MASTERS IN TYPEFACE...
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Emelia is a friendly typeface family for hierarchical typesetting, supporting the Latin and Tibetan scripts. The family provides a variety of weights and is designed with playful details that get more distinctive in the light and black versions of the family. A typeface for Latin and Tibetan in 8 styles Black Italic Regular Bold Sans Regular Tibetan Light Sans Black Germany [email protected] www.sandraadler.de Emelia by Sandra Adler Sila is the link between aesthetics and funion, character and discretion, pixel and high definition, versatility and purpose, bold and thin, left and right. A webfont in Latin & Arabic, in 5 styles Bold Regular Light Italic Bold Regular Light Thin Regular Heavy Lebanon [email protected] www.azalam.com Sila by Azza Alameddine Primarily designed for publications in Brazilian indigenous languages, Brasilica provides a set of accented characters that support the particularities of these languages, as well as most of the European idioms that use the Latin script. A typeface for Brazilian indigenous languages Regular Italic Bold Extra Bold Sans Brazil [email protected] www.rafaeldietzsch.com Brasilica by Rafael Dietzsch Mila is an experimental type system consisting of weights and styles designed specifically for use in school textbooks. Mila is a rebellious kid who digresses from the popular convention of simplification, it is infused with big scops of typographic detail. A typeface for Gujarati, Tamil, and Latin in 4 styles Gujarati Regular Tamil Regular Latin Regular Primer Alphabet (use pencil) India [email protected] Mila by Kalapi Gajjar-Bordawekar Dr Jekyll & Miss Hyde is a multi-script typeface for magazines and children’s books. It was designed to work in text and in headings at dilay sizes. Its forms are funky and strong in personality when used large, elegant and dynamic when set in text. A typeface for Latin, Greek and Armenian in 4 styles Italic Black Regular Bold Italy [email protected] www.elenapapassissa.it Dr Jekyll & Miss Hyde by Elena Papassissa Martha is a versatile multi-script typeface family designed for complex hierarchies in popular science magazines and books. Friendly, round and playful to engage the reader’s interest – robust, clear and reliable to get even the most difficult content across. A typeface for Latin, Greek and Cyrillic in 5 styles Light Regular Bold Thin Italic Austria [email protected] www.lisaschultz.at Martha by Lisa Schultz Serendip typeface was discovered in a nine months journey throughout seas never before navigated. e type family is originally intended to compose the canonical texts of eravāda Buddhism, supporting Pāli language transliterated in Latin and Sinhala scripts. A typeface for Latin and Sinhala in 8 styles Thin Bold Heavy Small Caps Regular Italic Black Brazil / Portugal [email protected] www.rafaelsaraiva.com Serendip by Rafael Saraiva Lumen is the first typeface to integrate Burmese, Thai and Latin in stylistic harmony whilst respecting the different heritage of each. Its character set and range of styles fit the needs of complex hierarchical typography, such as dictionary, editorial and textbook usage. The first type family for Latin, Thai and Burmese Regular Bold Burmese Bold Italic Thai Sans Super Headline Sans Small Caps United Kingdom [email protected] http://ohbendy.tumblr.com/ Lumen by Ben Mitchell Angata is an attempt to modulate and semi-serif the sans. It has a rough contemporary feel combined with the traditional features of readability. Like a good linen suit, it’s guaranteed to wrinkle and look jagged on screen but it will remain legible in the worst conditions. A typeface for subversion and social change in 3 styles Bold Small Caps Greek Regular Italic France info@chauffier.com Angata by Julie Janet Chauffier A multifaceted family consisting of a high-contrast serif and a contemporary grotesque with different levels of idiosyncrasy. The variety of weights and styles provide a typographic system for cinema magazines, from shouting headlines to more refined captions. A typeface for Latin, Devanagari and Greek in 10 styles Heavy Sans Italic Regular Grade 1 Devanagari Regular Sans Greek ExtraBold Display Bullet numbers Condensed Sans ExtraBold Quirk Sans Bold Italy [email protected] www.cinetype.com Overlook by Michele Patanè A youthful serif typeface family in Latin and Gujarati. Nari is a contemporary design to be utilised in exhibition literature and publications specific to the needs of multi-script textsetting. A typeface for Latin and Gujarati Regular Italic Gujarati Heavy Australia dot@typeoffice.com uk.linkedin.com/in/dotgeorgoulas Nari by Dot Georgoulas Cawnpore is a Devanagari and Latin typeface family for small sizes and complex hierarchies, such as bilingual dictionaries. It offers serif and sans styles in both scripts, as well as a Devanagari Cursive: a complementary style to expand the typographic palette. A typeface for Devanagari and Latin in 5 styles Sans Regular and Bold Cursive Regular Sans Bold Regular India [email protected] www.poojasaxena.in Cawnpore by Pooja Saxena MASTERS IN TYPEFACE DESIGN We would like to thank all our tutors and the staff of the Department of Typography & Graphic Communication, especially Gerry Leonidas, Fiona Ross, Gerard Unger and all the guest lecturers. It has been a wonderful year. Thank you. For further samples and information go to: www.typefacedesign.org Azza Ben Dot Elena Julie Kalapi Lisa Michele Pooja Rafael D. Rafael S. Sandra We would like to thank all our tutors and the staff of the Department of Typography & Graphic Communication, especially Gerry Leonidas, Fiona Ross, Gerard Unger and all the guest lecturers. It has been a wonderful year. Thank you. For further samples and information go to: www.typefacedesign.org
Transcript of MASTERS IN TYPEFACE...
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Emelia is a friendly typeface family for hierarchical typesetting, supporting the Latin and Tibetan scripts. The family provides a variety of weights and is designed with playful details that get more distinctive in the light and black versions of the family.
A typeface
for Latin
and Tibetan
in 8 styles
Black
Italic
Regular
Bold
Sans Regular
Tibetan
Light
Sans Black
Germany
www.sandraadler.de
Emelia by Sandra Adler
Sila is the link between aesthetics and function, character and discretion, pixel and high definition, versatility and purpose, bold and thin, left and right.
A webfont
in Latin &
Arabic,
in 5 styles
Bold
Regular
Light
Italic
Bold
Regular
Light
Thin
Regular
Heavy
Lebanon
www.azalam.com
Sila by Azza Alameddine
Primarily designed for publications in Brazilian indigenous languages, Brasilica provides a set of accented characters that support the particularities of these languages, as well as most of the European idioms that use the Latin script.
A typeface
for Brazilian
indigenous
languages
Regular
Italic
Bold
Extra Bold
Sans
Brazil
www.rafaeldietzsch.com
Brasilica by Rafael Dietzsch
Mila is an experimental type system consisting of weights and styles designed specifically for use in school textbooks. Mila is a rebellious kid who digresses from the popular convention of simplification, it is infused with big scops of typographic detail.
A typeface for
Gujarati, Tamil,
and Latin
in 4 styles
Gujarati Regular
Tamil Regular
Latin Regular
Primer Alphabet(use pencil)
India
Mila by Kalapi Gajjar-Bordawekar
Cawnpore is a Devanagari and Latin typeface family for small sizes and complex hierarchies, such as bilingual dictionaries. It offers serif and sans styles in both scripts, as well as a Devanagari Cursive: a complementary style to expand the typographic palette.
A typeface for
Devanagari
and Latin
in 5 styles
Sans Regular and Bold
Cursive
Regular
Sans Bold
Regular
India
www.poojasaxena.in
Cawnpore by Pooja Saxena
Dr Jekyll & Miss Hyde is a multi-script typeface for magazines and children’s books. It was designed to work in text and in headings at display sizes. Its forms are funky and strong in personality when used large, elegant and dynamic when set in text.
A typeface for
Latin, Greek
and Armenian
in 4 styles
Italic
Black
Regular
Bold
Italy
www.elenapapassissa.it
Dr Jekyll & Miss Hyde
by Elena Papassissa
Martha is a versatile multi-script typeface family designed for complex hierarchies in popular science magazines and books. Friendly, round and playful to engage the reader’s interest – robust, clear and reliable to get even the most difficult content across.
A typeface for
Latin, Greek
and Cyrillic
in 5 styles
Light
Regular
Bold
Thin
Italic
A youthful serif typeface family in Latin and Gujarati. Nari is a contemporary design to be utilised in exhibition literature and publications specific to the needs of multi-script textsetting.
A typeface
for Latin and
Gujarati
Regular
Italic
Gujarati
Heavy
Australia
uk.linkedin.com/in/dotgeorgoulas
Nari by Dot Georgoulas
Austria
www.lisaschultz.at
Martha by Lisa Schultz
Serendip typeface was discovered in a nine months journey throughout seas never before navigated. The type family is originally intended to compose the canonical texts of Theravāda Buddhism, supporting Pāli language transliterated in Latin and Sinhala scripts.
A typeface
for Latin
and Sinhala
in 8 styles
Thin
Bold
Heavy
Small Caps
Regular
Italic
Black
A multifaceted family consisting of a high-contrast serif and a contemporary grotesque with different levels of idiosyncrasy. The variety of weights and styles provide a typographic system for cinema magazines, from shouting headlines to more refined captions.
A typeface
for Latin,
Devanagari
and Greek
in 10 styles
Heavy Sans
Italic
Regular Grade 1
Devanagari
Regular Sans
Greek
ExtraBold Display
Bullet numbers
Condensed Sans
ExtraBold Quirk Sans
Bold
Italy
www.cinetype.com
Overlook by Michele Patanè
Brazil / Portugal
www.rafaelsaraiva.com
Serendip by Rafael Saraiva
Lumen is the first typeface to integrate Burmese, Thai and Latin in stylistic harmony whilst respecting the different heritage of each. Its character set and range of styles fit the needs of complex hierarchical typography, such as dictionary, editorial and textbook usage.
The first type
family for
Latin, Thai
and Burmese
Regular
Bold
Burmese
Bold Italic
Thai
Sans Super Headline
Sans Small Caps
United Kingdom
http://ohbendy.tumblr.com/
Lumen by Ben Mitchell
Angata is an attempt to modulate and semi-serif the sans. It has a rough contemporary feel combined with the traditional features of readability. Like a good linen suit, it’s guaranteed to wrinkle and look jagged on screen but it will remain legible in the worst conditions.
A typeface for
subversion
and social
change
in 3 styles
Bold
Small Caps
Greek
Regular
Italic
France
Angata by Julie Janet Chauffier
Serendip typeface was discovered in a nine months journey throughout seas never before navigated. The type family is originally intended to compose the canonical texts of Theravāda Buddhism, supporting Pāli language transliterated in Latin and Sinhala scripts.
A typeface
for Latin
and Sinhala
in 8 styles
Thin
Bold
Heavy
Small Caps
Regular
Italic
Black
A multifaceted family consisting of a high-contrast serif and a contemporary grotesque with different levels of idiosyncrasy. The variety of weights and styles provide a typographic system for cinema magazines, from shouting headlines to more refined captions.
A typeface
for Latin,
Devanagari
and Greek
in 10 styles
Heavy Sans
Italic
Regular Grade 1
Devanagari
Regular Sans
Greek
ExtraBold Display
Bullet numbers
Condensed Sans
ExtraBold Quirk Sans
Bold
Italy
www.cinetype.com
Overlook by Michele Patanè
Brazil / Portugal
www.rafaelsaraiva.com
Serendip by Rafael Saraiva
Martha is a versatile multi-script typeface family designed for complex hierarchies in popular science magazines and books. Friendly, round and playful to engage the reader’s interest – robust, clear and reliable to get even the most difficult content across.
A typeface for
Latin, Greek
and Cyrillic
in 5 styles
Light
Regular
Bold
Thin
Italic
A youthful serif typeface family in Latin and Gujarati. Nari is a contemporary design to be utilised in exhibition literature and publications specific to the needs of multi-script textsetting.
A typeface
for Latin and
Gujarati
Regular
Italic
Gujarati
Heavy
Australia
uk.linkedin.com/in/dotgeorgoulas
Nari by Dot Georgoulas
Austria
www.lisaschultz.at
Martha by Lisa Schultz
Cawnpore is a Devanagari and Latin typeface family for small sizes and complex hierarchies, such as bilingual dictionaries. It offers serif and sans styles in both scripts, as well as a Devanagari Cursive: a complementary style to expand the typographic palette.
A typeface for
Devanagari
and Latin
in 5 styles
Sans Regular and Bold
Cursive
Regular
Sans Bold
Regular
India
www.poojasaxena.in
Cawnpore by Pooja Saxena
Dr Jekyll & Miss Hyde is a multi-script typeface for magazines and children’s books. It was designed to work in text and in headings at display sizes. Its forms are funky and strong in personality when used large, elegant and dynamic when set in text.
A typeface for
Latin, Greek
and Armenian
in 4 styles
Italic
Black
Regular
Bold
Italy
www.elenapapassissa.it
Dr Jekyll & Miss Hyde
by Elena Papassissa
M A S T E R S I N T Y P E F A C E D E S I G N
We would like to thank all our tutors and the staff of the
Department of Typography & Graphic Communication,
especially Gerry Leonidas, Fiona Ross, Gerard Unger
and all the guest lecturers. It has been a wonderful year.
Thank you.
For further samples and information go to:
www.typefacedesign.org
Azza
Ben
Dot
Elena
Julie
Kalapi
Lisa
Michele
Pooja
Rafael D.Rafael S.
Sandra
M A S T E R S I N T Y P E F A C E D E S I G N
We would like to thank all our tutors and the staff of the
Department of Typography & Graphic Communication,
especially Gerry Leonidas, Fiona Ross, Gerard Unger
and all the guest lecturers. It has been a wonderful year.
Thank you.
For further samples and information go to:
www.typefacedesign.org
Azza
Ben
Dot
Elena
Julie
Kalapi
Lisa
Michele
Pooja
Rafael D.Rafael S.
Sandra
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w w w . t y p e f a c e d e s i g n . o r g
