Ellie A

therto

n_Contem

porary Perfo

rman

ce Space

Elli

e Ath

erto

n_Conte

mpora

ry P

erfo

rman

ce S

pac

e

Elice C

atmull_

Public To

ilet

Elic

e Cat

mull_

Public

Toile

t

Rosa

lie C

han

_Vid

eo G

alle

ry

Kevin

Chen

_Rain

water C

ollectio

n

Kev

in C

hen

_Rai

nw

ater

Colle

ctio

n

Yuk (G

eoffrey) C

heu

ng_ B

eer Festival / Com

munity C

entre

Yuk

(Geo

ffre

y) C

heu

ng_ B

eer

Fest

ival

/ C

om

munity

Cen

tre

Win

g Y

in (M

ichelle) C

hong_ Fish

Market, S

ush

i Restau

rant &

Fertiiliser Factory

Win

g Y

in (

Mic

hel

le)

Chong_ F

ish M

arke

t, S

ush

i Res

taura

nt

& F

ertiili

ser

Fact

ory

Joan

ne C

larke

1.A fixed corkscrew mechanism turns.2.The viewing chamber/stage is moved continuously along it, as it is housed on rails at the bottom, as well as on the corkscrew.3.The centre of the corkscrew has changing scenery on it, so the background changes as the play goes on.4.There are 3 different stages, with the same changing scenery.5.A second performance occurs in the opposite direction, with the reverse scenery.

Thom

as G

ray_

Rolli

ng T

hea

tre

Jonath

an K

amin

sky_Lam

beth

Lost an

d Fo

und

Pui Ye

e (P

earl)

Lai

Site plan showing lighting condition when protest is ending

Axonometric of light on street during time of fete

Reb

ecca Lee_Lam

beth

Palace Road

Villag

e Hall

The project began with an investigation of the SOCPA border and an interest in the idea of a borrowed physicality from the existing urban fabric which forms the edge of the boundary. This approach evoked and highlighted an interest in the few places where the border could be crossed and intrigue about how several alcoves and crevices in the street edge allowed one to step out of the SOCPA boundary briefly disrupting the rhythm and continuity of the border.

The study and observation of these spaces became concentrated on the eastern most stretch of the border, Lambeth Palace Road, which has a feeling of melancholy and the forgotten about it with a sense of separation from Westminster and Lambeth because of the Thames and Waterloo bridge retrospectively. These investigations developed into a study of ‘unnoticed spaces’, spaces which are not usually considered and have a low perception of the possibility of occupation. The relationship of these spaces to light, occupation, activity and perception are what forms the basis of this project.

The project is a dispersed set of meeting spaces which are embedded in and dependent on the existing fabric of Lambeth Palace Road. The interventions borrow elements from the existing buildings as well as offering additional elements which echo the architectural language and materiality of the immediate surroundings. The spaces are not strictly programmed but are open to spontaneity and can be used and adapted in many ways depending on the intended use and number of occupants.

Lighting is an important part of the project, developing from the initial observations of the site, where spaces are revealed and concealed at the edge of the street depending on the lighting condition. The lighting condition of each space is reflective of the degree of perception of the space and the extent to which the activity is projected onto the street. Most of the spaces are in deep shadow during the day so light has massive potential to transform.

Perspective of park meeting space during Stangate House AGM

Plan of light in park meeting space Jumble sale 19/04/08 9:00 - 11:00 am

Axonometric showing lighting conditionJumble sale 19/04/08 9:00 - 11:00 am

Axonometric of park meeting space

Reb

ecca

Lee

_La

mbet

h P

alac

e Road

Vill

age

Hal

l

William

Main

_Pro

testers Playgro

und

Will

iam

Mai

n_Pr

ote

ster

s Pl

aygro

und

Dal

e M

usc

roft

_H

oney

Far

m a

nd P

ublic

gar

den

Jurg

ita Petrkaite_ In

dep

enden

t Market

Jurg

ita

Petr

kaite_

Indep

enden

t M

arke

t

Eliska Piln

a_ T

he M

int Tea H

ouse

Elis

ka P

ilna_

The

Min

t Te

a H

ouse

Andrew

Piggott_

Rift R

aft

As the libraries swarm upon the city they beging to tangle among themselves.The greater the sense of power, the greater the track density, and thus the more the libraries entwine - “instinctively” shielding their contents from the state. In this instance, the location at which the libraries have knotted too much to move any further is along the same longitude as The Palace of Westminster.

6th August 2021, 16:14 GMT22nd April 2021, 11:05 GMT 3rd June 2021, 12:48 GMT1st May 2021, 10:15 GMT

This secretive labyrinthe shields itself from the eyes of power: the walls bathing itself in shadow so that only those who desire it can truly penetrate it. The deeper one ventures, the more one begins to learn of his freedoms - his lust for adventure starts to appear out of the haze of a life in spectacle. The spaces become more disorientating; tigther, darker. What will he find? What will he place?

Alis

tair P

ow

ell_

Libra

ries

Khyle R

aja_SBII S

outh

Ban

k Exten

sion

Khyl

e Raj

a_SBII

South

Ban

k Ext

ensi

on

Neal Tan

na_

Paper recyclin

g facto

ry

Mic

hae

l Tu

rner

_Pr

ote

st P

repar

atio

n

Tessa Wong_Com

munity C

entre

Yeuk

Hei

(To

mm

y) W

ong_Eve

nt

Spac

e

Pak Yue (Jo

shua) W

ong_M

ovemen

t

Pak

Yue

(Josh

ua)

Wong_M

ovem

ent