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MAKING ITS MARK:DAIthegrapevinekuwait.weebly.com/uploads/3/4/7/0/3470026/daics17gv.pdfAlex Darwin,...
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www.darmuseum.org.kw MAKING ITS MARK: DAI CULTURAL SEASON 17 On 17 October 1995, the curator of the Tareq Rajab Museum Professor Géza Fehérvári launched the Dar al-Athar al-Islamiyyah’s rst cultural season with a lecture on “The Art of Lacquer in the Islamic World.” There were 10 lectures that year and a trip to the Arab Fund building. Quickly, having a representative of the Tareq Rajab Museum open the season became a tradition – one that continues this season with Ziad Rajab giving the opening lecture. That, however, is one of a very few things that hasn’t changed. This season, Cultural Season 17, the DAI will be providing more than 10 times 10 activities. This season is about more: more lectures, more music, more workshops for adults, more opportunities for young people, more chances to interact with parts of the collection, and more. Like the signet rings and seals that are the visual representation of this season, the DAI plans to make its mark this season on more people in many more ways. Seals and signet rings, like those chosen, had two functions. First, they indicated ownership and certied the authority of the person using the seal. Second, and more important, they stated boldly that an individual had made his mark on paper, property or a process. That is what we intend to do – to make our mark on the community. Unlike a seal or signet ring, our mark won’t be evidenced in a brand or insignia but in the increased awareness of and appreciation for Islamic art and culture in all its many forms. MONDAY NIGHT LECTURES ARE BACK: CS17 GETS UNDERWAY ON 26 SEPTEMBER LEARN AND LOVE IT . . . MAKING A JOYFUL NOISE . . . DAI MUSIC CIRCLE WORKING THEATRE TUESDAYS WITH THE DAI Magic happens when people and art connect. When, all of a sudden, a child can see specic motifs of Islamic art in a favourite carpet; when the absence of sapphires in the Mughal jewellery stops being a mystery; when the links between culture, history and art seem obvious. That “when” moment is magic. This season the DAI is oering everyone 6 and older the chance to feel the magic. For more information on any of these programmes, email [email protected] or [email protected] Children’s Art Workshops: In the 4th series, children between the ages of 6 and 12 will explore some old favourites and a few new subjects. In all cases, they’ll be having so much fun they won’t even realize how much they’re learning. The rst session is 1 October, when the participants will talk about Islamic art motifs in preparation for a visit to the Arab Fund Building. DAI Classroom: Schools are invited to send classes to the Amricani Cultural Centre for 90 minute, age-appropriate programmes that are fun and educational. Students will explore one or both of the exhibitions and have the chance to demonstrate what they learned in the process. Visits are being scheduled now for Tuesdays, Wednesdays and Thursdays, starting in November. Docents: Volunteers who are truly Part of Art, DAI Docents are well trained, enthusiastic leaders who share their knowledge of and anity for the treasures held in the Amricani Cultural Centre. We will begin training the next group of docents in October, sign up now. Junior Docents: This is a new programme for young people between the ages of 13 and 16. Junior Docents will learn about the two exhibitions in Amricani, art history and be introduced to the various aspects of running a successful museum. Sign up now for more information. The success of the DAI Music Circle (DMC) continues to grow well beyond expectations. Bringing music to the al-Maidan Cultural Centre virtually every Wednesday, the DMC committee has produced a programme that will have a world of music echoing through the theatre during CS17. Throughout the season, which starts with a piano recital commemorating the bicentennial of Franz Liszt on 28 September and ends on 30 May with a celebration of Kuwaiti music, the audience will enjoy everything from Baroque organ to acoustic rock. A cine-concert and a marionette performance mix visual and musical arts. Yemeni performers share their traditional music, as do a classical Flamenco guitarist and the Vienna Boys Choir. Jazz from Uzbekistan, Raga from India and Maghrebian music from North Africa; the oerings this season are as diverse as the countries from which the performers are drawn. Under the direction of celebrated Kuwaiti writer/director Sulayman Al-Bassam, this season the Dar al-Athar al-Islamiyyah expands its performing arts programme to include the theatre arts. Over the course of the season, ve international theatre workshops will be held at the al-Maidan Cultural Centre. The three-day seminars will be led by Al-Bassam and an internationally respected visiting artist, selected to present his/her speciality to Kuwait’s young theatre professional. Dramatic writing, directing, scenography and various technical skills will feature in the workshops. In addition, on the Tuesday evening following the workshops, the visiting artist will give a 60 minute seminar open to the public. Targeting all those interested in learning more about dierent aspects of the theatre arts, the conversations are sure to be revealing and informative. Al-Bassam is the founder and creative mind behind SABAB, an independent, international touring theatre company based in Kuwait. The company is working internationally across national and cultural boundaries and uses theatre to engage with issues of identity, history, language and culture. SABAB has achieved worldwide acclaim and recognition for its productions, performing to audiences across four continents. Recent works written/adapted and directed by Al-Bassam include: The Speaker’s Progress, Richard III: An Arab Tragedy, commissioned by the Royal Shakespeare Company (RSC) for the Complete Works Festival; The Mirror for Princes / Kalila wa Dimna co-produced by the Tokyo International Arts Festival, Barbican bite06 and Dar al-Athar al-Islamiyyah, Kuwait; and The Al-Hamlet Summit, co-produced by the Tokyo International Arts Festival. Recognising the wealth of talent in Kuwait, two seasons ago the Dar al-Athar al-Islamiyyah launched the DAI Forum. The Forum is a community-based programme designed to provide an opportunity for local experts to share their knowledge with people here at home. This season the expanded Forum becomes part of Tuesdays with the DAI. In CS 17, the Forum features lectures, the book club and lms. The lectures get underway on 27 September, with a discussion on the accessibility of art and continue, covering Arabic poetry, feelings and movement, the cultural impact of urban renewal, and architecture and the environment. 12 Angry Lebanese, on 11 October, starts the lm programme. It will be followed by Deema Al-Ghunaim’s lm/lecture Sensations of A Moving Machine on 15 November and Amreeka, directed by Cherien Dabis and co-produced by Al-Zain al-Sabah, on 20 March. In one of the few anomalies in the programme, the book club actually kicks o on Sunday, 9 October. The Blair/Bloom book Islamic Arts (Art and Ideas) is expected to spark a discussion of what is and isn’t “Islamic art”. Other books being read this season include Jerusalem by Karen Armstrong, The Edge of War by Alex Darwin, The Rumi Collection, and Bill Moyers’ Genesis. Previously the bailiwick of those ages 6 – 12, this season the workshop opens up to adults. This season, you have the opportunity to learn about and experiment with dierent aspects of Islamic art. Starting in October, with an Introduction to Glass Painting, continuing in November with ceramics, January with creative writing, and nally, a four session calligraphy course in April/May; the workshops give participants the chance to discover both a bit about the art of Islamic world and about their own creativity. A short brief about the subject as it relates to Islamic art and an explanation of any necessary art techniques will be followed by the opportunity to apply what you’ve learned. At the conclusion of the workshop, you’ll have a work of art all your own. Finally, we have our rst series of conservation-oriented workshops this season. Over three weeks in March and April, DAI consultant curator Sophie Budden will provide practical advice for caring for your collectibles, including metals, wood, textiles, paintings ceramics, glass, stone and plaster. Conservation workshops, art workshops, lectures, movies, and books: Tuesdays with the DAI brings new life to mid-week. WORDS AND ACTION The 17th Dar al-Athar al-Islamiyyah Cultural Season will be launched on 26 September, with a lecture on kiswas, the holy covers on the Ka’aba in Makkah. And with this lecture, an amazing journey will begin. This season the speakers are drawn from a broad geographic expanse and represent the widest array of talent that the DAI has ever presented. Lecturers will be coming from the around our region, Europe, Asia, and North America. There will be professors from such prestigious institutions as Harvard, SOAS, and the Islamic Studies faculty at the University of Sarajevo. Two museum directors will participate, including the 1st woman museum director in Iran. The VP of the European Union of Arabists and Islamists, and a former UK MP and head of the country’s National Heritage organization will both speak during the season, as will a musicologist, a eld anthropologist, an artist/sculptor, an archaeologist, and several research specialists associated with leading institutions and foundations. And the subjects . . . they’re even more diverse than the lectures. From Makkah, subsequent speakers will take us to al-Andalus, Yemen, Bosnia-Herzegovina, India, Iran, Europe in the Romance period, and, closer to home, the Gulf shores and Hijaz. Speakers will talk about Islamic objects in Western hands; Western classical music in the Islamic world; the connection between the Latin and Islamic worlds, and architecture around the world. Islamic heritage in Saba and central Europe will be discussed, as will the music of western Saudi Arabia and pearls from the Gulf. The scents and sensibilities of Islamic gardens will be presented along with lectures on the sense and sensibilities of the Holy Qur’an and aspects of Islamic law. Safavid textiles and Abbasid and Fatimid textiles will be explored, as will Persian painting and sculpting. The Silsilename of three artistic Ottoman families will be explained and Ottoman talismanic protections will also be discussed. The journey starts at 7 PM on 26 September. You don’t want to miss it.
Transcript of MAKING ITS MARK:DAIthegrapevinekuwait.weebly.com/uploads/3/4/7/0/3470026/daics17gv.pdfAlex Darwin,...
www.darmuseum.org.kw
MAKING ITS MARK: DAI CULTURAL SEASON 17
On 17 October 1995, the curator of the Tareq Rajab Museum Professor Géza Fehérvári launched the Dar al-Athar al-Islamiyyah’s !rst cultural season with a lecture on “The Art of Lacquer in the Islamic World.” There were 10 lectures that year and a trip to the Arab Fund building.
Quickly, having a representative of the Tareq Rajab Museum open the season became a tradition – one that continues this season with Ziad Rajab giving the opening lecture. That, however, is one of a very few things that hasn’t changed.
This season, Cultural Season 17, the DAI will be providing more than 10 times 10 activities. This season is about more: more lectures, more music, more workshops for adults, more opportunities for young people, more chances to interact with parts of the collection, and more. Like the signet rings and seals that are the visual representation of this season, the DAI plans to make its mark this season on more people in many more ways.
Seals and signet rings, like those chosen, had two functions. First, they indicated ownership and certi!ed the authority of the person using the seal. Second, and more important, they stated boldly that an individual had made his mark on paper, property or a process. That is what we intend to do – to make our mark on the community. Unlike a seal or signet ring, our mark won’t be evidenced in a brand or insignia but in the increased awareness of and appreciation for Islamic art and culture in all its many forms.
MONDAY NIGHT LECTURES ARE BACK:CS17 GETS UNDERWAY ON 26 SEPTEMBER
LEARN AND LOVE IT . . .
MAKING A JOYFUL NOISE . . .DAI MUSIC CIRCLE
WORKING THEATRE
TUESDAYS WITH THE DAI
Magic happens when people and art connect. When, all of a sudden, a child can see speci!c motifs of Islamic art in a favourite carpet; when the absence of sapphires in the Mughal jewellery stops being a mystery; when the links between culture, history and art seem obvious. That “when” moment is magic.
This season the DAI is o"ering everyone 6 and older the chance to feel the magic. For more information on any of these programmes, email [email protected] or [email protected]
Children’s Art Workshops: In the 4th series, children between the ages of 6 and 12 will explore some old favourites and a few new subjects. In all cases, they’ll be having so much fun they won’t even realize how much they’re learning. The !rst session is 1 October, when the participants will talk about Islamic art motifs in preparation for a visit to the Arab Fund Building.
DAI Classroom: Schools are invited to send classes to the Amricani Cultural Centre for 90 minute, age-appropriate programmes that are fun and educational. Students will explore one or both of the exhibitions and have the chance to demonstrate what they learned in the process. Visits are being scheduled now for Tuesdays, Wednesdays and Thursdays, starting in November.
Docents: Volunteers who are truly Part of Art, DAI Docents are well trained, enthusiastic leaders who share their knowledge of and a#nity for the treasures held in the Amricani Cultural Centre. We will begin training the next group of docents in October, sign up now.
Junior Docents: This is a new programme for young people between the ages of 13 and 16. Junior Docents will learn about the two exhibitions in Amricani, art history and be introduced to the various aspects of running a successful museum. Sign up now for more information.
The success of the DAI Music Circle (DMC) continues to grow well beyond expectations. Bringing music to the al-Maidan Cultural Centre virtually every Wednesday, the DMC committee has produced a programme that will have a world of music echoing through the theatre during CS17.
Throughout the season, which starts with a piano recital commemorating the bicentennial of Franz Liszt on 28 September and ends on 30 May with a celebration of Kuwaiti music, the audience will enjoy everything from Baroque organ to acoustic rock. A cine-concert and a marionette performance mix visual and musical arts. Yemeni performers share their traditional music, as do a classical Flamenco guitarist and the Vienna Boys Choir. Jazz from Uzbekistan, Raga from India and Maghrebian music from North Africa; the o"erings this season are as diverse as the countries from which the performers are drawn.
Under the direction of celebrated Kuwaiti writer/director Sulayman Al-Bassam, this season the Dar al-Athar al-Islamiyyah expands its performing arts programme to include the theatre arts. Over the course of the season, !ve international theatre workshops will be held at the al-Maidan Cultural Centre. The three-day seminars will be led by Al-Bassam and an internationally respected visiting artist, selected to present his/her speciality to Kuwait’s young theatre professional. Dramatic writing, directing, scenography and various technical skills will feature in the workshops. In addition, on the Tuesday evening following the workshops, the visiting artist will give a 60 minute seminar open to the public. Targeting all those interested in learning more about di"erent aspects of the theatre arts, the conversations are sure to be revealing and informative.
Al-Bassam is the founder and creative mind behind SABAB, an independent, international touring theatre company based in Kuwait. The company is working internationally across national and cultural boundaries and uses theatre to engage with issues of identity, history, language and culture. SABAB has achieved worldwide acclaim and recognition for its productions, performing to audiences across four continents. Recent works written/adapted and directed by Al-Bassam include: The Speaker’s Progress, Richard III: An Arab Tragedy, commissioned by the Royal Shakespeare Company (RSC) for the Complete Works Festival; The Mirror for Princes / Kalila wa Dimna co-produced by the Tokyo International Arts Festival, Barbican bite06 and Dar al-Athar al-Islamiyyah, Kuwait; and The Al-Hamlet Summit, co-produced by the Tokyo International Arts Festival.
Recognising the wealth of talent in Kuwait, two seasons ago the Dar al-Athar al-Islamiyyah launched the DAI Forum. The Forum is a community-based programme designed to provide an opportunity for local experts to share their knowledge with people here at home. This season the expanded Forum becomes part of Tuesdays with the DAI.
In CS 17, the Forum features lectures, the book club and !lms. The lectures get underway on 27 September, with a discussion on the accessibility of art and continue, covering Arabic poetry, feelings and movement, the cultural impact of urban renewal, and architecture and the environment.
12 Angry Lebanese, on 11 October, starts the !lm programme. It will be followed by Deema Al-Ghunaim’s !lm/lecture Sensations of A Moving Machine on 15 November and Amreeka, directed by Cherien Dabis and co-produced by Al-Zain al-Sabah, on 20 March.
In one of the few anomalies in the programme, the book club actually kicks o" on Sunday, 9 October. The Blair/Bloom book Islamic Arts (Art and Ideas) is expected to spark a discussion of what is and isn’t “Islamic art”. Other books being read this season include Jerusalem by Karen Armstrong, The Edge of War by Alex Darwin, The Rumi Collection, and Bill Moyers’ Genesis.
Previously the bailiwick of those ages 6 – 12, this season the workshop opens up to adults. This season, you have the opportunity to learn about and experiment with di"erent aspects of Islamic art. Starting in October, with an Introduction to Glass Painting, continuing in November with ceramics, January with creative writing, and !nally, a four session calligraphy course in April/May; the workshops give participants the chance to discover both a bit about the art of Islamic world and about their own creativity. A short brief about the subject as it relates to Islamic art and an explanation of any necessary art techniques will be followed by the opportunity to apply what you’ve learned. At the conclusion of the workshop, you’ll have a work of art all your own.
Finally, we have our !rst series of conservation-oriented workshops this season. Over three weeks in March and April, DAI consultant curator Sophie Budden will provide practical advice for caring for your collectibles, including metals, wood, textiles, paintings ceramics, glass, stone and plaster.
Conservation workshops, art workshops, lectures, movies, and books: Tuesdays with the DAI brings new life to mid-week.
WORDS AND ACTION The 17th Dar al-Athar al-Islamiyyah Cultural Season will be launched on 26 September, with a lecture
on kiswas, the holy covers on the Ka’aba in Makkah. And with this lecture, an amazing journey will begin.This season the speakers are drawn from a broad geographic expanse and represent the widest
array of talent that the DAI has ever presented. Lecturers will be coming from the around our region, Europe, Asia, and North America. There will be professors from such prestigious institutions as Harvard,
SOAS, and the Islamic Studies faculty at the University of Sarajevo. Two museum directors will participate, including the 1st woman museum director in Iran. The VP of the European Union of Arabists and Islamists, and a former UK MP and head of the country’s National Heritage organization will both speak during the season, as will a musicologist, a !eld anthropologist, an artist/sculptor, an archaeologist, and several research specialists associated with leading institutions and foundations.
And the subjects . . . they’re even more diverse than the lectures. From Makkah, subsequent speakers will take us to al-Andalus, Yemen, Bosnia-Herzegovina, India, Iran, Europe in the Romance period, and, closer to home, the Gulf shores and Hijaz. Speakers will talk about Islamic objects in Western hands; Western classical music in the Islamic world; the connection between the Latin and Islamic worlds, and architecture around the world. Islamic heritage in Saba and central Europe will be discussed, as will the music of western Saudi Arabia and pearls from the Gulf. The scents and sensibilities of Islamic gardens will be presented along with lectures on the sense and sensibilities of the Holy Qur’an and aspects of Islamic law. Safavid textiles and Abbasid and Fatimid textiles will be explored, as will Persian painting and sculpting. The Silsilename of three artistic Ottoman families will be explained and Ottoman talismanic protections will also be discussed.
The journey starts at 7 PM on 26 September. You don’t want to miss it.
Al-Maidan Cultural Centre Amricani Cultural CentreTheatre: note days‘É```!ãdG ÊÉ```"jôeC’G õ```côe‘É``````!ãdG ¿Gó``````«ŸG õ``````côe *
Ziad RajabLecture
26
Guillem R. BordoyLecture
10
9
Jassim al-SadahLecture
27
11
4
Fazliddin HusanovPiano Recital
28
Young Kuwaiti PerformersConcert
12
Trudy KawamiLecture
14 Kenan Musi!Lecture
9
Deema al-GhunaimLecture
15 Book ClubThe Rumi Collection
10
Kuwait Camerata Concert
16 GCC MusicConcert
11
Annie MontignyLecture
5
6
Recital for Two PianosConcert
7 Amiri Sea BandKuwaiti Music Concert
4
Lisa UrkevichLecture
12
Jarno PeltonenLecture
Book ClubThe Long Way Back
13
Polish Music NightConcert
14
Vienna Boys ChoirConcert
5
Glass Painting Workshop
Kuwaiti TalentConcert
2
1
24
Juan SoutoLecture
31
22
23International Theatre Workshop 1
21
22
Glass Painting Workshop
25
Ray FarrinLecture
18
Augsburger PuppenkistsMarionette Theatre
26
Dreams and PassionFlamenco Concert
19
16
Christiane GruberLecture
17
Ali Akbar and FriendsConcert
18
23
Creative Writing Workshop
31
Theatre Seminar 1Visiting Artist
Creative Writing Workshop
24
Yemeni Music Concert
25
Souad AliLecture
19
Futha Al-AbdulrazzaqLecture
20
An Evening of Acoustic RockConcert
21
Egyptian Music NightConcert
28
Anna ContadiniLecture
2117
CeramicsWorkshop22
Trio EnsembleConcert
23
Iris GerlachLecture
28
CeramicsWorkshop
29
Folk MusicConcert
30
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International Theatre Workshop 2
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D. Fairchild RugglesLecture
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Amin “Mr. FaRi” AbdalLecture
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Ramzi YassaPiano Recital
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Layla DibaLecture19
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May FarhatLecture
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Sandra al-Saleh Lecture
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Vienna’s Musical HeritageOrgan Recital
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Tamer el LeithyLecture
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Calligraphy Workshop
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Kuwait’s Young TalentConcert
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Parviz TanavoliLecture
26
Caring for YOUR CollectionWorkshop
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Jochen SokolyLecture
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Sounds of IndiaConcert
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21
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The Music of Iraq Concert
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Valerio CappozzoLecture
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Exhibition of Workshop ArtworkThrough 7 June
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Samy Ibrahim and FriendsConcert
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