Modul-Dance City Guide Toulouse
22
modul-dance an artist’s-eye view TOULOUSE
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One of the key elements of modul-dance is the promotion of mobility, so that artists receiving its support follow itineraries across Europe to develop their creative work and present it to different audiences. The city guides collection shows 10 cities from the viewpoint of a local artist, who proposes his or her own particular route to artists in transit, seeking to put them in connection with their host city.
Transcript of Modul-Dance City Guide Toulouse
modul-dance
an artist’s-eye view
TOULOUSE
Modul-dance is a multi-annual cooperation project with the participation of 20 European dancehouses from 16 countries.
One of the project’s key elements is the promotion of mobility,
so that artists receiving its support follow itineraries across Europe to develop their creative work and present it to different
audiences.
Each of the guides in this collection shows a city from the viewpoint of a local artist, who proposes his or her own particular route to artists in transit, seeking to put them in connection with their host city. While these city routes
share some basic features, each one is different and in their differences lies a wealth of gazes, aesthetics, approximations
to the local and much more. In a word, they form a mirror of the diversity that modul-dance has always fostered.
The Toulouse city guide has been possible thanks
to the curatorial work of the Centre de Développement Chorégraphique, a partner in the modul-dance project.
modul-dance
43° 36′ 19″ N, 1° 26′ 34″ ECe
ntre
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ent C
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se
Coraline Lamaison
Sylvain Huc & Cécile Grassin
Cora
line
Lam
aiso
n, “N
arci
sses
2.0
” © G
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al06
Coraline Lamaison presents Toulouse
07Coraline Lamaison
Coraline Lamaison is a stage director and choreographer. She trained at the Academy of Dramatic Art of Toulouse and then at the Théâtre Sorano in Toulouse under the supervision of Jacques Rosner. Between 1996 and 2003 she performed on different works directed by Claude Bardouil (the assistant and choreographer of Krzysztof Warlikowski); namely, Bal des Anges, Jusqu’au dernier baiser, Les Innocents and Les Vaniteux. In 2004-2005 she performed for Jan Fabre on The Crying Body at Théâtre de la Ville in Paris and for a European tour, as well as performing L’Histoire des Larmes at the Festival d’Avignon in 2005. In 2002 she created Etude pour un homme seul at the Théâtre de la Digue in Toulouse. In 2004 she directed and performed 4.48 Psychosis by Sarah Kane with the support of Claude Régy (copyright owner) at the Théâtre de la Digue in Toulouse. In 2007 she presented Rugby at the Théâtre National de Toulouse and at the Stade Toulousain, a work in progress for dancers and rugby players. Her works also include Narcisses-0, created in 2009 and presented in Avignon and Ex/stase, Narcisses-1, presented at the Novart Festival in Bordeaux in 2010. In 2012 she directed Altérité together with Bouziane Bouteldja for Parvis Scène Nationale in Tarbis. The piece received the first price of Reconnaissance concours of Maison de la Danse Lyon and Le Pacifique Grenoble. As assistant to Jan Fabre/Troubleyn she worked on L’Empereur de la Perte and Le Roi du Plagiat at the Festival d’Avignon in 2005, subsequently touring in France until 2008. She also collaborated with Guy Cassiers/Toneelhuis in Anvers as the coach for actor Dirk Roofthooft on the French version of Rouge Décanté at the Festival d’Avignon in 2006 which was followed by a European tour lasting until 2010. In 2010 she was selected by the modul-dance project to develop the piece Narcisses 2.0, which was premiered in 2012 at Tanzhaus NRW Düsseldorf. Since this year she is an associated artist at Théâtre Sorano in Toulouse where, one year later she premiered Vulnerables, the first movement of La Mort des sentiments.
08
A small but essential sample of Toulouse identitiesA rugby match in Stade Ernest-WallonRue des Troènes 114
01
rugby
04 A place like home for a drinkThe bar La Maison where I learnt to make cocktailsRue Gabriel Péri 9
drinkDone! 05
live music
Out of rangeLe Bikini. The best live music stage in the city for rock and modern musicRue Hermès. Ramonville-Saint-Agne
Done!
trendy02 A trendy place
No. 5 Wine BarRue de la Bourse 5
Done!
Done!
A scenic alibi of ToulouseLa Halle aux Grains for the concerts of the Orchestre National du CapitolePlace Dupuy
03
scenicDone!
drink09
07Something for freeToulouse International Art Festival in May. All around the city with a host of free manifestations ranging from exhibitions to live performances!toulouseartfestival.com
freeDone!
08 A tapaA slice of foie gras au torchon with gros sel and black pepper in any traditional restaurant. Also available to buy at the shop Maison SamaranPlace Victor Hugo 18
foie grasDone!
DetailThe courtyard of the Fondation Bemberg Hôtel d’Assézat museumPlace d’Assézat
06
detail
A trendy placeNo. 5 Wine BarRue de la Bourse 5
10Done!
A restaurant with no starsThe restaurant Le Bistrot J’Go, open ‘till latePlace Victor Hugo 16
restaurant
09 A strange placePassage Saint-JérômeYou can cross the grounds of Saint-Jérôme Church from Rue de la Pomme to Rue du Lieutenant Colonel Pélissier
strangeDone!
Done!
10
12ShowcasingTrendy and vintage stores on Rue Sainte-Ursule and Rue Cujas
shopDone!
13One place I personally recommendThe bar Breughel l’AncienRue de la Chaîne 30
recommendationDone!
14 A panoramic viewThe view from the bridges Saint-Pierre and Pont Neuf by night
Or the panoramic view from the rooftop of Les Galeries LafayetteRue Lapeyrouse 4
panoramic viewDone!
11 A place where you can find meLes Carmes and Saint-Etienne areas
find meDone!
11panoramic view
An open marketThe daily market all along Boulevard de Strasbourg. Every morning except Monday
A secretThe Pomponette à la fleur d’oranger (Toulouse specialty: the Three Kings’ celebration cake) from the bakery La Bonbonnière, fantastic!Rue des Tourneurs 41
market
cake
Done!
Done!
16
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Check out the Google maps version:goo.gl/maps/F6wB4
17A souvenirA place full of “souvenirs”: Théâtre SoranoAllée Jules Guesde 35
souvenirDone!
18 Something not to be missedThe festival C’est de la Danse Contemporaine of the CDC ToulouseAvenue Etienne Billières 5cdctoulouse.com
festival Done!
Sylv
ain
Huc
& C
écile
Gra
ssin
, “Le
Pet
it Ch
aper
on R
ouge
” © L
e pe
tit c
owbo
y - E
rik D
amia
no
12
Sylvain Huc & Cécile Grassin present Toulouse
13
Sylvain Huc & Cécile Grassin
Sylvain Huc & Cécile Grassin have been working primarily as dancers and choreographers in the Cie Divergences since 2010. Sylvain Huc discovered dance following his studies in the History of Greece at University. He trained at CDC Toulouse in 2003 and performed for different companies (Divergences, La Zampa, Coraline Lamaison, etc.). Cécile Grassin graduated from Rosella Hightower School in Cannes and performed for different companies and projects (Cie Kossiwa, Laura Scozzi, Pierre Meurier, etc.). They met in 2009 and worked together to create Le Petit Chaperon Rouge for young audiences, a manifestation liberating traditional Little Red Riding Hood from narration and silliness. In 2012 they developed this project transforming it into Rotkäppchen for adult audiences, focussing on the physical archaism of fear. Following the success of both pieces, their next project Kaputt deals with the notion of failure.
ciedivergences.com
14
Out of rangeLes Pyrénées, the mountain skyline separating France from Spain
04mountains
Done!
05detail
DetailThe façade of the Hôtel de PierreRue de la Dalbade 25
Done!
trendy
02A trendy placeLe Saint des Seins Bar, owning to its live concerts. Beware of hipsters! Place Saint Pierre 5
The same thing but more punk-related would be the concerts at Les Pavillons SauvagesAvenue Jean Dagnaux 35
Done!
Something typical in ToulouseLa saucisse de Toulouse (sausage) to be dicovered in restaurants or shops
The accent “avec plaisir” (with pleasure) here pronounced “avé plésir”
01
typical Done!
A place like home for a drinkFor sunny days go to Les TilleuilsAvenue du cimetière 34
For breakfast or teatime try Chez Eve Rue du général Jean Compans 19
03
drink Done!
15
071rst WE of each monthOpen antiques market on Allées François Verdier
antiquesDone!
08A restaurant with no starsMotchiya (Japanese food) for lunch on weekdaysRue Palaprat 10
La Belle Équipe for dinnerRue des Polinaires 22
restaurantDone!
09A place where you can find usVicious Circle (music store)Rue des Puits Clos 7
find usDone!
10
Done!
A bookstoreLa Librairie des Frères FlouryRue de la Colombette 36
books
Something for freeBike riding along the canal
06
Done!
free
16
12A marketVictor Hugo for fish, meat and cheesePlace Victor Hugo
Le Cristal for fruit and vegetablesBoulevard de Strasbourg
market13A strange place... to be discovered
discoverDone!
Done!
Done!
Check out the Google maps version:goo.gl/maps/GAFHv
11 A panoramic viewWalk up Rue du 10 Avril to see Toulouse from the observatory park and go back by the Cimetière de Terre Cabade and finish with a drink at Chez Eve
panoramic view
panoramic view
COLLECTION
Athens (GR)
Barcelona (ES)
Bassano del Grappa (IT)
Dresden (DE)
London (GB)
Paris (FR)
Poznań (PL)
Stockholm (SE)
Toulouse (FR)
Vienna (AT)
MODUL-DANCE PROJECT MANAGEMENTMercat de les Flors
Coordination of the guide at CDC Toulouse: Pethso Vilaisarn
Printed in 2014
MODUL-DANCE PARTNERSadc Genève CH (associated partner) - Art Stations Foundation Poznań PL - CDC Toulouse FR - CND Paris FR - Centro per la Scena Contemporanea Bassano del Grappa IT - Dance Gate Lefkosia Cyprus CY - Dance Ireland Dublin IE - Dansens Hus Stockholm SE - Dansehallerne Copenhagen DK - DeVIR/CAPa Faro PT - DDRC Athens GR - HELLERAU-Europäisches Zentrum der Künste Dresden DE - Kino Šiška Ljubljana SI - Maison de la Danse Lyon FR - Mercat de les Flors Barcelona ES - Plesna Izba Maribor SI - Danshuis Station Zuid Tilburg NL - Tanzhaus NRW Düsseldorf DE - Tanzquartier Wien AT - The Place London GB
Project leaderFrancesc Casadesús
Project assistantMara Maso
Project advisorUlrike Kuner
Communication managerSílvia González
Project managerAmélie Louys
Lleida, 59 ES Barcelona · 08004 Tel. + 34 932 562 600 modul-dance.eu
modul-danceToulouse, an artist’s-eye view
This work programme has been funded with the support of the European Commission. This publication reflects the views only of the author, and the Commission cannot be hold
responsible for any use which may be made of the information contained therein.
