National Centre for Design and Product Development Official Newsletter …€¦ · ·...
Transcript of National Centre for Design and Product Development Official Newsletter …€¦ · ·...
March 2010 Vol. 1 Issue 4New Delhi, India
www.ncdpd.comwww.hadicraftdesignbank.com
www.bcdi.in
Official NewsletterNational Centre for Design and Product Development
latest
Trends & Forecasts
11 pages resourceP8 - P18
From theEditor P7
The Govt. of Orissa organized 3 days International fair at Hotel Mayfair Lagoon,
t h t hBhubaneswar, O r i ssa f rom 24 –26 February'2010. More than 125 exhibitors participated in the show. NCDPD provided array of design & product development services to Govt. of Orissa for the successful organization of the event. The event is supported by Export Promotion Council for Handicrafts (EPCH) P4
In a rare achievement NCDPD made a presentation on setting up a Stone Museum at the Public Area of the newly set up State Assembly of Tamil Nadu in Chennai. The presentation was made first to Development Commissioner (Handicrafts) Ministry of Textiles, Govt. of India and then to Hon’ble Minister of Textiles, Govt. of India. P1
NCDPD unprecedented presentation to Hon’ble Chief Minister of Tamil Nadu
Tamil Nadu Assembly Public Plaza as designed by NCDPD
Hon’ble Minister of Textiles Thiru Dayanidhi Maran with dignitaries & officials at the launch.
The design bank was th
launched during the 16 export award function of EPCH on th
16 December 2009 by Thiru Dayanidhi Maran, Hon. Minister of Textiles, Govt. Of India. Tmt. Panabaaka Lakshmi, Hon'ble Minister of State for Textiles, Govt. of India, Smt. Rita Menon, Secretary (Textiles), Govt. of India, Sh. Sanjay Agarwal, Development Commissioner (Handicrafts) & Chairman- NCDPD, Sh. Rakesh Kumar, Executive Director -EPCH and Secretary-NCDPD, Sh. Alok Goel, Co-Chairman- NCDPD, Sh. Ravi K. Passi, President-Advisory Committee-NCDPD and Sh. R.K. Srivastava- Executive Director - NCDPD were also present during the launching function. More than 1000 designs have been uploaded in various product categories with an objective to fulfill the gap in the hard goods and soft goods sector in the areas of design, product development and technology.
(www.handicraftdesignbank.com)
1st Int’l Handicraft & HandloomFair Orissa -conceived, planned
& executed by NCDPD
Shri. Ravi. K. Passi - President Advisory Committee - NCDPD explaining Hon’ble Chief Minister Shri Naveen Patnaik about the exhibition. Also present Commissioner - cum - Secretary Mrs. Arti Ahuja, foreign buyers and guests.
Capacity/skilldevelopmentP4
Handicrafts design bankrecord hits-launchedby Hon’ble Minister of Textiles
HIGH-IMPACTWORLD PREMIER1st Indian Furniture& Accessories Show
Full photo editorial storyP5
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from P1 Tamil Nadu
A very elaborative presentation was made to Thiru Karunanidhi Chief Minister of Tamil Naidu in presence of Thiru Dayanidhi Maran Honble Minister if Textiles, Govt. of India and Development Commissioner (Handicrafts) & Chairman NCDPD.
The presentation was flashed in different electronic media and appreciated by Hon’ble CM of Tamil Nadu.
The design team is headed by NCDPD design head, international lifestyle consultant with local designers Shweta, Ram and international designer Christopher Samong.
NCDPD delivered key note address during Package Design Research & Test Lab in Delhi
NCDPD Direcrtor R.K. Srivastava delivers his speech
T h e m e - b a s e d c l u s t e r s f o r a r t i s a n sVarious measures are being undertaken by EPCH to address the downfall of the exports of handicrafts, being witnessed since the last two financial years.
EPCH in consultation with Development Commissioner (Handicrafts) has envisaged to provide an array of specialized Design & Product Services at the doorstep of exporters and artisans. A team of experts have been placed with the assistance of Ministry of Commerce & Industry to provide an overall support in the area of design & product development.
With an objective to cover maximum mediums & raw materials , 5 theme based clusters have been identified covering more than 90% of the handicrafts namely 1) Needle Work 2) Festive Decoration 3) Fashion Accessories 4) Natural Fiber & Eco Friendly Crafts 5) Tribal Crafts. The same has been planned & worked out in consultation with the O/o Development Commissioner (Handicrafts). Registered members may also avail the free design services placed at www.handicraftdesignbank.com and www.epch.com/design
Design clusters in session at Firozabad,Agra, Khurja and Delhi.
Some of the designs given to the artisans.
Panel of guests at the seminar Shri. L.M.Gupta-Director-Package Design Research & Test Lab, Shri. R.K. Srivastava ED-NCDPD, Shri. R.C.Rastogi, Chairman & Managing Director- Khatema Fibres Ltd, Shri. Chakraborty, Dy. Director- Indian Institute of Packaging.
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With the leadership of its Executive
Director Sh. R.K. Srivastava, the whole
pack of NCDPD designers were at the
First Indian Furniture and Accessories th th
Show in Jodphur, 13 - 15 March.
The team did the visual merchandising
of the off-site settings of each company
at the furniture industrial area. It was a
showcase of the industry's full force of
exporters for buyers' appreciation. The
major commission from EPCH was
visual merchandising of the fair
grounds by the 20 designers under the
direction of PJ Aranador and Ener
Baloloy.
Theme settings complimented the
grand entry. A Rajasthani look dressed
up the reception area with iconic crafts
and the landscaped surroundings
created Indian gardens and peaceful
areas graced sumptuously with
Jodphur garden furniture and bigger-
than-life exquisite animal sculptures.
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HIGH-IMPACT WORLD PREMIER1st Indian Furniture& Accessories Show
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Grand entry to the fair ground
Colonial India pieces unique to Jodhpur.
Beautifully green landscaped with large crafts for all Jodhpur.
Garden packets with outdoor furniture. Large Jodhpur boat from Bhandari Exports.
Outdoor lifestyle settings awed the buyers. American Southwest outdoor setting.
Royal Rajasthan inspired gateway.
Smt. Chandresh Kumari, member of parliament opens the fair with German ambassador H.E. Thomas Matussek, Oman ambassador H.E. Humaid Al
Manni & Mr. Raj Kumar Malhotra, EPCH Chairman.
Hon’ble
From the
Desig introduce new columns in this issue as we planned from the preceding e d i t i o n . D e s i g n Design Desig and Desig debuts within the pages here. We diversify the coverage of our newsletter towards a comprehensive resource of information, apart from the headlines.
Many reasons make the export business of crafts more difficult today. The rigors of vendor's compliance, the cost of money and doing business, the stiff c o m p e t i t i o n i n v i s u a l merchandis ing and, most importantly, the proliferation of m a g n a n i m o u s p r o d u c t redundancies are ever-pressing challenges. B u y e r s g o t o t h e m o s t s o p h i s t i c a t e d f a i r s a n d showrooms in the world. With the influx of designers and visual merchandisers who are trends-pacers, many companies are on a track and field for a race for buyers' attention. Either you got the dynamic wow-factor or none at all.
We dedicate more articles on trends and forecasts in this issue. But trends have to be analyzed, not copied. It is like a menu. The key is selection of a mood board which is appropriate to your needs. What do you have that can be resuscitated to update their look? What product adaptations or product re-engineering you can grab from the images you see?
From my keen observations, many of our exporters still need a lot of work in concepts of line p l a n n i n g a n d v i s u a l merchandising. How can we
news
T e c h ,Bench, next
network
expect buyers to do business from a showroom with products that do not tell a story? All sorts of colors and styles one on top of each other? Some 30 years-old products side by side with the 5 years-old? It sells confusion. It doesn't sell a look.
As we prepare for the next seasons, take a deep scrutiny at the ever-growing demands for up-to-the-minute product trends & preferences. The future of your
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EDITORIAL BOARD Rakesh Kumar Editorial ChairmanR.K. Srivastava Editorial AdviserPJ Aranador EditorEner Baloloy Co-Editor Gris Chandra Senior CorrespondentRudy Rivera Trends TrackerShweta Editorial AssistantChristopher Samong Lay-out DesignerKavita CirculationNCDPD Publisher
business is dependent to your design development clinic.
PJ AranadorEditor
the most saleable NCDPD stone design
fresh NCDPD home textile design
art wall & objects design
NCDPD Orissa team Roderick, Rahul, PJ, Arti & Rey
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Design and Product developmentServicesExhibition Design, Showroom/Store development andVisual MerchandisingGraphic DesignProduct & TechnologyDevelopment/ manufacturingexcellenceDesign Training, Mentoring,Apprenticeship and CareeropportunitiesDesign Training, Mentoring,Apprenticeship and CareeropportunitiesEnd to End Design Services toindustrial GroupsPackage DesignVendor ComplianceImage Building and BrandingOther Specialized Designservices viz. Setting up of theDesign Studio’s, Designpromotion, Design Research,Industry linkage, Tie-ups,Networking, Design library,Design Workshops andResources Centre etc.
SERVICES
Development Commissioner (Handicrafts)Ministry of Textiles, Government of India
&
NCDPD is a joint initiative of
National Centre for Design and Product Development43, Okhla Industrial Estate-III (Behind Modi Mill),New Delhi-110020Tel: +91-11-26821262 / 26821265 Fax: +91-11-26821260
Email: [email protected] Web: www.ncdpd.comwww.bcdi.in, www.handicraftdesignbank.com
More than 40 International buyers visited the show and the show concluded successfully. The entire event was conceived, planned and executed by NCDPD which also includes stand & layout designing, theme setting & product development of more than 100 manufacturers, artisans & exporters. The H o n ’ b l e C h i e f M i n i s t e r appreciated the efforts and announced the event to be annual.
from P1 1st Handicraft & Handloom Fair Orissa
the well - appointed fair venue
dramatic lighting
b l u e i k a t a n d bamboo furniture resort collection
new design pieces in 2010 summer colors
well - reviewed lifestyle setting by international buyers put togetherby NCDPD head designer PJ Aranador
theme
living spaces create modern look for Orissa traditional & contemporary crafts
colorful umbrella canopyAsian style setting area
modern ikat
“kotpad” & “bomkai” textiles
black & white corner
04(right & left below) Shri. Ravi. K. Passi - President Advisory Committee - NCDPD, Hon’ble Chief Minister Shri Naveen Patnaik with guests.
(below) Commissioner - cum - Secretary Mrs. Arti Ahuja, meets with buying agents and foreign buyers.
Capacity / Skill Development ProgramsGoing On Full Stream
Engineered bamboo is one of latest trends in flooring in the market. It consists of bamboo strips (usually 1/8'') on top of the plank, and is layered with other types of wood underneath. Engineered bamboo is thought to be stronger than solid bamboo because of the blending of woods. It can be nailed, glued, or floated to the sub floors. The same technique can be used in making other products such as furniture, window blinds etc.
The Bamboo & Cane Development Institute (BCDI) which is managed by NCDPD will soon offer the technology at the center in Agartala, Tripura.
the
Engineered Bamboo Products
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NCDPD started the Skill/Capacity Development Program in the last week of September'09 and so far 152 programs have been completed out of 200 programs at 7 important craft clusters vis. New Delhi, Khurja, Jaipur, Jodhpur, Saharanpur, Agra and Firozabad. Independent evaluation has been made by third party.
Our designers had a big blast learning while enjoying. Through creative games and problem solving, a team building activity imparted to the designers the concepts of cohesiveness, roles and norms, communication, goal s p e c i f i c a t i o n a n d interdependence.
It was held at the historical and crafts - filled Khejarla Fort, in Jopdhur. The designers as well inter-act with the village folks some of whom showed their crafts in shoe making, pot tery and embroidery.
Designers Team
The 16th century venue.
Designers Ram, Dencio, Purva solving a problem.
Devika, Arvind, Deepak helps Purva constract a design structure.
Designers taking a break while learning.
Johann & team beats the challenges.
Amla, Rudy & team wins the design game.
Johann P. Kwong
networkfeaturing our designers
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Shweta Bhardwaj
The National Institute of Fashion Technology, Hyderabad in 2009. She specialize in hard goods. Has had experience of working with export houses all over India, as well as hands-on experience visiting factories in Firozabad, Moradabad, Jodhpur, Jaipur, Agra, Chennai, etc. She is the editorial assistant of this magazine.
The NCDPD Design TeamThe powerful design team of diverse & inter-disciplinary talents.(R-L, clockwise) Amla, Mark, Purva, Neeti, Ener, PJ, Kalpana, Meenal, Samong, Dencio, Ram, Shweta, Arti, Rudy, Deepak, Noel, Dick, Arvind & Rey. Not in the picture: Johann & Devika.
events
management supervisor & assistant to Mr. PJ Aranador for 12 years. He specialize in cane, bamboo, wood, glass and metal. He will be the lead designer at BCDI as he was commissioned for the North East Region Cane & Bamboo Programme from 2005 -2007.
A n i n d u s t r i a l design graduate f r o m t h e Phillippines, has been the design
A fashion and l i f e s t y l e a c c e s s o r i e s designer who graduated from
The Jammu & Kashmir Theme Pavallion during the Indian Handicrafts & Gifts Fair (IHGF – Spring 2010) as designed & executed by NCDPD. The Pavilion was inaugurated by Tmt. Panabaaka Lakshmi, Hon'ble Minister of State for Textiles, Govt. of India.
07 J&K Theme Pavillion Visual Merchandising by NCDPD
Selected Stand Design & Visual Merchandising by National Centre for Design & Product Development
at IHGF Spring 2010
Old Village Overseas
Autumn People
NCDPD offers visual merchandising services, retail store & export showroom lay-out, stand design, hotel & office interiors. CONTACT US NOW FOR DETAILS.
new delhi, india
FRONTtrends and forecasts supplement of
colors style textures inspirations prints products collections home fashion market tendencies lifestyle consumerism
March 2010 Vol. 1 Issue 4
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Design4Good Ode to Nature
Southern Folk
14-0434 TPX
18-13147 TPX
16-1340 TPX
18-3520 TPX
115-4421 TPX
13-1504 TPX
15-4101 TPX
18-1852 TPX
16-6392 TPX
18-0119 TPX
15-0732 TPX
19-4050 TPX
19-3536 TPX
19-3925 TPX
Nelly Rodi ParisS/S 2010-11 Color Trends
Exposure vis-a-vis exhibition is crucial in selling products. But exposure is either half-baked or full-baked, in worse cases, un-baked. When launching a product collection, make sure they are fully-baked. The ingredients of a good collection go beyond the products themselves but in many aspects as well. If your idea is very novel and fabulous but half baked, for example, the concept is not a full line and your competitor will copy you ahead of your production. Then, do not expose. Incubate the products and keep baking until they are fully baked.
Experience dictates that products are meant to be touched and handled by buyers. They simply blow the buyers' minds to grab and buy them before others do. Buyers experience the products before purchase. These are JIT ( “just-on-time”) products. These items have high commercial quotient. They can be too hot ( sells a lot like hot cakes from a scorching oven), lukewarm ( products need some more baking) or cold ( forget it, its too horrible to be consumed!). But do not despair. Start to evaluate. Why it isn't selling? It is the price? The color? The presentation? Indeed, half-baked? Full-baked?
Evaluate your experience around buyers' reaction ( or pro-creation) to your products. That experience can lead you to evaluate the product performance at the selling floor. Its strengths or weaknesses. Its opportunities or dooms days. Good merchandising is an exercise of well selected products that are in consequential manner. It is a chain of related processes from consumers preferences, trending, excitement and uniqueness.
Eliminate is the ultimate trick of the exercise above. Remove what can break you. Delete what is not needed since the buyers will not look for them anyway. By the end of the day, the whole package through editing comes more enticing & more commercial. Any products you display in a fair is guaranteed to be copied---by your buyers, your competitors, by anybody. That means, you have done your job well. While others are copying are you already producing.
In ever which point you start with your merchandise program---experience, exposure, eliminate, evaluate, doesn't matter. It is a viscious circle.The Editor
compiled by : Ener Baloloy
Last edition, we talked about the 4 C's of design: Clarity of Intent, Concept of a Line, Creative Matrix, Consistency and Continuity. Let's now talk about the E's.
The 4 E's of Design
exposure
evaluate
experienceeliminate
Light Tech
Popular Appeal
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15-5706 TPX
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19-1235 TPX
18-1852 TPX
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19-4035 TPX
16-1105 TPX
Southern FolkVibrant, joyous party tints in slashes of colour. Blazing red and deep violet blend with more neutral shades evoking dry, South American landscapes: ochres, clays, beiges, cactus greens.
Ode to NatureA soft, serene palette with kaolin accents. Chalky, light, faded, powder and ta l cum co lou rs a re accompanied by more intense shades of taupy beige and mauve. A range of dynamic, springtime pastels is added to this base: pink, greenish yellow, orange, vibrant green.
Popular AppealA cheerful, yet slightly faded range evoking 70's colours, which seem to have been softened in the w a s h i n g m a c h i n e . Muffled tones: pale blue, faded beige, soft khaki. A range completed by more intense hues of yellow or v io le t wi th s t ronger accents of red or sky blue.
Light TechFresh, acidic tints that evoke chemical elixirs a n d e x p e r i m e n t a l emulsions. The flashy, slightly pop colours of v i t a m i n - c h a r g e d smoothies: green, pink, turquoise, yellow and acidic orange. They are accompanied by a second range of more faded and somewhat veiled, grayed tints.
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cameo rose excalibur high rise russet orange
cinder green eyes weeping willow rugby tan
flowers are giant to better devour us.
The beaks of multicolored macaws pinch the cheeks of lost Janes.
ColorsThe range is solar, incandescent, spicy and suffocating. Yellow singing at the top of its voice, uninhibited parrot green, the orange of Tibetan monks, the entire spectrum of reds from purple to salmon pink. Bushy brown, deep blue.
banana orange ochre celestial blue ribbon
marron byzantium bossa nova nectarine
Tropical DramaturgyWild nature plays all its cards, calling on Rousseau to lure us into a game of paradise lost with all its misleading tricks.
Pretty green vines encircle
names: Kumquat, oponce, p a p y r u s , t u b e r o s e , rosewood.
Nestled in shadowy niches, worn mosaics hide behind twisted and dried branches of ivy. Collapsed columns and arches form a mound of worn stones, hiding fossils.
ColorsThe range is whitened, stony, mineral or delicately fruity. the softness of faded, evenescent, l ight and serious colors.
A r c h a i c GardenSo we cultivate an archaic garden where primitive joins forces with antique. Where archaeologists decipher hieroglyphics that speak of Gods, of man and plants unknown.
Forbidden fruits and
10Spring/Summer 2010-11 by Le Cuir Paris, France
compiled by Purva, NCDPD
aegean blue deep wisteria seaport burgundy
myrtle slate black palace blue almost mauve
Underwater VariationEbbing and flowing with the tide, we swim "under-current".
D ive in to abysses , e x p l o r e t h e o c e a n depths. We discover marine flora and fauna, submerged cities, buried amphora and pots.
A mysterious world, an aquat ic and amniot ic bubble. A stormy summer's day, bright with magnetic lightening, the horizon plunging into the ocean.
ColorsThe range delves into the blue, and extends to an aqua green. Sea anemone pink is enhanced by inky blues and purples. Navy and brown darken the l a n d s c a p e .White soap bubbles refresh the saturated atmosphere.
Shadowy ShoresA static place, metaphor o f e l s e w h e r e . A n undefined place between Cyrene and Cartagena, between Libya and Syria. Desert of sand, desert of sea, wreckers, pirates, w a r r i o r s f r o m another era. Alternation of ambiguous shade and d u l l e d l i g h t . T h e y illuminate, or dissimulate, the decks of ships run ashore, rusty anchors, ragged sails, driftwood, soft-shell crabs and tortoise shells.
cloud burst friar brown cathay spice
chestnutpatriot bluebarn red
rosin
ColorsThe range is tinged with vegetal colors. Bathed in red, boat hull; dark navy, hut; strong green, canvas. Or l i gh tened co lo rs , bleached by the salt , faded by the sun and the sea.
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Enchanted PicnicFolies in Versailles, rave party in Schönbrunn, Murder in an English garden.
Jacques Tati on vacation in a g o l d e n c a r r i a g e .
Pretty DIY by Lewis Carroll, Fragonard gate-crashes the camp site.
thrush blue turquiose stone wash geranium
meadow greenradiant orchidorchid bloom
Hansel and Gretel sample m o l e c u l a r c u i s i n e . Technical research and reasoned ecology show their impertinent sides.
A festival of glamorous and fun materials. The dawn of artificial preciousness.
ColorsThe range sets your teeth on edge. The neon colors are whitened. Jelly pink is transparent, the pastels are o v e r - b r i g h t . The brights are on fire, tempered by reasonable grey and a measured beige.
Archaic Garden
cameo rose15-0525 TPX
excalibur18-3905
high rise15-4101 TPX
russet orange18-1547 TPX
cinder15-1213 TPX
green eyes16-0224 TPX
weeping willow15-0525 TPX
rugby tan14-1118 TPX
aegean blue18-4320 TPX
deep wisteria19-3842 TPX
seaport19-4324 TPX
burgundy19-1617 TPX
myrtle18-6114 TPX
slate black19-0814 TPX
palace blue18-4043 TPX
almost mauve12-2103 TPX
Underwater Variation
banana13-0947 TPX
orange ochre16-1253 TPX
celestial18-4530 TPX
blue ribbon19-3839 TPX
marron18-1415 TPX
byzantium19-3138 TPX
bossa nova18-1547 TPX
nectarine16-1360 TPX
Tropical Dramaturgy
thrush18-1031 TPX
blue turquiose15-5217 TPX
stone wash17-3917 TPX
geranium17-1753 TPX
meadow green16-0233 TPX
radiant orchid18-3224 TPX
orchid bloom14-3612 TPX
Enchanted Picnic
cloud burst17-1502 TPX
friar brown19-1230 TPX
cathay spice17-1143 TPX
chestnut19-1118 TPX
patriot blue19-3925 TPX
barn red18-1531 TPX
rosin19-0509 TPX
Shadowy Shores
Spring - Summer 2010 - 11 Forecasts
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Pantone Color Codes
Ikat TrendsIkat is a style of weaving that uses a resist dyeing process similar to tie-dye on either the warp or weft before the threads are woven to create a pattern or design.
Ikats have been woven in cultures all over the world. Ikat is still common in India, Philippines, Indonesia, Argentina, Bolivia, Ecuador, Guatemala and Mexico.
Like any craft or art form, Ikat vary widely from country to country and region to region. Designs may have symbolic ritual meaning or have been developed to suit the trends. Ikat is often symbols
of status, wealth, power and prestige. Perhaps because of the difficulty and time required to make Ikatn, some cultures believe the cloth is imbued with magical powers.
Ikat has resurrected in the global demand for 100 percent handloom textiles. The look of ikat today is marrying the otherwise exotic material with western forms. For example, ikat upholstery on French period furniture. The style is fresh and alluring.
Contents collected by NCDPD designers Shweta, Kalpana and Amla.
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Ribbed urban seating
Tree vases
Delicate wood
Interactive nature
Undulating wood shelf
Sleeved bench
Child’s tree shelf Sillhouete vase
Forma wood office space
Delicate finial
Re-claiming
Bended glass Sealife crochet
Vertebral
Wall painting
Plant leather
Top trends find 2011
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A range of IKAT patterns from around the world. IKAT in home lifestyle trends today is highly in demand among foreign buyers for its handloom and exquisite quality. It answers the need for the supply of “cultural consumerism” products which are very popular in international markets. In India, one of the best sources is from Orissa.
Hurricane terrarium
Sculptured bowls & cups
CERAMICS
Vertical garden
Farm animals themewhimsical dice
Stylized peacock feather
Teacup taper
Enamel inspired ceramics
Fret work egg shapes
Modern idioms
Red coral motif
H O T T R E N D S 15
avian lavatory
compiled by: Rudy & Kalpana
G R E YPALLETEr e m a i n s
pointillism
colonialmodern fusion
WOOD FURNITURE
Baluster legs table
Stenciled furniture
Flat slat bench
Baluster glass lamps
colored rims
Retro glasses GLASS
opaque glass vases
cocktail glasschandelier
Goose neckGel filled
Monogrammes
Towering martini
Wicker & glass au naturelle
Bauble vase
Inverted bird feeders
Minimal combed etchings
Mono-block stool Hanging chaise
Industrial warehouse
Fat & slim leggings
Casual planks colonial legs
Veneer light weight
Fluid chunks
Low grounded
Repetitive blocks
Cut outs
Lego inspired
Skate board fittings
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knock-down
silhouettes
humor
avant Garde
no
ma
dic
functionality
packaging
assymetry
Design Innovations
bee hive holders
cleverness
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Trends in Jewellery
Chunky pieces are the perfect accessories for the retro fashion trend that is coming back with a blast
Big statement necklaces will be the latest fashion trend in jewelry for spring-summer 2010.
Necklaces are getting bolder and brighter as well. Worn over a dress or a T-shirt, a bold necklace will glam up your whole look. as well as a bold necklace can make you look slimmer
Chandelier earrings are still in.
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specialized training schedule