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Jones Hall Art
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Transcript of Jones Hall Art
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JESSE H. JONES HALL FOR THE PERFORMING ARTS : PROPOSAL
November 5, 2010
CORE Design Studio © 2010
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Observations
Less expansive in size and materiality from the levels above, this corridor, withoccasional benches, is brimming with activity during intermission with audiences
using the adjoining restrooms. Lines form, moving slowly into a smaller and
more conned environment with little of the architectural wonder that is present
above. During the day, employees and companies using the hall to rehearse and
perform, stream through. This space is a rich opportunity for art and design,
which includes a more complex and layered narrative.
Proposal Concept a: A TIMELINE OF JONES HALL
Using content provided by Houston Endowment, the Houston Symphony, Society
for Performing Arts and previous occupants/performers, we have created a
loose historical timeline that tells the story from the early site location, to City
Auditorium, to the inception of Jones Hall, the design and ground-breaking, past
performances, and notable highlights throughout it’s rich history. Following a
structure to similar sheet music, ush mounted brass square tubing runs the
full length of the wall and is punctuated by a series of aluminum-faced backlit
images with accompanying caption texts. These illuminated frames make a visualreference to musical notes with sides that are clad in laminated teak. Smaller
hexagon brass notes follow the brass rail and are inscribed with rst-hand stories
of important performances, whimsical anecdotes and milestones in Jones Hall’s
history. The beginning and end of the timeline are framed with 3” deep etched
aluminum panels with abstracted cropped imagery of Jones Hall interiors, while
large oor to ceiling vinyl wallpaper graphics appear in vertical bands at various
locations along the timeline creating contrasting backgrounds to the materials
atop them.
Proposal Concept b: JESSE H. JONES HISTORY
Using materials provided by, and collaborating with Steven Fenberg of Houston
Endowment, this wall contains the story of Jesse H. Jones life. It will include
narratives that highlight the entrepreneurial drive that helped build Houston into
a metropolis; notes on his political life based on civic leadership for Federal and
Local Governments and, nally, his philanthropic ideals that have perpetuated
well beyond his years.Warm painted walls transform this corridor into a rich environment for reection
on stories through history. Translucent glass panels, with the biographical
narrative, oat o the surface of the walls. Three-inch deep framed images
of varying scale, contrast the large raised aluminum quotes that embody the
character of Jesse H. Jones.
Materials
Brass tubing
Laser-cut aluminum/brass for framing
panels and numbers
Teak framing
LED lighting and backlit graphics
Inscribed brass hexagons on teak
Vinyl wall graphics
Wiring + transformersPaint
CORE Design Studio © 2010
JONES HALL FOR THE PERFORMING ARTS : PROPOSAL
Courtyard Level Entrance Hallway/ Lounge & Restrooms
STORIES
Materials
Etched glass panels with risers
Silk screen and/or etched aluminum p
of Jones portrait
Various laminated images ush mount
to 3’ deep black frames
Raised aluminum letters mounted to wVinyl wall graphic
Stenciled signature of Jesse H. Jones
Paint
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STORIES ( A Timeline of Jones Hall )
1. Brass
2. Laser-etched Aluminum Panel3. Brass channel tubing
4. Inscribed brass hexagons with teak back
5. Aluminum numerals / letters
6. Lightboxes with aluminum frame face an7. Vinyl Wall Graphics
CORE Design Studio © 2010
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JESSE H. JONES HISTORY
1. Silk screen aluminum panel with Jones p
2. Etched glass panels with risers o the w3. Vinyl wall graphics
4. Aluminum letters
5. Laminated images on 3” black frames
CORE Design Studio © 2010
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CORE Design Studio © 2010
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ADDITIONAL ELEMENTS to
JESSE H. JONES WALL and STORIES
1. Laminated images on 3” black frames
2. Aluminum 3-D Lettering3. Vinyl Wall Graphic
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JONES HALL FOR THE PERFORMING ARTS : PROPOSAL
Main Lobby Second Tier Seating Area Bench Back (Orchestra Level)
INTERLUDE
Observations
Upon entering Jones Hall from the main entrance, audiences eyes are enticed
upward through the Gemini sculpture, along the strong geometric, contrasting
white forms of the second level balcony against a dark teak curtain and are
punctuated by a constellation of pinpoint spots in the ceilings. The curved walls
of the tiered seating areas do not reveal themselves until audiences lter through,
around them or rest inside. Their function is transitional. A larger walkway
through to the main hall or a resting area between acts in a performance. These
areas of interlude are places to reect and converse about the performances,
take in the crowds and architecture. They call for a work of art and design thatentices and melds into the horizon line of benches. A piece that doesn’t force
itself visually or require time or eort to feel satised.
Proposal Concept: INTERLUDE
The word Interlude reveals itself as a textual element, stretching across the back
of the middle low wall. An all-white, subtle visual texture focusing on materials
and craftsmanship pulls colors and forms from existing formal elements in
building. A thin white sheet of metal is laser-cut with thousands of hexagonal
holes revealing the word Interlude. A second layer of white laminated plywood,
with a larger pattern of hexagonal holes, form the backing while creating a
narrow chamber to allow sound to emanate from the speakers behind.
Materials
Laser-cut metal with powder-coated p
CNC cut/curved plywood with epoxy p
Welded steel armature Wood framing
New speakers to improve sound qualit
CORE Design Studio © 2010
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CORE Design Studio © 2010
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INTERLUDE
1. Laser-cut powder-coated metal
2. CNC cut laminated white plywood3. Wood framing