MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to...

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MUSIC OF THE MIDDLE EAST

Transcript of MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to...

Page 1: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

MUSIC OF THE MIDDLE EAST

Page 2: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Major Cultural Influences

• Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

• Arabic culture (Saudi Arabia, Syria, Iraq Lebanon, Egypt, Kuwait; speak Arabic)

• Turkish culture (Turkey, present day Afghanistan; speak Turkic; historic Ottoman Empire)

Page 3: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Major Religions

Page 4: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

The Ottoman Empire (1299-1922)

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Persian Empire (550 BC – 651 AD)

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Influence of IslamArose in Arabia in 7th century; was unifying

force among Arabic tribes. Arabic language and culture begin to absorb Persian.

Page 7: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Islam and Music

• Koranic chant. Emphasis on written word (Koran is revealed word of God). Koran is important source for poetry, literature and song texts.– Example of Koranic chant.

• No tradition of instrumental religious music or religious dance (with exception of some sects).

Page 8: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Classical Music of Iran

TAR

SETAR

KAMANCHE

ZARB / DONBAK

NEY

SANTOUR

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Music Theory• Dastgah:

• a mode, similar to Greek modes (but not limited to half and whole steps)

• 7 primary, 5 secondary• Basis for composition and improvisation• Includes pitches, scale patterns, melodic essence

(motif). Each has descriptive name and associated character

• Gusheh: • subdivision of a dastgah; “central nuclear melody”

• Radif:• Repertoire of several hundred melodies or

gushehs in all 12 dastgahs memorized by students and used as basis for improvisation and composition

Page 10: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Khandan/Musiqi Continuum

Khandan Musiqi

Chant

Unmetered

Improvised

Amateur

Solo

Vocal

Dance music (esp. belly dance)

Highly rhythmic

Precomposed

Professional

Ensemble

Instrumental

“Acceptable” “Unacceptable”

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Persian Classical Music

• Transmitted in private concerts.

• Role of improvisation.

• Texture: monophonic or heterophonic.

• Melodies usually ornamented.

• Tense vocal quality.

• Section of concert devoted to one dastgah

Page 12: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Classical Concerts

• Section of concert explores a particular dastgah (usu. five instrumental or vocal pieces)

• Concerts• Open with rhythmic introductory piece (like

Pishdaramad)• Avaz (improvised, nonmetric) (considered high

point of concert)• Concluding section (rhythmic dance or light vocal)

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Traditional 19th century Iranian court musicians playing kamanche, dombak, dayere, tar, santour

Page 14: MUSIC OF THE MIDDLE EAST. Major Cultural Influences Persian culture (Iran, speak Farsi, adheres to Shia interpretation of Islam; historic Persian Empire)

Indian and Persian Classical Music• Similarities:

• use complex system of pitches• have long history of performance and theoretical

writings about music• Monophonic or heterophinc• Transmitted in concerts• Passed on in oral tradition• Incorporate improvisation and composition

• Differences:• Persian tradition has no equivalent of tala• Ambivalent attitude of Islam towards music

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Persian miniature (Tabriz School, 13th cent.)

Persian Carpets

Persian Calligraphy

EXAMPLES OF PERSIAN ART FORMS