MATERIALS INTERIOR FINISHES

STUCCOUSED AS ROOFING

BLUE/GREEN WALLPAPEROFFICE, VESTIBULE

GREEN WALLPAPERRESTROOMS

GRANITE STONEBUILDING FACADE

STONE TILESTANDART FLOORING

THE INTERIOR SPACES WERE DESINGED TO HAVE ALOT OF OPEN SPACE. I WANT THE VISITOR TO FEEL AS IF HE WERE STILL IN THE OUTDOORS. MY APROACH IS TO ALLOW VISIBILE ACCES TO THE OUTSIDE. IN THE CENTER AREA A SUN ROOF ALLOWS NATURAL LIGHT IN THE SPACE. A WIDE WINDOW PRESENT A BEUTIFULL VIEW OF THE LAKE AND WEEPING WILLOWS IN THE .DISTANCETHE ENTRANCE IS ADORNED WITH GREEK CORNICE AND PILLASTERS TO SYMBOLIZE CLASS.

THE OFFICES ARE DESINGED WITH LONG DOUBLE HUNG WINDOWS.EACH LAYOUT WITH ACCES VIEW TO THE PATH. THE EXHIBITION SPACE COMPLETELY OPEN. THE LARGE COLLUMS HOLD UP THE STRUCTURE AND ALLOW FOR AESTITICALLY PLEASING SHADES AND SHADOWS.

EXIBITION ROOM AFTERNOON VIEW

CENTER ROOM FACING SOUTH OFFICES

EXHIBITION SPACE- FACING EASTCENTER ROOM FACING NORTHCENTER ROOM FACING WEST

NATURAL OPEN SPACE

THE GWENDOLEN NATURE CENTER THE CENTER IS DESIGNED TO BE PERMANENT. LARGE PIECES OF STONE HOLDS THE STRUCTURE TOGETHER. IT IS DESIGNED WITH A RECREATIONAL AREA .

THE NATURE CENTER SITS ON A HILL. THE PATH LEADING TO THE LOCATION FOLLOWS THE APPROPRIATE CONTOURS TOO ALLOW PROGRES-SIVE INCREASE IN ALTITUDE.

THE PATH WAS PURPOSELY DESIGNED TO ALLOT THE PUBLIC TO SURVEY THE AREA. A SHORTCUT TO THE STRUCTURE IS ALSO AVAILABLE.

EAST-WEST

WEST VIEW

SOUTH VIEW

NORTH VIEW

ARIAL-ISOMETRIC VIEW

GRAPHIC DESIGNWORK BY: SERGIO LOPEZPROGRAMS: MICROSOFT WORD, MICROSOFT EXCEL, ADOBE ILLUSTRATOR, ADOBE PHOTO-SHOP, AUTO CAD 2009, INTERNET

COMPANY: BARCLAY BROWNEMPLOYER: MAURICE HEDEYA

WIRE TRANSFER LAYOUTSAMPLE REQUEST LAYOUT

PROSPECT INTRIGUE LAYOUT

MAURICE HEDEYA ASKED ME TO RE DESIGN HIS IPO PACKAGE. THE IPO PACKAGE IS A 7 PAGES, WHICH INCLUDE AN INTRODUCTION TO OUR PRODUCT, INSTALLATION INSTRUCTION SHEETS AND PAYMENT INSTRUCTIONS.

THE ORIGINAL IPO PACKAGE SET LACK OF IDENTITY. THE LAYOUT OF EACH PAGE WAS VERY DIFFERENT AND INCOHESIVE. REPEAT OF INFORMATION AND EVEN MISSING IDENTIFYING LOGOS.

USING ADOBE ILLUSTRATOR TO DESIGN THE LAYOUT, QUICKLY DECIDED ALL PAGES NEEDED TO HAVE THE COMPANY LOGO IN THE SAME FORMAT ON THE SAME LOCATION, ON ALL THE SHEETS. SECONDLY I CHOSE A SELECTION OF TEXTS TO USE ALL THROUGHOUT THE IPO PACKAGE. THE GARAMOUND AND AERIAL NARROW DID IT JUSTICE.

SECONDLY I CHOOSE A SCALE OF TEXT AND LAYOUT TO REPEAT ITSELF ALONG THE WHOLE IPO PACKAGE. I KEPT 1.5” MARGIN ON EITHER SIDES OF THE INTRODUCTORY SHEETS AND BROAD-ENED THE PAYMENT INSTRUCTIONS SHEETS.

AS FOR THE INSTALLATION INSTRUC-TIONS SHEETS I DECIDED TO CLEAN UP PHOTOGRAPHS IN ADOBE PHOTOSHOP. THEN EXPORT THEM AND ADD FINISHES IN ADOBE ILLUSTRATOR CS3. I USED AUTO CAD TO CREATE A TECHNICAL DRAWING OF THE PROD-UCT. I EXPORTED THE IMAGE TO A JPEG THE ADDED FINISHES TO IT IN ADOBE ILLUSTRATOR CS3

IMPROVEMENT

1 2

The Auto-Expander™ is easy to use Remove the plastic bag Shake the bag and the device opens

Auto-Expander™ by Barclay Brown An environmentally sound product that saves trees.

web: www.barclaybrowncorp.com Save trees, click: www.worldtrees.org

Patent No. 6,698,927; and 6,550,967

FORM 06E

BARCLAY BROWN WIN A PRICE!!! “The modern way to display soft bags” Store personnel are invited to 47 Lancaster Avenue, Brooklyn, NY 11223 photograph their display of bags. Phone USA: 718-375-9222 Mail to us. We will mail a prize Fax USA: 718-627-1603 for the best display entry. E-mail: contact@barclaybrowncorp.com

BEFORE AFTER

IN THE ORIGINAL LAYOUT A LACK OF LOGO LEAVES THE INFORMATION AS MISCELLANEOUS. THE SCALE OF THE PAGE IS UNORGANIZED CAUSING CONFUSION. THE CONTACT INFORMATION IS HIDDEN IN THE CHAOS NEW LOGO ATTACHED

STANDARD CONTACT IFORMATION ON ALL PAGES

A CHANGE FOR THE BETTERI DECIDED TO REDUCE THE SCALE OF THE PAGE FOR READBILITY. I IMPOSED THE LOGO ON THE TOP AND INCLUDED CONTACT INFORMATIONM

THE CONTACT INFORMATIONGETS LOST IN THE LAYOUT.

FACEBOOK LOGO WWW.FACEBOOK.COM

TWITTER LOGO WWW.TWITTER.COM

YOUTUBE LOGO WWW.YOUTUBE.COM

DUE PROCESS SPECIAL ATTENTION WAS GIVEN TO THE INSTALLATION INSTRUCTIONS. I USED A DIGITAL CAMERA TO TAKE PICTURES OF THE PRODUCT. I USED ADOBE PHOTO-SHOP TO CROP, DETAIL, CHANGE COLOR AND CONTRAST OF EACH PICTURE. ONCE CONVERTED TO JPEG’S THE IMAGES COULD BE IMPORTED TO ADOBE ILLUSTRATOR TO BE DESCRIBED AND NUMBERED.

THE PRODUCT SCALE WAS USED TO KEEP A GOOD PROPORTION

ADOBE ILLUSTRATOR CS3 ALLOWED ME TO ALIGN INFORMATION FOR A MORE PROFESSIONAL DOCUMENT. PROPER ALIGNMENT IMPROVES THE LEGIBILITY OF THE INFORMATION. I USED THE GRID LINES COMMAND AND THE RULER COMMAND TO SEPARATE THE INFORMATION INTO EQUALLY DISTANCED NODS. SECONDLY THE USE OF LAYERS IN THE ADOBE ILLUSTRATOR CS3, ALLOWED ME TO ORGANIZE INFORMATION AND DETAIL FURTHER THE JPEG’S. FINALLY WHEN PRINTING THE FILES I USED THE PRINT PDF COMMAND WITH A CMYK COLOR CHOICE SINCE I WILL BE USING THESE SHEETS AS PRINTOUTS.

STRATEGY

ATRIUM SINGSWORK BY: SERGIO LOPEZCOURSE: AR609PROFESSOR: K. TEAGUEPROGRAMS: MICROSOFT WORD, MICROSOFT ECELLADOBE PHOTOSHOP, ADOBE ILLISTRATOR, AUTO CAD 2009INTERNET,

UNIVERSITY: NEW YORK CITY COLLEGE OF TECHNOLOGY

ATRIUM

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NAMMVORHEES

GENERALMIDWAY

HOWARD

KLITGORD

ENVIORMENTAL

NEW YORK CITYCO

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LOG

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ATRIUM

PEARL NAMM

GENERAL

NEW YORK CITY

NO

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BEFORE

TO THE LEFT IS THE EXISTING CITY-TECH SING. IT FAILS T O INFORM THE

STUDENTS WHICH BUILDING IS HOUSED INSIDE.

TO THE RIGHT WE HAVE THE

ATRIUM MAIN ENTRANCE. AGAIN A STUDENT WALKING

BY CANNOT TELL THIS IS THE ATRIUM.

AFTER

TO THE LEFT I DESIGNED A LOGO SAME AS BEFORE . I NOW INCLUDED A COLOR COORDINATED SYSTEM WHICH ASSIGNS EACH

BUILDING ITS PROPRIETARY COLOR IN THIS CASE ATRIUM

BEING LILA.

TO THE RIGHT WE HAVE THE ATRIUM ENTRANCE

PROPERLY POINTED OUT.

LOCATION OF VIEWER

TO THE LEFT WE HAVE A

VIEWER WHO IS HEADING NORTH IN JAY ST.

TO THE RIGHT WE HAVE A VIEWER HEADING SOUTH

NEAR TILARY STREET

PROPOSED SING

WITH THE USE OF ADOBE ILLUSTRATOR CS3 IS WAS

ABLE TO REINTERPRET THE CITYTECH DESIGN BY

IMPORTING THE CITYTECH LOGO AND TRACING OVER IT

WITH THE PEN TOOL.

TO CREATE THE ROTATING LETTERS I USED REGULAR

TEXT AND ROTATE COMMAND FOR PRECISION

SERGIO LOPEZ

PENCIL ART

WORK BY:SERGIO LOPEZ

THESE ARE WORK I DI ON MY OWN TIME. I ENJOY DRAWING SKETCHING AND DESIGNING

PENCIL & PENI USUALLY DRAW PRELIMINARY LINES IN PENCIL TO GIVEME A GUIDE. ONCE MASS IS ESTABLISHED I BRING A PERMANENCE TO THE PROJECT BY USING DIFFRENT COLOR PENS. I USE DIFFRENT TYPES OF HATCHING TO CREATE DEPHT IN THE ARTWORK. MANY TIME COMPLETLY HATCHING

RED ALIEN, ALL PEN DESING ALTERNATE HATCHING USED REPETIVELY

SKETCH PENCIL , WITH BLACK PEN FINISH

TATOO MAGAZINE, SKETCH PEN ONLY

PERSONAL DESING, INSPIRED BY DRAGON BALL Z

ADD SOME COLORI BEGAN TO WORK WITH COLOR, USE TONES AND SHADES TO DISTINGUISH DEPHT. USING VIVRANT COLOR TO OUTLINE THE IMAGE GAVE IT A 3D EFFECT.

CONTRASTTHE USE OF BLACK NEXT TO WHITE, RED NEXT TO GREEN AND BLUE NEXT TO ORANGE CREATES GREAT CONTRAST

SAGITARIOUR FIRE RABBIT; TATOO DESIGN X-MEN SKETCHKORN, SKETCH ALL PEN, COLOR PENCIL

TATOO DESINGI HAVE DESIGNED TATOOS IN VARIOUS OCASSION. BELOW IS A SAMPLE. A RELATIVE OF MINE ASKED ME TO DESING ON A TWO FLAGS CONCEPT; MY I DEA WAS TO INTRODUCE BOTHTHE AMERICAN EAGLE FOUND ON THE DOLLAR AND QUATER, AND MERGE IT WITH THE EAGLE FOUNFD IN THE MEXICAN FLAG THE OUTCOME WAS A SUCESS.

Mayor leaking problem from roof gutter and leader

Window lintels in need of repair white stains indicate salts

Stone seems to be cracking near the top edges of the building

KINGS COUNTY SAVINGS BANK

West ElevationBedford street

Sergio Lopez Adib Anwar Ehsannl Haque135 Broadway, Brooklyn NY 11211

A9

Water causes damage to rest of structure when falling

possible wood decay On rear entrance replacement or repair

edges of the building

Marble Pilasters stained in black damaged by water

Sidewalk cracked due to damage from water leaking from building

A10

KINGS COUNTY SAVINGS BANKREHABILITATION & CONSERVATION

WORK BY SERGIO LOPEZCOURSE: AR740 CONSTRUCTION TECHNOLOGYPROFESSOR: M. SMITHUNIVERSITY: NEW YORK CITY COLLEGE OF TECHNOLOGY

CREATING DETAILS: THIS PROJECT REQUIRED PROPER ANALISIS OF THE EXISTING CONDITIONS OF THE LASNDMARKED BUILDING. I VISITED THE SITE TO PRFORM A FIELD SURVEY , BY DOCMENTING THE INFORMATION AND RESEARCH I WAS ABLE TO LEARN ABOU THE METHODS OF CONSTRUCTION IN THE 1980’S . A STONE AND MASONRY BUILDING LIKE THE KINGS COUNTY SAVINGS BANK HAS LARGE SYSTEMS WHICH KEEP WATER AND ALL NATURAL FORCES OUT OF THE BULDING. DUE TO YEARS OF DETERIORATION AND POOR MAINTENANCE THESE SYSTEMS BEGAN TO FAIL.

MANY PROBLEMS WERE FOUND. MY PART IN THIS IS TO LOCATE THE PROBLEM , EXAMINER THE CURRWENT CONDITIONS AND DESING A DETAIL THAT WILL SOLVE THE PROBLEM. WHEN DRAWING THE DETAIL I NEED ED TO MATCH SERTAINF MATERIALS AND STREWNGHTS. I NEEDED TO MAINTAIL THE BUILDING CARISMA BY UTILISING SIMILAR MATERIALS. FOR THE DETAILS ABOVE THE SYSTEMS ARE BEING IMPROVED NOT CHANGED . THIS ALLOWS US TO REHABILITATE THE BUILDING.

BROWN STONE RENOVATION WORK BY: SERGIO LOPEZ COURSE: AR411 CONSTRUCTION TECHNOLOGY PROFESSOR: J. KING PROGRAMS: AUTO CADD 2009/2010 UNIVERSITY: NEW YORK CITY COOLLEGE OF TECHNOLOGY

COURSE AR411 THE ASSIGNMENT WAS TO FABRICATE CONSTRUCTION DOCUMENT FOR A BROWN STONE HOUSE WERE RENOVATING. THE CLIENTS WERE MR. AND MS SMITH. THEY RECENTLY MOVED FROM LA AND WERE LOOKING TO RENOVATE THE PLACE . WE WERE HANDED RUFFS OF THE PLANS AND ELEVATIONS THE MAIN FOCUS WAS UNDERSTANDING HOW PLANS AND ELEVATIONS ARE READ AND HOW THEY ARE TO BE CREATED FOR EASY READ. THE PROGRAM WE USED WAS AUTO CAD 2009. IN THIS PROGRAM WE WERE TO BECOME FAMILIAR FOR OVER 50 COMMANDS AND THEIRS SHORT CUT. WE WENT OVER LAYERS , LINE WEIGHTS, FONT, DIMENSIONING, CREATING BLOCKS AND SYMBOLS, CREATING HATCHES, AND SCALING DRAWINGS. THERE WAS A STDARD TITTLE BLOCK WHICH INCLUDED SHEET NUMBERS ARCHITECT , OWNER , AND CONTRAC-TOR INFORMATION. THE SCALE AND DATE OF THE PROJECT WAS DENOTED FOR REFRENCE BY THE CONTRAC-TOR. FINALLY WE WENT THOUGH THE PROCESS OF CREATING A PRINT DOCUMENT IN PAPER SPACE WITH PROPER SHEET SIZES, LINE WEIGHTS AND LAYER MANIPULATION.

STANDARD TITTLE BLOCK

CONSTRUCTION DOCUMENTS DOOR & WINDOW SCHEDULE ABOVE A5.01 INTERIOR DETAILS

BELOW A6.02

FLOOR PLANS ABOVE A2-01 CONSTRUCTUION DOCUMENTS STRUCTURAL NOTES

BELOW A2-01