MEHWISH IQBAL - Amazon Web Services · 2019-10-23 · Mehwish grew up in the small city of Sangla...

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31 OCT – 16 NOV, 2019 MEHWISH IQBAL THE DISTANCE BETWEEN US

Transcript of MEHWISH IQBAL - Amazon Web Services · 2019-10-23 · Mehwish grew up in the small city of Sangla...

Page 1: MEHWISH IQBAL - Amazon Web Services · 2019-10-23 · Mehwish grew up in the small city of Sangla Hill in Pakistan—a country that, at times, struggles with inherent freedoms—particularly

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31 OCT – 16 NOV, 2019

MEHWISH IQBAL

THE DISTANCE BETWEEN US

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THE DISTANCE BETWEEN US Through the unavoidable consequences of living—memories, ideas and experiences come in to being. The unique neurological strata of our thoughts—created from our earliest until our last—is a defining aspect of the ‘individual’. We live in a contemporary world with competing ideologies of nationalism, globalisation and the ever-present religious dissension—the hallmarks of our time. Throughout the globe, physical country borders are in a state of flux, coupled with the continual rise of the virtual world. Humanity can be forgiven for its crisis of identity and a seemingly endless search for the meaning to our existence. It’s against this backdrop that Sydney based artist, Mehwish Iqbal’s delicate reflections of a life of contradictory experiences, provide a torch-lit path in an ever more complicated world. Mehwish grew up in the small city of Sangla Hill in Pakistan—a country that, at times, struggles with inherent freedoms—particularly for women. Yet, it is from this place that her voice has become strong and direct. Beyond the ephemeral experience of Iqbal’s work, her thematic discourse has struck a chord throughout the broader art world. A recent exhibition in New York and recognition from major private and institutional collections has built momentum for the artist.

There is a delicate monumentality that pervades the artist’s first exhibition at Nanda\Hobbs, titled The Distance Between Us. Iqbal’s Intricately crafted works speak of the stories of her childhood; her relationship with her mother and of being a mother herself in a different culture from that of her birth. Layers of text embroidered and woven through translucent drawings and prints float hypnotically throughout the picture plane. For the audience, this dreamlike state we are invited to enter is the artist’s deeply personal world.

The experience of drilling through the layers of Mehwish’s personal history is a process that connects us with the fragments of our own lives—often buried in the detritus of living. Culturally, our journey may be very different from Iqbal’s, yet, the memory fragments—the touch of a mother’s hand; the fleeting moment from a dream; the memory of a story, are reminiscent of our own. To look for the literal in Iqbal’s world is to misinterpret the intention. The real reading comes from the experience of reaching into the artist’s soul and being confronted with the story of your own existence.

Ralph HobbsOctober, 2019

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2015 Silk screen, collagraph, etching and embroidery

104 x 92.5cm framed size

LA MAKAAN

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Details

LA MAKAAN

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2019 Silk screen, collagraph, etching and embroidery

123 x 102cm unframed size

AMORPHOUS CREATURES

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AMORPHOUS CREATURES

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2019 Silk screen, collagraph, etching and embroidery

90 x 90cm unframed size

HAGIA SOPHIA

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Detail

HAGIA SOPHIA

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2018 Silk screen, collagraph, etching and embroidery

Dimensions vary

Click here to VIEW INDIVIDUAL WORKS

TOMBSTONES

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2018 Silk screen, collagraph, etching and embroidery

4 panels - 425 x 150cm total unframed size

MONSTER WITHIN

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MONSTER WITHIN

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2019 Mouth blown glass (2 pieces)

50 x 45cm 55 x 45cm

BEGINNING OF LOVE

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2019 Silk screen, collagraph, etching and silver leaf

140 x 131cm unframed size

DICHOTOMY OF FOREIGN SEEDS

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Details

DICHOTOMY OF FOREIGN SEEDS

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2019 Silk screen, collagraph, etching and silver leaf

140 x 110cm unframed size

PARALLEL COMPANIONS

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PARALLEL COMPANIONS

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2019 Silk screen, collagraph, etching and gold leaf

140 x 115cm unframed size

BINARY UNITS

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BINARY UNITS

Details

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2019 Silk screen, collagraph, etching and gold leaf

140 x 115cm unframed size

DIORAMA OF LOST SPACE

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DIORAMA OF LOST SPACE

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2019 Silk screen, collagraph, etching, gold and silver leaf

146 x 115cm unframed size

COMING BACK HOME

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COMING BACK HOME

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The artist working

Photo credit: Jacquie Manning

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12-14 Meagher StreetChippendale \ Sydney

#nandahobbs [email protected]

MEHWISH IQBAL

THE DISTANCE BETWEEN US 31 October – 16 November, 2019

Artist’s CV

Opening Drinks Thursday 31 October 6–8pm

Artist Talk + Preview Tour at 5.30pm

Photo credit: Jacquie Manning