<-- 0 'Yq

tO All obour your Minolto SR-7 OICongratulations! You now own one of the finest cameras in the wor.ld. The precisionelements contained within it are more than adequate to meet any photographic situationon a professional level.Your Minolta SR-7 features the world-famous Rokkor F1.4/5Bmm, F1.B/55mm lenstreated with anj exclusive Achromatic coating to give you high fidelity sharpness,particularly in color photography. The camera contains an extremely bright penta prismviewing system and a completely automatic pre-set diaphragm. It is also equipped witha highly sensitive CdS light meter coupled to the shutter. Please iread this manualcarefully so that you. may effectively util ize the full potential of your new Minolta SR.-7.(All i l lustrations used in this booklet are with the F1.4 lens. There is no fundamentaldifference in usage between the trl.4 and Fl.B lenses.)

. l

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302CONTENTS

Shutter speeds @

- Diaphragm setting

@

Automatic diaphragm @

Specif icat ions O

6 Steps to perfect pi.t,rr", O

-

Film loading @

Advancing film @ @

Using slow shutter speeds

@ Unloading film

@ Setting the self-timer

@ Flash photography

t gz ) Mirror lock\-/

Q*tJrt""Thang in g I ens es

Depth of field

Jocusing and framing

( 28 ) Infrared f i lm

W Holding the camera

L'Minol to SR-7 Speci f icc l t ions

P e n t a P r i s m V i e w f i n d e r

S h u t t e r S p e e d D i a lF i l m R e w i n d a n d f l a c k

O p e n i n g K n o b

C d S L i g h t M e t e r

A S A W i n d o w

S h u t t e r R e l e a s eI i x p o s u r e C o u n t e r

A p e r t u r e S e t t i n g t { i n g

D e p t h o f F i e l d S c z r l e

\ I i r r o r I - o c k

S e l f - t i n r e r

I ) i s t z l n c e S c : r l e

F o c u s i n g R i n g

D e p t h o f F i e l d P r e - v i e w

S t a n d a r d I - e n s

F I ash svnchlgn'ri?l:l,:

L e n s L o c k

L i g h t M e t e r W i n d o w

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F i l m P r e s s u r e P l a t e

T a k e - u p S p o o l

Sprocket Gear

F i l m A d v a n c e a n dShut te r Cock

V iewer

High-Low L igh t MeterS e n s i t i v i t y B u t t o n

Shut te r Cur ta in

Rewind Shaf t

Mercury ba t te ryON-OFF Swich t

Tr ipod Socket

Bat te ry Cover

Rewind Re lease But ton

l . I - t > a r l f i l m

6 steps to perfect pictures

'J . Ar l ' , 'ance lever

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J . Set shut te r speec l 5. lv leasure exposure ancl set

aperture

( i . Focus an< l re lease shut te r

\N o t e : B e s u r e t h e m e r c u r y

bat te ry s ' * ' i t ch i s se t to the

O N p o s i t i o n .

Fllm loodlng

l .To open the camera back,pul l out the rewind knobunt i l i t s tops. Then wi tha s l igh t ex t ra pu l l . theback wi l l snap open.Exposure counter wi l lautomat ical ly return tostar t posl t ron.

2.Insert f i lm magazine into

the chamber so that the

axis of the magazine is

on the bottom side of the

chamber.

3.Push the rewind

down. I f you should

any d i f f i cu l ty . tu rn

knob s l ight l )* ancl

clown again.

knob

have

the

push

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4.T u r n t h e

t h e f i l m

u n t i l t h e

c l i p f a c e . ;

k n u r l e c l b a s e o f

take-up spoo l

f i l m c a t c h i n 1 4

upwarc l .

5.Inser t the f i lm Ieac le r

into the take-up spool .

\ Iake sure the sprocketgear teeth are engagecl

w i th the f i lm per fo ra t ions .

6.Aclvance the f i lm leverunt i l both s ic les of thef i lm per fo ra t ions are en-gagecl proper ly wi th thesprocket gear. When theadvance lever stops. re-lease the shut ter so youcan aclvance fur ther.

)

Fi lm lood ing

7.I t l e a s e m : r k e s u r e t h e f i l m i s

p a r a l l e l t o t h e c e r m e r a b o c l l '

b e f o r e c l o s i n g t h e c . r m e r a b a c k .

8.Aclvance the lever r - rn t i l i t s tops ,

anc l then re lease . the shut te r .

R e p e a t t h i s a c t i o n t w i c e a n r l

) 'ou are rear ly to shocl t .

9.T h e f i l m c o u n t e r

i n c l i c a t e s w h e n t h e

f r a m e i s i n p o s i t i o n

be exposec l .

winclo'* '

f i r s t f i l m

reaclv to

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Advoncing the f i lm

T h e s h u t t e r c a n n o t b e r e l e a s e r l

u n t i l t h e f i l m a c l v a n c i n g l e v e r i s

c o m p l e t e l y u ' o u n r l . I f . a f t e r

ar lvanc ing t l - re lever . t l - re shut te r

r e l e a s e i s s t i l l l o c k e r l . e r r l v a n c e t h e

l e r - e r a g a i n u n t i l i t s t o p s .

\ \ ' h e n r n ' i n r l i n g t h e f i l m a r l v a n c e

l e v e r . y o u r v i l l f e e l s o m e r e s i s t a n c e

j u s t b e f o r e t h e e n c l o f t h e s t r o k e .

T h i s i s n o r m a l m e c l - r a n i c a l r e s i s -

tance. I ieep r , r ' i n r l ing un t i l i t s tops

c o m p l e t e l y .

C a u t i o n : A t s l o w s h u t t e r s p e e r l s

s u c h A S I s e c o n r l o r l l 2 s e c o n < | ,

r l o n o t a c l v a n c e f i l m . a ; h i l e s h u t t e r

l s l n m o t r o n .

T h e f i l m a r l v a n c e l e v e r

t h e f o l l o w i n g f i v e

s i m u l t a n e o u s l v :

l . A r l v a n c e s t h e f i l m'2 .

Ac lvances the f i lm cou n te r

:1 . Cocks the shut te r

,1 . Sets t l - re qu ick re tu rn mi r ro r

5 . O p e n s t h e c l i a p h r a g m f u l l y

Y o u c a n t u r n t h e l e v e r e i t h e r

w i t h s e v e r a l s h o r t s t r o k e s o r o n e

180 r legree s t roke .

per f o rms

act tons

.- i4ib.

The shut ter speecl c l ia l is markecl wi th f igures I to l (XX) p lus B ancl X.

The f igures 1 . 2 . 4 , 8 , 15 , e tc . , inc l i ca te shut te r speec ls o f I seconc l , I l ' 2

seconcl . l l4 seconcl up to 1/1000 seconcl .

The B posi t ion, or bulb, enables you to keep the shut ter open as long as

the shut ter but ton is pressecl r lown. This posi t ion is usecl when more

than one seconcl exposure is requirecl .

The X posi t ion corresponcls to about l /50 seconcl speer l . This speecl is

usec l u ' i th e lec t ron ic f lash equ ipment .

Sett ing the shut ter

T u r n t h e r l i a l t o t h e t l e s i r e t l s p e e t l .

l i n ing i t L lp rn ' i th the cL 'n te r re r l

l i n e .

In te rmec l iz r tc ' speet ls can a lso be

s e t b e t w e e n A n v t w o f i g u r e s . D i a l

c a n b e t u r n e r l i n e i t h e r c l i r e c t i o n

ernc l se t e i ther be f o re o r a f te r

a c l v a n c i n g t h e l e v e r .

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Sett ing the d iophrqgm 7,T h e r l i a p h r a g n t r i n g h a s a p e r t u r e f i g u r e s f r o i n 1 . 4 t o

1( i . Turn the c l iaphragm r ing so tha t thc c les i rc ' r l

a p e r t u r e f i g u r e c o i n c i r l e s w i t h t h e w h i t e r l o t .

T h e c l i c k s t o p s e n a b l e y o u t o u s e i n t e r m e t l i a t e a p e r t u r e

o p e n i n g s b e t w e e n a n y t w o f / s t o p s . T h e l a r g e r t h e

a p e r t u r e f i g u r e . t h e l e s s l i g h t v o l u m e i s p e r m i t t e t l

t h r o u g h t h e l e n s . F o r e x a m p l e ' a t f f O t h e d i a p h r a g m

i s c l o s e r l c l o w n t o a p i n - p o i n t o p e n i n g ; a t f L . 4 i t i s

u ' i c le open. The re la t ions l - r ip be tween ; ,per tu re an< l

l igh t vo lume is s l to r ' . tn on the sca le above.

D i a p h r a g m c u i n b : s e t e i t h e r b e f o r e o r a f t e r a r l v a n c i n g

t h e f i l m l e - , - c r .

. r \ pc r tu re

l;f,1,1," (_) c c) fJ aJ ap a9 a,u? | 1 2 1 4 1 8 1 1 6 1 3 2 1 6 {

r Xff"il?T:j:;rv ouromqtic uiF

One of the superb features of the Minolta SR.7 is its viewfinder no matter what apertture you have icompletely automatic pr-e-set diaphragm. In a pre-seldcted. Iconventional single lers reflex camera, when the lens When the shutter is released. the diaphragm closes ro Iis stopped down the visual Iield of view becomes pre-set aperture, the mirror clears, the picture is taken, ,l

. darker thus making it difficult to focus. the mirror returns, the diaphragm re-opens to maxrmumIn the Minolta SR-7,the lens is completely automatic aperture...all simultaneously, all automatically.' and pre-set; aperture is always at maximun openinguntil.the shutter is released. Consequently, focusingcan be quickly determined through the extra briqht

$qF$- f-A.^q

ry)K-EE]HEtEIil

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Depth of f ield

The c lepth of f ie lc l of a lens is the range of c l is tance

r , r ' i th in wh ich a l I sub jec ts a re in re la t i ve ly sharp

focus . Th is range var ies w i th the aper tu re open ing .

I t i r -qreatest when the lens is stoppecl c lown ( f l t i l

anc l leas t when i t i s fu l l y open ( f L .4 ) . The photographs

above i l lus t ra te re la t ionsh ip . The same sub jec t was

taken a t c l i f fe ren t aper tu re se t t ings .

The pr inc ip les goyerning depth of f ie ld

^/ \t \\.*.'

$

J .

' l - h e r l e p t h o f f i e l r l i s g r e u t e r a s t l - r e < l i s t i t n c e i s

increasec l o r t l - re i tper tu re i s s topper l r l< l rn 'n .' l h e

< l e p t h o f f i e l r l g r o w s l e s s a s t l - r e r l i s t a t n c e i s

r l e c r e a s e r l o r t h e u p e r t u r e i s e n l a r g e r l .' f h e

r l e p t h e x t e n r l s g r e a t e r i n t o t h e b a c k g r < l u n c l t h i t n

i n t o t l - r e f o r e g r o u n r l .' l ' h e

r l e p t l - r o f f i e l r l i s g r e z r t e r u ' i t h i t s h o r t e r f o c a l

l e n g t h l e n s a n c l s h a l l t x l ' e r r v i t h a l o n g e r f < l c a l

l e n g t h l e n s .

B e c a u s e t l - r e < l e l t t h o f f i e l r l c a n b e c o n t r o l l e r l b y t l - r e

a l te r tu re s to l ts . voL l can e i t l - re r b r ing to shar l lness bc th

backgrounc l i tn r l fo regr< lunc l o r emphets ize t l - re sub jec t

s h a r p n e s s o n l l ' b 1 ' p u r p o s e l v m a k i n g t l - r e b a c k g r o u n < l

o u t o f f < l c u s .

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Depth of f leld pre-Ylew

You may pre-v iew r lepth of f ie ld, i f you wish, by

pressing the pre-v iew but ton which manua l ly c loses

the c l iaphragm to i ts pre-set aperture. When you c lo

th is you can inspect throu.qh the v iewer the precise

ef fect of c lepth of f ie lc l .

Deprh of f ield scole

i l l I l l l l l l l l l I l l i l l l l i l r l7 t 0 t 5 3 0 o o f r

2 3 5 t 0 n

,!lrlrri,rlt L!' f h e

a r r o w m a r k A o n t h e s c a l e

i n r l i c a t e s t h e c l i s t a n c e b e t w e e n

camera anc l f ocusec l sub j ec t . The

t r . l ' o se ts o f f igures on bo th s ic les

o f t h e a r r o w m a r k a r e a p e r t u r e

s tops anc l the r l i s tance f ramec l by

the two same f igures shows the

c l e p t h o f f i e l c l . F o r e x a m p l e . i f

you focus on a sub jec t 15 fee t

away anc l use an f I I aper tu re ,

reac l the c l i s tance oppos i te the two

f i g u r e s l l . I n t h i s c a s e t h e c l e p t h

o f f i e l c l i s a p p r o x i m a t e l y 1 0 f e e t

to 30 fee t . Wi th in tha t c l i s tance

r a n g e a l l s u b j e c t s a r e i n r e l a t i v e l y

sharp focus .

1 f16 22

I I22 16

You can a lso check c lep t l - r o f

f i e l r l b y r e f e r r i n g t o t h e r l e p t h o f

f i e l c l s c a l e m a r k e d o n t h e l e n s

b a r r e l . T h i s i n c l i c a t e s i n f e e t a n r l

m e t e r s t h e r a n g e w i t h i n w h i c h

e v e r y t h i n g w i l l b e i n f o c u s .

r t

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Auto Rokkor 58mm / t1 .4

(i0

4 7 . 9 7ftO. 12

Deprh of f leld toble

2(j . ( j8 L4 . t4 g. ( j234. 2( j l ( j . 07 t ( \ . 4 '2

' 2 5 . 7 1 1 3 . t i 7 9 . 4 9:l( j . 02 l( j . :14 10. 57

24 . ' ,27 13. 44 9. 29:19. :10 l ( j . 97 10. 82

2'2 . 50 l '2 .9) 9 . 17. 1 5 . l 0 1 7 . 9 5 I l . ( x )

20. 39 12. l t t 8 . ( ju5 7 . 0 I 1 9 . 5 5 I l . 7 9

1 8 . 0 1 1 1 . 3 0 8 . ' 2 491 .11 ' 22 . ' 37 r ' 2 .75

( j . g l 4 . 9 1 3 . 9 4 r : ; . 4 r j7 . ' , 20 5 . t 0 4 . (X i : t . 54 i

7,

( i . 75 4 . 887 . ' ,27 5. l : l

( i . ( j5 4. tt : l7 . 3 8 5 . 1 9

( i . 5 2 4 . 7 67 . 5 ( j 5 . 2 7

( j . 3 4 4 . 6 77 . t i l 5 . 119

( i . l l ' 4 . s 48 . 2 1 5 . 5 7

'2 .97 ',2 .72 ',2 . 4gl l . o3 I z. z8 2. s'2

I4 3 . 5 : l 2 . 7 5t( )l 5 ' 2 . 5 '2 .'25

3 . 92 3 . 444 . 0 8 3 . 5 ( j

'2 .7 ' ,2 ' ,2 .472 . 7 9 2 . 5 1 1

' 2 . 2 3 1 . g g'2 . ' ,27 2 .01

'2. ' ,23 l . 9g'2 . ' ,27 '2 .022. 9( j3 . 0 4

2. ft

l7(j. 59 44. 8ft90 . 55

l'2,1 .9',2 40. (j5I 14. f to

88 . 3ft :15. 8(jIn4 . 88

6'2.54 30. 75ll l( i2. tr5

44 . ' ,27 25. 6( )

'20 .7 I 15. 46 10. 2( j 7 . ( jg 5. g0 4 . 3t l( i ( x ) . 5 8 2 r ] . 1 2 1 4 . 4 0 1 1 . 1 9 5 . U 4

3 .89 : ) . 42 ' , I . 944 . r r : 1 . 59 3 . (X i

3 . 8 5 3 . 3 9 2 . 9 r4. l ( j 3 . ( r2 3. 09

3 . 79 3 . 34 2 . 894. ' ,24 11 . ( i7 3 . 12

J . 7 L : r . 2 8 i z . s a4 . 3 4 3 . 7 5 1 3 . l u

3 . ( i 0 3 . 2 0 ' ' 2 . 7 8 ' , 2 . 5 7

4 .50 3 .87 : l . 2 ( i 2 .9 ( i

3. 4(i l l . 09 i , '2.70 2. 504 . 7 5 4 . 0 5 i : 1 . 3 8 3 . ( X ;

' 2 .702 . 80

2. ( j82 . 8 3

2. ( j52. 8( i

2 . 6 l2 . 9 1

'2. 46' 2 . 54

2 . 442. 5(i

'2 . 4 l2 . 60

2 . 392. (ill

2. :152 . 6 7

2. 30'2 .75

'2. '222. ' ,28

'2 .202. 30

2 . 182.3',2

2. l ( j2 . 35

1 . 982 . 0 2

1 . 9 6' 2 . 04

r . 952. 05

1 . 932. 08

5. 4 ' ,2 4. 169. 94 ( ; . 2u

2 . 1 3 1 . 9 12. 38 2 . l0

2 . 09 l . 88'2. 44 2. 14

( See page 5( i about Auto Rokkor 55mm f l . t t r

Htshty occurote cds ttsht metet%

MINOLTAcAniEDq@rLl'.

Your Mino l ta SR-7 is the wor lc l ' s f i r s t s ing le lens

re f lex camera w i th a bu i l t - in Cc lS l igh t meter . I t ' s

powerecl by a mercury bat tery ancl extremely sensi t ive '

covers an extensrve range f rom cancl le l ight to br ight

ou tc loors (0 .28-18.000 Cc l /m: ) . The l igh t rece iv ing

ang le i s on ly 30" . Hence. you measure the l igh t

ref lectecl by the subject only. Extraneous l ight c lces

not upset exposure reacl ings. The meter is couplecl to

the shut te r anc l . as you w i l l reac l on the fo l l cw ing

pages, very easy to use.

T o b l e s h o w s r e l o t i o n s h i p b e t w e e n o p e r t u r e o n d s h u t t e r

s p e e d s .

^n," f : i ' " l r .n l z 1r I to I7\:' I U"

| ',i,o t 6 o

X

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How to use the CdS l igh t meter

rT1 inol

How to use the CdS llghr

Fl lm speed chnrt

ILFORD HPSAnsco Super HypanADOX KB T4ADOX KB L7ADOX KB 21Koclak Panatomic XKoclak Plus XKoclak Tri X

Kodaco lorEktachrome ( clay l ight type )Koclachrome ( clay l i ght type )Super Anscochrome ( c lay l ight type )Anscochrome

323210

10032

(ASA; are l istecl above for your convenience.

the instruct ion sheet containecl wi th each f i lm.

400500

( D I N ) 5 0(D IN) 160( DIN ) 4oo

50160400

Emu lsion speecl numbers

They are also founcl on

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Selectlng shutter speederperture

or

o s I il t022

You may se t e i ther shut te r spee( l o r aper tu re - f i rs t .I f ) ' o u s e t s h u t t e r s p e e c l f i r s t . m e a s u r e t h e l i g h t a n c l

t h e m e t e r n e e c l l e w i l l i n c l i c a t e t h e c o r r e c t a p e r t u r e

fo r t l - ra t speec l . I f you se t aper tu re f i r s t . ad j us t the

s h u t t e r c l i a l . w h i l e m e a s u r i n g t h e l i g h t . u n t i l t h e

m e t e r n e e c l l e c o i n c i c l e s ' * ' i t h t h e a p e r t u r e ) - o u h a v e

pre-se lec tec l .

MINOLTA'

X*f"

7,_f

1/500 sec. for fastmoving objects.

* - g 6 . _1/125 sec. for slow 1/30 sec. for slower

in dark p laces .moving ob.jects.

Shutter speed is usually determined by the motion of the

subject. If you are compelled to use a fast shutter speed, 1/500

for example, set it on the shutter dial. The dial is coupled

to the meter and automatically adjusts the meter's l ight value

scale to coincide with the shutter speeds. In other words, the

meter will indicate correct aperture for any one of a variety

of shutter speeds.

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Low sensitivity switch

Recd ing ?he meter

When c le te rmin ing aper tu re

set t ing. reacl a long the r lot tecl l ine

o f t he l i gh t va l ue sca le . The

me te r nee r l l e w i l l i n c l i ca te t he

cor rec t r l iaph ragm open ing . I tw i l l no t . howeve r . a lways po in t

c l i rect l1 ' to a f / s top numbe r . I t

mav fa l l be tween two c lo t te r l I ines

in wh ich casr ( l ia te f I3 an g!gq_"_ __stop shoulr l !e set on the al rcr tureri;s ;a,t.''" li"i lriii.l.

-- When the meter neer l le c loes no t

r e g i s t e r c l u e t o i n a c l e q u a t e l i g h t .

u s e t h e l o w s e n s i t i v i t y s h i f t b u t t o n .

P ress the bu t ton on the back o f

t h e m e t e r .' f h i s

s h i f t s t h e m e t e r t o l o u '

s e n s i t i v i t y l i g h t a n c l g i v e s a

cor rce t exposure reac l ing even

u n c l e r a c l v e r s e l i g h t i n g c o n c l i t i o n s .

In some cases the lo lv sens i t i v i t y

reac l ing may be one f /s top lower

t h a n t h e h i g h s e n s i t i v i t y r e a c l i . g .

\ t l 1

MINOLTACAMERAco.. LTD,

[ J s e _ t h e l o w e r l i g h t v a l u e .

Determlnlng reftecred r,rrrJ*- / l )

Photogroph ing Peop le

When photographing a person. thelight reflectecl by the subject anclthe l ight ref lectecl by the backgrounclmay be at wic le var iance. part icular lyin snow, at the beach or in otherbr ight backgrouncls. In such casesmove the camera close to the subjectancl measure the ref lectecl l ight . I fyou cannot approach the subject,light can be measured b:_gpncling

^.th in frolrrtrt--# ^ , - - -

------

Bock l i gh t i ngIn the case of backl ighting, move

lose to the subject ancl measure the

! i ght .-Et"ctGcl- -fforlr_--it Be

par-tk'ularlyfiili"t"rlfffittt. back,aitki larlv tareful- thatl ight c loes not st r ike the l ight-receiv ing surf ace of the exposuremeter. Otherwise the resul t wi l l bea si lhouette.

Londscope Pho tog roph ingFor landscape photographing, thesubject , of course, cannot beapproachecl ancl exposure must bemeasu recl at the camera posit ion.Special care shoulcl be taken so thatc l i rect l ight f rom the sky is notmeasurecl. Measure tb* general

-.! ighting conclit ions of tf f i' -^i-\-1----t------\-z----+L_

- -'

take the average rea( l lng .'-'-=--==--..=--- --_ _.-

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Emuls ion speed indicqtor 7^As a convenient remincler , set the

inclicator locatecl on the back of the

camera to the emulsion speecl

number (ASA o r D IN ; o f t he f i lm

you have just loaclecl . Simply turn

the c l ia l to the corresponcl ing numer

o f your f i lm speec l . For co lo r f i lm

use the recl f igures.(\ir,

Replocing the bcttery

J A P A N

-

T h e a v e r a g e l i f e o f t h e m e r c u r y b a t t e r y i s t w o y e a r s .

\ \ rhen the mete r c loes no t responc l to l i gh t . the ba t te ry

i s c l e a c l a n r l m u s t b e r e p l a c e c l . ' f h i s

i s a c o n v e n t i o n a l

m e r c u r y b a t t e r y a v a i l a b l e t l - r r o u g h o u t t h e w o r l r l .

Remove t l - re battery co\ :er on t l - re bottom of the camera

b y t u r n i n g t h e c o v e r w i t h y o u r t h u m b c o u n t e r - c l o c k w i s e .- lake

ou t the o l r l ba t te ry . Wl - ren rep lac ing t l - re new

b a t t e r l ' . b e s u r e t h e p l u s ( - ) s i c l e i s f a c i n g u p t o w a r r l s

V O U .

'o"Cout ion in hond l ing the mercury bo t te ry "D o n o t l e a v e f i n $ e r - r i n t s o n t h e m e r c u r y b a t t e r y a s

t h e s e c a u s e i t t o r u s t o r c o r r o c l e .

W i p e w i t h a s o f t c l o t l - r - a n c l k e e pH .

bat te rv c lean. Da no t r l i sassemble

the mercury ba t te ry . I )o no t th row

any user l mercury ba t te ry in to a

f i r e o r w h e r e c h i l c l r e n c a n g e t

h o l r l o f i t .

www.butkus.us

v.

f )

W h e n t h e c a m e r a i s n o t i n

t o t h e O F F p o s i t i o n .-<r.r\

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I

use. se t the ba t te ry sw i tch

\/

Your CdS l ight meter is powerer l by a mercury bat tery.L ln l ike convent ional bat ter ies, the mercury bat tery c loesnot lose power g rar l r , ra l l y . When i t < l ies , i t r l i es abrupt ly .

Hence you r

a c c u r a c y .

l i g h t m e t e r i , t u y s w o r k i n g a t m a x i m u m

Focuslng and frqmtt - V

ZTt /r.rrK 4flJb^tr:

\Y

Look th rough the v iewf inc le r anc l

ro ta te the focus ing r ing on the

lens bar re l . D iagona l ly a r rangec l

mic ropr isms converge to fo rm

a br igh t sharp image. A t the

sharpes t po in t you are in focus

ancl reacly to shoot. You see exact ly

t h e s a m e i m a g e t h a t w i l l a p p e a r

o n t h e f i l m n e g a t i v e . T h i s i s o n e

of the ac lvantages o f the s ing le lens

re f lex sys tem. More imPor tan t .

because you f ocus th rough the

l e n s t h e r e i s n e v e r a p a r a l l a x

prob lem no mat te r how c lose you

f {e t to the sub jec t . Th is sYstem

also permi ts you to see the rea l

re la t ionsh ip be tween sub jec t .

backg rouncl ancl f oreg rouncl anr l

t h e a c t u a l c o l o r c o n r l i t i o n w h e n

u s i n g f i l t e r s .

out of focus

l n focus

In f rc l red f i lm ind ico tor

I f you ry f

ra rec l f i lm. focus asyou wou@he|.nqrrq

the r l i s tance sca le to r .o r responr lw i th the rec l le t te r R wh ich appearson t l - re r lep th o f f ie l r l sca le . Forexamp le . i f you r f ocus sca le t e l l syou t l - re subject is_15 feet f rom thecamera , move the f< lcus ing r ingso t ha t t he number 15 l i nes uprv i th the rc r l le t te r l t

F l lm pos l t ion Ind icq for

On the top of the camera there isa rec l c i rc le w i th a l ine th roughi t . Th is mark in r l i ca tes the exac tpos i t ion o f the f i lm in the camera .Precise c l is tance there is ther l is tance f rom the subject to th isl ine . Wi th the a id o f a tapemeasure , th is l ine can be used fo rex t remely c r i t i ca l focus ing . Forgeneral p l - rotography such focusingls not necessarv.

il:T:r::," c.'me rc'R€ reosr "tV*

"P

- f h e c a m e r a m a y b e h e l r l h o r i z o n t a l l y o r v e r t i c a l l y . l t

i s bes t to p ress t l - re camera f i rm ly aga ins t your face

a n r l r e l e e t s e t h e s h u t t e r w i t h a s l o w p r e s s u r e i n o r < l e r

to avo ic l a l l movements an t l insure sharp negat ives . You

m a y f o c u s w i t h w h i c h e v e r e y e i s c o n v e n i e n t f o r y o u .

: r l th< l r - rg l - r fo r seqL lence sh< l ts i t i s ac lv isab le to use the

r i g h t e y e t o l t e r m i t f r e e u s e o f t h e r a p i r l w i n c l l e v e r .' f h e

l e v e r c < l n t a i n s a r l t l u b l e e x p o s u r e p r e v e n t i o n t l e v i t ' e ;

t h e s h u t t c r l r t c k s i t f t e r e l ' l t ' h p i t ' t t t r e .

Uslng slow shutter speeds

W l - r e n u s i n g s h u t t e r s p e e r l s o f I l 1 5 s e c o n r l o r s l o w c r .

i t i s ac lv isab le to use a t r ipoc l : rnc l cab le re leuse t< r

a v o i c l a l l c a m e r a m o v e m e n t . I f a t r i p o r l i s n o t a v a i l a b l e .

s e t t h e c a m e r a o n o r a g a i n s t s o m e t h i n g s t a t i o n a r y .

T h e c a b l e r e l e a s e i s s c r e w e ( l i n t o t h e s h u t t e r r e l e a s e

but ton . I t i s bes t to use a cab le re lease whenever yoL l

use a t r ipoc l .

Note : A t s low shut te r speec ls p lease be care f u l no t to

a d v a n c e t h e f i l m w h i l e t h e s h u t t e r m e c h a n i s m i s s t i l l

l n m o t r o n .

a

I

III

Unloodlng ,r,r|zrt

When you have f in ishec l the f i lm

ro l l , you w i l l no t be ab le to

advance the lever any f ur ther. Do

not force the aclvance lever or

the f i lm w i l l tear ou t o f the

magazine ancl be impossib le to

rew incl .

You must rewincl the f i l rn back

in to the f i lm magaz ine in o r< le r

to unloacl the camera.

When you have f in ishecl taking

pictures, push in the rewincl

re lease but ton ancl i t wi l l c l ic 'k

into p lace. I f the but ton shoulc l

pop up, advance the lever s l ight ly

and push the button clown again.

qF

Raise up the crank ancl rewincl

in a c lockwise c l i rec t ion as the

arrow on the knob incl icates unt i I

you fee l the f i lm s l ip ou t f rom

the c l ip of the take-up spool ancl

a suclc len re lease of tension.

-' -32

v

Whenever rewinr l ing f i lm, p lease. , r lo

no t pu l l un r he

rewinr l knob. ' f

h is act ion sni lps .pen the camera back

anc l your f i lm wou l r l be exposer l .

open the camera back by pul l ing out the rewincl knob

as f ar as i t goes. Remove the f i lm magazine.

Note : Loac l ing or t rn loar l ing f i lm shou lc l be rk rne in

the shar le .

When opening the back cover,

the shut ter curta in.

be sure not to touch

L

settlng the sett-tt-"[,

E];

' l h e s e l f - t i m e r e r l l o w s y o u t o g e t y o u r s c ' l f i n t t t t h e

r l t c a n u l s o b e u s e r l t o m i n i m i z e b l u r e t t s l o w

s p e e r l s . ) - f h e

s e l f - t i m e r h a r s e I b u i l t - i n e t u t o m i t t i c

I f . a f t e r s e t t i n g t h e t i m e r . y o u r l o n ' t w e t n t t o

s i m p l y p r e s s t h e s h u t t e r r e l e a s e b u t t o n a n t l t h e

' v i l l n o t o p e r a t e - .

' l ' o sc t thc t imer , push

r l o w n t h e l e v e r . W h e n i t

i s a I I the way c lown as

s h o w n i n t h e p i c t u r e . y o u

w i l l g e t a t i m e l a p s e o f

l 0 s e c o n r l s .

' ) . ' fo s te r r t ihe t i rner , p r :s l t

the bu t ton t< lwat r r l s the

l e n s b a r r e l . ' f h e

s h u t t e r

wi I I re leerse erutomat i -

c a I l y i n l 0 s e c o n r l s . I f

you se t t l - re shut te r < l ia I

( ) n " 8 " a n c l u s e t h e s e l f

t i m e r . y o u w i l I g e t

arpproxi rnat e ly a '2

sec-

onc l ex lx )su re au tomat t i -

c a l l y .

pr c tu rc .

shut te r

bypass.

use l t .

tr nte r

7\^

Flcrsh photogrophy : (

I " l a s h i s r ( ' ( ' o n u r t c ' n < l t ' < l f < l r n i g h t s h o t s . i n < l o o r s o r

o u t r l r ) o r s . a n < l f o r f i l l i n g i n s h a < l e r l : r r ( , i l s . \ ' o u r \ l i n o l t i r

S I t - 7 i s I { r ' i l r ( ' ( l f o r b o t h c l t ' r ' t r o n i t ' f l i r s h : t t r < l o r r l i n i t r y

f l a s h b r r l b s . B e s L r r e t o i n s e r t t h e f l a s h c a b l t ' i n t o t h t .

t ' < l r r e c t t e r m i n z t l < l f t h e c a n r e r a . ' l ' h e " X " t e r m i n a l i s f o r

e l e c t r o n i c f l a s h , " l i l r " i s f o r f o c u l p l a n e f l a s h b u l b s .

I

Elec t ron ic f losh

S c t l h e s h u t t c r : ; p c e r l r l i i t l

t o t h e r e r l " X " . S l t l w e r

speer ls n ru ty i t l so be use t l .' l ' h r '

( ' i rme r i l i s synch-

ro t r i zc ,< l f ro rn I : ; r , c< l t - t r l t< l

I / 5 0 o f a s e c o n r l f o r

e l e c t r o n i t ' f I a s h .

Flcrsh bulbsI I s c I : I ' c l r - s s b u l b s ( F t ; c a I

I ) l a n e b u l b s l . ' l - h e

c a l n e r e l

a t a l l

f r o m l

s e c < l n r l

bu l bs.

Artochins ftqsh equtpme"ff,,

' l ' o a t ta t 'h f lash ec l t r i l l r t rcn t

to y i )L l r c iunc-rul . i tn

z l c c e s s o r y s h o e i s p r < l v i r l e r l

( a v a i l a b l c z r l y o u r l o c a I

c a n r c r u s t r l r e t w h i c h f i t s

o v c r i h e p e n t a r p r i s m

v i e w f i n r l e r . I l c r e i s h o w

i t - i s i n s t a l l e r l .

A ) ' f

u rn t l - re eyep iece on

t h e v i e w f i n r l e r c < l u n t e r -

c l < l c k w i s e a n r l r e m o v e

I t .

B t I nser t t l - re z rccess( ) ry

s h o e u n t o t h e e y e p i e ( ' e .

C t ' l ' o

lock the shoe on .

r e l t l a c e t h e e y e i t i e c e t o

i t s o r i g i n a l p o s i t i o n .

Shutter speeds for f losh( fhe speerls shown by

p hotog rophyo b l i q u e l i n e s a r e t h e s p e e r l s y o u c a n u s e . )

I ) I t n s e r t t h e f l a s h g u n i n t o t l - r e

i l ccessory shoe f rom t l - re rear .' l ' h e n

t i g h t e n t h e f l : r s h g u n

s( ' re\A' .

How to determlne exposure' l h e

i m p o r t a n t f a c t o r i n f l a s h p h o t o g r a p h y i s t l - r e a p e r t u r e s e t t i n g . T h i s i sr l e t e r m i n e c l b y t h e b r i g h t n e s s o f t h e f l a s h a n c l t h e r l i s t a n c e f r o m t h e l i g h tt t l t h e s u b j e c t . A s t h e s e f a c t t l r s v a r y g r e a t l y . p r e c i s e i n s t r u c t i o n s a r ea t t a c h e r l w i t h f l a s h b u l b s a n r l e l e c t r , n i c f l a s h .

Exposure guide nctmbersT h e i n s t r u c t i o n s a c c o m p a n y i n g f l a s h b u l b s o r e l e c t r o n i c f l a s f i w i l l i n c l u r l eg u i t l e n u m b e r s f o r t h e m o s t p o p u l a r f i l m s . L J n r l e r t l - r e g u i r l e n u m b e r s y s t e m .y o u r l i v i r l e t h e g u i r l e n u m b e r b y t h e r l i s t a n c e o f t h e s u b j e c t f r e m t 6 J l . m pi n < l r c l e r t o < l b t a i n t h e c r l r r e c t f / s t o 1 t .' l ' h e

g u i r l t ' n u m b e r f r l r m r - r l a i s :

- C l r - r i r le numl rc rI / s t . 1 l

< l i s t . n c e

/.

I

A z

Uslng the mlrror lock

The mi r ror lock but ton ( locater l near the sel f - t imer )i s fo r use w i th the 2 lmm super w i r le ang le accessory

lens. With th is lens, care must be taken so that the

camera mi r ro r cloes not touch the back of the lens.

Hence, by pressing the lock but ton pin and turning

the but ton r lown warr ls , the mirror wi l l lock in i rpermanent ly suspenr lecl posi t ion. \ ' iewing is possib le

wi th the use of an accessory f inc ler . The c l is tance

scale on the lens is usecl for focusing.

The mirror lock may also be usecl for cont inuous

photography of a subj ect where v iewing is not

necessary. To return the mirror to i ts normal posi t ion.

tu rn the bu t ton upwards wh i le ho lc l ing the p in

depressed.

%,

-

In terchonglng lenses

. t :

hi:l

,?l r

[._.

tst

\ l i n o l t a a u t o m a t i c p r e - s e t l e n s e s

c a n b e c h a n g e r l e v e n a f t e r

i t r l v a n c i n g t h e l e v e r e r n r l s t i l l

m z r i n t e r i n t h e f u l l e s t a r l t e r t u r e

o l ) e n l n g .

' lo remove the lens. pusl-r r lown

t h e l e n s l o c k b u t t o n a n r l t u r n t h e

l e n s b a r r e l c o u n t e r c l < l c k w i s e u n t i l

i t s t o p s . I - i f t o u t c a r e f u l l y .

' l - o a t t a c h t h e l e n s , i n s e r t i t i n t o

t h e b a y o n e t m < l u n t b y l i n i n g u p

t h e r e r l r l o t o n t h e l e n s b a r r e l

w i t h t h e r e r l r l o t o n t h e c a m e r a .' f u r n

t h e l e n s c l < l c k w i s e u n t i l i t

s t< lps . t

t\

Reforivefflelds*of vlew wtth Vn,

mlnoltcr' interchcngeobleflenses V

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28

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Mlnolro SR phoro system

gI66

Interchongeoble lenses ond occessories

More than ^ camera, your Minolta is the hqq

Minolta SR photo system. With the aid

interchangeable lenses and accesseries, Mi

the entire spectrum of ,nhotography.

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At n ' ( )w .R( ) t i t io i { I I ( ;

\ tACR( ) R( ) t i t i ( )R QI .,\[ I ' f (, . , ,*, ) l i t iolt, I , [ i

ROI i t i ( )R ' t ' c

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I{( )t i I i( )R Q It,\ [ T' l ' ( )

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l ( x )

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Aper t u re

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4

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s( ' rew ( mm )

55

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46

46

55

67

77

l2( j

77

77

F-< lcus ing

9 0 c m ( : 1 . 0 f e e t )

( i 0 c m ( ' 2 . 0 f e e t )

4 0 c m ( l . 2 S f e e t )

4 0 c m ( l . 2 S f e e t )

2 l l cm ( 0 . 76 fee t )5 0 c m ( l . 7 S f e c t )( j 0 c n r ( 2 . 0 f e t )

l 2 0 c n r ( 4 . 1 1 f e e t )

l ' 2 0 c m ( 4 . 0 f e e t )

R( )ri l iotr r lF

ROI{I{OR 'fC

ROKKOR ' fC

At I'l '( ) 'f

Irl- F.ITOK I{OR I'I.'

' f I ' - l- Ir I tOIiI iOR QI.

- f l r l - l t ROI { I {OR ' f l )

- f l l l . l t ROI{ I {OR - f l )

At rf o z( )oNIROIiKOIi

, \ t I ' f ( ) 7( x )NII{( )ti Ii( )t{

l 2 0 c r n ( 4 . 0 f e e t )

l 5 0 c m ( 5 . 0 f e e t )

l 5 0 c m ( 5 . 0 f e e t )

2(X)cm ( ( j . ( j f eet )

450cm( 14. t }Sfeet)

l 2 (X )cm( i 17 .5 f ee t )

250c n-r ( tt. 0 ieet )

, lSOcrn ( 14. t lSfeet )

Super wlde ongle lensT h i s M i n o l t a 2 l m m s u p e r w i c l e a n g l e l e n s

has an ex t remely w ic le 92" p ic tu re ang le ,

a lmost tw ice tha t o f the s tanc la rc l lens .

The lens permi ts shoot ing w ide panoramic

views, snap-shots in restr ictecl spaces or

photography with an exaggeratecl

perspecttve.

Spec i f i co t ions :

S u p e r w i d e o n g l e - R o k k o r 2 l m m , 1 4 i t o f l 6

P ic tu re ong le - 92"

D i s t o n c e S c o l e - L e s s t h o n 3 6 i n c h e s

F i l te r - F rom 55

_lUlt ro-wide Angle W Rokkor SG-F

3 .5 / 28mmFor panoramic v iews or photography w i th

an exaggeratecl perspecttve.

S p e c i f i c o t i o n s :

P i c t u r e o n g l e : 7 6 "

F i l te r sc rew mount : 67mm

Dio phrogm: Auto Pre-se t

Rokkor Zoom Lens

F3.5, 80-160 mm| 5 Element.Angf e 16" -32"

Fifter Screw Mount-77 mmMinimum dis lonce-250 cm(8f r . )With ot tochment- l4ocm(#/+t t )

Fu l l y Automot ic

D i o p h r o g m

This is the new Minol taRokkor Zoom lens thatfunctions as severallenses. It zooms from 80to 160mm with no shiftin focus whi le zooming.A lso, you get a c lear,c l is t inct ive picture al l thet ime wi th no change ofbrightness even at max-imum telephoto set t ing.I t ' s i c lea l as an a l l -purposete lephoto lens. Weight :1350 gr

Auto Zoom Rokkor F I160-500 mmPic tu re ong le : | 5 " -5Min imum d is tonces 4 .5m .Fi l ter screw mount: 77 mmDiophrogm: Automot icper-set

This is a h igh-perfor-

mance zoom lens designedfor telephotography.

Smal ler and l ighter inweight than any otherzoom lens of comparativepower; the Auto Zoom

Rokkor is a lso highly

maneuverable. It introd-

uces new horizons forphotographing sports ev-

ents, landscapes and

subj ects of ecb logi ca I

rnterest.

\.7n,

WRokkor TC, F4, l35mmA versatile lens for nature photography. animals

and plants. With the Milolta Extension Bellows

II, Rokkor TC can be used from infinity to ciose

up-1 : 1.1 rat io. The lens is a lso valuable in

portraiture, copying and commercial photography.

Mocro Rokkor QF,

l:"'' :H'-tr # r'*ru.#.-Filter Screw t*orr$ ssrr -l lo

. t l?,,

Not only for general ""

photegiiff i but alsoespecially good for copying and macrophotography.

Macro Rokkor QF consists of reverse ring, inter-mediate ring ancl Leica mount adapter ring. Thelens is designecl for use from infinity to 9 incheswithout aclapter ring; from infinity to 8 incheswhen reversing ring is used.

'fhe enlarg,.rl size

w i l l b e 1 : 1 .,..llt*&,UP

ile **2,rtx, l *

l l *

Ponorqmq heqd

With the Minclta panorama head, an extensive rangecan be photographed in segments and printed as asingle picture. The panorama head permits shiftingthe camera angle afLer each picture, shooting asmuch as 360' if you wish. Each fi lm can besubsequently joined into one dramatic panoramicview. Especially effective for perspective photographywith the extended horizon distinctlv shown.

l*-1,."...,..- '',.ru;j; $lBg,-. .-i*;tr;,is.:& i*e6d!

@w.ffiffiExtension tubeset

Five varieties of extension tubes can be used singlyor in combination to get the lens clcser to the objectthan 9 inches.

\F

Type tr

il;Type I

Extension bellows

A versatile device for extreme close-ups as in the

photography of animals and plants, for example.

There are two types of Minolta Bellows, type I and

type II (deluxe). Type I is a folding compact type.

Type II has the slide copying attachment.

lr \*fo

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ft '

I

Copy ing s tond

With the camera held rigidly on a suitable support,

most close-up work, copying of printing matter, etc.,

are easily accomplished. Combined with extension

devices, the copy stand will expand the versatil ity of

vour SR.

@'mW:g

Mic roscope odop te r

This adapter is used between the microscope and the

camera body when taking microphotos. You can easily

take micropictures of moving objects while watbhing

them through the lens.

V,

Universol microscope photo system' l ' h i s

e q u i p m c n t i s r l e r ; i g n e c l t o r e c o r < l f a i t h f u l l y a n r l

a c c L l r z i t e l y r e s u l t s < l f m i c r o s c o p i c r e s e a r c h . I t h e r s t w o

f i n r l e r s a n r l a h i g h l y e f f i c i e n t e x p o s u r e m e t e r . T h e

equ ipment c i in a lso be user l f< l r repr r lduc ' t ion < l f

l i t e r a t u r r ' : r n r l f i l m t i t l e .

Ang l e f i nde r

The ang le f in r le r a t taches to the eyep iece mount anr l

p e r n t i t s y o u t o v i e w t h e s r - r b j e c t a t r i g h t : r n g l e s .

);

Mo gn i f i e rThe magn i f ie r i s usec lte lephotography. copying,mic rophotography.

fo r p rec ise f ocus ing inu l t ra c lose-ups ancl

Ey"p iece correct ion lensesF i v e r l i f f e r e n t l e n s e s r l e s i g n e r l f o r i n r l i v i r l u a r l

t l i op te r o f f i t r -s igh ter l eyes er re use f u I f r l r e i l s ie r

f o c u s i n g .

Accessory c l ip

With the SR accessory

c l ip you can a t tach a

f lash IJun to your camera .

\

I

mirr,llo\

, \/

\7,,

Lens Shode

A lens shade is recommended to prevent any stray

light from entering the lens which will cause glare

on the picture. Especially essential in synchroflash

work.

3 5 m m f 2 . 8 c . . )Jcrew mount Ia 14 f ss- -

55mm f 2 q__ __ - _^ ._ . I, f r.B

Jcrew mount J

Teleohotc lenses include a lens shade.

F i l tersFilters are used toresults or to secure

obtain truer or more dramatic

other special effects.

Filter screw mount 55mm

35 mm

55 mm

100 mm

135 mm

f 2 .8 ,

f 1 .8 ,

f 3 .5

f 2.8

100mm f 4

100mm f 2

135mm f 4

200 mm f 3.5

300 mm f 4.5

600 mm f 5.6

Filter screw

Filter screw

mount 43mm

mount 62mm

. 46mm

67mm

77mrn

126mm

I A

f 2

P o l o r i z i n g F i l t e r

A polarizing fi lter controls or eliminates reflectionson non-metall ic surfaces i.e. glass or highly finishedwood or plastic. It can also be used to darken thesky very dramatically.

Minol ta polar iz ing f i l ters are:for 55 mm f 1.8 or f 2 standard lens

100 mm f 3.5 telephoto lens135 mm f 2.8 // //

35 mm f 2.8

3 5 m m f 4

wide angle lens//

h#

Mino l to Un ive rso l F losh Gun

Excellent pictures can be taken even in dark places,

indoors or at night by using flash with the SR

camera. Accessory clip is easily used to fix the

flash gun to the SR.

f*\- "#*\. ffi6:i9d \"" -*l ,a**t'

";WM- MI|JHM *.:;;*"a ,*t*

Exok to moun t t ype odop te rWith this adapter, any lens fitted with Exaktabayonet mount can be used with the SR from thenearest distance to infinity.

P rok t i co moun t t ype odop te r :With this adapter, Praktica lenses can be used withthe SR-7.The lens can then be used from the nearest distanceto inf inf ty .

Le icq moun t t ype odop te rWith the Leica mount type adapter, Leica mount typelenses are fitted to the SR.These lenses, however can be used only for closeupsand copying, since they are designed for a differentback-focus.

Photo Osci l loscope Uni t

As a result of the remarkable developments in the

electronics'industry and reseach work, the use of

cathode ray tube oscil loscopes has increased at arapid pace.

This unit can be used for accurate photography ofimages in electronics testing and research.

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