Old Records

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Old Records Author(s): William Matthews Source: The Iowa Review, Vol. 7, No. 4 (Fall, 1976), p. 86 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20158655 . Accessed: 13/06/2014 01:46 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 195.34.79.253 on Fri, 13 Jun 2014 01:46:01 AM All use subject to JSTOR Terms and Conditions

Transcript of Old Records

Page 1: Old Records

Old RecordsAuthor(s): William MatthewsSource: The Iowa Review, Vol. 7, No. 4 (Fall, 1976), p. 86Published by: University of IowaStable URL: http://www.jstor.org/stable/20158655 .

Accessed: 13/06/2014 01:46

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 195.34.79.253 on Fri, 13 Jun 2014 01:46:01 AMAll use subject to JSTOR Terms and Conditions

Page 2: Old Records

Your face is most difficult, the head is extremely hard to get.

Already your face is not the one

I remember. My own fingers confuse me

as I trace the curve of your forehead.

Your eyes confound me. They fly away as I touch them.

My bed is breaking with the weight of this problem. I am

lying on splinters.

I want you to know that all this

means something. It is my life's work.

Old Records / William Matthews

Les shows me his new Braun

tape deck. "After I've played them

three or four times I can hear records

begin to grind down. Now I play them once, to

tape." He's got

a wall

of them, uncirculated coins.

Things go by, the summer draining into the fall, breweries consolidate, there's a golf course where the woods

were. We're like a fire

and save things from ourselves.

Furtwangler's too fast fourth movement

that I love, Coltrane breaking bis breath in the hissing rapids,

Janis in heat, Janis in scratch,

Bjoerling's beautiful voice

ruined by whisky fuzz on ?he ripe notes and fuzz

continuing to grow.

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