspired by Tor01 at 76+3]

X ? K1987 Bass 76 3–4 Ravel has no dynamics for either staff in the ms.; the score and

printed part add dynamics for the LS.

— Add pp at 76+3 for the US, to match the other lines?

— And if yes, then change pp editorially to ppp at 77+1, beat 1?

[BoSy13 added both.]

X K1987 Bass 77 3 LS: The cresc./dim. should peak in mid-measure. See score. [SA89]

X K1987 Bass 77 5–6 LS: Add missing cresc. hairpin. [SA89]

X K1987 Bass 78 1 LS: Add missing mf. [SA89]

X K1987 Bass 78 1–2 LS: These two dim. hairpins should be one dim. hairpin over two

bars (78+1 and +2). [cfn in SA89]

X ?? K1987,

K1989

Bass 78 5 3 LS: The cresc. hairpin should start at beat 4, to match the score and

the ms. [BoSy17; Check string parts.

X ? K1987 Bass 82 2 3 Remove sur la touche? (See lengthy note for the score at this

point.) If it is retained, it actually should be placed at beat 3 of the

previous measure, to match the score. [BoSy13]

K1987 Bass 90 4 1 The cue is for Tromp. [BoSy13]

X K1987 Bass 93 2 2& — The f should be at beat 2&, not beat 2. [SA89, Balt9x]

— And the cresc. hairpin should be extended; it should be as in the

previous measure. [BoSy13]

X K1987,

K1989

Bass 96 3–4 Cresc. hairpin s/r dim. hairpin [SA89, JRCN10]. The dim. hairpin

should be open at right, to indicate a continuous dim., as in the

score. [BoSy13]

K1987 Bass 97 3 1 UNIS should be at 97+1, not here. [BoSy13]

! K1987,

K1989

Bass 97 4 1& C# s/r CNAT. [SA89, JRCN10]

X K1987 Bass 100–

102



X K1987 Bass 100 1 1 Animez s/r Animez peu à peu. [BoSy13]

K1987 Bass 102 1 1 Add courtesy NAT. for BNAT., to match the score. [BoSy13]

K1987 Bass 106 5–8 Cue: Add missing slur, covering all four bars. [BoSy13]

X ? K1987 Bass 107 1 1 LS: The pizz. line in Vla, Vc. LS and Bass LS is p in the ms. and in

the Bass printed part, but pp for all these instruments in the score.

Which is correct? [BoSy13 left pp in the score, and changed the

Bass part.]

K1987 Bass 107 5 Fix break in bottom staff line. [BoSy13]

X K1987,

K1989

Bass 107 5 Dim. does not start until 107+6 [SA89, JRCN10], and should be

continuous until 108. [BoSy13]

X K1987,

K1989

Bass 107 7 1 LS: Add missing accent >. [SA89, JRCN10]

X K1987 Bass 108 1 1 LS: 8th note plus 8th rest s/r quarter note. [BoSy13]

K1987 Bass 109 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

K1987 Bass 110 1–2 Cue: Add missing slur, covering both bars. [BoSy13]

X K1987 Bass 110 3 1 Add cautionary (pizz.). [SA89]

X K1987 Bass 112 -2 1 US: Add missing accent >. [SA89]

X K1987 Bass 112 1 1 US: Add missing accent >. [SA89]

X K1987,

K1989

Bass 117 4 Cresc. hairpin continues through this bar. [Phil92p]

X K1987 Bass 117 5 1 Change f to mf. [BoSy13, following the hint in Phil92s errata to add

the missing mf in the score.]



84

Status

Code

Edition

D=Dur

K=Kal

Instrument, or

score page #

Reh.

#







X K1987 Bass 120–

121



X ? K1987 Bass 120 -1 1 The score has p for Vla. LS. Should p be added editorially to the

Bass? [BoSy13]

X K1987 Bass 122 3, 7 1 Both staves: Add missing up bow ⋁ , to match the score. [BoSy13,

inspired by SA89]

X K1987 Bass 123 1 Add missing staccato dot, to match the Vc., and to match the ms.

(Missing from score, too.) [BoSy13]

K1987 Bass 124 There should be dots for Animez peu à peu, continuing until 125,


X K1987 Bass 124 1 1 Animez s/r Animez peu à peu. [BoSy13]

X K1987 Bass 128 -2 1 Add missing p, to match the other lines, and to match the ms.

(Missing from the score, too.) [BoSy13]

X K1987 Bass 129 -3 The cresc. hairpin should start one bar earlier, to match the ms., and

to match the other strings. The score is wrong, too, but differently.

[BoSy13]

85

Suite II Number of entries about 160

Comments Regarding Disparities between Score and Parts

Composer/Editors: Ravel: Nieweg & Westfall Original Publisher: Durand

Title: Daphnis et Chloé Suite II Reprint Publisher: Kalmus ©1989 ©2011

This 2011 printing and 2018 errata list supersedes all other lists for Kalmus editions of Daphnis Suite II.

The Nieweg & Westfall edition is the 3rd time we have proofed Suite II. Corrections and changes have

been made in reference to the Autograph Manuscript and other sources. The articulations have been

matched to the score, the cues have been improved; although it was not possible to put all cues in the

key of the instrument. The Eb Clarinet part has had the last page expanded to two pages in order to

engrave all the correct notes and accidentals. The print is darker than previous reprints although not too

dark. Individual notes and other marking have been improved in ink while some passages have been

corrected with PhotoShop. Cautionary accidentals, as used by major orchestra players, have been added

to the parts, especially in the 5/4 section. The harp parts have pedal markings added as indicated by

major orchestra harpists.

Adding these corrections from the 4th proofing using the manuscript score would improve the score and parts.

CFN Dec. 2013

Status

Code

Instrument Reh # Meas.

#

Beat Comment: SUITE II

SCORE

Remover the harp pedal marking in the Score. Keep them

in the parts.

155 1 Add section title Lever de Jour above Flute, and Violin 1.

155 2 Clarify the top line of Horns. Mark 1. above the staff.

2. below the staff.

155 6 Cello: the harmonic on G(#) should be an Open diamond.

156 3 1 Piccolo I. The Ms has the dynamic mf. p s/r mf.

156 5 1 English Horn add [p]

156 5 Viola lower line: [In Durand. not in Ms.] Ms. starts mp in

measure 6. Put [brackets around measure 5 lower line of

the score.]

158 1 DIRT LINE ON THE PAGE

158 4 Cls, Cl.B, Add [p] after the previous cresc. sign per

Schuller. Also low strings.

159 1 1 WW add [pp]. Violin 1 add pp No Bracket to the lower

staff. Add [pp] to the lower strings.

86

Status

Code


#


159 5 1 Violin II is p. add [mp] as the other parts have a cresc.

160 1 1 All: add dim. after the mf.

160 2 1 Flute, Cl, Bsns, Horns, Violin II, Viola, cello, Bass: add p.

160 2 1 [Horn II: Add D-natural eighth note (not D#) to match the

upper cello. Horn IV: Add A-sharp tied eighth note to

match the lower cello line as in the style of the work.]

160 3 1 Fl: add mf for the dynamic. Score and part.

161 1 to 2 Alto Flute: The B is both tied and slurred to the next

measure. Add the tie.

161 1 1 The chorus is missing the “a -------“ shown in the chorus

part. The “a” is not in the Ms.

161 3 Violins: In the piano reduction the cresc. sign continues to

161/4 beat 2+. Then a dim. sign to 162. This is not in the

full score or the parts or Ms. (conductor decision)

DO NOT CHANGE THE PRESENT SCORE.

162 1,2,3 Chorus: The vocal bass line on F to E cued in Trombone III

in the original Durand Tbn. part, is not notated in the chorus

part or piano reduction or Ms. Add to the score in small cue

notes?

164 -1 DIRT LINE ON THE PAGE.

164 2 1 Keep the Oboes a2. 1 only - is not shown in the ms. as

suggested by Schuller.

164 3 2 EH and B.Cl. Cello. Add [mp]. Like Oboes on Beat 2.

165 1 1 Bass lower line: add f Add [quarter note = dotted quarter]

above picc and Violin I.

165 2 3 Trpt I continue the cresc. sign to beat 4.

165 4 2 The manuscript has clarified this measure. On Beat 2 Flute

II plays D only. Flute I plays B and then all other notes. The

rests are for Flute II.

166 1 1 English Horn, low strings. Add [pp] per Schuller.

167 5 Cymbal line Not shown in Ms. Printed in Durand.

“Cymbal, high pitched” per Schuller.

167 8 J.de T. mark the line “cued in orchestra bells”

168 1 3+ Alto Flute: clean up the A 16th.

169 1 J.de T: continue the dim. sign from the previous measure.

87

Status

Code


#


170 -1 Retenez only for the measure before 170 OR continues to

172? Retenez in the Durand score but not in the Ms.

Schuller suggests that the Retenez at Reh.169/5 continues to

Reh. 172. SEE next entry.

170 1 1 Piano reduction has un peu plus fort. Not in the Ms. Add

[Au Mouvt] to the score to cancel the previous Retenez

instruction before 170 per CFN. (Conductor’s decision).

172 1 1 Add Section Title - Pantomine above Piccolo and Violin I.

172 1 Ob. Eh. Fix the slur to modern notation.

177 2 1 Horns: remove the slur to the stopped note. Same 177/6

and 177/9 to clarify the articulation. There is No slur in the

ms. at 177/9.

178 3 1+ Viola: The diamond on F-natural has filled in. Should be

open.

179 2 1 Violin I upper: add up bow. Bass add reminder (pizz).

180 3 Strings to 182: The cresc. and dim. signs are not needed but

are written in the Ms. Keep them.

183 2 2 Tambour: f s/r mf per the ms.

183 6 2 Triangle: The note should continue to sound to the bar line,

add an open tie.

184 -1 1 Harp II: add reminder natural to the C’s.

187 3 2 Alto Flute: The ms. has a dim. sign which continues to the

G# at Reh. 188 measure 1, Beat 1.

189

190

3

3

3+

3+

All: the cresc. signs should continue to the bar line per the

Ms. Durand engraving is incorrect.

194 3 5 Triangle: The note should continue to sound into measure 4,

add an open tie

195 2 1 Alto Flute: Remove the [brackets] on the dim. sign. It is in

the ms.

196 2 1 Flute, Oboe: Mark pp sub.

198 2 1 Cymbal: add p

198 2 4 Bass Clarinet. Fix the slur. Per the ms. it should end on the

A-sharp.

198 3 1 Tambourine: add p as in the ms. The Strings do have a

staccato dot in the ms. at the end of the phrase.

88

Status

Code


#


199 1 1 Section Title: add Danse genérale above Piccolo as printed

by Durand above the Violin I. add [Quarter note = 150]

? 199 1 2 Cello: is the A# only for the upper half of the section?

There is no rest, repeat slash or Col.1 on the lower line in

the ms. (conductor decision)

203 1 5+ Trombone II. D should read D#. Also check the part.

203 2,4 3 Add a dim. sign under the rest to show that beat 4 starts at a

lower volume. Check part also.

203 6 1 Trombone I and II. Add staccato dot.

Trombone II: A s/r C(#) per the Ms. Fix score and part.

206 -1 Harp II. The last note of the gliss. just before 206 should be

marked ( ) as most harps do not have a high A string.

207 2 1 Cello: The F natural should read G natural. Check the part.

209 2 1 Printed in the preface: The change from the previous Cym

a2 to suspended Cym. is a quick change but is possible.

[This fast change is due to an 8 measure cut in the original

ballet.] If two Cymbal players are available this change

would be easier and more secure.

209 12,13,1

4

WW: remove the staccato dot on the end of the phrases.

There are no staccatos for any instruments in the ms.

210 6, 7 2 Harp II: change pp to [p]. Harp 1 add [p]

211 4. 5 2 Harps: add [p]

212 5 1 Small Snare Drum: add cresc.

215 6 4 Clarinets: Clarify the natural on the B.

216 4 Add footnote at the bottom of the page: J. de T. cued in the

Celesta part to the end.

220 -1 3 Viola lower: remove “en sol” in Durand score. Not in the

ms. Not needed.

220 4 1+ Trombone III: add accent.

220 6 1 Harps: Move the bass clef sign back to beat 1 of meas. 6.

221 2,3,4 2 Violins, Viola, Cello: add down bow to each measure.

221 5 1 T. de Basque: The ~~~~ sign is on beat 1, then the tremb. 3

slashes on beat 2. Should both read tremb, slashes.

89

Status

Code


#


PARTS All Harp pedals: remove in Score. Show in parts only.

All

instruments

189

190

3

3

3+

3+ All: the cresc. signs should continue to the bar line per the

Ms. Durand engraving is incorrect.

! Flutes 209 9 Clarify that the dim. sign continues to measure 10.

216 1 3 The dim. sign should continue to the dotted bar line.

! Piccolo I There is NO Flute III in Daphnis Suite II. Remove Flute III

label on the top of each page in the part.

156 4 2 Open the beams on the grace notes E to G. s/r two 16th

grace notes.

157 2 1 to 3 Add a dim. sign per the ms. Remove the mf.

176 6 1 In the cue remove the augmentation dot on the first G# 16th.

179 2,4 In cue shorten the trill ~~~~. The 16th is not trilled.

197 1 4 In cue the slur stops on the D#.

! 209 3 to 7 Add a crescendo sign up to the fff.

! Alto Flute 161 1 to 2 The B should have a tie and a slur to measure 2.

Oboes 178 - 1 2 Move the Rall. to beat 2.

179 1 Add the start of the Flute cue. D tr ~~~~~ dotted half note.

191 8 Extend the dim. sign to the end of the measure.

Oboe II 209 5, 6 2 & 1 The F double sharp note has been moved up to the correct

5th line BUT the double sharp needs to be placed correctly.

EH. 162 1 1 Add staccato dot to the B.

165 4 2 Slur ends on the C quarter note.

172 -1 Add the time signature 9/8 and add the correct rests to

match the Oboes. See Score.

182 -1 Add the 6 sharps to the Flute cue.

183 5 2 Add a staccato dot to the Ab.

188 4 3 Slur beat 3 to 4. Add fermata to beat 3.

Clar I, II 155 5 2,3 Correct the placement of the rests on the Clarinet I line.

! 165 1 2,3, Clar II, the pitches should be the same as in beat 1. Notes 8

to 12 s/r F,D,F,G, Bb. The original engraver copied the

wrong pitches. This is wrong in every printed edition part.

90

Status

Code


#


Eb Clar. 160 2 2, 3, 1 For the Pte Cl. sur la scène add the dim. sign for two beats

and then over the bar line to beat one of measure 3.

188 4 1 Add a fermata on the cued D#.

199 3 4,5 Slur the measure as in the style of the original engraving.

See Score.

! 215 -1 To the end of the work. Two pages have been re-engraved

to make the notes match those in the score.

219

219

1

4

2

2 For the new engraved page 8. This flute cue c-natural s/r

Cb. The E# should read E-natural.

Bass Cl. 161 1 1 Fix the p.

195 3 Fix the placement of the repeat sign.

198 2 4 Fix the slur. Per the ms. it should end on the A-sharp not the

first A-natural.

219 3 to 4 Change the cresc. sign to a continuing cresc. sign from

measure 3 to 4.

Bassoon 3 197 This is not efficient for a publisher to do BUT a librarian

should create a better page turn.

215 5 On the cue add the slur to the next measure beat 1.

Contra

Bassoon

189 5 1+ The top of each crescendo should be moved from beat 2 to

beat 1+ up to Reh. 191. If would be necessary to re-engrave

these lines to make the part correct.

210 2 1 Move the cue word Cors to measure 5 - The one measure

rest.

211 4 3 The stem on the C(#) should be the same length as the

others.

! Horn 1, 2 160 2 1 Hn. 2: Should read D-natural eighth note. (not C-natural)

177 2 1 Hn 2: Remove the slur from the stopped G to the open A.

178 3 1+ Hn 2: add o above the G as a reminder that this is open.

203 3 5+ Stop the cresc. sign on the last eighth note of the measure.

205 4 2 Move the f from beat 2 to beat 3. See Reh. 204 measure 5.

216 3 Continue the cresc. sign to the end of the measure. See

Reh. 217 measure 3.

Horn 3, 4 159 2 1 Hn. 3: Change the eighth note G on beat 1 to a quarter note

91

Status

Code


#


160 2 1 Hn. 4: The eighth note A (#) is correct.

163 1 1 Hn. 3: The A# half note should read as a dotted half note.

177 6 1+ Hn. 4: remove the slur to the stopped A#.

196 5 5+ Add a wedge ' staccatissimo mark above the C# not below.

206 3 4 Both parts. Add a wedge ' staccatissimo mark above not

below.

216 1 On beat 1 pp sub. On beat 2 f then a dim. sign to beat 3.

Tpt. 1, 2 162 2 2 Mark cue Vons

197 5 Move Otez les Sourd back to Reh. 197 measure 1.

203 3 4 Trumpet I PART, Suite II and Ballet C(nat.) should read C#.

[Kalmus has fixed this in current printing of the Suite II.

Scores are correct.] Credit to WT for reporting this error.

215 5 Fix the one measure rest sign.

! Tromb. 1,2 203 6 1 Trombone 2: B s/r C# per the ms.

Tromb. 3 161 1 Mark cue to replace the Chorus as Tromb. III.

171 5 1 Clar cue: C# s/r C-nat.

192 4 1 Cue = Pte Fl. measure 5 = Fl.

205 5 5 The second 8th rest should be a quarter rest.

216 4 5 The dim. sign should only be on beat 5. Same to 218.

Tmp. 157 3 2 Bsn. cue: F# s/r G.

188 2 4 Move the femata back to the 2nd measure of rests

190 5 3 Should read Sib = La [Remove the MI]

201 6 Move the cresc poco a poco in measure 5. Should be a

cresc. sign starting on measure 6 up to Reh. 202.

203 3,4 1,2 Change the slur to a dotted slur.----- Same meas. 5 beat 5.

208 2 5 Remove the Re natural.

218 1 RE = MI Should read MIb = MI

221 11 Add a 7 above the measure as this is the last measure of a

repeat.

Tambourine 220 1 to 4 1+ Change the notation from the 3rd space down to the 2nd

space. This will match the rest of the part.

92

Status

Code


#


Bass Drum 216 1 Should read pp cresc. sign f dim. sign in that measure. see

score per ms.

217 1 Should read p cresc. sign ff dim. sign in that measure. see

score per ms.

Percussion

Score

Comments are for the current engraving which includes the

Jeu de Timbre part. Part is A6754 ©2011. Edited Clinton

F. Nieweg. Top of page needs to have added and Carol A.

Westfall.

182

183

2,4

6

Cym: the staccato s/r a wedge ' staccatissimo mark.

The same.

183 6 2 Triangle: add an open tie to the note to indicate that the

note is sustained until the fermata, which is over the bar

line.

194 1 1 Cymbal: add a2

198 1 1 Tamb. and Cym.: The dim. sign should start on beat 2.

Same in the individual parts.

209 3 1 Cym. BD: The cresc. starting on measure 2 should start on

measure 3.

221 5 1 T. de Basque: The ~~~~ sign is on beat 1 then the trem. 3

slashes on beat 2. Should both be trem. 3 slashes.

Percussion: Ties in all parts should be changed from solid

ties to dashed ties, as this is the Kalmus house engraving

style.

Harps The parts have workable pedal markings printed which

were found in major orchestra harp parts.

176 3 1 Hp. II: move Suivez le solo from measure 2 to measure 3.

188 2, 4 Add Pressez le 2d Temps

205 4 5+ Hp. II. Notice that the high (A) is in ( ) as concert harps do

not normally have this string.

210 6, 7 Change pp to p.

Violin I 168 1 3 There is a small dirt dot after the E that could be confused

with an augmentation dot. Use the razor blade to remove.

Violin II 155 1-4 The 2nd Violins do not have the bowings that are printed in

the 1st Violins. Add those bowing to Violin II.

221 4 Lower Division: Fix the slur.

Viola 205 3 5 Continue the cresc. signs to the end of the measure so as to

match with measure 4.

93

Status

Code


#


220 - 1 5+ Lower division: The score has under the G# “en sol”. This

should be removed in the score.

221 2 2 Add down bow to all lines.

Cello 221 2 2 Add down bow to all lines.

All parts There are some dirt spots left over from the Durand plates.

The librarian could remove them if there is time.

Prepared by: C. F. Nieweg Date: 11/2013 to 1/12/13 and then Dec 2013,

Prepared by: C. F. Nieweg and Lawrence N. Halverson Date: 1/20/2018- 2/20/2018

Errata lists are the work and opinion of the proofer, and remain their property. The accuracy of any list is the

responsibility of its compiler.

Status codes: m.s = the composer’s handwritten autograph manuscript. This is the primary source for all proofing

although composers

also make mistakes in notation.

! - is critical; would stop rehearsal.

? – A questionable correction to be made at the conductor’s discretion.

s/r = should read.

No Symbol = add this correction if time allows.

= remove this notation.

m. = measure

U, M, L = upper, middle, or lower line of a divisi section.

, Comma = and. Example: 10, 14 = measures 10 and 14.

===========================================================================================

94

Piano Reduction (with chorus) 114 pages.

Has piano reduction of the orchestra parts, for use with choral rehearsal or for a ballet pianist accompaniment.

DR007748. As of 2017. $88.95

https://www.emsmusic.com/product_p/ems8141.htm

Page Voice Reh. Meas Beat Decisions for Present Edition

none Add Rehearsal numbers from the FS.

When a vocal line is divided and then sings one line, clarify the notation each

time by adding a2 or unis.

1 1 2 Ms., FS, CS have derriére la scène. Add to PR score.

1 Tutti 1 2 1 PR notates the sound “a------” for all lines. Not in Ms. or FS. Add to CS. See

CS Reh. 83.

4 Sop/Contr 4 - 1 All Cresc sign not in ms. or FS. Cresc sign added, then Dim sign on Reh

4 b.1 added to Kalmus score as in CS. Add the dim sign to the CS.

4 4 1to4 All sources have sur la scène.

6 Sop/Contr 5 -2 All Ms, FS, CS have dim sign for Reh. 5 m. -3 continuing to m. -2 b.1.

correct the PR.

8 Tenor 1. 8 -2 All Ms. has dim for two m. before Reh. 8 above the staff. At 8 add pp and move the

one beat dim above.

9 Tenor 9 -1 3, end Ms. has cresc sign for two beats before 9. Dim sign for b.1 at 9

10 Sop/Contr 9 5 1 Ms. and CS women have the same notes as the men. Continue the

slur to an 8th note mf.

10 Men 9 5, 6,7 Ms. & CS have dim sign for two m. to the E. Change m. 5 mp to mf. Continue

the dim. sign thourgh the p.

10 Men 9 9,10 1 Continue the dim sign to the end of the phrase

11 Tutti 10 4 All sources have bouches fermées

11 Tutti 10 6 1 Ms., CS has eighth note on beat 1. Add the chord D, Bb, D

12 Sop 11 5 1 Ms., CS have eighth note on b. 1. Double stem the E to show that both sop.

lines sing the note. Extend the slur to this note.

13 Tutti 12 1,2,4 Ms., CS have bouches ouvertes. Add to [Basses] at page 14, Reh. 12/5

14 Sop 13 -1 Slur one m. only. At Reh. 13 start a new slur.

Mark Sop. a2. They div. at Reh. 13

15 Ten/Bass 14 3 3 Ms., CS start dim sign on b. 3. Continues through the f in m. 4.

16 Tutti 16 1 All sources have bouches fermées

31 Sop. Ten 54 6 2+ The sources have different pitches for the 8th note.

Ms. & FS have B# & D#. PR has B# & D nat. CS has Sopranos Bnat and D# (no B# in the key sign.). Tenors B# & D# (has 7

sharps in Key sign.)

36 Tutti 66 5 8 measures to 67 Fermata in FS. 7 measures in PR.

36 Tutti 70 2 Modéré. Mark as Suite I.

41 Tutti 83 1to7 PR notates “a------” for all lines. Not in Ms. or FS. Add to CS. Add to CS.

41 Bass 83 4 3 Continue the dim sign to b. 3 as in Ms. Add to FS, PR, CS.

42 Tenor 85 -3 FS, & CS starts the cresc sign at the pp.

43 Tenor 2 86 1to3 Add slur under the notes starting m.1 per Ms. Clarify that the last note is Gnat.

43 Sop 87 3 2 Add [mf] to start the dim. sign on b. 2

43 Tenor 87 3 1 + Start the dim sign after the mf to Reh. 88

44 Bass 88 1 1 Slur from the previous m.

45 Bass 1 89 1to2 Slur two m.

45 Contr 2 89 3to4 2 Slur two m. from dotted half C to Bnat.

45 Bass 1 89 3to5 Slur above notes to Reh. 90

46 Bass 91 4 2 Gb s/r Fnat per FS, CS, and piano line of the PR.

61 Piano 131 1 1,2 A# in the key sign. Mark the notes A nat as in the FS. Nat missing in the Ms.

65 Piano 138 3 Au Mouvt not shown in the Ms., FS. CS.

71 Tutti 153 1 1+ Add the sound a-------- as in CS.

72 Tutti 155 1 Lent quarter = 50 mark Suite II

74 Fl cue 159 1 3 Dirt dot on the A. The correct value is single dotted 8th note.

86 Tem- po 176 1 1 Très lent quarter = 66 s/r 8th note= 66

86 Fl. line 176 1 1 The scale has D# then E#. The orch. Ms. has D# then Enat.

88 Fl line 180 7 1,2 The scale has B#. The orch Ms. has Bnat both times.

91 piano 189 1,2,3; 7,8,9 Per the orch. Ms. add cresc sign

92 piano 194 1 PR has Andante quarter 68. Orch score has Animé. [s/r quarter = 168?]

95

100 101 piano 207

208 -1 -1 PR & Orch scale has Dnat then Enat. PR & Orch Ms. scale has Db then Eb.

Notice the different pitches.

103 Tenor 2 212 3,4 2to4 Add slur.

104 Tenor 213 -1 2to5+ Slur in PR and CS is correct. Add to orchestra FS.

(Tenor notes added to the Ms. in blue pencil for two m.)

104 Bass 213 -1 2to 5 Add slur

104 Contr 2, Ten 2 213 1,2 2to 5+ Add slur.

104 ContrTenor 213 2 Remove dim sign. Not in FS. or CS.

107 Tutti 215 5, 6 Still sempre cresc to 216 with mf at m.5 and f at m. 6.

107 Tutti 216 -1 5+ Mark the last note of the measure ff.

107 Tutti 216 1 2 ff s/r f per ms. 217 is correctly ff.

110 Piano 218 To 219 2 RH. The accent on beat 2 in each measure is missing per the Ms. and FS,

111 Tutti 219 1 En augmentant peu à peu is only in the CS. Not in the Full score ms, Durand

FS, PR.

113 Tutti 220 5, 6, 7 ? The full score has the slur for the voices to Reh. 221 b. 1.

Some incorrect pitches in the piano part of the piano reduction are not listed on this errata chart.

===========================================================================================

Chorus Score 30 pages [No piano reduction] Has harmonium reduction which doubles the vocal lines.

[Some corrections for the cues are not given in this errata list]

Corrections are from the sources listed above for the Ballet score.

Page Voice Reh. Meas Beat Decisions for Present Edition

When a vocal line is divided and then sings one line, clarify the notation each

time by adding a2 or unis.

1 Tutti 1 2 PR notates the sound “a------” for all lines. Add to CS. See Reh. 83.

4 Sop 6 1 Add cue word Fl. above Sop. line

5 Tenor I 7 6,7 Add Dim sign for two measures above the Tenor I line

5 Tenor I 8 1 1 Add pp

6 Tutti 9 1,2 All Ms. starts the cresc sign at 9 and continues for two m. Same as the Vocal

Score.

6 Sop/Contr 9 5 1 Ms. Women have the same notes as the men. Continue the slur to an

added 8th note mf.

6 Men 9 5, 6 Ms. & CS have dim sign for two m. to the E. m. 5 add mf. Continue the dim.

sign through a p at m. 6 b.1

6 Sop 9 7 4+ Stop slur on the A.

6 Bass 9 6 1to3 Add tie on E

7 Bass 10 -2 1 Continue dim sign from m. -3

7 Tenor 10 -2 Dim for the whole measure to the end of the phrase m.-1

8 Harm 11 4 Contralto notes missing in the harmonium cues.

8 Sop. 11 5 1 Double stem the E. Both parts sing this note.

9 Sop 12 51 1 Add p

9 Tenor 12 4 Extend cresc sign for entire m.

9 Tutti 12 5 bouches ouvertes. Add to [Basses] at Reh. 12/5

9 Sop 13 -1 All Add a slur. Mark Sop. a2. They div. at Reh. 13

10 Sop 14 -1 Add cresc sign for Sop. Tutti extend cresc sign to the 8th note

10 Bass 15 -1 Add dim sign for one b.

10 cue 15 4 1 Mark cue Fl.

11 Sop/Contr 16 marg. Add S. and C. to margin

11 Sop/Contr 16 3 3to4 Remove the dim sign. Keep it for Tenors.

11 Cue 52 1 Cue “Batterie” should read Bsns.

12 Cue 54 4 4 Cue note E should read F#

12 Sop/Tenor 54 6 2+ The sources have different pitches for the 8th note.

Ms & FS have B# & D#. PR has B# & D nat. CS has Sopranos Bnat and D# (no B# in the key sign.). Tenors B# & D# (has 7

sharps in Key sign.)

13 Tutti 70 1 Beginning of the Tacet add Reh. 70. Start of Suite I.

Lent (quarter = 50) should read Modéré quarter = 72. Reh. 81 is Lent (quarter = 50)

13 Bass 83 4 3 Continue the dim sign to b. 3 as in Ms. Add to FS, PR, CS.

96

13 Tutti 83 5 etc The notation for the accidentals on ties notes is written is an older style.

For a new engraving change to putting the # on the next sharp note.

14 Contr 84 -3 1 Continue the dim sign from 84/ m. -4

16 Tenor 2 86 1to3 Add slur starting m.1 per Ms. 86/3 Mark b. 2 with a reminder Gnat.

16 Sop 87 3 2 Add [mf] to start the dim. sign on b. 2

16 Tenor 87 3 1+ Start the dim sign after the mf to Reh. 88

17 Contr 87 4 3+ Add [p]

17 Tenor/Bass88 4 3 Dim signs start on b. 3

17/18 Contr 2 89 3to4 2 Slur two m. from dotted half c to Bnat.

18 Bass 90 3 1 Add mf as in PR.

18 Tenor 91 3 1 The D# s/r tied F# per Ms., FS and PR.

19 Tenor/Bass 126 1 and 2 The composer assumed that both divisions would sing and then div. at 127/5.

Same throughout the work.

19 Tenor 126 127 5 1 &5 Tied half note D# missing per the Vocal score

19 Tenor/Bass 127 6 Mark 2nd tenor and 1st Bass p

20 Tenor 129 1 Stems up as notes are for Tenor 1. Tenor 2. Tied half note D# missing per the

Vocal score

20 Bass 129 1 Bass 1. Tied half note D# missing per the Vocal score

20 Tenor/Bass 130 -1 Tenor 1. D# to B s/r Gnat to D#. Bass 1. Gnat to D# s/r B to Gnat per vocal

score

21 Tutti 153 1 Mark 3ème Partie

21 Tutti 155 1 Start of Suite II

22 Contr/Bass 163 1, 3 Add dim sign under the lines like Sop and Tenor.

26 Tutti 216 -1 2+ Add ff to last note of the m.

26 Tutti 216 1 2 ff s/r only f per the ms. {217 is ff}

28 Tutti 219 1 ? En augmentant peu à peu is not in the Full score ms, Durand FS, PR.

29 Tutti 220 5, 6, 7 ? The full score has a slur for the voices to Reh. 221

Choral score WITH piano reduction for Suite II only, published:

RAVEL, Maurice (1875-1937) - Daphnis and Chloe Suite No. 2 (Nieweg/Westfall) (3rd Edition).

EDWIN F. KALMUS - Choral score w/pf (reduction of voices) - A6754 $2.25

======================================================================================

97

* Cymbal Questions answered by Frank Epstein, with Russ Girsberger, JB Leclere and Nicolas Lethuillier:

I interpret the request for mallets d”esponge as a mallet that someone in Ravel’s time made to play on susp. cymb. Having said

that, the fact that we use wound mallets of all sorts, weight and hardness or softness and also acknowledging a certain awareness

of what cymbals may have been like in those days vs. the ones I use today (as well as other players) I interpret the word esponges

simply as a soft wound mallet. Berlioz also wrote for esponges mallets as I recall, but on timpani. So for me esponges means a

soft mallet, probably a wound wool mallet of the kind that many of us have readily available. And in this case I have always

interpreted cymb. ord. as a pair of cymbals.

Here is what my French connection has produced. The three different mallets in question: Mailloche, baguette d’esponge, and

baguette de timbale typically vary in softness. Mailloche in this case is the softest (typically more like a bass drum mallet), then

comes baguette de d’esponge, and then baguette de timbale. So in order of hardest: d’esponge, timbale, then mailloche.

They indicate, that the mallet ultimately chosen would depend on the rhythmic articulation that is required. That articulation for

me, would depend which of the many cymbals that I use in that piece at any particular moment. Normally speaking I use two

suspended cymbals, in rough terms a 17” med. thin, and 18” medium suspended. Then there are other cymbals for a special

moment (just now I am thinking of a couple of moments in La Mer, and at the end of La Mer, I use two matched 18” cymbals,

which I double, or use to crescendo on one and land on the other at the peak of the crescendo. I know that doesn't help you much

for this piece, but it shows the flexibility of my thinking.

The two French percussionists that I have been in contact with are JB Leclere and Nicolas Lethuillier. Here is the important

thing. We all three agree that cymb. ordinaire or ord. refers to a crash cymbal.

So, we have three different mallets, from soft to hard:

mailloche (softest) [first appearance I see at 192]

esponge (medium) [first appearance I see after 63]

baguette de timbale (hardest) [first appearance I see at 34]

And “jeu ord.” indicates crash cymbals a2.

As for that passage with the quick changes between suspended and crash (35-3; 35+4; 39+4; 40+4), Raynor Carroll’s percussion

assignment book lists two cymbal players for the entire ballet, so that explains how that passage is played. The Castanet player is

available to play the Crash Cymbals a2. The ballet passages that make up Suites 1 and 2 require only a single cymbal player.

And, oddly enough, some of the passages in the suites are more clearly marked. For example, 103 is clearly identified as a single

suspended cymbal roll and the next passages (106+5; 107+5) are marked as crash cymbals “2 cymb.”).

Percussion Instrumentation assignment:

Carroll: Symphonic Repertoire Guide for Timpani and Percussion. Pub: Batterie Music/Carl Fischer p. 306 Ravel: Daphnis et Chloé Ballet

Timpani

1. Jeu de timbres à clavier [keyboard glockenspiel], xylophone 2. Caisse Claire [snare drum], crotales B4, C5, C#5, E5, F5, tam-tam

3. Tambour [larger snare drum wo snares, or military drum], éoliphone [wind machine], crotale in Ab5 @ Reh. 26

4. Tambour Basque [tambourine]

5. Triangle

6. Castagnettes, suspended cymbal 7. Crash cymbals a2 and suspended cymbal

8. Grosse caisse [bass drum]

ORCHESTRA MUSIC ERRATA CATALOG RAVEL Daphnis et Chlo ...

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