OLABISI ONABANJO UNIVERSITY AGO IWOYE, … · NYSC - Music Director/Conductor Sword of the Spirit...

12
1 OLABISI ONABANJO UNIVERSITY AGO IWOYE, NIGERIA CURRICULUM VITAE PART 1: (To be completed by the staff) A. PERSONAL DATA 1. Name: OLADIPO, Olufunmilola Temitayo. 2. Department: Performing Arts. 3. College/Faculty Arts. 4. Date and Place of Birth: 22nd April 1970. Lagos. 5. Nationality: Nigerian. 6. Marital Status: Married. 7. No. of Children: Three. 8. Name and Address of Spouse: Philip Olugbade OLADIPO. NO 38, Olorunsogo Layout, Bashorun Estate Ibadan. Tel: 08101672415, 08056433710. 9. Name and Address of Next of Kin: Anjolaoluwa Oladipo. 10. Date of First Appointment with university: 3rd September, 2014. 11. Status of First Appointment: Lecturer 1. CONUASS 4 Step 1. 12. Present Position: Lecturer 1. CONUASS 4 Step 2. 13. Date of last Promotion: Not Applicable. 14. Date of Confirmation of Appointment: Not yet confirmed. 15. If not Confirmed, Why? Just Applied for it. 16. Period of Present Contract: Not Applicable. 17. Total Number of Years of Teaching and Research: 17 years. (a) Primary school 4 years. (b) Secondary School 2 years. (c) Polytechnic 5 years at The Polytechnic Ibadan. (d) College of Education 3 years at Adeyemi College of Education, Ondo.

Transcript of OLABISI ONABANJO UNIVERSITY AGO IWOYE, … · NYSC - Music Director/Conductor Sword of the Spirit...

1

OLABISI ONABANJO UNIVERSITY

AGO IWOYE, NIGERIA

CURRICULUM VITAE

PART 1: (To be completed by the staff)

A. PERSONAL DATA

1. Name: OLADIPO, Olufunmilola Temitayo.

2. Department: Performing Arts.

3. College/Faculty Arts.

4. Date and Place of Birth: 22nd April 1970. Lagos.

5. Nationality: Nigerian.

6. Marital Status: Married.

7. No. of Children: Three.

8. Name and Address of Spouse: Philip Olugbade OLADIPO.

NO 38, Olorunsogo Layout, Bashorun Estate

Ibadan. Tel: 08101672415, 08056433710.

9. Name and Address of Next of Kin: Anjolaoluwa Oladipo.

10. Date of First Appointment with university: 3rd September, 2014.

11. Status of First Appointment: Lecturer 1.

CONUASS 4 Step 1.

12. Present Position: Lecturer 1.

CONUASS 4 Step 2.

13. Date of last Promotion: Not Applicable.

14. Date of Confirmation of Appointment: Not yet confirmed.

15. If not Confirmed, Why? Just Applied for it.

16. Period of Present Contract: Not Applicable.

17. Total Number of Years of Teaching and Research: 17 years.

(a) Primary school 4 years.

(b) Secondary School 2 years.

(c) Polytechnic 5 years at The Polytechnic Ibadan.

(d) College of Education 3 years at Adeyemi College of Education, Ondo.

2

(e)University 4 years, Olabisi Onabanjo University,

Ago Iwoye.

18. Email Address: [email protected]

B. EDUCATIONAL BACKGROUND:

1. Academic Qualifications/Institutions Attended (With Dates)

(a) O.N.D. Music, The Polytechnic Ibadan, Ibadan. (1993).

(b) B.A. Music, Obafemi Awolowo University, (O.A.U.) Ile-Ife, Osun State. (1997).

(c) P.G.D.E. National Teachers’ Institute (N.T.I) Ibadan Centre. (2006).

(d) M. A. Music, University of Ibadan, Ibadan, Oyo State. (2011).

(e) Ph.D Music, University of Ibadan, Ibadan, Oyo State. (2017).

2. Current higher degree programme registered for (if any) Nil

3. Awards and distinction. Nil

C. WORK EXPERIENCE:

1. Previous Work Experience Outside the University System:

a. NYSC - Music Director/Conductor Sword of the Spirit Ministry, Ibadan. 1998-1999.

b. Rich Day International Nursery and Primary School, Iwo Road, Ibadan. 2000-2004.

c. Lifeforte High School, Awotan, Ibadan, Music/Class Teacher, Choir Coordinator. 2004-2006.

d. The Polytechnic Ibadan, Ibadan, Oyo State. 2006-2011.

e. Adeyemi College of Education, Ondo. 2011-2014.

2. Previous Experience in Other Universities: Nil.

3. Details of Professional Experience at Olabisi Onabanjo University:

i. Teaching Function:

Courses Taught:

2017/2018 Harmattan Semester Units

PER 111: Theatre Workshop 1 3

PER 113: Introductory Music Performance Workshop 3

3

PER 211: Rudiment of Music. 3

PER 301: Arts of the Theatre I:- Music 3

PER 401: Arts of the Theatre I:- Music 3

PER 305: Research Methodology (Mini project supervision) 3

2017/2018 Rain Semester Units

PER 114: Music Fundamentals in Dance 3

PER 204: Basic studies in the Arts of the theater 3

PER 302: Arts of the Theatre 1I:- Music 3

PER 310: Music in African Culture II 3

PER 402: Arts of the Theatre II: - Music 3

PER 410: Undergraduate Project Supervision 6

(ii) Research (Completed/On-Going):

a) Completed Research Project:

Oladipo O.T. (2013) Music Classes: Catalyst for Intelligence Quotient.

b) (On-going research Work)

Music Pedagogy for teaching Mathematics in Nigerian Primary Schools.

(iii) Administrative Duties

300 level Students’ Adviser

Coordinator, Performing Arts Departmental Music Band. - 2014- till date.

Coordinator, Performing Arts Departmental Choir. - 2014- till date.

Member, Performing Arts Departmental Review Panel - 2014- till date.

Member, Performing Arts Departmental Disciplinary Committee - 2015- till date.

Member, Performing Arts Departmental Welfare Committee - 2015- till date.

Member, Open Lecture Committee. Coordinated the Musical Performance

Member, B.A. Music Curriculum Draft Committee -2016.

4

Member, Atanda Conference Committee -2017

Chairman, Department of Performing Arts Accreditation Committee -2017

Head of Department of Performing Arts -2017- till date

(iv) Contribution to the Nation:

1. Facilitator: Nigeria Census: 1991.

2. Treasurer, Rotaract Club, The Polytechnic, Ibadan 1993.

3. Examiner, National Examination Council (Music) 1995-1997.

4. National Youth Service Scheme 1998-1999.

D. MEMBERSHIP OF/AND REGISTRATION WITH PROFESIONAL BODIES:

i. Pan-African Society for Musical Arts Education (PASMAE).

ii. Association of Nigerian Musicologists (ANIM).

iii. Conference of Nigerian Music Educators (COMEN).

iv. International Centre for African Music and Dance (ICAMD).

v. African Studies Association (ASA), USA.

vi. Nigerian Association of University Women, NAUW/IFUW.

E. PUBLICATIONS:

i) Theses/Dissertation: Five (5).

1. Oladipo O.T. (1993) “The Art of Constructing Sekere Musical Instruments”,

O.N.D Project, The Polytechnic Ibadan.

2. Oladipo O.T. (1998) “The Life and Works of Toun Soetan”, BA.

Project, Obafemi Awolowo University (OAU) Ile-Ife.

3. Oladipo O.T, (2007) “The Problem of Teaching Music in Nigeria Secondary Schools”.

P.G.D.E. Project, National Teacher’s Institute (NTI) Ibadan.

5

4. Oladipo O.T. (2011) “Music in the Curriculum of Oyo State Secondary Schools”,

M.A. Thesis, University of Ibadan, Ibadan.

5. Oladipo O.T. (2017) “Musicodynamics of Negotiation in Alaga Iduro and Alaga Ijooko

Performances during Yoruba traditional Marriage in Southwestern Nigeria”,

Ph.D. Thesis, University of Ibadan, Ibadan.

ii) Books Published: NIL

iii) Monographs: NIL

iv) Published Journal Articles; Seven (7)

1) Oladipo, O.T and Owoaje, O.T (2013). “Assessment of Cultural and Creative Arts Curriculum:

Implication on Music Education in Nigeria”. Journal of Nigerian Music Education. 4 &5:161-172.

2.) Oladipo, O.T. (2013) “Stylistic Techniques in Bata Musical Performance”. Journal of Conference

of Association of Nigerian Musicologists. 7 :233-245.

**3) Oladipo, O.T. (2013) “Philosophy of Construction of African Musical Instruments, Tribute to

JH Kwebene Nketia.” West African Journal of Musical Arts Education, 2. (2): 158-166.

**4) Oladipo, O.T. (2014) “Problems militating against the teaching of Music in Nigerian secondary

schools: Way forward”. International Journal of Arts and Sciences. 02:75-80.

5) Oladipo, O.T. (2015) “Migration and Movement of Yòrùbá Music into South America and the

Caribbean”. Iroro Journal of Arts, Faculty of Arts, Ambrose Ali University, Ekpoma 16:140-154.

6) Oladipo, O.T. (2015). “Yoruba Traditional Marriage Masters of Ceremonies (Alaga), as Agents of

Continuity and Change in Yoruba Nuptial Performance”. Yoruba: Journal of the Yoruba Studies

Association, University of Ibadan. 8 (1):233-252.

7) Oladipo, O.T. (2017). Music Classes: Catalyst for Intelligence Quotient. Journal of Conference

of Association of Nigerian Musicologists. A Publication of Association of Nigerian Musicologists.

6

v) Papers Accepted for Publication (With Letters of Acceptance); Four (4)

8.) Oladipo O.T. (2016). “Using music to impart morals for raising future leaders”. Alarinjo, Journal

of Arts. A Publication of Department of Theater Arts, Federal University, Oye Ekiti

9.). Oladipo O.T. (2017). “Unpopularity of Indigenous Music in Nigerian Secondary schools

Curriculum: Historical Perspective”. OBODOM: Journal of Music and Aesthetics. A Publication of

The Department Music, University of Uyo.

10.) Oladipo O.T. and Adejube, S. A. (2017). Music Pedagogy for teaching Mathematics in

Nigerian Primary Schools for Technological development in Nigeria. Iroro Journal of Arts, A

Publication of Faculty of Arts, Ambrose Ali University, Ekpoma.

11) Oladipo O.T. (2017). “The Messages of Some Nigerian Hip Pop Music: Moral Implications on

Nigerian Youths. Ijagun Journal of English Language and Literature, A Publication of Department of

English Studies, Tai Solarin University of Education.

vi) . Contribution to books; Five (5)

12)** Oladipo O.T. (2013). “African Music Education in Nigeria as A Tool for National

Development and Unity”. Freedom, Self-Determination and Growth in Africa Berlin: Mediateam IT

Education Publisher Danfulani, U.,Fwatshak, and Agwele, A. (eds) 147-175.

13)** Oladipo O.T. (2013). “Fela’s Music in Nigeria: Reflections on his Expressions of Dissent and

Protest”, Contemporary Nigeria Toyin Falola and Sati Fwatshak (Eds). 43-53.

14.) Oladipo O.T. (2015). “Teaching Yorùbá Values through Music Education”, Èdè Àsà àti Lítírésò

Yorùbá Ibadan: Master Prints Publishers: 469-479.

15) ** Oladipo O.T. (2017). “Analysis of Bob Marley’s Redemption Song: An Allegory of Mental

Slavery in Nigeria”. African Diaspora and Development: History, Identities and Economy. A

Publication of Africa Conference, University of Texas.

16) Oladipo O.T. (2018). “Mirroring the Message of Some Nigerian Hip Pop Music: Show of

Discontent” A book publication by the University of Georgia at Athens, Lexicon Publishers: 93-98

(vii) Published Conference Proceedings; One (1)

17) Oladipo O.T. (2012). Using Music Therapy as an Antidote for Social Political Conflict. 4th

Annual National Conference, School Of Arts and Social Sciences, Adeyemi College of Education.

23rd -26th April, 2012.

7

(vii) Technical Report: Nil

(vii) Manuscripts submitted for publication: Two (2)

1.) Oladipo O.T. (2017). “Cultural Music, A Tool for Unity in Nigerian Secondary Schools”.

Festschrift in honour of Prof. Dairo. Olabisi Onabanjo University, Ago –iwoye.

(2). Oladipo O.T., Adejube, S. A. and Akande S.O. (2017). “Analysis of Abolore Adigun A.K.A. 9ce

and Bukola Elemede A.K.A. Asa’s Music Titled “Petepete”: An Historical Perspective”. A Paper

Presented at the Atanda Conference held at the Olabisi Onabanjo University, Ago-Iwoye, 9th-11

th

October.

(viii) . Unpublished Conference /workshop papers and Public Lectures

1. Oladipo O.T. (2012).Folk Music: “Agent for National Transformation and Preservation of Nigerian

Culture”. A Paper presented at the 6th National Conference School of Languages, Adeyemi College of

Education. 7th-

11th

May, 2012.

2. Oladipo O.T. (2012). “African Music Education: A Tool for Value Orientation in Nigerian Secondary

Schools”. A Paper Presented at the 8th Annual National Conference of School of Arts and Social Sciences,

Federal College of Education (SP) Oyo. 4TH

-8TH

June, 2012.

3. Oladipo O.T. (2012) “The Role of Music in Political Campaign in Nigeria”. A Paper Presented at the

Faculty of Arts, Obafemi Awolowo University Annual Conference, held at Obafemi Awolowo University,

Ile-Ife, 7th

-10th October, 2012

4. Oladipo O.T. (2013) “Mosunmola Omibiyi-Obidike, An advocate of African music education in Nigerian

schools”. A Paper Presented at the Conference in Honour of Prof (Mrs) Omibiyi-Obidike, held at University

of Ibadan, 20th-21

st January, 2013.

5.Oladipo O.T. (2013). “Forms in Cultural and Creative Arts: Implications on Music Education at Post-

Primary Level in Nigeria”. A Seminal Paper presented at the School of Arts and Social Sciences, Adeyemi

College of Education, Ondo, February, 2013.

6. Oladipo O.T. (2013). ‘African Music Education: A Panacea for Insecurity in Nigeria”. A Paper Presented

at the 5th Annual National Conference, School Of Arts and Social Sciences, Adeyemi College of Education.

12th-15

th February, 2013.

8

**7. Oladipo O.T. (2013). “African music Education: A Tool for Mobilization for Social, Religious and

Political Leaders in Nigeria”. A Paper Presented at the 2013 Africa Conference, held at the University of

Texas, Austin, USA, 29TH

-30TH

March, 2013.

8. Oladipo O.T (2013) “Analysis of PMANS music, ‘Nigeria yi ti gbogbo wa ni’An expression of National

unity”. A Paper Presented at the National Association for the study of Religions and Education, held at

Federal College of Education, OSIELE, Abeokuta. October 28th

-November1st 2013.

9. Olusesan Victor Ajayi, and Oladipo O.T (2014) “King Sunny Ade and Onyeka Onwenu’s wait for me: A

musical Concept”. A Paper Presented at the 6th Annual National Conference of School of Arts and Social

Sciences, Adeyemi College of Education, Ondo, held between 15th

-18th June, 2014

10. Oladipo O.T. (2015). “Teaching Music with Music”. A Paper Presented at the13th Conference of

Association of Nigerian Musicologists (ANIM) held at Obafemi Awolowo University, Ile-Ife, Nigeria.

August, 2015.

11. Oladipo O.T. (2016). “Using Yoruba Indigenous Music as a pedagogy for teaching Yorùbá Language in

Nigerian Primary Schools”. A Paper Presented at the 14th Conference of Association of Nigerian

Musicologists (ANIM) held at The University of Lagos, 16nd-19th August

KEY:**Offshore Publications

F. CONFERENCES ATTENDED AND WORKSHOPS WITH DATES AND PAPERS READ:

(1) Oladipo O.T. (2011). “Forms in Cultural and Creative Art: It’s implication on Music Education at

Post-Primary Level in Nigeria”. A Paper Presented at the 10th Conference of Association of Nigerian

Musicologists (ANIM) held at The Polytechnic Ibadan, 22nd-27th August.

.

(2) Oladipo O.T. (2012). “Using Music Therapy as an Antidote for Social Political Conflict”. A Paper

Presented at the 4th Annual National Conference, School Of Arts and Social Sciences, Adeyemi

College of Education, 23rd -26th April.

9

(3) Oladipo O.T. (2012). “Folk Music: An Agent for National Transformation and Preservation of

Nigerian Culture”. A Paper Presented at the 6th National Conference School of Languages, Adeyemi

College of Education, 7th- 11th May

(4) Oladipo O.T. (2012). “African Music Education: A Tool for Value Orientation in Nigeria Secondary

Schools”. A Paper Presented at the 8th Annual National Conference of School of Arts and Social

Sciences, Federal College of Education (SP) Oyo, 4TH

-8TH

June.

(5) Oladipo O.T. (2012) “Stylistic Techniques in Bata Musical Performance”. A Paper Presented at the

11th

Annual Conference of Association of Nigerian Musicologists, held at the University of Nsukka,

13th-18th August.

(6) Oladipo O.T. (2012) “The Role of Music in Political Campaign in Nigeria”. A Paper Presented at the

Faculty of Arts, Obafemi Awolowo University Annual Conference, held at Obafemi Awolowo

University, Ile-Ife, 7th-10

th October

**(7) Popular Music, Participation and the people, held at the Department of Music, Goldsmiths, University

of London, October 27th 2012.

**(8) Musical Brain Conference. The Beethoven Question: Can Art Make Life Worth Living? Held at Pursel

Room, Queen Elizabeth Hall, Southbank Centre, London. 28th October, 2012

(9) Oladipo O.T. (2012). “Philosophy of Construction of African Musical Instrument. Tribute to Fela

Sowande”. A Paper Presented at the 2nd PASMAE West Africa Sub-Regional Conference, held at

University of Benin, 11th-15

th December.

(10) Oladipo O.T. (2013.) “Mosunmola Omibiyi-Obidike, An advocate of African music education in

Nigerian schools. A Paper Presented at the Conference in Honour of Prof (Mrs) Omibiyi-Obidike,

held at University of Ibadan, 20th-21

st January.

(11) Oladipo O.T. ( 2013). “Forms in Cultural and Creative Arts: Implications on Music Education at Post

Primary Level in Nigeria”. A Seminal Paper Presented at the School of Arts and Social Sciences,

Adeyemi College of Education, Ondo, 26th February.

(12) Oladipo O.T. (2013). “African Music Education: A Panacea for Insecurity in Nigeria”.

A Paper Presented at the 5th Annual National Conference, School Of Arts and Social Sciences,

Adeyemi College of Education, Ondo, 12th

-15th February.

**(13). Oladipo O.T. (2013). “African music Education: A Tool for Mobilization for Social, Religious and

Political Leaders in Nigeria”. A Paper Presented at the 2013 Africa Conference, held at the University

of Texas, Austin, USA, 29th-30

th March.

10

**(14). Oladipo O.T. (2013). ‘Fela’s Music in Nigeria: An Expression of Dissent and Protest’. A Paper

Presented at the 2013 Africa Conference, held at the University of Texas, Austin, USA, 29th-30

th

March.

**(15). Oladipo O.T. (2013). “Music Classes: Catalyst for Intelligence Quotient”. A Paper Presented at the

Conference of International Journals of Arts and Sciences, held at 30 Rue Cabanis 75014 Paris,

France, 8th-11

th April.

(16). Oladipo O.T. (2013). “Ethnic Music, A Tool for Unity in Nigerian Secondary Schools”. A Paper

Presented at the Toyin Falola Annual Conference on Africa and the Africa in Diaspora, held at Lead

City University, Ibadan, Nigeria Ibadan, 1st-3

rd July.

**(17). Oladipo O. T. (2013). “African Music Education, as A Tool for National Development and Unity”.

A Paper Presented at the Africa Berlin International Conference, held at Humboldt Zu Universitat

Berlin, Germany, 26th

–30th

August.

(18) Oladipo O.T. (2013). “Analysis of PMANS music,‘Nigeria yi ti gbogbo wa ni’An expression of

National unity”. A Paper Presented at the National Association for the study of Religions and

Education, held at Federal College of Education, OSIELE, Abeokuta, October 28th

-1st November.

**(19) Oladipo O.T. (2013). “Mirroring the message of some Nigerian Hip pop Music: Show of

Discontent”. A Paper Presented at the 2nd Annual International Conference on Africa and its

Diaspora (AICAID 2013) held at the University of Georgia, 13th-15

th November.

**(20) Oladipo O.T. (2013). “Intercultural flow, Migration and Movement of Yoruba Music into America”.

A Paper Presented at the 56th Annual Conference of Africa Studies Association, held at Baltimore,

Maryland, USA, 21st – 24

th November.

**(21) Oladipo O.T. (2014). “Problems militating against the teaching of Music in Nigerian secondary

schools: Way forward”. A Paper Presented at the Conference of International Journals of Arts and

Sciences, Mediterranean Conference for Academic Disciplines, held at Grand Hotel Excelisor, Malta,

2nd

-5th March.

**(22) Oladipo O.T. (2014). “Analysis of Bob Marley’s Redemption song: An Allegory of Mental Slavery in

Nigeria”. A Paper Presented at the 2014 Africa Conference, African Diasporas: Old and New, held at

University of Texas at Austin, USA, 3rd-6th April.

(23). Oladipo O.T. (2015). Teaching Music with Music, a Paper Presented at the13th Conference of

Association of Nigerian Musicologists (ANIM) held at Obafemi Awolowo University, Ile-Ife,

Nigeria. 17th-24th August.

11

(24).Oladipo O.T. (2015). “Music Pedagogy for Teaching Mathematics in Nigerian Primary School”. A

Paper Presented at the 4th Annual International Conference on Africa and its Diaspora (AICAID

2015) held at the University of Georgia, 11th-13

th November.

(25). Faculty of Arts Open Lecture delivered by Prof Toyin Falola, 30th July 2015.

(26). Oladipo O.T. (2016). “Using Yoruba Indigenous Music as a pedagogy for teaching Yorùbá Language

in Nigerian Primary Schools”. A Paper Presented at the 14th Conference of Association of Nigerian

Musicologists (ANIM) held at The University of Lagos, 16th-19th August.

(27). Oladipo O.T., Adejube, S. A. and Akande S.O. (2017). “Analysis of Abolore Adigun A.K.A. 9ce and

Bukola Elemede A.K.A. Asa’s Music Titled “Petepete”: An Historical Perspective”. A Paper Presented at the

Atanda Conference held at the Olabisi Onabanjo University, Ago-Iwoye, 9th-11

th October.

G. Contributions to National and International life

ii) Within the University:

(i) Coordinated the Musical Performance during Open Lecture (2015).

(ii) Coordinated the Musical Performance during Convocation Ceremony (2015-till date)..

(iii) Coordinated the Musical Performance during Atanda conference (2017).

(iv) Coordinated Musical Performances in and Outside the university

(v) Presenter, Christian Gospel Music O.O.U. F.M. 92.1 (2017-till date).

i) Practical Participation:

Outside the University:

(1). Conducted teenage choir, Christ Life Church, Olaogun, Ibadan, Oyo state, Nigeria (1994-1996)

(2). Conducted the Women’s Choir, Christ Life Church, Olaogun, Ibadan, Oyo state, Nigeria (1996-2001)

(3). Conducted the mass Choir, Christ Life Church, Olaogun, Ibadan. Oyo state, Nigeria (1994-1996)

(4). Conducted the Life Forte High School Choir, Ibadan. Oyo state, Nigeria. (2004-2006)

(5). Conducted Christmas carol, Adeyemi college of education, Ondo. (2012)

(6) Conducted Christmas carol, Adeyemi college of education, Ondo. (2013)

(7) Coordinated the Musical Performance at Ebenezer Obey Fabiyi’s 74th

Birthday Thanksgiving Service

(2015).

(8)Coordinated the Musical Performance at Mama H.I.D Awolowo’s Burial (2015).

(9) Coordinated the Musical Performance at A wedding Ceremony at Awchi (2016).

12

(10) Coordinated the Musical Performance at Sir Kesington Adebutu’s Christmas Party (2016).

(11) Coordinated the Musical Performance at Sir Kesington Adebutu’s Christmas Party (2017).

…………………………………….. …………………………...

Signature Date