MOTS D'IMAGES MAGAZINE ISSUE 2

MOTS D’IMAGES

OCTOBER 2011 - ISSUE #2

Hi there! What is the 2 Issue all about? Our calling

has been to scour pages, profiles and trot along websites to bring you what’s new, and what’s next. Smile. “That means that we shoot for the moon and even if we missed it we land among the stars!”

Truly, it is always intriguing to evaluate and appreciate for ourselves and so we are happy to

share with you our way to look at photos and art.

Looking at these photos and paintings, one seems more predisposed at first to search for

reference, connection, and to fix it somehow in the flow of all the others. But finally it is rewarding to appreciate the work presented here as the one of good photographs, artists and not to forget “words composers”.

Enjoy the Issue!

Florence Besson

COPYRIGHT & DISCLAIMERReproduction in whole or in part without written permission by MiM is strictly prohibited.All information and credits are accurate at the time of publication, but are subject to change.

WEB QUATERLY MAGAZINE - ISSUE 2 - PUBLICATION : October 2011EDITORIAL : Florence Besson - [email protected] : Olivier Besson - [email protected] : Shunishi Tanabe - gengodesign.com

HTP://WWW.MOTSDIMAGES.COM© 2011 MOTS D’IMAGES MAGAZINE

ISSUE #2 | MOTS D’IMAGES | 3

4FOCUS

Flash, light, density, a patchwork worldShunichi Tanabe

10GLANCE

About dance and lightMagdalena Zeisel

16GLANCE

The fable of timePasquale Palmieri

24FOCUS

Space of meetingMax Capponi

32GLANCE

Du Champ de Mars au muséeLaure Delmas-Rouanet

38FOCUS

Topography of a soulEric Duplan

44FOCUS

And nothing else matters....Gina Buliga

50WORDS

Le coeur cousuCarole Martinez

52MISCEL-LANEOUS

Cloo Potloot Florence BessonJeanyves Rousson

FOCUS

4 | MOTS D’IMAGES | ISSUE #2

Shunichi Tanabeis born in Tochigi Japan. He launches its first photo magazine in 1989 and has a very specific lens culture. His images of striding figures, emotional displays, and vivid colour are the product of a devotion to interpreting the visuals of the streets. His work has been exhibited in Tokyo, Hong Kong, Oslo, Venice.


flash, light,

density, a patchwork world

FOCUS



Want to discover

moreWebsite

gengodesign.com


GLANCE



Magdalena Zeisel

About dance and lightShe is a visual artist. She defines her work as a symbiosis of visual forms.Her research in photography is to exceed the technology so that it becomes more of “art nichtgekonnten” which comes from the unconscious. Her work on the dark light is subjugating.


GLANCE


Want to discover moreWebsite

http://www.facebook.com/magdalena.zeisel

GLANCE


Pasquale Palmieri

The fable of timeHis photos are a personal reaction to contemporary suburban structures. He walks the streets to find people caught in-between freedom and survival.

GLANCE


GLANCE

22 | MOTS D’IMAGES | ISSUE #222 | MOTS D’IMAGES | ISSUE #1


Websitehttp://www.flickr.com/photos/pasqualepalmieri/

Want to discover more

FOCUS


Max Capponi

Space of a meetingLives in Rome and works as an architect designer and as a photographer for various magazines, including Vogue. He says: “I would describe my work as fragments of sensations and emotions that go beyond a simple image” and about his nude art he likes to mention with a smile, Louis Calaferte : “Les révoltants dessous organiques de la beauté.”His eye is sharp, sensual and lyrical. He is a provocative dreamer.


FOCUS

Websitehttp://www.maxcapponiphotographer.com


ISSUE #2 MOTS D’IMAGES | 31

GLANCE


Laure Delmas-Rouanet

French photographer, her work is a balance of grace, surprise, economy, tension and visual wit. The formal eloquence is a tribute to human meaning that runs along lines, shape, scale.

GLANCE



Websitehttp://lauredelmasrouanet.com/


FOCUS


Eric Duplan

Topography of a soulEric is a french artist who lives in South Africa. In 1980 he joined the Lintas Group Advertising Agency as an illustrator. He is now a freelance illustrator and over the past eight years worked for most of the major advertising houses in Johannesburg.


Sudheer explores both BW and color with a rare sensitivity.

FOCUS


FOCUS


Eric paints in oil and his paintings mix fine details and abstract architectural renderings in a technique that produces reminiscences of a Zen Garden, where a certain meditative quality is induced.His work could be most easily described as topographical landscapes, but this synthesis is certainly too simplistic.


Websitehttp://www.art.co.za/ericduplan


FOCUS


Gina BuligaAnd nothing else matters....Lives in Bucarest. her portraits of children bring us closer to a magical world, like a dream within a dream, a vision that at times approaches the atmosphere of Peter Weir films with a tension to surnatural.


FOCUS


Websitehttp://blog.ginabuliga.com/



WORDS

Carole Martinez

née en 1966, a été comédienne avant de devenir enseignante. Son premier roman, Le Cœur cousu (2007), a connu un grand succès de librairie et a reçu de nombreux prix littéraires


Le coeur cousu

Commença alors pour ma mère la période des fils de couleurs.

Ils avaient fait irruption dans sa vie, modifiant le regard qu’elle portait sur le monde.

Elle fit le compte : le laurier-rose, la fleur de la passion, la chair des figues, les oranges, les citrons, la terre ocre de l’oliveraie, le bleu du ciel, les crépuscules, l’étole du curé, la robe de la Madone, les images pieuses, les verts poussiéreux des arbres du pays et quelques insaisissables papillons avaient été jusque-là les seuls ingrédients colorés de son quotidien. Il y avait tant de bobines, tant de couleurs dans cette boîte qu’il lui semblait impossible qu’il existât assez de mots pour les qualifier. De nombreuses teintes lui étaient totalement inconnues comme ce fil si brillant qu’il lui paraissait fait de lumière. Elle s’étonnait de voir le bleu devenir vert sans qu’elle y prenne garde, l’orange tourner au rouge, le rose au violet.

Bleu, certes, mais quel bleu ? Le bleu du ciel d’été à midi, le bleu sourd de ce même ciel quelques heures plus tard, le bleu sombre de la nuit avant qu’elle ne soit noire, le bleu passé, si doux, de la robe de la Madone, et tous ces bleus inconnus, étrangers au monde, métissés, plus ou moins mêlés de vert ou de rouge.

Qu’attendait-on d’elle ? Que devait-elle faire de cette nouvelle palette qu’une voix mystérieuse lui avait offerte dans la nuit ?Bombarder de couleurs le village étouffé par l’hiver. Broder à même la terre gelée des fleurs multicolores. Inonder le ciel vide d’oiseaux bigarrés. Barioler les maisons, rosir les joues olivâtres de la mère et ses lèvres tannées. Elle n’aurait jamais assez de fil, assez de vie, pour mener à bien un tel projet.

Elle se rabattit donc sur l’intérieur de la maison.

MISCELLANEOUS


By Cloo Potloot


By Florence Besson


MISCELLANEOUS

By Jeanyves Rousson

THANK YOU,SEE YOU IN 3 MONTHS

COVER : SUNICHI TANABE

MOTS D’IMAGES MAGAZINE - ISSUE 2 - PUBLICATION : oct. 2011EDITORIAL : Florence Besson [email protected] : Olivier Besson [email protected]

HTP://WWW.MOTSDIMAGES.COM© 2011 MiM

MOTS D'IMAGES MAGAZINE ISSUE 2

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