L E N S C R A T C H Success Stories Elliott Wilcox Wilcox_lenscratch_review.pdf · Elliott had solo...
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L E N S C R A T C H Tuesday, July 19, 2011 Success Stories: Elliott Wilcox Almost a year ago to the day, I wrote a post about Elliott Wilcox's wonderful images of squash courts in England. A few weeks ago, I wandered into the DNJ Gallery in Santa Monica and felt like I was visiting with old friends. It was great to see the large scale images in person, and the prints felt much more painterly and significant than the small jpgs where I first saw his work. Annie Seaton, the DNJ Associate Gallery Director, shared with me the many successes that Elliott has garnered over the last year. Elliott is a London based, British photographer. He graduated from the University of Wales, Newport with a BA in Photographic Art in 2008 and the University of Westminster, MA Photographic Studies last year. He has been the recipient of several awards including a Judges Award at the Nikon Discovery Awards and a New York Photo Award. Elliott recently won a prestigious Lucie Award for the Discovery of the Year at the International Photography Awards. Elliott has exhibited internationally and in the UK, his first major series 'Courts' was part of the show ‘PRUNE – Abstracting Reality’ at FOAM Gallery Amsterdam with guest curator Kathy Ryan, editor of the New York Times Magazine. He was also part of the BBC’s documentary series – School of Saatchi. His art work beat thousands of emerging art talents to the top ten artists involved in the show. Elliott had solo exhibitions of 'Courts' at the Bau-Xi Photo Gallery Toronto, Canada in January 2011 and the dnj Gallery Los Angeles, USA in April 2011. COURTS: This work examines representations of the enclosed spaces of sports courts. In photographing the empty courts, absent of the fast paced action we are so familiar with, these environments reveal themselves in a new light.The camera shows details that the viewer can see closely, revealing many subtleties that usually go unnoticed. The vivid stains, ball marks, blood and scratches force the viewer to focus on these details rather than just the court. The courts have one single use, a ball game, with all their complicated rules and regulations. These normally sub conscious spaces become alive. Much like a gallery space is missed to the artwork, the space of these courts is missed to the sport. These large format images are slow and deliberate. The non-judgemental image creates an experience to explore, a path to revealing the unnoticed and exposing the unexposed, consequently romanticising the courts. *NEW*Lenscratch Exhibition Opportunities Lenscratch is a blogzine that explores contemporary photography and offers opportunities for exposure and community. Considered one of the 10 Photography-Related blogs you should be reading by Source Review, Wired.com, and InStyle Magazine. Founded and Edited by Aline Smithson For Portfolio Reviews, Private Tutoring, and/or Workshop information, contact me at [email protected] Seven at Finch & Ada Share Report Abuse Next Blog»
Transcript of L E N S C R A T C H Success Stories Elliott Wilcox Wilcox_lenscratch_review.pdf · Elliott had solo...
L E N S C R A T C HTuesday, July 19, 2011
Success Stories: Elliott WilcoxAlmost a year ago to the day, I wrote a post about Elliott Wilcox's wonderful images of squash courtsin England. A few weeks ago, I wandered into the DNJ Gallery in Santa Monica and felt like I wasvisiting with old friends. It was great to see the large scale images in person, and the prints felt muchmore painterly and significant than the small jpgs where I first saw his work. Annie Seaton, the DNJAssociate Gallery Director, shared with me the many successes that Elliott has garnered over thelast year.
Elliott is a London based, British photographer. He graduated from the University of Wales, Newportwith a BA in Photographic Art in 2008 and the University of Westminster, MA Photographic Studieslast year. He has been the recipient of several awards including a Judges Award at the NikonDiscovery Awards and a New York Photo Award. Elliott recently won a prestigious Lucie Award forthe Discovery of the Year at the International Photography Awards.
Elliott has exhibited internationally and in the UK, his first major series 'Courts' was part of the show‘PRUNE – Abstracting Reality’ at FOAM Gallery Amsterdam with guest curator Kathy Ryan, editor ofthe New York Times Magazine. He was also part of the BBC’s documentary series – School ofSaatchi. His art work beat thousands of emerging art talents to the top ten artists involved in theshow.
Elliott had solo exhibitions of 'Courts' at the Bau-Xi Photo Gallery Toronto, Canada in January 2011and the dnj Gallery Los Angeles, USA in April 2011.
COURTS: This work examines representations of the enclosed spaces of sports courts. Inphotographing the empty courts, absent of the fast paced action we are so familiar with, theseenvironments reveal themselves in a new light.The camera shows details that the viewer can seeclosely, revealing many subtleties that usually go unnoticed. The vivid stains, ball marks, blood andscratches force the viewer to focus on these details rather than just the court.
The courts have one single use, a ball game, with all their complicated rules and regulations. Thesenormally sub conscious spaces become alive. Much like a gallery space is missed to the artwork, thespace of these courts is missed to the sport. These large format images are slow and deliberate.The non-judgemental image creates an experience to explore, a path to revealing the unnoticed andexposing the unexposed, consequently romanticising the courts.
*NEW*Lenscratch ExhibitionOpportunities
Lenscratch is a blogzine thatexplores contemporaryphotography and offersopportunities for exposure andcommunity.
Considered one of the 10Photography-Related blogsyou should be reading bySource Review, Wired.com,and InStyle Magazine.
Founded and Edited byAline Smithson
For Portfolio Reviews, PrivateTutoring, and/or Workshopinformation, contact me [email protected]
Seven at Finch & Ada
Share Report Abuse Next Blog»
Congratulations on all your successes! The past two years have been quite spectacular—shows on both continents, awards, and Saatchi’s art-reality TV show. But let’s start at thebeginning. Where did you grow up and what drew you to photography?
Thank you for your very kind comments.
I grew up on the South coast of England in a small market town called Ringwood. My Father is aprofessional sports photographer so I guess you could say I grew up surrounded by photography.
We used to have a small darkroom on the side of our house which I would sometimes be allowed toplay around in and make shadow prints when I was small. Even from a young age I was intrigued by my Fathers profession and, despite being miles apart inapproach, both our photography revolves around sport. So perhaps I absorbed a love for the subjectsubconsciously.
Am I correct in thinking that you created Courts as a student? How did you come to create theproject?
That’s right. I started Courts as a photography student at the University of Wales, Newport butcontinued to develop the project as I matured as an artist and image-maker.
The concept behind Courts was to create a project initially looking at space but specifically spacesthat people chose to encounter, visit and inhabit.
Can you tell us about these courts in particular?
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When you remove the one singular purpose 'the game' from these courts you are left with somethingvery odd but intriguing. Much like a gallery space is missed to the artwork, the space of these courtsis missed to the sport. These normally subconscious spaces become alive.
Your imagery straddles the line between photography and painting, where you influenced byany particular painters?
I love the notion that my work straddles any line between photography and painting. I always findworking with light and the results you can achieve with a camera truly fascinating.
I’m yet to be directly influenced by anyone in particular but a broad range of artists including Bacon,Ritcher, Gursky and Martins have had an impression on me. Mainly, I’m inspired by any artist from any genre who is’nt afraid to push the boundaries of theirmedium.
I was struck by how similar the marks from the balls are to brush strokes, and how much itenriches the work to see evidence of time and human interaction with the space—did you feelthis when making the work?
Yes. Each court has it's own individual characteristics and historical background, some more thanothers. There is an overwhelming sense of time and human trace enriched in these prestigiousenvironments. This was an integral part of my image-making process.
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Did you have any idea where Courts would take you? Were you prepared for all the amazingopportunities and recognition that was (and is) coming your way?
I don’t think you can ever really prepare for what the future has in store. I genuinely try to take eachday as it comes and am extremely grateful for any recognition. I just love honest image-making andcan only hope people enjoy my artwork.
You are currently persuing your MFA—how do you balance current success and making newwork?
Planning and a hell of a lot of to-do lists. I love to keep busy with lots of different projects but I try todedicate at least one day a week to my own photography.
What’s next?
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I am currently juggling between finishing my next major series Walls, that should be complete by theend of the summer, and experimenting with some new approaches.
Future projects are going to include elements of using photography to create visual vehicles, acombination of photography and sculpture.
I’m also the co-rater and Editor of a new photography publication called Splendid which cataloguesan annual review of pioneering British photography which is planned for release this summer.
I’m sure that other emerging photographers could learn from your trajectory. Whatopportunity took your career to the next level and what advice would you give other emergingphotographers?
Competitions and submissions were very useful when I first started. I also think it’s really important toprioritise shooting and spending time focusing solely on developing your own work.
Have you attended portfolio reviews?
Once and found the feedback useful.
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Do you ever have periods of self-doubt and feel creatively unmotivated?
There has been periods where I find it extremely difficult to make time to shoot but then I have theopposite when I don’t have enough hours in the day to get all the ideas I have in my head down onpaper. Creativity comes and goes and I just try to focus when I am inspired.
Any thoughts on being a reality art star?
I have never considered myself a reality art star. I love taking photographs and enjoy theopportunities that are thrown my way.
And finally, describe your perfect day.
A day with my girlfriend, cycling and wandering.
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at 5:06 AM Posted by Aline 3
2 comments:R Montalban said...
I saw these on IPA and I thought they were great. So lovely to hear about successstories.
July 19, 2011 7:21 AM
Caio Fern said...
this post got really good.
July 19, 2011 10:10 AM
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Your Personal Favorites of2009
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ToBernd /YourHilla
