LYNNE ROBERTS-GOODWIN8 August – 12 September 2014

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

MORE THAN E VER2012–2014 The artist Lynne Roberts-Goodwin’s current series of work, MORE THAN EVER 2012–2014 series of photographic and video work, speculates on the diverse and contradictory imagining and imaging of disappearance and loss within landscape and it’s iconic representation as carrier of perhaps our deepest and most culturally specific values, actions and potent consequences. Central and key works spanning two years comprise selected works from the ‘SWARM Think the Mountain’ and ‘as the sky falls’ series to the recent ‘change of plan’ series. These works intend to reverberate and articulate a contentious hard-wired propensity for the adoration and representation of nature within cultures cited along key ancient trade routes, deeply marked by environmental and geopolitical crisis and identified at times as estranging and unsettling. The works challenge the concept of imaging the psychologically imagined and experienced space aerially, intending to engage conceptually with refiguring cultural topographies of landscape coupled and aligned with avian migration and trade routes.

Roberts-Goodwin, having undertaken the 2012 AUSCO supported ‘SWARM’ project, (from which ‘THINK THE MOUNTAIN’ and ‘as sky FALLS’ are a central part), of imaging the avian flight of black ravens in high altitude habitats of Central Iran, Mexico, U.S.A and India, completed the series of imagery, working at 3,084 feet, on the Buffavento Kalesi (Defier of Winds) ‘Five Fingers’ Mountain Peak of the Beşparmaklar Mountain Range, Northern Cyprus, a key area traversed by the Frankincense Trade Route. The legend behind the eccentric naming of ‘Five Fingers’ Mountain dates back to the Byzantine periods where the hero named Diogenes jumped onto the island of Cyprus from Asia Minor in order to escape the Arabian pursuers, and in doing so, leaving the markings of his fingers on the Beşparmak Mountains. The topographical landscape/mountain/aerial imagery within the photographic series takes the agency of weightlessness and disorientation as a key factor in rendering the imagery paradoxically anchored for the spectator, intending to create false, desirable yet destabilising positioning.

It is within contested landscapes, those constrained to invisible borders through which layers of geographic and geomorphic tableaus play out and within which narratives of migration, exile and the reverberation of aftermath are revealed.

MORE THAN EVER 2012–2014 connects key issues of visually & textually confounding place & presence within landscape, evoking anxious forgetting, fading thoughts, reclamation and the poignant stillness, strangeness and wonder of the unwritten bodies and vistas of topological presence invisibly tracing the contemporary presence of the ancient trade route sites with aligned migration.

MORE THAN EVER 2012–2014 exhibition coincides with the launch and publication of the artist Lynne Roberts-Goodwin’s monograph of photographic works of the series in conjunction with writing by Dr. Veronica Tello.

This project has been assisted by the Australian Government through the Australian Council, its arts funding and advisory body.

Lynne Roberts-GoodwinMORE THAN EVER a change of plan 4 (-85.5 metres)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinMORE THAN EVER a change of plan 6 (-85.5 metres)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinMORE THAN EVER a change of plan (salt plain 11)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinMORE THAN EVER a change of plan (salt plain 12)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinMORE THAN EVER a change of plan (burnout 1)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinMORE THAN EVER a change of plan (burnout 2)Archival photographic print– Museo Silver Rag 300gsm118 x 150 cm Edition of 3

Lynne Roberts-GoodwinAs never before FALL FRAME 0002Archival photographic print– Museo Silver Rag 300gsm90 x 66 cm Edition of 5

Lynne Roberts-GoodwinAs never before FALL FRAME 8401849Archival photographic print– Museo Silver Rag 300gsm 150 x 112.50 cm Edition of 3

Lynne Roberts-GoodwinAs never before FALL FRAME 0001Archival photographic print– Museo Silver Rag 300gsm90 x 66 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 51Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 37Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 07Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 03Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 05Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER think the Mountain 23Archival photographic print– Museo Silver Rag 300gsm 40 x 50 cm Edition of 5

Lynne Roberts-GoodwinMORE THAN EVER Buffavento 42Archival photographic print– Museo Silver Rag 300gsm 94.50 x 150 cmEdition of 3

Lynne Roberts-Goodwinas the sky FALLS through five fingers 131Archival photographic print– Hanemuhle 310 gsm160 x 228 cmEdition of 3

Lynne Roberts-GoodwinMORE THAN EVER Buffavento 45Archival photographic print– Museo Silver Rag 300gsm 94.50 x 150 cmEdition of 3

LYNNE ROBERTS - GOODWINb. SYDNEY AUSTR ALIA 19541972–1975 Bachelor of F ine Ar ts, Universit y of Sydney1979–1980 Master of F ine Ar ts, Medlock Fine Ar ts Centre, Manchester Universit y, UKly n n e r o b e r t s g o o d w in .c o m

SE L E C TE D SO L O E X H I B I TI O N S

2013 BIENNALE DI SONCINO MARCO, Soncino, ITALY.2013 SWARM: Lynne Rober ts- Goodwin, ABERSONexhibit Gal ler y, Tulsa, OK . , USA2012 Lynne Rober ts- Goodwin, Redcat Gal ler y, Los Angeles, USA , 20122012 SWARMline, Patr ic ia Condé Gal ler ie, Mexico Cit y, Mexico2011-12 SWARM: Lynne Rober ts- Goodwin, Unit24 Gal ler y, London, UK2011 Sight ings, VAC Gal ler y, Volcano, Big Is. , Hawai i , USA .2010 Lynne Rober ts- Goodwin: SURVEY 10, Her zl iya Museum of Contemporar y Ar t , Israel .2009 Lynne Rober ts- Goodwin: Marc FOX X Gal ler y, Los Angeles, Ca. USA2007 Random Acts’. Sherman Gal ler ies, Sydney, Austral ia .2005 Disappearing Act, Sherman Gal ler ies, Sydney, Austral ia .2003 azure, Ar t ists’ Abroad’, Austral ian Centre for Photography, Sydney ; Cultural Foundation, Abu Dhabi , UAE2002 landings, Bout wel l Draper Gal ler y, Sydney, Austral ia .1999 Lynne Rober ts- Goodwin: Renard Wardel l Gal ler y, Melbourne, Austral ia .1998 LUMINOUS, Light Work Gal ler y, Ar t ist Residency Show, New York , NY. USA .1997 BLINDFOLD, Contemporar y Level 2 Project Space, Ar t Gal ler y of New South Wales, Sydney, Austral ia .1997 Lynne Rober ts- Goodwin: Michael Wardel l Gal ler y, Melbourne, Austral ia . 1997 pink planks, Ar tspace, Sydney, Austral ia .1995 FALSE tales, Dogs to the Wal l , Ar tspace, Auckland, New Zealand Michael Wardel l , Melbourne, Austral ia .1995 FALSE tales, Dishy Dogs, 4 x 4, New Museum of Contemporar y Ar t , NY1994 a cer tain BLINDNESS, Centre for Contemporar y Photography, Melbourne, Austral ia .1994 Remote, Per th Inst i tute for Contemporar y Ar t , Per th, Austral ia .1994 Remote- Half- L ight , Austral ian Centre for Contemporar y Ar t , Melbourne, Austral ia .1993 PHANTASM, Austral ian Centre for Photography, Sydney, Austral ia .1993 ‘90’s Work! ’, B iota Gal ler y, Wi ltshire Boulevard, Los Angeles, U.S. A .1992 ‘ TOUCH’, F irst Draf t Gal ler y, Sydney, N.S.W. , Austral ia1991 ‘ TERR ASCAPE’, CITRI Gal ler y, Royal Melbourne Inst itute of Technology, Melbourne, Austral ia1991 ‘90’s Work! ’, B iota Gal ler y, Wi ltshire Street , Los Angeles, U.S. A .1991 ‘ TOUCH’ Linden Gal ler y, Waverley Cit y Ar ts, Melbourne, Victor ia , Austral ia1990 ‘SPACES OF DISSENSION’, ROAR 2 Studios- ‐Gal ler y, Melbourne, Victor ia , Austral ia1990 ‘MOMENT ’, Camera Lucida- Window Space, Sydney, N.S.W. , Austral ia1989 ‘NO SPACE’, Camera Lucida- Window Space, Sydney, N.S.W. , Austral ia1989 ‘ Works 1989’, Coventr y Gal ler y, Sydney, N.S.W. , Austral ia1986 ‘Recent Works’, Coventr y Gal ler y, Sydney, N.S.W. , Austral ia1986 ‘Looking Glass’, SALLE SANDOZ Gal ler y, Cité Internat ionalé des Ar tes, Par is, France1984 ‘ Works 1982 / 1984’, IMAGES Gal ler y, Sydney, N.S.W. , Austral ia1984 ‘Site Works’, SALLE SANDOZ Gal ler y, Cité Internat ionalé des Ar tes, Par is, France1982 ‘Recent O/S Works’, Coventr y Gal ler y, Sydney, N.S.W. , Austral ia1982 ‘ Works 1981 / 1982’, Sloane Street Gal ler y, London, United Kingdom1981 ‘Drawn’, Sloane Street Gal ler y, London, United Kingdom1981 ‘Nor th/South’, Whit wor th Gal ler y, Manchester Cit y Gal ler y, Manchester, United Kingdom1980 ‘From Here’, Peter loo Gal ler y, Peter loo Square, Manchester, United Kingdom1979 ‘Over There’, Coventr y Gal ler y, Sydney, N.S.W. , Austral ia

SE L E C TE D G R O U P E X H I B I TI O NS

2013-14 Joy Before Object , Photography Gal ler ies, ART GALLERY OF NEW SOUTH WALES, Sydney, Austral ia2013 MIAMI ART FAIR, Miami, FL. Curated by Kim Fonder ABERSON EXHIBIT Gal ler y. U.S. A .2013 DR AWING NOW, Ivan Dougher t y Gal ler y, Sydney, Austral ia .2013 OPEN DOORS, Fórum Eugénio de Almeida Museum, Por tugal .2013 BIENNALE DI SONCINO MARCO, SONCINO, ITALY.2013 FALL ARTISTS, Aberson Exhibit Gal ler y, Tulsa, OK , U.S. A .2013 Voiceless: Selected Ar t ists, Sherman Contemporar y Ar t Foundation, Sydney, Austral ia .2013 ART ON PAPER, Hazelhurst Regional Ar t Centre and Gal ler y, Sydney, Austral ia .2012 SWARM: Ondar te Internat ional Ar t ist ’s Residency, Akumal , Mexico2012 Wi l l iam&Winifred Bowness Award, MGA Monash Gal ler y of Ar t , Melbourne, Austral ia .2011 Voiceless: Selected Ar t ists, Sherman Contemporar y Ar t Foundation, Sydney, Austral ia .2010 Wi l l iam&Winifred Bowness Award, MGA Monash Gal ler y of Ar t , Melbourne, Austral ia .2009 Wi l l iam&Winifred Bowness Award, MGA Monash Gal ler y of Ar t , Melbourne, Austral ia .2009 FR AME: FRIEZE Ar t Fair 2009, Los Angeles, Ca. USA .2007 Insat iable Streams, Bei j ing OLYMPIC Exhibit ion, ART ZONE Gal ler y Bei j ing, China.2007 MCA Col lect ions: New Acquisit ions Museum of Contemporar y Ar t , Sydney, Austral ia . 2007 The Year in Ar t , SH Er vin Gal ler y, Nat ional Trust Centre, Sydney, Austral ia .2007 Per fect for ever y occasion, Photography today, Heide Museum of Modern Ar t , Melbourne2007 Blossfeldt and the Isolated Object , Level 2 Project , Ar t Gal ler y of New South Wales, Sydney, Austral ia . MCA

2007 Col lect ions: New Acquisit ions, Museum of Contemporar y Ar t , Sydney, Austral ia .2007 Voiceless: I feel therefore I am, Sherman Gal ler ies, Sydney, Austral ia .2005 Glad Wrap- Up, Sherman Gal ler ies, Sydney, Austral ia .2004 One Of: Fest ivus 04, Sherman Gal ler ies, Sydney, Austral ia .2002 Time Travel Sanctuar y 2, Victor ian Col lege of the Ar ts Gal ler y, Melbourne, Austral ia .2002 A Si lver Lining & A New Beginning, Ivan Dougher t y Gal ler y, UNSW, Sydney, Austral ia .2002 The Year in Ar t , SH Er vin Gal ler y, Nat ional Trust Centre, Sydney, Austral ia .2002 Open Source, Fosdick Nelson Gal ler y, New York , USA2000 METROPOLIS, Museum of Sydney, Sydney, Austral ia . 1998 L ist Structure, Sherman Gal ler ies Goodhope, Sydney, Austral ia .1997 MULTIPLICATION: The mult iple object in ar t , Monash Universit y Gal ler y, Melbourne1996 ART FAIR ’96, ACAF 5, Michael Wardel l Gal ler y, Royal Exhibit ion Bui ldings, Melbourne, Austral ia .1996 Four th Annual Digital Salon, The Museum Gal ler y, New York , New York 1996 ACAF 5: Michael Wardel l Gal ler y, Exhibit ion Bui ldings, Melbourne1996 Austral ia New Space – Gal ler y Ar t ists, Michael Wardel l Gal ler y, Melbourne, 1996 Austral ia INHERITANCE’, Austral ian Centre for Photography, Sydney, Austral ia1995 From Strength to Hope, ARTSPACE, The Gunner y, Sydney, Casula Powerhouse, 1995 Austral ia i t ’s about t ime, Ivan Dougher t y Gal ler y, Sydney, N.S.W. , Austral ia1995 Ar t Felt , The Universit y of Newcastle Gal ler y, Cal laghan, Newcastle, N.S.W. , Austral ia1995 Inter im, Ivan Dougher t y Gal ler y, Sydney, N.S.W. , Austral ia1994 Nex t Wave Fest ival , George Fair fax Hal l , Melbourne Ar ts Centre, Melbourne, Austral ia1994 Bitmap 101, Gal ler y 101, Col l ins St , Melbourne, Victor ia , Austral ia1993 21,600 each 24 Hrs. , Canberra Travelodge, Canberra, A .C.T. , Austral ia1993 VIRTU, Ivan Dougher t y Gal ler y, Sydney, N.S.W. , Austral ia1992 In Pr int , Ar t Images Gal ler y, Adelaide, South Austral ia , Austral ia1992 Manu et Mente, Ivan Dougher t y Gal ler y, Sydney, N.S.W. , Austral ia1992 CITRI SHOW, CITRI Gal ler y, Royal Melbourne Inst itute of Technology, Melbourne, Austral ia1991 ARS Electronica, Digital / Photographic Symposium/Exhibit ion, L inz, Austr ia1990 Scanning the Code, Ivan Dougher t y Gal ler y, Sydney, N.S.W. , Austral ia1990 Untit led 1990, Per formance Space Gal ler y, Sydney, N.S.W. , Austral ia1990 CODED, curated & exhibited, World Trade Centre, Melbourne, Victor ia , Austral ia1990 SISE A , Electronic Ar t , Groningen Ar ts Centre, Groningen, The Netherlands1989 PROJECT GAHIA , ARS Electronica, Digital /Photographic Symposium/Exhibit ion, L inz, Austr ia1988 SPIRIT OF THE TIMES, Riverside Studio Gal ler y, EXPO ‘90, Br isbane, Queensland, Austral ia1985 Sulman Exhibit ion, Ar t Gal ler y of New South Wales, Sydney, N.S.W. , Austral ia1984 Xmas Coventr y Ar t ists, Coventr y Gal ler y, Sydney, N.S.W. , Austral ia

SE L E C T E D G R A N TS/ A W A R D S

2012 Ar t on Paper Award, Hazelhurst Regional Gal ler y and Ar ts Centre, Sydney, Austral ia .2012 New Work Grant , Visual Ar ts Fund, Austral ia Counci l for the Ar ts, Austral ia .2010 Josephine Ulr ick & Win Schuber t Photography Award, Gold Coast Cit y Gal ler y Qld.2012-2013 Austral ia India Inst i tute Ar t ist Grant) Ar t ist Retreat Jaipur + Delhi Ar t Fair_Selected Austral ian Ar t ist )2012 New Work Grant , Visual Ar ts Fund, Austral ia Counci l for the Ar ts, Austral ia .2011 New Work Grant , Visual Ar ts Fund, Austral ia Counci l for the Ar ts. Austral ia .2009 BOWNESS Award Highly Commended, Monash Gal ler y, Melbourne, Austral ia .1996–97, 2002–03, 2005–06 -08, New Work Grant , Visual Ar ts Fund, Austral ia Counci l for the Ar ts1989 New Image Research Grant , Austral ian Fi lm Commission, Sydney1983 Ar t ists Overseas Travel Grant , Visual Ar ts/Craf ts Board, Austral ia Counci l1980 Dyason Bequest Ar t ist Travel Grant , Ar t Gal ler y of New South Wales, Sydney1979 Basi l and Muriel Hooper Travel l ing Ar t Scholarship, Ar t Gal ler y of New South Wales, Sydney SE L E C TE D R E S I D E N C I E S + C O L L A B O R A TI O NS

2013-14 SWATCH PE ACE Residency, Shanghai ,China.2013 AUSTR ALIA INDIA INSTITUTE ARTISTS RETRE AT- Jaipur Literar y Ar ts + Delhi Ar t Fair (selected ar t ist )2012 ONDARTE Internat ional Ar t ist ’s Residency, Akumal , Mexico.2009 Fondation Arabé pour l ’ Image Ar t ist Residency, Beirut , Lebanon.2005 AQIS Quarant ine Ar t ist- in-Residence, Sydney Internat ional Airpor t , Sydney, Austral ia .2002 ERWDA (Environmental Research Wi ldl i fe Development Agency) and Environment Agency Abu Dhabi (E AD).2002 Falcon Hospital Residency, Abu Dhabi , U. A .E.2001 Rockefel ler Foundation Ar t ist Residency, Alfred, New York , NY.2001 UNESCO Sanskrit i Ar t ist Residency, Delhi , India.2000 W WFund Traff ic Remote Monitor ing Residency, Himachal Pradesh, Manal i , HP, India.1996 BNHS (Bombay Natural Histor y Societ y) Residency, Mumbai , India.1994 Page Museum, La Brea Tar Pits Residency, Los Angeles, USA .1983 Ar t Gal ler y of N.S.W Moya Dyring Paris Studio Residency, Cité Internat ionale des Ar ts, Par is, France.

SE L E C TE D CO L L E CT I O N S N AT I O N AL + I N T E R N AT I O NAL

Museum of Contemporar y Ar t , Sydney, Austral ia ; Sherman Contemporar y Ar t Foundation; Goldman Sachs Col lect ion; Ar t Gal ler y of New South Whales, Sydney ; Ar tbank; Peter St y vesant Trust ; TAFE Col lect ion, Bathhurst NSW; RMIT Col lect ion, Melbourne; WESTPAC Col lect ion; Transf ield / Kumagai Ausral ian Col lect io ; Nat ional Gal ler y of Victor ia , Melbourne; Austral ian Embassy, Abu Dhabi , UAE; Depar tment of Trade of Foreign Affairs- India Commission, Delhi , India; HH Sheikh Zayhad Bin Sultan Al Nayhan; Sheik Mohammad Bin Sultan Al Nayhan, Crown Prince, Pr ivate Col lect ion, UAE; Cité Internat ionale des Ar ts, Par is, France; Universit y of I l l inois, Chicago, USA; Grosvenor Gal ler y, Manchester, UK;Medlock Fine Ar ts Centre, Manchester UK; Peter loo Gal ler y, MAnchester, UK; Sloane Street Gal ler y, London, UK; Whit wor th Gal ler y, Manchester, UK; ERWA (Environmental Research and Wildl i fe Development Agency) Col lect ion, Abu Dhabi , UAE;NID Col lect ion, Ahmenabad, Gujarat , India. Pr ivate Col lect ions in Austral ia , Canada, United States, United Kingdom, France, India, Pakistan, I ran, UAE and Saudi Arabia.

SE L E C TE D B I BL I O G R A P H Y + P U BL I C A T I O N S

Charles Green, ‘Bad Birds’, Cabinet , Issue 18, 2005, p.44 -48 Reuben Keenhan, ‘Lynne Rober ts- Goodwin: Disappearing Act ’, Photof i le 74, Winter 2005, p.73 Joanna Mendelssohn, ‘Disappearing Act ’, Ar t l ink , vo l . 25 #2, 2005, p.99 Anjana Sankar,’ARTSCAPE’, Khaleej Times, 27 September 2004, p. 1-2Kavitha S Daniel ,‘Around Emirates’, The Gulf News, 26 September 2004, p.2Aju Jacob, The Gulf Today, Abu Dhabi Bureau, 24 September, 2004, vol 9 , no.164, p.3Peter Hi l l , Spectrum, Sydney Morning Herlad, 18 Apri l 2003, p.29 Rober t McFarlane, Metro, Sydney Morning Herald, 17 Apri l , 2003 Sharon Verghis, ‘Catching the Fastest Predator on Fi lm’, Sydney Morning Herlad, 11 Mar, 2003 Mel inda Hickson, ‘Aboriginal Sydney ’, Austral ian Inst i tue of Aboriginal l and Torres Strait Is lander Studeis, Aboriginal Studies Press, Canberra,2001, p.2-3Sue Best ,’Publ ic Ar t in Olympic Cit y ’, Architecture Austral ia , September 2000Helen Lochhead, ‘Sydney Afresh’, Architecture Austral ia , September/October 1999Bruce James, ‘Remembrance of Things Past ’, Spectrum, Sydney Morning Herland, 21 August 1999, p.12 Adrian Herber t , ‘Sculpture Walk ’, Architecture Review Austral ia , no. 65, spr ing 1998, p.18-20 Geraldine O’Br ien, ‘Ar t ists Green Light ‘, Ar ts Review, Sydney Morning Herald, 25 June, 1998, p.15Zara Stanhope, Mult ipl icat ino: The Mult iple Object in Ar t , exhibit ion catalogue, Monash Universit y Gal ler y, Melbourne 1997Charles Green, ‘False Tales’, Ar t & Austral ia , vol 33, no.2, summer 1996, p.285-6David Haines, ‘B l indfold-False-Tales’, Photof i le, no. 47, March 1996, p.47-8T.J. McNamara, Perspective on Ar t , New Zealand Herald, 4 October, 1995, p.11 Louise Adler, Ar ts and Enter tainment Review, Age, Melbourne, 7 July 1995, p.15 Rober t Nelson, Ar ts and Enter tainment Review, Age, Melbourne, 28 June 1995, p.23Victor ia R yan, False Tales, exhibit ion catalogue, Michael Wardel l Gal ler y, Melbourne; Ar tspace Gal ler y, Auckland, NZ. 199Charles Green, Remote-Half-Light , Exhibit ion catalogue, Austral ian Centre for Contemporar y Ar t (ACCA), Melbourne Per th Inst i tute of Contemporar y Ar t (PICA), Per th, 1995

SELECTED WORKS COMMISSIONED AND REPRESENTED IN U.S. A BY

aberson exhibits Gal ler yDirector : Kim Fonder3524-b S. Peoria TULSA , OK U.S. A . 74105

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