Media Positioning as New Architecture Element

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    architecture

    media art&

    edy.subangkit | 25209036

    1. background

    2. phenomena of signs in bandung

    3. content of the research

    4. the idea | information system

    5. design intervention

    6. theoritical positioning

    7. media city precedents

    8. research references

    9. location

    10. creative industry in bandung

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    ?

    :: architecture & media, how can they be produce together?

    :: the background

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    media in public space | asia afrika bandung media in building | BTC pasteur bandung

    :: phenomena of sign in bandung

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    megatron | perempatan dago bandung iklan | perempatan merdeka bandung

    :: phenomena of sign in bandung

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    :: content of the research

    visual

    perceptoin

    aesth

    etic

    creati

    vity

    Creative industry

    informationpropagandacommercial

    Research

    References economic

    gen

    erator

    theidea|informations

    ystem

    creativecity

    gatewaytotheworld

    Theoritical

    Positioning

    media cityprecedents

    context

    :: design interventions ::

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    :: the idea | information system

    the idea | information system

    creative citygateway to the world

    access to

    world wideinformation

    updates

    trends

    news

    smart

    community

    creative

    society

    the media systemin architecture context

    running text in building facadelandscape as media interaction

    LED as second skinned wallinternet as building element

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    architecture media

    theory of proportiontheory of scale

    architectureelement

    signs

    yes

    no

    adjust-ing

    design

    :: design approach

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    :: design intervention

    MEDIA

    infor

    mation

    architect

    planner

    content

    design

    media designer

    creative director

    artist

    mass communication

    advertising

    brand consultant

    the best location

    system of placement

    materials

    height, scale & proportion

    quantity

    repetition

    the media position

    whereto put ?

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    :: theoritical positioning

    Roman Jakobson : 1960

    JACKOBSON'S COMMUNICATION MODEL

    Functions1 referential (= contextual information)2 aesthetic (= auto-reflection)

    3 emotive (= self-expression)4 conative (= vocative or imperative addressing of receiver)5 phatic (= checking channel working)6 metalingual (= checking code working)

    sender

    context

    message

    channel

    code

    receiver

    1.

    2. 3. 4.

    5.

    6.encoder decoder

    Stuart Hall : 1973

    Thomas A. Sebeok, Style In Language, Cambridge Massachusetts, MIT Press, 1960, pp. 350377

    Hall, S. (1973) Encoding and Decoding in the Television Discourse Birmingham: CCSSTUART HALL ENCODING/DECODING

    According to Stuart Hall, all images are both encoded and decoded.They are encoded in the production process and in the placement within

    a certain cultural setting. They are decoded by the viewers/read1. meaning is not simply fixed or determined by the sender2. the message is never transparent3. the audience is not a passive recipient of meaning.

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    :: theoritical positioning

    Robert Venturi and Denise Scott Brown

    Learning from Las Vegas Theorizing a new Agenda for Architecture

    Architecture as Symbol

    the architectural language in LasVegas does not talk about space, it talksabout symbols.Symbols which are used to communicateover space, the space as an architecturalelement becomes dominatedby the communication.

    When we drive trough Las Vegas, the symbols are leading us.

    The sign at the street is important, thebuilding becomes a modest necessity.Sometimes, even the building it selfbecomes a sign, like the duck store inthe shape of a duck.

    So we have big sign and small buildings,or building as a sign.

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    :: theoritical positioning

    What was Rome to the pilgrim, LasVegas is now for the gambler.

    In Rome they could walk from churchto church, the Obelisks and Piazzas

    were guiding them.In Las Vegas we can go from casino to

    casino, guided by the signs and symbols.

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    :: theoritical positioning

    The Architecture of the Strip

    :: A typical casino complex contains a building which is near enough to the highway

    :: The parking in front is a token

    :: Parking is never at the back.

    :: The scales of movement and space of the highway

    :: Big space between buildings is characteristic of the Strip.

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    :: theoritical positioning

    The Interior Oasis

    The interior of the hotel-casino complexis mainly focused on the gambling rooms.

    When we are entering in a hotel, theregistration desk will be behind us, andthe gambling machines in front of us.

    The gambling rooms do not have anywindow, even no natural light.The walls are absorbent and dark, sothat you can not see the corners of the room.

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    :: media city precedent

    Nanjing Road

    1845

    1854

    1862

    1930

    1943

    2000

    2007

    ParkLane

    ,whichstrechedfrom

    theBundtoH

    enanRoad.

    extendedto

    ZhejiangRoad,

    andeightyea

    rslater,oncemoreexte

    ndedtoXizangRoad.

    namedform

    allyNankingRoadbytheMunicipalCouncil,

    InChineseitwasusuallyreferredto

    astheMainRoad

    bustlingstreetwithatleastonerepo

    rtedcasino

    changeditsn

    amefromNankingRoadto

    "EastNanjin

    gRoad"&"WestNanjingRoad",

    andthegene

    ralnameofthetworoad

    sbecame

    "NanjingRo

    ad",

    comprisingfivekilometrestotallen

    gth.

    eightbigde

    partmentstoreswereestablished

    renovatedto

    beacharacteristicpedestrianstreet

    28metersandthetotallengthis1,200meters

    JinganandHuangpugovernments

    agreedtocoordinate

    theirpolicytoenhancethedevelopm

    entofNanjingRoad

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    :: media city precedent

    Nanjing Road Today

    Nanjing Road in daytime Nanjing Road at night

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    :: research references

    Malefyt, Timothy deWaal (I); Moeran, Brian (II) editor (2003) :Advertising Culures : Berg : Oxford, New YorkSchirato, Tony (I); Web, Jen (II)(2004) : Reading The Visual: Allen & Unwin : AustraliaIngels, Bjarke (2009) : Yes Is More : EvergreenKoolhaas, Rem (I); Mau, Bruce (II) (1998) : S.M.L.XL : Monacelli PressManovich, Lev (2002) : The Language of New Media : The MIT PressSchwarzer, Mitchell (2004) : Zoomscape: Architecture in Motion and Media : Princeton Architectural Press, New YorkRattenbury, Kester , ed. (2002) : This Is Not Architecture: Media Constructions : Routledge, New YorkCouldry, Nick (I); McCarthy, Anna , eds. (2004) : MediaSpace: Place, Scale and Culture in a Media Age : Routledge,New York

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    :: location

    the main street of otoiskandardinataand tegalega as the center of public activity

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    :: creative industry in bandung

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    : : t h e i n d u s t r y

    T r i s a M e l a t i

    :: creative industry in bandung

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    :: creative organization

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