M T O*ANTM Cycle 18 Contestent

Angela Robinson Relinquishes Association with Power Up

Azmerie LivingtsonTalks All Things Queer

director‘Girltrash’

+The Web Series: Where are our Black Queer Women On Screen?

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Reader Profile

The purpose behind creating Melanin Take Over (MTO) Magazine was to provide an outlet for queer women of color to be praised in an opportunity to exhibit their work through the different facets and modes of artistic and cultural expression. Although quite a niche audience, the subject matter of MTO Magazine provides a rare ad necessary platform for women of color to be celebrated in the public eye through positive and inspiring images and stories from and about these women themselves. MTO is targeted towards, but certainty not limited to queer women of color. Although the magazine highlights a large amount of queer women of color, MTO features a wide variety of people of color at large. The magazine acts as an all inclusive community outreach platform of sorts. Our mission is to highlight the overlooked and underreported minority groups such as people of color and people that identify with the LGBTQ community. MTO’s primary age group of focus is between 18 to 35, with the majority of content pertaining to people whom themselves are within that age range. MTO is divided into four main sections; features, art, inspiHERing and music. The features section concentrates on featuring various women of color who are currently presenting new work –

Reader Profile fall 2013 | ii

whether it be artistic, musical or film orientated. MTO’s art section is devoted to stories focused on museum exhibits that feature controversial and/or groundbreaking artwork by and of people of col-or. The inspiHERing section, is one in which tru-ly spectacular and groundbreaking women of col-or are featured through the spotlighting of their provocative work that is changing conversations around innovation and originality, while working to inspire women of color at large. Finally, the music section of the magazine emphasizes radical (black and brown) musicians who are pioneering novel platforms of revolutionary sounds. In its entirety, MTO Magazine works to bring justice and esteem to a multiplicity of underrepresented groups of people of color.

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Table of Contents fall 2013 | iii

The Electric Lady

Pariah

The Lovely Lupita

The Shadows Took Shape

Changing the Conversation

Fierce, Queer, Black Women Making Moves

Best of Black Queer Music

The Electric Lady Janelle Monáe’s latest take on Afrofuturism

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vulputate posuere interdum. Curabitur orci libero, aliquam vel ante non, luctus tempus lacus. Pellentesque congue varius ligula. Aenean scelerisque orci id magna porttitor tristique. Aliquam venenatis blandit diam ut adipiscing. Curabitur mollis, tortor nec scelerisque tempor, enim est cursus ipsum, non ullamcorper dolor sem ac velit. Quisque facilisis turpis vitae hendrerit pellentesque. Etiam in fringilla ante. Mauris mattis massa sed fermentum hendrerit. Cras ut tortor ut sapien congue venenatis et pulvinar turp-is. Nunc auctor mi at arcu suscipit, ut euismod dui rutrum. Cras ut turpis ut mi cursus blandit. Nulla luctus est in urna posuere ullamcorper. Maecenas vulputate posuere interdum.

Nulla luctus est in urna posuere ullamcorper. Maecenas vulputate posuere interdum. Curabitur orci libe-ro, aliquam vel ante non, luctus tempus lacus. Pellentesque congue varius ligula. Aenean scelerisque orci id magna port-titor tristique. Aliquam venenatis blandit diam ut adipiscing. Curabitur mollis, tortor nec scelerisque tempor, enim est cursus ipsum, non ullamcorper dolor sem ac velit. Quisque facilisis turpis vitae hendrerit pellentesque. Etiam in fringilla ante. Mauris mattis massa sed fermentum hendrerit. Cras ut tortor ut sapien congue venenatis et pulvinar turpis. Nunc auctor mi at arcu suscipit, ut euismod dui rutrum. Cras ut turpis ut mi cursus blandit. Mauris condimentum est sed vehicula accumsan. Maecenas sed tincidunt neque. Donec vel condimentum erat. Quisque nec tincidunt neque, at dapibus sem. Quisque laoreet eget felis rutrum fermentum. Nulla laoreet tincidunt consequat. Vestibulum eleifend orci eget dictum rhoncus. Praesent malesuada arcu nec pretium suscipit. Pellentesque

Arts & Culture

By Lauren Dunn

Monáe poses for the release of her new album, Electric Lady, in store September 10.

fall 2013 | 47

inspiHERing

CHANGING THE CONVERSATIONUp-and-coming women of color and fellow filmakers talk breaking

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Quisque ac facilisis arcu. Ut rutrum, mauris et egestas egestas, sem nibh dictum leo, eget pellentesque enim velit a nisl. Vivamus commodo tin-cidunt condimentum. Duis mollis aliquet sem quis tristique. Nam mauris purus, vehicula ac pharetra placerat, condimentum et nisi. Fusce suscipit risus scelerisque erat luctus venenatis. Integer at magna a ligula posuere suscipit id sed purus. Cras id justo fringilla, dignissim orci ut, sagittis urna. Etiam convallis vehicu-la nulla, sed venenatis nulla placerat elementum. Praesent sapien purus, elementum eget hendrerit ac, laoreet ac urna. Nunc tempus, mauris at pulvinar aliquet, tortor tortor condi-mentum tortor, et luctus ipsum mi et neque. Fusce congue, magna non Quisque ac facilisis arcu. Ut rutrum, mauris et egestas egestas, sem nibh dictum leo, eget pellentesque enim velit a nisl. Vivamus commodo tin-cidunt condimentum. Duis mollis

Issa Rae

Lena Waithe

Ava DuVernay

108 | fall 2013

THE UNTOLD STORY OF A QUEER WOMAN OF COLOR: Q&AWITH FILMMAKER JD WALKER

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Q

By Lauren Dunn

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Quisque ac facilisis arcu. Ut rut-rum, mauris et egestas egestas, sem nibh dictum leo, eget pellentesque enim velit a nisl. Vivamus com-modo tincidunt condimentum. Duis mollis aliquet sem quis tris-tique. Nam mauris purus, vehicu-la ac pharetra placerat, condimen-

tum et nisi. Fusce suscipit risus scelerisque erat luctus venenatis. Integer at magna a ligula posuere suscipit id sed purus. Cras id justo fringilla, dignissim orci ut, sagit-tis urna. Etiam convallis vehicula nulla, sed venenatis nulla plac-erat elementum. Praesent sapien purus, elementum eget hendrerit ac, laoreet ac urna. Nunc tempus, mauris at pulvinar aliquet, tortor tortor condimentum tortor, et luctus ipsum mi et neque. Fusce congue, magna non imperdiet eu-

inspiHERing

Fierce QueerBlack Women, Making Moves in the Media

next

Fearless filmakers, Issa Rae and Lena Waith are among several of the up-and-com-ing queer black artists mak-ing a name for themselves in the business.

fall 2013 |107

fall 2013 | 109

Pariah Adepero Oduye opens up on her powerful role in the a beautiful story of acceptance

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inspiHERing

By Lauren Dunn

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88 | fall 2013fall 2013 | 87

THE [ [TOOK

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Exhibits

SHADOWS

STUDIO MUSEUMHARLEMA dynamic interdisciplinary exhibition exploring contemporary art through the lens of Afrofuturist aesthetics

Coined in 1994 by writer Mark Dery in his essay “Black to the Fu-ture,” the term “Afrofuturism” refers to a creative and intellectual genre that emerged as a strategy to explore sci-ence fiction, fantasy, magical realism and pan-Africanism. With roots in the avant-garde musical stylings of sonic innovator Sun Ra (born Herman Poole Blount, 1914–1993), Afrofuturism has

–1993), Afrofuturism has been used by artists, writers and theorists as a way to prophesize the future, redefine the present and reconceptualize the past. The Shadows Took Shape will be one of the few major museum exhibitions to explore the ways in which this form of creative expression has been adopted internationally and highlight the range of work made over the past twenty-five yearsjjhjhjhjhjhjhjhjhjhutrdedfdccdghi-hjuhol. The exhibition draws its title fr-

om an obscure Sun Ra poem and a posthumously re-leased series of recordings. Providing an apt metaphor for the long shadow cast by Sun Ra and others, the exhibition will feature more than sixty works of art, including ten new commissions, charting the evolu-tion of Afrofuturist tendencies by an international selection of established and emerging practitioners. These works span not only personal themes of iden-tity and self-determination in the African-American community, but also persistent concerns of tech-no-culture, geographies, utopias and dystopias, as well as universal preoccupations with time and space. The twenty-nine artists featured in The Shadows Took Shape work in a wide variety of media, including photography, video, painting, drawing, sculpture and multimedia installation. Participat-ing artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Ed-gar Cleijne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & Associates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huff-man, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAM-M:ΣLL:ZΣΣ, Lili Reynaud-Dewar, Larissa Sansour, Cauleen Smith, William Villalongo and Saya Wool-falk. Accompanying the exhibition will be a 160-page, fully illustrated exhibition catalogue (de-signed by Kimberly Varella of Content Object, Los Angeles), with twenty-nine artist entries and essays by the exhibition’s curators; an introduction by Stu-dio Museum Director and Chief Curator Thelma Golden; and newly commissioned essays by foremost scholars and writers Tegan Bristow; Samuel R. Dela-ny; Paul D. Miller aka DJ Spooky, That Subliminal Kid; Kodwo Eshun; and Alondra Nelson; and a tum-blr page, shadowstookshape.tumblr.com. The Shadows Took Shape is organized by Naima J. Keith, Assistant Curator and Zoe Whitley, independent curator. age, fully illustrated exhibition catalogue (designed by Kimberly Varella of Content Object, Los Angeles), with twenty-nine artist entries and essays by the exhibition’s curators; an introduc-tion by Studio Museum Director and Chief Curator Thelma Golden; and newly commissioned essays by foremost scholars and writers Tegan Bristow; Samuel R. Delany; Paul D. Miller aka DJ Spooky, That Sub-liminal Kid; Kodwo Eshun; and Alondra Nelson; and a tumblr page, shadowstookshape.tumblr.com. The Shadows Took Shape is organized by Naima J. Keith, Assistant Curator and Zoe Whitley,

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Took Shape work in a wide variety of media, including photography, video, painting, draw-ing, sculpture and multimedia installation. Participating artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Galla-gher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & As-sociates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:ΣLL:ZΣΣ, Lili Rey-

Took Shape work in a wide variety of media, including photography, video, painting, draw-ing, sculpture and multimedia installation. Participating artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Galla-gher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & As-sociates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:ΣLL:ZΣΣ, Lili Rey-

Took Shape work in a wide variety of media, including photography, video, painting, draw-ing, sculpture and multimedia installation. Participating artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Galla-gher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & As-sociates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:ΣLL:ZΣΣ, Lili Rey-

Took shape work in a wide variety of media, includ-ing photography, video, paint-ing, drawing, sculpture and multimedia installation. Par-ticipating artists include Der-rick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Clei-jne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otaben-ga Jones & Associates), Cristi-na De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, Da-vid Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wange-chi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:ΣLL:ZΣΣ, Lili

Took Shape work in a wide variety of media, including photography, video, paint-ing, drawing, sculpture and multimedia installation. Par-ticipating artists include Der-rick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Clei-jne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otaben-ga Jones & Associates), Cristi-na De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, Da-vid Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wange-chi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAMM:ΣLL:ZΣΣ, Lili Reynaud-Dewar, Larissa San-sour, Cauleen Smith, William

Took Shape work in a wide variety of media, including photography, video, paint-ing, drawing, sculpture and multimedia installation. Participating artists include Derrick Adams, John Akomfrah, Laylah Ali, Edgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & Associates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun Ra, RAM-

Exhibits

90 | fall 2013

The Lovely Lupita Lupita Nyong’o Talks About Her Breakout Role in Steven McQueen’s film

12 Years a Slave

[ [

Features

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus iaculis, sem vitae suscipit porta, magna tortor hendrerit augue, eget gravida libero lectus a sem. Mauris tristique fringilla nisi, in porttitor massa mattis non. Pellentesque iaculis, felis vehic-ula interdum scelerisque, neque quam gravida lectus, eget dictum nibh nibh a nisl. Curabitur lectus arcu, dignissim non placerat ac, suscipit nec tellus. Vivamus eu arcu lorem. Sed sit amet tristique nibh, sit amet facilisis ipsum. Nullam porta est et tincidunt consec-tetur. Curabitur ut sapien ac turpis porta placerat. Proin a ipsum at eros accumsan tincidunt sit amet ut tortor. In eget mi nec velit molestie congue a vitae est. Pellentesque sus-cipit nunc id leo egestas lacinia. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices pos-uere cubilia Curae; Sed et lorem lacus. Quisque a nulla non elit congue tempus. Phasellus sed pulvinar metus, non dignissim magna. Suspendisse faucibus lectus eget erat cursus, in eleifend ligula cursus. Curabitur eu vulputate ipsum. Fusce aliquam et lorem nec auctor. Donec ac porta felis. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Sed eu sapien a mauris congue malesuada. Integer condimentum lobortis justo nec luctus. Ut sed diam non lorem vulputate porttitor ac eget dui. In ultrices orci nec eros tincidunt feugiat. Praesent eget viverra purus, a feugiat ante. Nulla facilisi. Vestibulum quis risus sed enim accumsan sollicitudin ultricies ac eros. Donec nisl orci, venenatis in leo a, com-modo tincidunt urna. In metus massa, tincidunt nec congue sed, tincidunt nec augue. Sed consectetur dignissim libero quis tristique. Suspendisse eu tellus a neque ullamcorper dictum. Sed fermentum lacus sed sem rutrum vehicula. Vivamus mo-lestie neque eu nunc porttitor imperdiet. Donec nisl libero, facilisis feugiat nisi in, auctor commodo felis. Integer vulputate fermentum

Lupita admits Slave role a struggle

fall 2013 | 127

Features

128 | fall 2013

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus iaculis, sem vitae suscipit porta, magna tortor hendrerit augue, eget gravida libero lectus a sem. Mauris tristique fringilla nisi, in porttitor massa mattis non. Pel-lentesque iaculis, felis vehicula interdum scelerisque, neque quam gravida lectus, eget dictum nibh nibh a nisl. Curabitur lectus arcu, dignissim non placerat ac, suscipit nec tellus. Vivamus eu arcu lorem. Sed sit amet tristique nibh, sit amet facilisis ipsum. Nullam porta est et tincidunt consectetur. Curabitur ut sapien ac turpis porta placerat. Proin a ipsum at eros accumsan tincidunt sit amet ut tortor. In eget mi nec velit molestie congue a vitae est. Pellentesque suscipit nunc id leo egestas lacinia. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Sed et lorem lacus. Quisque a nulla non elit congue tempus. Phasellus sed pulvinar metus, non dignis-sim magna. Suspendisse faucibus lectus eget erat cursus,

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vivamus iaculis, sem vitae suscipit porta, magna tortor hendrerit augue, eget gravida libero lectus a sem. Mauris tristique fringilla nisi, in porttitor massa mattis non. Pel-lentesque iaculis, felis vehicula interdum scelerisque, neque quam gravida lectus, eget dictum nibh nibh a nisl. Curabitur lectus arcu, dignissim non placerat ac, suscipit nec tellus. Vivamus eu arcu lorem. Sed sit amet tristique nibh, sit amet facilisis ipsum. Nullam porta est et tincidunt consectetur. Curabitur ut sapien ac turpis porta placerat. Proin a ipsum at eros accumsan tincidunt sit amet ut tortor. In eget mi nec velit molestie congue a vitae est. Pellentesque suscipit nunc id leo egestas lacinia. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Sed et lorem lacus. Quisque a nulla non elit congue tempus. Phasellus sed pulvinar metus, non dignis-sim magna. Suspendisse faucibus lectus eget erat cursus,

Features

fall 2013 | 129

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The

Bestof

BlackQueer Music

116fall 2013

magazine.com

Lorem ipsum dolor sit amet, consectetur adip-iscing elit. Praesent a nibh fermentum, feu-giat justo vel, rutrum nunc. Nam vel purus et nisl consectetur com-modo. Pellentesque scelerisque, justo non convallis pharetra, velit sem sodales augue, a placerat sem felis vi-tae arcu. Nunc facilisis velit non massa con-dimentum blandit. Aenean sed risus vitae orci malesuada ultric-ies id vel justo. Nulla tristique ipsum a feu-giat fermentum. Class

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent a nibh fermentum, feugiat justo vel, rutrum nunc. Nam vel purus et nisl consec-tetur commodo. Pellentesque scelerisque, justo non convallis pharetra, velit sem sodales au-gue, a placerat sem felis vitae arcu. Nunc facilisis velit non massa condimentum blandit. Aenean sed risus vitae orci malesuada ultricies id vel justo. Nulla tristique ipsum a feugiat fermentum. Class aptent taci-ti sociosqu ad litora torquent per conubia nostra, per in-ceptos himenaeos. justo non convallis pharetra, velit sem

Lorem ipsum dolor sit amet, consec-tetur adipiscing elit. Praesent a nibh fermentum, feugiat justo vel, rutrum nunc. Nam vel purus et nisl consecte-tur commodo. Pellentesque scelerisque, justo non convallis pharetra, velit sem sodales augue, a placerat sem felis vi-tae arcu. Nunc facilisis velit non massa condimentum blandit. Aenean sed ris-us vitae orci malesuada ultricies id vel justo. Nulla tristique ipsum a feugiat fermentum. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos.t justo vel, rutrum nunc. Nam vel pu-

117fall 2013

magazine.comAngel

Haze

Mykkie

Blanco

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Diana King

Big Freedia

“Lorem ipsum dolor sit amet, consectetur adipiscing elit.”

119fall 2013

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Frank Ocean

Frenchie

Davis

120fall 2013

magazine.com

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Cakes

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