Last Call for Bottles 2

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    Last Call for BottlesShapes and Lines

    Computer GraphicsSpring 2012

    Illustrationsby ComputerGraphicsStudents

    Article by VitoMartinez on hispicture o Eccolo

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    Alex Lukasik

    able o Contents

    2

    4

    38

    36

    12

    6

    100 Line Vessels

    Shading Vessels

    Value Drawings

    Shape Drawings

    Midterm: Museum rip

    About Me

    Vito Martinez

    22 100 Line Drawings

    26 Shading Drawings

    32 Eccolo

    Mike Ward

    34 1970 Ford Mustang Mach

    Page 1

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    age 2

    For our rst assignment we had to make 5(100)

    Stroke Drawings.

    Craft: I used a bamboo touch pad and pen that I

    borrowed from a friend, also I downloaded adobeillustrator at home for ease of access, I used my

    computer, and objects that can hold a liquid. I made

    the drawings strictly out of horizontal and vertical lines

    and i counted my strokes to make sure that they were

    exactly 100 strokes.

    Composition: I used Horizontal and vertical lines

    because I wanted the viewer to see a 3 dimensional

    object in a 2 dimensional eld without drawing the out

    lines of the picture. I wanted to have them get a feel

    for the outside of the objects almost like they were the

    boundaries.

    Te Beginning:Vessels

    100 Line Drawings

    age 2

    The drink I had when i was working on this

    project.

    The bucket that was in my room while I w

    starting my homework.

    One of the drinks that I had to scaveng

    house to nd more vessels to draw.

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    age 4

    More Vessels:Shading

    Febrezeage 4

    Craft: The Tools that I used to create this drawing were

    a Bamboo Touch Pad, Bamboo Pen, Adobe Illustrator,

    my computer at home, miscellaneous objects I fund at

    my house, and a light. I made it by drawing all hori-

    zontal lines and using different shades of grey to show

    shadows. The more that I drew pictures the better I got

    at drawing them, and then after the rst one I changed

    my lighting so I had only one light on in my room and it

    was easier to see the light on the objects then.

    Composition: I arranged them these way becau

    rst thing that I wanted you to see was the form

    image without drawing the outlines. Also I want

    person looking at the picture to see the different

    ows rst so they can tell where the light was hitt

    object when I was drawing it.

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    age 6

    Color

    This was a bottle that we had in class.

    When I was working on this drawing I

    was primarily working on the lip of the

    bottle. If something didnt seem right, I

    would continually go over it again.

    Craft: The tools that I used to create thedrawings were a touch pad and pen, objects

    found at home and Adobe Illustrator. In Adobe

    Illustrator i used the paint brush, swatch tool,

    adjusted the stroke (the thickness of the

    line), and I used the color picker. In the rst

    3 pictures I used different values of the same

    color. In the last 3 pictures I used either 1

    number of 1 letter for the whole picture.

    Composition: I used the different shades

    of the same color so i can make it look

    like its a 3 dimensional object not just at

    by using shadows. I used 1 letter or 1

    number so I can make it feel as if there is

    texture. Also I used the shadows on the

    texture drawings as well. The shadows

    represent where the light hits the object.

    Striped Bottle

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    age 8

    exture

    Number 3 Vessel

    age 8

    Number 5 Vessel

    Out of the whole semester this is probably the

    hardest thing that I had to do for the class.

    We had to use one continuous stroke for the

    whole picture. We used two different colors

    for contrast. On the left page I used a back-

    ground made of 3s in different shades of

    green. At rst I started with a thick stroke and

    dark shade of green and as the more layers I

    added on the thinner the brush stroke became

    and the lighter the green became. This was

    the same concept as the picture on the right

    except i used 5s. I also used to same color

    (green) as well. On the left picture I continued

    with the 3s onto the bottle, except I used dif-

    ferent shades of orange to represent the light

    reecting off the bottle. The same went for the

    picture on the left, but instead of orange and

    instead of 3s I used yellow 5s.

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    age 10age 10

    Letter A Vessel

    I nally decided to switch it up. I

    used different colors and even used

    a letter instead of a number. I chose

    A because that is the rst letter of

    my name. However, even though it is

    different colors and I used a letter, the

    process is the same. This picture is

    actually an object that I used plenty of

    times throughout the magazine. It is

    a bucket that i have in my room that

    is normally used to store pens. For

    this project I decided to take them

    out. For the bucket, I used differ-

    ent shades of blue. On the left side

    it has a lighter shade of blue. The

    reason why it is lighter on the lefts is

    because the source of light was on

    the left side of the object. It is also

    lighter on the right side because

    the bucket was in the corner of my

    room along with the light. the light

    therefore reected off of the wall

    and left the middle-right side of the

    bucket the darkest spot. It also

    had a lip on the top of the bucket.

    Right underneath the lip, there

    was a really dark shadow. This

    was due to the fact that the light

    could not get past the lip. I tried to

    show that with the dark small lay-

    ers of As near the top.

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    age 12

    My Picture

    Yep, thats Me!

    Craft: The program that I used to create this

    was Adobe Illustrator. Using adobe illustra-

    tor I placed a picture on the background and

    locked it down. I created a new layer and

    started drawing on that layer. What I used

    to draw or in other words trace, was the

    pen tool. I rst started like I was building

    myself from the back to the front. I started

    with the back because then I could get the

    basic shape down. I would create points

    with the pen tool to trace the person out with

    no color, then I used the eye dropper to try to

    match the color the best it could. The more

    shapes that I drew the more detail that there

    was. After I got the shape that I like down,

    I then locked it in place and then made it

    invisible. Since I have a programming back-

    ground and like to keep things neat and easy

    to read, I created many layers. For example,

    I would create layers for just the shirt and

    inside of the shirt I would have a layer just

    for the sleeves. Having multiple layers also

    made it easier to turn the shapes visibili

    and off.

    Composition: I used these colors becau

    tried to make it as close to the picturea a

    could. I used the pen tool because I wa

    to make a tracing of a picture. The pen

    is a great tool to use because you can z

    in and out on the picture and get close t

    the edge of the picture. I used many lay

    because it allowed me to keep it organiz

    especially with the amount of shapes I p

    into it. The more shapes that are put in

    it a lot more detail to try to make it as ac

    rate as possible. Also with the more de

    and the more layers, it makes the pictur

    pear to be 3D, because that is how we s

    we see light reect off of objects at diffe

    degrees and different objects which give

    different light and the shadows give it m

    depth.

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    age 14

    race o Me

    racing in Adobe Illustrator

    Craft: This is the same idea as last

    week. I used Adobe Illustrator to lock

    the picture in place and use the pen tool

    to create shapes on top of the picture.

    I also used the layers but i also used a

    lot more shapes in this picture. If you

    are trying to trace a picture use a pic-

    ture with A LOT of DATA. If you use a

    picture that does not have very much

    detail in it, you cannot zoom in very far

    before the picture gets pixelated. When

    I redid this picture I got the actual image

    instead of the image off of Facebook. It

    let me zoom in when I was t racing it to

    get more detail and more color which

    makes the image look more realistic.

    Composition: I arranged the elements

    this way because i wanted to make the

    picture appear as realistic as possible

    The rst thing I want the viewer to see

    the face to see how there is detail in th

    teeth and the eyes and even the face.

    Then I want them to move on to the sh

    and to notice that the shirt is not just o

    color of blue. It is made up of multiple

    shades of blue. There are shadows fro

    the rinkles in the shirt and there is also

    a pocket which has an outline of a dif-

    ferent shade of blue. and to also notic

    that there is a white shirt underneath t

    blue shirt. Also I want them to notice t

    there are shadows. There are shadow

    because that is how we see depth.

    The Detail in the collar

    makes it appear real

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    age 16

    Variations:racing o Me

    Craft: Using Adobe Illustrator I took the

    picture that I already had created from

    Week 5 and Week 6. I created a matrix

    from the picture, going left to right the

    picture is normal, monochromatic and

    then extreme chromatic. From top tobottom the picture is normal, subtle brush

    change, and extreme brush change. Us-

    ing the three different combinations of

    brush strokes and color changes I made

    a matrix of pictures. To change the colors

    the rst thing I did was made sure all of the

    layers I wanted to change were VISIBLE

    AND UNLOCKED, then I selected all the

    lines and shapes. If they are not visible or

    unlocked they will not be selected and willnot be able to change the element. I used

    the color guide and edit colors. Under

    edit colors there was an option for mono-

    chromatic. For the extreme chromatic the

    or blue, it created an almost cold or dark

    feeling which was not what I was trying

    to get across. When I chose the color

    group I chose an antique style which

    ended up turning like a cowboy or a

    western style. The brushes did not turn

    out so well, since there were so many

    small shapes it kinda of blurred the im-

    age. Since the brushes literally crashed

    the program, I was not able to do very

    much with the brush stroke.

    rst thing I did

    was change the

    color group in the

    color guide win-

    dow. Then I went

    in and edited the

    colors. To change

    the brush stroke,

    I opened up the

    brushes win-

    dow. I just picked

    what I considered

    a subtle brush

    change and alsoan extreme brush

    change. This was

    extremely difcult

    for the computer. Since there were so

    many shapes and lines in the picture, it

    was a big le and needed a lot of pro-

    cessing power. However, Im pretty sure

    we pushed the program to its limits.

    Composition: The assignment was to cre-

    ate a matrix of changes in chromatic and

    changes in brush stroke, so this is mostly

    why I set it up this way. However for the

    middle pictures I chose red because it

    seemed to t the picture. When I tested it

    out with many other colors such as green

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    age 18

    Dierent Variatons o Subtle and Extreme BrushChanges with the original colors.

    Dierent Variatons o Extreme Brush Changewith monochromatic and extremechromatic.

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    age 20

    LumberjackWestern Look

    Matrix o Me

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    age 22

    Te Start o Bro. Vito Martinez OFM Cap.s work

    Surprisingly this pictures has come up in

    conversation with vito. He claims that it is

    his Dr. Pepper that he drinks while he is

    doing his homework. The actual drawing is

    made by 100 lines. It was the begginning of

    the semester and we had to get used to us-

    ing the pen and the tablet. After a while weall slowly got the hang of it. In this picture

    he used curved horizontal lines for the most

    part. This technique makes it clear that this

    can is 3-D and that he is trying to portray it

    as being round, not at.

    age 22

    Coee Cup

    Vertical Lines

    This picture is similar to the Dr. Pepper can,

    meaning that Vito used 100 lines with a 1 pt

    stroke. However, This picture is made with

    purely vertical lines. Which makes it when

    you look at the coffee cup it makes it have a

    different feel to it.

    The coffee cup sketch allowed me to w

    on my vertical stroke...something I alre

    recognize as a weakness. I actually dre

    this image 3 times...this is the drawing

    chose to keep.

    -Vito Martinez

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    age 24

    3-Candle Holder

    The rst lesson of the class focused

    on getting to be comfortable using a

    graphic tablet for drawing. The assignment

    was simple: make 5 sketches using exactly

    100 strokes in each drawing. The drawings

    should use long, lling strokes instead of

    outlining the object.

    All images were done using Adobe Illustrator

    on my MacBook Pro. To become more fa-

    miliar with this skill, I bought an inexpensive

    WACOM graphic tablet to outside of class.

    The top drawing is of a 3-stemmed candle

    holder. I used this image as the thumbnail

    because I felt the most comfortable drawing

    this object. Using a graphic tablet takes prac-

    tice, and this image felt uid. The drawing uses

    both vertical and horizontal lines to represent

    the rectangular edges on the base. A 2pt brush

    was used.

    -Vito Martinez

    Vito Martinez 100 Stroke Drawings (Continued)

    Single Candle Holder

    Hexagonal Vase

    The hexagonal vase proved to be a tou

    image to draw for two reasons. First, it

    used vertical strokes exclusively. Seco

    the shape of the object presented som

    issues Id not foreseen...issues in the

    fact that I am not a artist and I could no

    sufciently render the dimensions of th

    object. In its defense, the vertical strok

    felt more uid in this drawing.

    -Vito Martinez

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    age 26

    Vitos Value Drawings

    Coee Mug

    This is where we get introduced to value

    drawings, and here is vitos attempt at

    using different shades of the same color. He

    used a range from gray to white. The purpose

    of doing this is because human beings see

    with objects by perceiving light. The different

    reection of light gives us different colors and

    also depth. The different shades of the color

    forces your eyes to go in different places.

    I used a ceramic mug with the light almost di-

    rectly above the object and slightly to the right.

    It sat on a slightly reective surface which

    produced different shadowing effects. Theobject was rendered with a 2pt brush, then a 5

    pt brush was used to cover the extra negative

    space. A small 1pt brush was used to render

    the thin shadow lines. The ceramic salt shak-

    ers octagonal shape created a unique series

    of shadows that proved challenging to render.

    A 2pt brush was used to render the object. The

    light source was a lamp without the shade 45

    degrees above and right of the object. F

    the bottom right, the expresso cup. This

    ject was unique for two reasons: I used a

    brush to render the drawing, and I positio

    the cup in such a way that I looked down

    the vessel. I regular lamp was used for th

    light. A 1pt brush left a lot of negative sp

    as I drew, so I used fast, vigorous stroke

    draw the lines.

    -Vito Martinez

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    age 28

    Vitos Value Drawings

    For week three of our Computer Graphics

    class, we were given two different tasks.

    The rst was to make three drawings using

    values of color to render an image. The sec-

    ond task was to move away from line s trokes

    and use a letter or number to create an image.

    All images were made using Adobe Illustrator

    and a Bamboo graphic tablet. All images were

    completed on my Mac Book Pro.

    This piece was a rendering of a bottle of

    laundry detergent. The image was constructed

    with thick, horizontal lines to quickly dene

    the boundaries of the object. Five different

    hues were used to represent the visual effect

    of lighting on the object. This piece uses a

    variety of different lines. The main body of the

    work was drawn with a thick brush, giving the

    appearance of a smooth plastic surface. Small

    lines, both vertical and horizontal, were used to

    represent the highlights on the bottle. Smooth,

    thin lines represent the screw-off lid. Combined

    with different hues, this give the appearance of

    a clear, plastic surface.

    -Vito Martinez

    Laundry Detergent This is a wine bottle. A small brush was exclu-sively used, using both horizontal and vertical

    lines. The size of the brush shows the lines as

    well as the negative space, giving the appear-

    ance of a wire or wicker construction. A black

    box lies behind half of the image. The box

    draws the eyes of the view through its con-

    trast to the white, as well as emphasizing the

    blue of the bottle.

    -Vito Martinez

    I met Vito in a Computer Science class la

    semester. I have really gotten to know V

    the type of work that he does. As you ca

    in these pictures Vito puts more than eno

    effort in everything that he does, whether

    website or drawing pictures on the maga

    even the magazine that he made.

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    age 30

    Vitos exture Drawings

    Water Bottle made o 3s

    age 30

    D-Cup or -Cup? A green background was used to rep-resent this half-image of a tea cup on

    a saucer. This piece uses a variety of

    stroke widths in order to form the rende

    ing. Thick D strokes were used on the

    surface of the cup to give the appear-

    ance of a clear and reective surface.Very small Ds are used to represent

    the highlights and different values of re

    on this image.

    -Vito Martinez

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    age 32

    Look Closely

    I use the words look closely because that is

    literally what you have to do. You honestly cant

    tell if this is a picture or if it is a drawing. Vito

    spent a tremendous amount of time on this

    project. He called this image Eccolo which

    translates to Behold Him.

    Behold Him

    The following illustration is a trace of a photo,

    taken of the processional crucix from our

    chapel here at the friary. The original woodsculpture was designed by Fr. Mark-Joseph

    Costello, OFM Cap.; Mark-Joseph is a student

    of the Chicago Art Institute and is a consultant

    for worship spaces all over the world...including

    McDonnell Chapel at Saint Xavier University.

    The crucix, along with the specic lighting to

    project shadow onto the wall, were all designed

    by Mark Joseph. Because of the various ways

    that his crucix embodied the areas of focus for

    this project, I chose this image as the piece to

    work on.

    The image is a photo trace done with A

    Illustrator CS5. The original image, take

    at an angle below and to the right of the

    object, was taken with the daylight shin

    through the windows and with the spot-

    light designed for this particular piece. T

    image was then imported into Illustrator

    where it served as a base for outlining.

    is similar to a process, used when I was

    kid, of placing an image against the win

    pane and placing a blank piece of pape

    top...albeit much less technical.

    -Vito Martinez

    It is my hope that this image, created only as a re-

    alistic rendering o a reality, is a tool or device bywhich people are able to enter into an internal dis-cussion o their Christological aith.-Quote From the Artist, Vito Martinez

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    age 34

    Mike Wards1970 Ford Mustang Mach 1

    age 34

    As you can see, Mike Ward love

    cars. He created this picture simto the way I created the picture o

    myself. He used Adobe Illustrat

    rst place a picture on to the can

    After the pictures is in place it ca

    locked down without moving. Af

    that, it comes down to how much

    you want to put into the picture.

    pends on the work because the

    son creating the picture creates

    shape of the different images an

    pictures that they see. It is crea

    zooming in and out multiple time

    chose to put this picture in my m

    zine because I have seen the or

    picture and how realistic it actua

    looks. He uses a tremendous a

    of detail to emphasize the curve

    the car. The different shades of

    color orange shows that it is actu

    three-dimensional object. Even

    to the rims, they actually look likeare made out of crome, even tho

    I know that it is made by him zooming in

    out while tracing many shapes and settin

    them as different colors. What I nd fas

    ing about this picture is that this is really

    the true background. This car is actually

    a show oor. He basically free handed t

    background to make it look as if it really

    on a race track.

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    age 36

    A Sunday on La GrandeJatte

    When I went to the art

    museum there was one

    painting that stood out

    to me and that I con-

    sider the masterpiece,

    A Sunday on La Grande

    Jatte. This picture stood

    out to me because of the

    concept. When you are

    far away from the picture

    you see the objects in it

    clearly, however when

    you get closer the objects

    become less clear. That

    is because the picture

    is made up of small

    horizontal brush strokes

    and dots which is now

    referred to as pointillism.

    In a way this picture reminds

    me a lot of Adobe Illustrator

    and the things that we did this

    semester. The rst thing that

    we did this semester was draw

    objects with horizontal lines, and then we

    did the tracing picture, obviously he didnt

    trace this picture, but in reference to how

    we view the painting reminds me of the

    tracing painting we did. When you are

    far away everything is clear and when we

    had to add small shapes and objects we

    zoomed in, where it became less clear,

    which is exactly why it reminds me of

    adobe illustrator. Looking at the picture it

    makes you really think about it, in a way it

    has an enormous amount of detail but in

    the exact same way it has no detail at all.

    It has detail because it has all the people,

    Proo Tat I went to the Museum

    the shape of the people are seen perfect

    has trees in the picture and even shadow

    However, one thing is something that I n

    right away, the eyes do not have detail o

    not even there. Which I feel is if I were

    when this painting was being painted, wo

    be almost the way I would see the peopl

    well. Looking anywhere, the rst thing y

    would see in a person would be their bod

    the shape of their body and the colors of

    only their cloths but their skin as well. W

    maybe this was exactly how he visualize

    which is brilliant in its own way.

    My eacher, Nathan Peck, afer a rough night he stillwalked circles around us.

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    age 38

    About Me

    Name: Alex Lukasik

    Junior at Saint Xavier

    Major: Computer Science

    Minor: MathHigh School: Brother Rice

    Expected Graduation: May 2013

    I Enjoy Spending time with my friends, family and

    girlfriend. Sometimes we all get a little foolish, but

    I wouldnt trade them in for anything.

    age 38

    For my girlriend

    Photo taken by BooPeas Photography byAmanda Lynn(My Sister)

    This is my girlfriend, the person who I talk to

    and spend most of my time with. So I only

    decided that it would be fair to put her in the

    magazine. Somehow she still decides to stick

    by my side.

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    age 40

    CreditsImages By:

    Me: Alex Lukasik

    Vito Martinez

    Mike Ward

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