John Dee and the Magic Tables in the Book ofSoyga* · PDF file25.06.1998 · John...

John Dee and the Magic Tables in the Book of Soyga*

Jim Reeds

'Oh, my great and long desyre hath byn tobe hable to read those tables of Soyga'.- John Dee1

1. John Dee and the Book of Soyga

Until recently the Book of Soyga was known only by repute, throughmention in the diaries of John Dee (1527-1608). Dee's association withthe Book of Soyga is conveniently summarized by Christopher Whitby:2On 18 April 1583 Dee was unable to find his Book of Soyga: it has beenmislaid. On 29 April 1583 Dee remembered a detail about the missing book: ' ...E[dward] K[elley] and I wer talking of my boke Soyga, orAldaraia and I at length sayd that, (as far as I did remember) Zadzaczadlin, was Adam by the Alphabet therof. .. ' On 19 November 1595 Deerecovered his Book of Soyga. Many years later Elias Ashmole (16171692) reported that 'the Duke of Lauderdale hath a folio MS. whichwas Dr. Dee's with the words on the first page: Aldaraia sive Soygavocor'.

In addition to these unremarkable appearances of the Book of Soygain Dee's nachlaft -unremarkable, for who does not sometimes mislayand later recover a valued book? - there is the singular exchangeheld between Dee and the angel Uriel on the occasion of their firstconversation, at Mortlake on Saturday, 10 March 1581/1582, the veryfirst scrying session mediated by Dee's most famous scryer, EdwardKelley (1555-1595?), also known as Kelly and Talbot.3 In the following,~ is Dee, VR is Uriel:

~- ys my boke, of Soyga, of any excellency?

II< I gratefully acknowledge: the Bodleian Library, University of Oxford, forpermission to publish the illustration of Bodley 908, fo1. 180r ; the Department ofManuscripts, British Library, for permission to publish the illustrations of Sloane 8,fols. 102vand 103r , and Sloane 3189, fols. 56vand 58v; and Robert O. Lenkiewicz, forpermission to publish the illustration of the 'Tabula combinationum Ziruph'. I ammost grateful to Drs S. Clucas, K. de Leon-Jones, J. V. Field, D. E. Harkness, J. C.Laganas, and K. M. Reeds for their generous help, advice, and encouragement. I amalso grateful to Clay Holden, Dr David Kahn, Gerrit Oomen, Joseph H. Peterson,Dr Muriel Seltman, and Dr Allan Wilks. All mistakes are of course my own.

2 J. Reeds

VR- Liber ille, erat Ada[m]e in Paradiso reuelatus, per AngelosDei bonos. [That book was revealed to Adam in Paradise by God'sgood angels.]

Ll- Will you give me any instructions, how I may read those Tablesof Soyga?

VR- I can-But solus Michael illius libri est interpretator. [OnlyMichael is the interpreter of that book.]

Ll- I was told, that after I could read that boke, I shold liue buttwo yeres and a half.

VR- Thow shallt liue an Hundred and od yeres.

Ll- What may I, or must I do, to haue the sight, and presence, ofMichael, that blessed Angel?

VR- Presentias n[ost]ras postulate et invocate, sinceritate ethumilitate. Et Anchor, Anachor, et Anilos, non sunt in hunc lapidem invocandi. [Request and invoke our presence with sincerity andhumility. Anchor, Anachor and Anilos are not to be called into thisstone.]

Ll- Oh, my great and long desyre hath byn to be hable to readthose tables of Soyga.

VR- Haec maxime respiciunt Michaelem. Michael est Angelus, quiilluminat gressus tuos. Et haec revelantur in virtute et veritate nonvi. [These things are mostly to do with Michael. Michael is the angelwho illuminates your steps. And these things are revealed in virtueand truth and not by force.]

Ll- Is there any speciall tyme, or howre to be observed, to dealefor the enioying of Michael?

VR- Omnis hora, est hora nobis. [Every hour is ours.] ... 4

To summarize: Uriel confirms Dee's high estimation of the Book ofSoyga's value. Dee wants angelic help in understanding his Book ofSoyga, but only the angel Michael is cleared to talk about this topic. If,as some scholars believe, Kelley was a charlatan, then here we find him(in the voice of Uriel) being characteristically evasive. As a newcomerto Dee's household he does not want to commit himself to any morespecific statements about the Book of Soyga, about which he knowsvery little beyond the fact that it fascinates Dee.5

There things rested for roughly four centuries. Dee prized his Bookof Soyga, but since the book was lost, modern scholars could only guessabout its contents and possible influence on Dee's magic system, especially for the version in his Book of Enoch.6

But then in 1994 Deborah Harkness - like the hero of Poe's 'ThePurloined Letter' - located not one but two copies in the obvious

Magic Tables in the Book of Soyga 3

places, in this case in two of England's greatest libraries. They hadbeen catalogued under the title Aldaraia instead of Soyga. 7

At last we can examine the Book of Soyga, and in particular itstables, and see for ourselves what it was that Dee prized so highly.

The Book of Soyga is an anonymous late-mediaeval or early modernLatin magical work extant in two sixteenth century manuscript copies:one in the Bodleian Library, which I refer to as Bodley 908, and theother in the British Library, which I refer to as Sloane 8.8 Since there isas yet no edition or translation of either of the two manuscripts for meto refer to, nor even a synopsis of their contents, I offer the followingbrief description.9

The Sloane 8 copy (but not the Bodley 908 one) bears the titleAldaraia sive Soyga vocor at the head of the text and on the leaf preceding the text, both in the same hand as the text, fitting Ashmole'sdescription. Sloane 8's preceding leaf also bears the description Tractatus Astrologico Magicus, written in a different hand. Both copies contain the equation of 'Adam' with 'Zadzaczadlin', so there can be nodoubt that Harkness's Book of Soyga is closely related to Dee's Bookof Soyga; on Ashmole's Aldaraia sive Soyga vocor evidence, and basedon the arguments I present at the end of section 5, it is easy to guessthat Sloane 8 was in fact Dee's copy of the Book of Soyga. lO

The 197 leaves of Bodley 908 contain three named works, LiberAldaraia, Liber Radiorum, and Liber decimus septimus (of 95, 65, and2 leaves, respectively) as well as a number of shorter unnamed workstotalling about 10 leaves. The final 18 leaves contain the tables that arethe subject of this paper. Sloane 8 has 147 leaves, and seems largelyidentical with Bodley 908, except that the tables occupy 36 leaves andthe Liber Radiorum is present only in a 2 leaf truncated 'executivesummary' version.

A cursory inspection of the Book of Soyga shows it is concernedwith astrology and demonology, with long lists of conjunctions, lunarmansions, names and genealogies of angels, and invocations, not muchdifferent from those found, say, in pseudo-Agrippa.ll A single example,of a list of spirits of the air, is illustrative of the whole:

Adracty, Adaci, Adai, Teroccot, Terocot, Tercot, Herm, Hermzm,Hermzisco, Cotzi, Cotzizi, Cotzizizin, Zinzicon, Ginzecohon, Ginchecon, Saradon, Sardon, Sardeon, Belzebuc, Belzscup, Belcupe,Saraduc, Sarcud, Carc, Sathanas, Satnas, Sacsan, Contion, Conoi,Conoison, Satnei, Sapnn, Sappi, Danarcas, Dancas, Dancasnar.l2

Some of the spells or incantations have a vaguely Christian or alchemical air to them, as 'Petra Ouis Angelus Agnus Lapis Sponsus' and'Diuinitas Christus Venturus Iustorum Humanitatis Vnitas',13 but the

4 J. Reeds

overall impression is that it is no more an alchemical treatise than it isa devotional work.

Several features of the Book of Soyga seem worth particular mention,as being untypical of a standard late mediaeval or Renaissance magicalwork, or of the run-of-the-mill necromancy handbook.14 In contrastto most mediaeval or Renaissance works, the text has extremely fewreferences to known authors or personalities. There are no recognizableauctores. Other than the occasional mention of a few Old Testamentnames, and two references to Libro Geber, and a puzzling marginal gloss'Steganographia' in the same hand as the text, which is presumably areference to the work of Johannes Trithemius (1462-1516), there areno references to recognizable personalities.15

Instead, it makes numerous references to what are presumably mediaeval magical treatises, works such as liber E, liber Os, liber dignus, liberSipal, liber Munob, and the like.

Throughout the book much importance is placed on writing wordsbackwards. This can be seen in some of the titles mentioned above:Sipal backwards is Lapis, and Munob reversed is Bonum. Phrases suchas 'Retap Retson' occur throughout. This principle is reflected in theform of the tables, as discussed below. The name of the work, Soyga,is itself explained to be 'Agyos, literis transvectis'.16

Throughout the book there is a preoccupation with letters and combinations of letters, assignments of numerical values to letters, assigningletters to planets and to elements, listing combinations of letters associated with houses of the moon, recombining letters and syllables inincantations to form new magic words, listing new names for the 23letters of the Latin alphabet, sometimes taken in reversed Z through Aorder, listing new symbols for the 23 letters, and so on.

And, towards the end of the book there is the set of thirty-six largesquare tables, described in section 2 of this paper, filled with a seemingly random jumble of letters. (One of these is illustrated in my PlatesI and II.) These tables do not appear to be like any illustrated in, say,Shumaker's survey of mediaeval and early modern magic works.17

The Book of Soyga's preoccupation with letters, alphabet arithmetic, Hebrew-like backwards writing, and so on, is of course characteristic of the new Cabalistic magic which became popular in thesixteenth century, exemplified by the great compilation of Agrippaof Nettesheim (1486-1535), and borrowing authority both from theRenaissance humanist interest in the Kabbalah expressed by such figures as Pico and Reuchlin and from the supposed Biblical antiquityof the Kabbalah.18 Although large square tables are not themselves acharacteristic feature of the traditional Kabbalah, they had by Agrippa's time become an integral part of the Christian magical Cabala.19


Such a work must have appealed to Dee since it encompassed somany of the ingredients associated with early modern magical andChristian Cabalist texts; we know the tables in the Book of Soygaexcited John Dee's interest, as seen in the dialogue with Uriel. Theycertainly also excited mine as a professional cryptologist. Were they, Iwondered, filled with a random (and hence pointless) selection of letters, or were they a cryptogram (with a hidden 'plain text' meaning,which might at least in principle be recoverable by cryptanalysis), orwas there some other structure or pattern to them? I approached thetables as I would any cryptographic problem, first transcribing the dataand entering it into the computer, and then trying out what I knewof the bag of code-breakers' tricks. The results, which I describe insections 3 through 6, were unexpectedly gratifying.

This paper, then, indirectly addresses the question of the Book ofSoyga's possible influence on Dee by examining and comparing theform (or method of construction) of the tables in the Book of Soygaand those found in other early modern magic tables (including Dee'sand Agrippa's), rather than their function (Le., purpose or method ofuse).

2. The Magic Tables of the Book of Soyga

The Book of Soyga contains thirty-six tables; each table is a square gridof 36 rows and columns; each grid cell contains a letter of the Latinalphabet.2o These tables turn out to be formed by a completely deterministic calculation method, or algorithm, starting from an arbitrary'code word' for each table. This construction algorithm is so intricatethat it is unlikely that its presence would be detected on casual examination of the tables.

Each of the thirty-six tables is headed with a number and a label.I summarize these in my Table I. For convenience I will refer to themas Tl, T2, and so on. Tl through T12 are labelled with the signs ofthe zodiac, Aries through Pisces; as are T13 through T24. T25 throughT31 are labelled with the seven planet names, and T32 through T35with the four element names. T36 is labelled with the word 'Magistri'.See my Plates I and II for the Bodley 908 and Sloane 8 versions of Tl'Aries'.

Eight of these tables also appear copied in Dee's notebook, the Bookof Enoch, joined in pairs: 'The First Table' in the Book of Enoch is a72-row table, filling both pages of an opening, the first 36 rows of whichare Soyga's Tl and the last 36 rows of which are Soyga's T13, the two

6

Table I. Soyga Tables.

J. Reeds

I Table I label code word Bodley 908 Sloane 3189

1 Aries NISRAM 180f 102v/103f 58v

2 Taurus ROELER 180v 103v/104f 60v

3 Gemini IOMIOT 181f 104v/I05f 62v

4 Cancer ISIAPO 181v 105v/1OOf 64v

5 Leo ORRASE 182f 106v/I07f

6 Virgo OSACUE 182v 107v/I08f

7 Libra XUAUIR 183f 108v/109f

8 Scorpio RAOSAC 183v 109v/110f

9 Sagitarius RSADUA 184f 110v/111f

10 Capricornus ATROGA 184v 111v/112f

11 Aquarius SDUOLO 185f 112v/113f

12 Pisces ARICAA 185v 113v/114f

13 Aries MARSIN 186f 114v/115f 59f

14 Taurus RELEOR 186v 115v/116f 61f

15 Gemini TOIMOI 187f 116v/117f 63f

16 Cancer OPAISI 187v 117v/118f 65f

17 Leo ESARRO 188f 118v/119f

18 Virgo EUCASO 188v 119v/120f

19 Libra RIUAUX 189f 120v/121f

20 Scorpio CASOAR 189v 121v/122f

21 Sagitarius AUDASR 190f 122v/123f

22 Capricornus AGORTA 190v 123v/124f

23 Aquarius OLOUDS 191f 124v/125f

24 Pisces AACIRA 191v 125v/126f

25 Saturni OSRESO 192f 126v/127f

26 Jovis NIEBOA 192v 127v/128f

27 Martis OIAIAE 193f 128v/129f

28 Solis ITIABA 193v 129v/130f

29 Veneris ADAMIS 194f 130v/131f

30 Mercurii REUELA 194v 131V /132f

31 Lunae UISEUA 195f 132v/133f

32 Ignis MERONF 195v 133V /134f

33 Aeris ILIOSU 196f 134v/135f

34 Aquae OYNIND 196v 135v/136f

35 Terrai IASULA 197f 136v/137f

36 I Magistri I MOYSES I 197v I 137v/138f I


'Aries' tables, and so on, as indicated in my Table 1.21 See my Plate IIIfor the Book of Enoch version of T1 'Aries'.

The tables are written with italic letters, mostly lower case, writteninto a neatly pencilled regular grid. In Bodley 908 the grid cells measure approximately one quarter of an inch, so a complete table fits onone page. In Sloane 8 the grid cells are approximately one third of aninch in size, and each table occupies the two facing pages of an opening.In each book there is occasional use of the short s; much more common is the long s. The writing becomes more even after the first fewtables, with greatly diminished use of upper case letters, as if the copyist became accustomed to what must have been an unusually irksomeand tedious task of copying completely senseless data which offered noobvious contextual clues for correcting mistakes. In Bodley 908 uppercase L is used exclusively, presumably to avoid confusion with long s.In Sloane 8 lower case I is used exclusively.

The handwriting in Bodley 908 is quite even, and pains seem to havebeen taken to make the letters clearly distinguishable. The handwritingin Sloane 8 is less clear, so that nand u are often hard to tell apart, asare the pairs cle and lli. Sloane 8 shows obvious signs of proofreading,with dots, double dots, and cup strokes marking errors or doubtfulreadings. Occasionally a cell contains, in addition to its main letter,a tiny f followed by another tiny letter; I surmise f means falso andthe following letter is the suggested correction. Some corrections seemto have been made by erasure and overwriting; the handwriting alsoseems to change part way through.

The left hand margin in each table is special. Each table has a 'codeword', e.g., T1 'Aries' has code word NISRAM. The left margin iscomposed entirely of the code word and the reversed code word, e.g.,NISRAM MARSIN NISRAM MARSIN ... repeated until the margin isfilled.

The code words are listed in the third column of my Table 1. Allthirty-six of them are exactly 6 letters long. The treatise in the Bookof Soyga which discusses the tables, 'Liber Radiorum', has a series ofparagraphs mentioning the code words for twenty-three of the tables,together with number sequences which stand in unknown relation tothe words.22

Note that the code words for T 13-T24 are the reverses of those ofthe corresponding T1-T12. Thus, T1 'Aries' has code word NISRAMand T13, also 'Aries', has code word MARSIN.

In Bodley 908, T36 'Magistri' has a blank 13th line-the first lineafter the first complete MOYSES/SESYOM cycle on the left. TheSloane 8 version the table has the same 35 non-blank lines, but theyhave 'closed ranks' so it is the last line of 36 which is blank.

8 J. Reeds

In general, the first four or five rows of the tables appear very repetitious. Often the first row or two consist entirely of endless repetitionsof a given two letter 'motif', followed by two or three rows of repetitionsof a 4 letter motif, with maybe another row or so consisting of repetitions of a 12 letter pattern. But these repetitions do not start until onehas gone some distance into the row; with each successive row, one hasto go further.

This may be seen in T1 'Aries', shown in Plates I and II, where thefirst three lines soon fall into repetitions of the 4 letter motifs dizb,lytr, and xiba, respectively, and the next two rows into repetitionsof the 12 letter motifs qsrnylfdfzly and ohqtauiducis, respectively.Many of these motifs are found in several of the tables.

A few tables (like T5 'Leo') have a vast triangular area of repeatsof yoyo:

oyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyrkfaqtyoyoyoyoyoyoyoyoyoyoyoyoyoyoyorxxqnkoyoyoyoyoyoyoyoyoyoyoyoyoyoyoyazzsxbqtyoyoyoyoyoyoyoyoyoyoyoyoyoyosheimasddtguoyoyoyoyoyoyoyoyoyoyoyoyeyuaoiismspkfaqtyoyoyoyoyoyoyoyoyoyoenlxflfudzrxxqnkoyoyoyoyoyoyoyoyoyoysxcahqczfbtfzsxbqtyoyoyoyoyoyoyoyoyoazepxhheurgmyknqnkoyoyoyoyoyoyoyoyoyrlbriyzycuyddpotxbqtyoyoyoyoyoyoyoyoryrezabirhdiszeknqnkoyoyoyoyoyoyoyoyogzgfceztqalpntsxhssyoyoyoyoyoyoyoyoopnxxsnodxqhuekknykkoyoyoyoyoyoyoyoyrcqsfueesfsqrqgqrossyoyoyoyoyoyoyoyoroauxmdkkxkhyhmpzqphdtgtguoyoyoyoyoyaqxmudiamubkoqifbszktdmspkfaqtyoyoyosazoesrmlrnaqnzhgabmsmlpeahfsddtguoy

Various other less pronounced repetitious structures can also be seenin the tables.

3. Analysis of Tables

Because Bodley 908's tables seemed more legible, I transcribed themfirst. The transcribed text was entered into the computer with manymeasures taken to prevent or detect copying errors. Once it was entered,


repetitions in the text could be sought, patterns counted, and proofsheets printed.

In the course of this work it was noticed that in the vast majority ofcases where a pair of adjacent m's appeared, the letter above the second

mwas usually an n. That is, the pattern?

m mwas almost always actu-

allyn

. This led to a tabulation of all triplets of letters occurringm m

in aW

NX configuration, and it was found that in a large majority

of cases the letter occupying the X position was predictable from theletters in the Nand W positions. (The names of these variables aremeant to represent the letter at the spot marked by X, the letter to itsNorth, and the letter to its West.)

This led to discovery of an equation of form

X = N + f(W)

where f(W) is a function of Wand the addition is taken modulo 23.Here the letters are assigned numerical values according to their positions in the 23 letter Latin alphabet: a = 1, b = 2, ... , u = 20, x =21, y = 22, Z = 23, so that z + 2 = b, etc. The final ingredient inthis formula, the auxiliary function f, is known to us only by a tableof values determined empirically.

Table II. Auxiliary function values.

W feW) W feW) " W feW) W feW)

a 2 g 6 n 14 t 8b 2 h 5 0 8 u 15c 3 i 14 P 13 x 15d 5 k 15 q 20 Y 15e 14 1 20 r 11 z 2f 2 m 22 s 8

Expressed another way: a letter is obtained by counting a certainnumber of letters after the letter immediately above (Le., north of) itin the table. The number of letters to count is determined by the letterstanding to the immediate left (i.e., west). If the letter to the left isan f, for instance, we are to count two letters past the letter above.

10 J. Reeds

So, continuing the example, if the letter above is an 1, then the letter

in question must be n, which is 2 letters past 1:f

1. If the end of

n

the alphabet is reached in this letter counting one starts over at thebeginning, treating a as the letter after z, and so on.

For letters in the top row of a Soyga table, for which there is no Nletter, the following formula holds:

x = W +f(W)

where the addition is again performed modulo 23. That is, for letters inthe top row one applies the rule for letters in the interior of the table,acting as if the letter appearing to the left also appears above.

4. Directions for Creating the Tables

This, then, is a recipe for recreating the tables, although almost certainly not expressed in the same terms the Soyga author would haveused. Starting with a code word, such as NISRAM, and an empty gridof 36 rows and columns:

4.1. LEFT COLUMN:

Write the code word followed by its reverse into the cells of the lefthand column, starting at the top and working downwards, repeatingthe process until the column is full.

4.2. Top Row:

Fill in the remaining 35 cells of the top line, working from left to right,repeatedly applying the formula X = W + feW).

In our example, the first application of this formula yields n + fen),that is, the letter fen) = 14 places after n in the 23 letter alphabet,which is d. (Thus: n is the 13th letter; 13 + 14 = 27; reduced modulo23, 27 is 4, which is d.) Write the letter d in the second cell in the toprow, just to the right of the n of NISRAM.

The second application yields d + fed). Since fed) = 5, this gives usi, the fifth letter after d. Write an i in the third cell of the top row.

The third application yields i + f(i). Since f(i) = 14, this gives usz, the 14th letter after i. Write a z in the fourth cell of the top row.

The fourth application yields z + f (z) = 23 + 2 = 25 = 2 = b; puta b in the fifth cell.


The fifth application yields b + f(b)= 2 + 2 = 4 = dj put a d in thesixth cell. At this point we have fallen into a cycle: the next applicationyields d + f( d) which we have already seen before is i, and the rest ofthe first row will continue to repeat dizb dizb...

At this point the top few rows of the partially filled in table willlook like this:

ndizbdizbdizbdizbdizbdizbdizbdizbdizi .8 •••••••••••••••••••••••••••••••••••

r .

4.3. INTERIOR OF TABLE:

Now, starting with the second row and working left to right within rows,fill in the interior cells as follows. With each blank cell encountered, ifthe work has progressed in normal European page-reading order, thecell just above the blank cell and the cell to the left have both been filledin. Call the letters appearing in those cells Nand W, respectively, anduse the formula N + f(W) to determine what to write into the blankcell under consideration.

For exampIe, the first blank cell in row 2 is the second cell. It has ad above it and an i to its left. So the letter d + f(i) = 4 + 14 = 18 =8 is written in that blank cell.

The next cell, cell 3, in row 2 has an i above it and an 8 to its left(the 8 which we just wrote). So we put i + f(8) = 9 + 8 = 17 = r incell 3 of row 2. The next cell gets z + f(r) = 23 + 11 = 11 =1, and soon. The top few rows now look like this:

ndizbdizbdizbdizbdizbdizbdizbdizbdizi8r1 .8 •••••••••••••••••••••••••••••••••••

This process, carried out row by row, left to right, will eventuallyfill the table.

Alternatively, instead of working row by row, left to right in eachrow, as described here, one could equivalently work column by column,working downwards within each column. The final results would be thesame.

Of course I make no claim that the Soyga author intentionally usedmy X = N + f(W) formula. Whatever means were actually used toconstruct the tables clearly had this formula's mathematical structureimplicitly 'built in', but we can only guess at its implementation. The

12 J. Reeds

arithmetic modulo 23, for instance, could have been effected equallywell by paper-and-pencil computations, by consultation of charts, byletter counting on finger tips, or by the use of Lullian wheels.

5. Error Analysis and Genealogy

In fact the tables found in the two extant manuscripts of the Bookof Soyga are not identical with those I produced by a computer programmed to carry out the above rules, starting with the same codewords as in the manuscripts. This is for two reasons:

1. The law of formation for the tables is sufficiently intricate thatthe Soyga author occasionally made mistakes in working out theoriginal tables.

2. The copyists made new mistakes when transcribing so much apparently unpatterned text.

Fortunately for us, these two kinds of errors have radically differentconsequences. If a cell in the original is miscalculated, the mistake spoilsthe calculation of the cells to its right and below it, resulting in anavalanche of error with an easily recognizable rectangular shape. Amere copying error, however, will not have a cumulative effect, and willbe classifiable into one of several familiar types: transposition, deletion,eye skip, and replacement.

In short, the constraints placed on the tables by the X = N +f(W)formula allow an aggressive form of textual emendation of the receivedtables in Bodley 908 and Sloane 8. A similar technique has been used totrace copying of logarithm tables by Charles Babbage (1792-1871), butis of course not generally applicable.23 Only texts with a well-definedmathematical structure are amenable to this method of detecting andcorrecting errors of generation and transcription.

5.1. PRINCIPLES OF ERROR DIAGNOSIS: AN ARTIFICIAL EXAMPLE

This can all be seen in an artificial exampIe, concocted so as to displayevery kind of pathology in the first few lines of the table. Suppose thecode word is SARTON. Ideally, the first few lines of the table would be

scfhndizbdizbdizbdizbdizbdizbdizbdizaeuzpruppruppruppruppruppruppruppruprqrlmqrcsbygxilmobygxilmobygxilmobygtattuhyscenxnzncrnnxnzncrnnxnzncrnnxoiklrtgaetxndedhyedcqueredsfpndhyedc

Magic Tables in the Book of Soyga

nzmkikyqbxnditmgetmbsetbgkkxgtmgetmbnoublgeghcqalqixuliqpsdgnamuylixuliqoymanxuyzeggrdofycmpeispcdrhdqfzycmptgsidczabgnxisyxolifgphusmqesahenrzrrscmcfbcexemhzazqhoopeymrzsnipxueheh

13

Call this the ideal original table. Suppose, however, that in workingthis out a mistake was made: an e was put down instead of a p in thefifth cell of the second line. This mistaken letter will cause mistakenvalues to be calculated for the sixth cell of the second line and for thefifth cell of the third line, and those mistakes will beget others. Theresulting actual original table will be (with the erroneous e capitalized)

scfhndizbdizbdizbdizbdizbdizbdizbdizaeuzEsrlytrlytrlytrlytrlytrlytrlytrlrqrlbuibaxibaxibaxibaxibaxibaxibaxibtattkmhggdokqsrnplfdfzlyqsrnplfdfzlyoiklgsqdmcrxhztxgrrpthqtauiducisohqtnzmkylthicftfkpimftbrgoaxqruterukfkhanoubamgpqcyxbrudlqyixfcasbylbteahpxqoymacpugysgdgzyttaalsolxkrkcekuqefzstgsirczinixtpnnklxqhzqhcnhpqbmtagmykrscmqzblkazxgtxbnmpxpfksxzrdgsdficbm

Finally, suppose we receive this table, derived from the original butwith a variety of copying errors:

scfhudizbdizbdhzbdizbdizbdkzbdizbdizaeuzefrlytrlyutlyttlyrtlyttlytrlytrlrqrlbnibaxibaxibaxibxibaxibaxiibaxibrattkmhggdokqstnplfdfzlyqfrnplfdfzlyoikglsqdmcrxhztxgrrpthqranidueisohqtnzmkykhicstfkpimstyixfeafbylbtcahpxquoubamgpqpyxbiudlqalsolxkrkcckuqefzfoymacpugyfgdgzyrtaqhzqhcnhpqbmtagmektgfirczinixtpnnzlxqhzqhcnhpqbmtagmykrfcmqzblkazxgtxbnmpxpsksxztdgsdsicbm

Our task is to recover the ideal original and actual original anddiagnose the copying errors.

14 J. Reeds

First we inspect the left margin, where we see SARRON UOTR...etc, which is a damaged version of SARTON NOTRAS etc.; the codeword is SARTON. (The left margin contains in all six copies - forwardand reversed - of the code word, so in practice there is no doubt aboutwhat the code word is.)

From this we work out the ideal original table, and examine thosepositions where the received table differs from it. This diagram displaysplaces where the received table agrees with the ideal original with a dotand places where they disagree with the value seen in the received table:

.... u h k .

.... efrlytrlyutlyttly.tlyttlytrlytrl

.... bnibaxibaxibaxib .. baxiba .. ibaxibr ... kmhggdokqstnplfdf.lyqfrnplfdfzly... glsqdmcrxhztxgrrpthq.anidueisohqt.... y.hicstfkpims.yixfeafbylb.cahpxqu ... amgpqpyxbiudlqalsolxkrkcckuqefzf.... cp.gyf.dgzyrtaqhzqhcnhpqbmtagmek.. f.r .. inixtpnnzlxqhzq.cnhpqbmtagmyk.f .. qz.lkazxgtxbnmpx.sksx.tdgsdsicbm

Here we see an essentially solid rectangular region of disagreement,starting in the fifth cell of row 2, with the value e, which is due to anerror in the original. The 'pepper and salt' pattern of sporadic disagreements elsewhere is characteristic of copying errors. So we conclude thatan e was put down by mistake in row 2, cell 5 in the original.

Now we work out the corresponding putative original, and displaythe disagreements between it and the received copy:

.... u h k .

..... f ut t .. rt t .

.... .n xibaxibaxi .r t f .. . .gl r .n e .......... s s.yixfeafbylbtcahpxqu p i alsolxkrkcckuqefzf......... f r .. qhzqhcnhpqbmtagmek.. f z .

Since the remaining rectangular regions of disagreement do not reachto the bottom of the table, we conclude that they are not due to errorsin the original. (Further examination will show they are due to eye


skip.) No further errors seem to have been made in the original, so ourputative original table is finished.

We are now in a position to diagnose the copying errors. The mistakes in cells 21 through 30 of line 3 are easily seen to be due to elisionof an a from one of the repeating baxi groups; the pattern ends onthe right foot again in cell 31 by the insertion of an extra i. We mightterm this a horizontal eye skip error. The errors in cells 19 through 36in lines 6, 7, and 8 are seen to result from a vertical eye skip error, asfollows. The rightmost 18 cells of lines 6, 7, 8, and 9 of the original are

brgoaxqruterukfkhayixfcasbylbteahpxqalsolxkrkcekuqefzsqhzqhcnhpqbmtagmyk

and of the received copy are

yixfeafbylbtcahpxqalsolxkrkcckuqefzfqhzqhcnhpqbmtagrnekqhzqhcnhpqbmtagrnyk

so we see that the copyist deleted the right half of line 6 and duplicatedthe right half of line 9. There is a transposition error in row 5, cells 4and 5: the original has 19 and the copy has gl. The remaining errorsare simple replacements of one letter by another.

5.2. SUMMARY OF ACTUAL ERRORS

In fact all of the types of errors illustrated above occur in both theSloane 8 and Bodley 908 versions of the tables. There seems to havebeen one set of original tables which I call A. Our extant versions,Bodley 908 and Sloane 8, seem to have been derived independentlyfrom a flawed intermediate version which I call C.

16 J. Reeds

Table III. Errors in Originals.

Table I Row/Col. Err. I Row/Col. Err. I Row/Col. Err. IT5 15/24 t

T8 28/25 r

T10 18/11 t

T12 15/9 y

T13 18/2 t

T19 19/29 e 20/28 g

T29 18 / 11 m 17/16 h

T32 6/25 1 7/24 e 34/27 k

T35 19/23 d

I Bodley 908 1 I Sloane 8

The originals A were constructed with the code words as listed in myTable I, by application of the N + f(W) formula; the errors in applyingthe formula are listed in my Table III. Since errors in applying theN + f(W) formula propagate and spoil everything below and to theright of the error locus, we can be sure that this is the complete list oferrors in A. Out of the 46,656 cells in the complete set of tables, only13 errors were made in applying the formula.

The alternative, that Bodley 908 and Sloane 8 did not share a common original, would require us to believe that exactly these same particular errors (and no others) were committed in working out the originals for both Bodley 908 and for Sloane 8. This is so unlikely underany reasonable model for errors that I reject this alternative in favourof a single shared common original A.


Table IV. Transposition Errors.

Table Row Col. Is Ought I

17

T3T12T25T30T31T35T35

22

61433352227

29 kq

8 cp34 ms

28 run

16 If21 nh

34 rs

qk

pcsm

mnfl

hn

sr

Bodley 908

Bodley 908Bodley 908

Bodley 908Bodley 908

Sloane 8

Sloane 8Sloane 8Sloane 8Sloane 8

Table V. Summary of cell reading disagreements.

I Type of Disagreement

A, Bodley 908, and Sloane 8 all differA and Bodley 908 same; Sloane 8 differentA and Sloane 8 same; Bodley 908 differentBodley 908 and Sloane 8 same; A different

I A, Bodley 908, and Sloane 8 all agree

Raw I10

266144394

I 45541 I

Censored I6

11575

223

45936

A number of gross eye skip errors were committed in the descent ofBodley 908 and Sloane 8 from A. In Bodley 908 's version of T2, row3, cells 20-35 read axibaxibaxibaxib instead of xibaxibaxibaxiba;that is, an a was inserted at cell 20. In both Bodley 908 's and Sloane8's versions of T24, the right hand half of row 35 was elided and theright hand half of row 34 was duplicated. In both Bodley 908's andSloane 8's versions of T36, row 3, cells 30-36 read baxibax instead ofA's ibaxiba, and row 12 is elided.

I detected seven transposition errors, some unique to Bodley 908and to Sloane 8, and some shared, as listed in my Table IV.

A tabulation was made of all corresponding places where Sloane 8,Bodley 908, or A were all legible but failed to give unanimous readingsof cell entries, except for those involved in the gross eye skips notedabove. The tabulation was made again, where all differences explainableby mere confusion of i/l, u/n, //s, e/c, or t/r were censored, in anattempt to compensate for possible transcription errors on my part(especially in reading Sloane 8).

The results, in my Table V, again show Bodley 908 and Sloane 8 eachhave a large number of unique errors in addition to a larger numberof shared errors. If either of Sloane 8 or Bodley 908 were copied fromthe other, the errors unique to the ancestor would have had to havebeen corrected in the child. Because the text is incoherent, there is no

18 J. Reeds

natural 'self repair' mechanism analogous to a scribe's knowledge oforthography or grammar allowing emendation of errors, at least in thelarge areas of the tables lacking repeating motifs. If both Bodley 908and Sloane 8 were independently derived from the original A, the 394(or 223) shared errors would all be the result of accidental occurrenceof precisely the same mistakes, independently committed in copyingBodley 908 from A and in copying Sloane 8 from A. This is very unlikelyunder any reasonable model of copying errors. So we conclude insteadthat both Bodley 908 and Sloane 8 were derived from a common flawedcopy, which I call C, of the originals. Because Bodley 908 seems tohave fewer disagreements with A than Sloane 8 does, we conclude thatBodley 908 is a more accurate copy of C than Sloane 8 is. Overall, thereseems to be a 3/4% copying error rate in going from A to C, a 1/2%error rate in going from C to Sloane 8, and a 1/3% error rate in goingfrom C to Bodley 908.

The same techniques can be used to see what relation Dee's copyof the eight Soyga tables appearing in Sloane 3189, the Book of Enoch,has to Bodley 908 and Sloane 8.

In the first place, the T13 of Sloane 3189 shows the same mistake inapplying the N + f(W) formula (in row 18, column 2) present in theT13 of A. Hence even if not copied directly from Bodley 908 or Sloane8, the Soyga tables in Sloane 3189 are, like those of Bodley 908 andSloane 8, ultimately derived from A. A fortiori, they are copies of theSoyga tables, rather than simply creations inspired by, or in the samestyle as, the Soyga tables.

Secondly, the T2 of Sloane 3189 lacks the gross eye skip error foundin row 3 of T3 of Bodley 908. This suggests Sloane 3189 was not copiedfrom Bodley 908, but not strongly so: the eye skip error occurs in therepeating baxibaxi area and could have been corrected by a naive butalert copyist.

Third, looking only at locations where all four of A, Bodley 908,Sloane 8 and Sloane 3189 supply legible values, I found the results inmy Table VI. The agree-disagree counts seem to make Sloane 3189slightly but insignificantly closer to Bodley 908 than to Sloane 8.

Fourth, and more tellingly, the transposition error in T3 of Bodley908, where there is a kq instead of the correct qk in row 22, is notpresent in the T3 of Sloane 3189. Unlike the T2 eye skip error, thiserror is well outside the area of repeating motifs, and so uncorrectableby a naive copyist.

On balance, then, it seems that the Soyga tables in Dee's Book ofEnoch, Sloane 3189, are closer in manuscript transmission to Sloane 8than to Bodley 908.


Table VI. Summary of cell differences between Sloane3189 and A, Bodley 908 and Sloane 8.

Sloane 3189 Raw Censoredcompared with Disagree Agree Disagree Agree

A 288 9877 209 9956

Bodley 908 203 9962 149 10016

Sloane 8 208 9957 155 10010

19

Assuming that the Sloane 3189 Soyga tables were copied from Sloane8, the most common copying error was replacing z by x: out of the 477occurrences of the letter z in the Sloane 8 tables which have corresponding Sloane 3189 versions, it was rendered correctly 441 times, renderedas an x 34 times, and as a q and an r each once. There are 9 instanceswhere an i was written instead of a y. Overall, there is a 1.5% copyingerror rate from Sloane 8.

Regardless of which particular manuscript the Book of Enoch gotits Soyga table copies from, the questions of why they were copiedand what relation they have to the Enochian system are central tofurthering our understanding of Dee's relation to the Book of Soyga.On the one hand it is possible that Dee deliberately copied them (or hadthem copied) into his notebook (in rearranged sequence: Tl, T13, T2,T14, and so on, so both 'Aries' tables were visible on an opening, both'Taurus' tables visible on the next, etc.) for ready reference, possiblywith motives similar to mine in section 3 of this paper, or possibly inorder to use them in magical operations. This might have happenedsome time before 1582, that is, before his 'Enochian' period, in whichcase their appearance with the Enochian material in Sloane 3189 wouldbe the accidental result of reuse of a largely blank notebook. On theother hand, they might have a more direct connection with the Sloane3189 Enochian material: they might have been revealed the same waythe rest of the Book of Enoch material was (in which case the copyingerrors could be attributed either laudably to angelic emendation ordeplorably to mundane data-entry-clerk error), or they might have beenaccorded a semi-privileged status, not themselves revealed but worthyof inclusion as an appendix to the Book of Enoch by a principle ofvirtue-by-association. Even though I see no way to use the methods ofthis paper to distinguish between these possibilities, I do not hesitateto speculate in the next section about one possible stylistic connectionbetween the Soyga tables and the rest of the Book of Enoch.

20 J. Reeds

6. Comparison with other tables

Large square tabular arrays of letters are quite common in early modernmagic works, exhibiting a variety of forms as yet unsurveyed in thescholarly literature. Here I present a brief taxonomy of magic tablesaccording to their internal structure.

The more usual point of view, represented by Yates, pays primaryattention to the authors' theories of magic and scant attention to theactual form of the tables:

... in Agrippa's Third Book [on Occult Philosophy] there are elaborate numerical and alphabetical tables for angel-summoning of thetype [my emphasis] which Dee and Kelley used in their operations...

These can be seen in Dee's manuscript 'Book of Enoch', BritishMuseum, Sloane MSS. 3189. Cf. the 'Ziruph Tables' in Agrippa'sDe occult. phil., III, 24. Agrippa was not Dee's and Kelley's onlysource for practical Cabala, but their minds run on these thingswithin the Agrippan framework. 24

In fact Dee's tables and Agrippa's have completely different forms (ascan be seen by glancing at my Plates IV and V), so Yates must beusing 'of the type' to refer to the authors' intentions and not to theirtables' actual appearance or formation. 25

My tentative taxonomy begins by crudely dividing all square magictables into two classes, the small and the large, according to whetherthey have, say, fewer than fifteen rows and columns or more. Amongthe small tables are those with letters forming words when read eithervertically or horizontally, as in the famous square found at Herculaneum,

SAT

ARE

TEN

OPE

ROT

o R

P 0E TR AA S

which are nowadays known as 'word squares'. Word square charms havebeen in continuous use from Roman times to the present. Many suchsquares appear in Abraham ben Simeon's Cabala Mystica, which Pataiconcludes - based in part on an analysis of the text in the squaresthemselves - was written around 1400.26

Small numerical tables like


11 24 7 20 34 12 25 8 16

17 5 13 21 9

10 18 1 14 22

23 6 19 2 15

nowadays known as 'magic squares', have also been used since the latemiddle ages in Europe and in Asia for far longer as charms or arithmetical amusements.27 (The numbers in each of the rows, columns,and two main diagonals all add up to the same sum, in this case 65.)Such a small numerical square appears in the 1514 print Melencolia IofAlbrecht Durer (1471-1528); many others are to be found in Agrippa'sBook II, where each planet is assigned its own magic square, each squarebeing presented in both Arabic and equivalent Hebrew numerals.28

As far as I know, all large magic tables in mediaeval or early modern sources are alphabetic. We may divide them into unpatterned andpatterned; the latter are subdivided into those in which the form of thepattern is obvious and those in which the pattern is hidden.

Most of Dee's tables in the Book of Enoch are unpatterned: squaresand lozenge shaped arrays with 49 rows and columns filled with text inthe 'Enochian' language described by Laycock and Whitby.29 One ofthese is illustrated in my Plate IV. The text is inscribed in the tablesline by line, left to right, one letter per cell, with no space betweenwords. The eight Soyga tables appearing in the same book are of coursepatterned, but with a hidden pattern; it is tempting to believe thatDee's favourite table size, 49, was inspired by the size of the Soygatables, 36, since 49 = 7 . 7 is the next perfect square after 36 = 6 . 6.Similarly there are 36 Soyga tables and, as Kelley informed Dee on 24March 1582/1583, there are to be 49 Enochian tables.3o

There are many large patterned tables in one of Agrippa's Cabalisticchapters.31 They include: an angel chart of no interest to us, a 'righttable of commutation', an 'averse table of commutation', an 'irrationalaverse table of commutation', a 'table of Ziruph', and a 'rational tableof Ziruph'.

The three tables of commutation are examples of what are nowadaysknown as 'Latin squares', N by N tabular arrays of symbols from anN symbol alphabet - in this case the N = 22 letter Hebrew alphabet- arranged in such a way that each letter appears just once in eachrow and in each column.32

It is possible that Agrippa received the idea of the 'tabula commutationum recta' from Trithemius. Book 5 of Trithemius's Polygraphia

22 J. Reeds

(written in 1508 but printed in 1518) contains a 'recta transpositionistabula' and a 'tabula transpositionis aversa' of exactly the same form asAgrippa's but based on a hybrid 24 letter alphabet formed by adjoining'w' to the end of the standard 23 letter Latin alphabet.33 These Latinsquares are of a particularly simple type, where each row is a shift of itspredecessor, giving the table an overall barber-pole pattern of diagonalstripes.

Agrippa's third table of commutation, the 'tabula aversa dicat irrationalis' is a more complex Latin square. The top row and right-handvertical margin contain the alphabet in its usual order; the bottomrow and the left-hand vertical margin contain the alphabet in reversedorder. The interior of the table is partially patterned. Most rows contain blocks of letters in consecutive alphabetical order. Because mostof these blocks are shifted by one square from corresponding blocksin neighbouring rows, much of the area of the table has a diagonallystriped pattern. But there does not seem to be a simple rule specifyingthe overall conformation of the table. It seems to be the result of anattempt to construct a Latin square as diagonally striped as possible,consistent with the given normal and reversed alphabets appearing inthe margins.

Agrippa's table of Ziruph, illustrated in my Plate V, is possiblycopied from Johann Reuchlin (1455-1522), who in turn owes muchto the thirteenth century Kabbalist Abraham Abulafia (1240-1292) .34

It consists of 22 rows, each with 11 cells per row. In each cell is apair of Hebrew letters, placed in such a way that each letter appearsexactly once in each row. Each row represents a reciprocal substitutionalphabet: the letters in each of the 11 pairs are to be substituted foreach other. One of these rows gives the 'Atbash' alphabet accordingto which the first and last letters of the Hebrew alphabet (aleph andtaw) are interchanged, the second and second from last (beth and shin),and so on.35 Successive rows are obtained by alternately shifting all theleft hand elements of the pairs to the pair to the left or all the righthand elements to the pair to the right (with a provision for reversingdirection when the end is reached) in a kind of contredanse.36

Such substitution alphabets are used in the branch of the practical Cabala known as temumh (permutation) in connection with theoperation of tseruf (combination). The intent is to enlarge the scopeof Cabalistic correspondences between words and phrases: two wordsare related not only if they have the same numerical sum, as in usualgematria, but also if the one is equal to the Atbash-transformed version of the other, and so on. The 'rational table of Ziruph' is possiblyAgrippa's invention. The size, shape, and general appearance of this


table is the same as the Ziruph table, but the pattern by which theletters shift from row to row is slightly different.

Not all large patterned tables appearing in the early modern periodare magical, however. For instance, a manuscript of Thomas Harriot(1560-1621) contains letter squares intended to illustrate a combinatorial calculation.37 These tables, like the Soyga tables, are derived froma key word or phrase, but unlike the Soyga tables, the pattern is completely obvious. Harriot used the key phrases HENRICVS PRINCEPSFECIT and SILO PRINCEPS FECIT to form squares of 21 and 17rows respectively. The following artificial example based on the keyword VERITAS illustrates the pattern. (The key phrase starts at thecentre and emanates in concentric lozenges towards the corners.)

S A T I T A S

A T I R I T A

T I R E R I T

I R E V E R I

T I R E R I T

A T I R I T A

S A T I T A S

Each of these tables is accompanied by a numerical calculation, whichturns out to give the number of ways the given key phrase can be spelledout in the square, following a path of vertical and horizontal moves toadjacent cells, starting in the centre and finishing in a corner. (Thepresent VERITAS specimen has 80 such paths; the general formula is4 times the binomial coefficient e:), when the key phrase has 2n + 1letters.)

And finally we have the tables in the Book of Soyga as our soleexamples of large patterned tables whose pattern is hidden. None ofthe other tables, intricate as they are, have so complex an underlyingpattern as that given by the N + f(W) formula used in the Book ofSoyga. It is no wonder that Dee found them perplexing.

Notes

1 British Library, MS Sloane 3188, fo1. 9r .2 All of these examples: Christopher Whitby, John Dee's Actions With Spirits, 2

vols (New York: Garland, 1988), I, pp. 146-147.3 Scrying, a cooperative magical operation during which privileged visual and

aural information - in this case from angels - is conveyed to the participants,was much used by Dee. Three differing views of what 'really went on' are presented

24 J. Reeds

in Meric Casaubon, A True and Faithful Relation (London, 1659) (which I havenot seen), in Whitby, Actions with Spirits, I, and in D. E. Harkness, 'Shows in theShowstone: A Theater of Alchemy and Apocalypse in the Angel Conversations ofJohn Dee (1527-1608/9)', Renaissance Quarterly, 49 (1996), 707-737.

4 John Dee, Spiritual Diaries, Sloane 3188, fo1. 9f , transcribed in Whitby, Actionswith Spirits, II, pp. 17-18 and translated in Whitby, Actions with Spirits, I, pp. 211212.

5 A marginal note on Sloane 3188, fo1. 9f , transcribed in Whitby, Actions withSpirits, II, p. 18, seems to say Kelley and Dee had met for the first time two daysprevious to this: 'Note: he had two dayes before made the like demaunde and requestvnto me: but he went away vnsatisfied. For, his coming was to entrap me, yf I hadany dealing with Wicked spirits as he confessed often tymes after... ' See my note 16for evidence of Kelley's continued ignorance of basic facts about the Book of Soygaa month later.

6 Whitby, Actions with Spirits, I, pp. 146-147; Deborah Elizabeth Harkness,'The Scientific Reformation: John Dee and the Restitution of Nature' (unpublishedPh.D. dissertation, University of California at Davis, 1994), pp. 317-318, 415. Bothguess the Book of Soyga might well have influenced Dee or Kelley. Harkness, p. 415,suggests that the Book of Soyga's Adamic association - in particular its use ofan Adamic language, discussed by Uriel and II, in Sloane 3188, fols. 9f and 89vwould have especially appealed to Dee. Whitby, Actions with Spirits, I, p. 147, citesI. R. F. Calder as conjecturing that the Book of Soyga is the Voynich manuscript(Yale University, Beinecke Rare Book & Manuscript Library, MS 408), the notoriouscipher manuscript described by J. M. Manly, 'Roger Bacon and the Voynich MS',Speculum, 6 (1931), 345-391; if true, this would be a case of solving one mystery byreplacing it with a greater. I see no connection between the two books, other thantheir probable ownership by Dee. The Book of Enoch, also called Liber Logaeth andLiber mysteriorum sextus et sanetus, British Library, MS Sloane 3189, was in effectDee's lab notebook, written concurrently with the Spiritual Diaries, Sloane 3188.Whitby, Actions with Spirits, I, p. 143, gives a description of its contents.

7 Deborah Harkness, personal communication, 1996, and 'The Nexus of Angelology, Eschatology, and Natural Philosophy in John Dee's Angel Conversations andLibrary', in this volume.

8 Oxford, Bodleian Library, MS Bodley 908; British Library, MS Sloane 8.9 This description is based on examination of microfilm copies, not on the man

uscripts themselves.10 'Zadzaczadlin': Bodley 908, fo1. 69v and Sloane 8, fo1. 70v .11 Robert TUrner, Henry Cornelius Agrippa His Fourth Book of Occult Philosophy

(London, 1655; reprinted London: Askin, 1978).12 Bodley 908, fo1. 51V.

13 Both in Bodley 908, fo1. 42f .14 As described by, say, Richard Kieckhefer, Magic in the Middle Ages (Cambridge:

Cambridge University Press, 1989).15 'Geber': Bodley 908, fols. 116v and 126f ; 'Steganographia': Bodley 908 fo1.

123V •

16 Bodley 908, fo1. 4f; Sloane 8, fo1. 6f . But this directly contradicts what the spirit'II' said during a scrying session with Edward Kelley and John Dee on Thursday 18April 1583, as recorded in Dee's Spiritual Diaries, Sloane 3188, fo1. 89v , transcribedin Whitby, Actions with Spirits, II, p. 332: 'Soyga signifieth not Agyos. Soyga alcamiketh.' (Dee's--or Il's-----€mphasis.) One might take this as evidence of Kelley'sunfamiliarity with the Book of Soyga at this early stage in his residence in Dee'shousehold.

17 Wayne Shumaker, The Occult Sciences in the Renaissance: A Study in Intellectual Patterns (Berkeley, California: University of California Press, 1972).


18 D. P. Walker, Spiritual and Demonic Magic from Ficino to Campanella, (London: Warburg Institute, 1958) and Frances A. Yates, Giordano Bruno and the Hermetic Tradition (London: Routledge and Kegan Paul, 1964). It is certain that Hermeticism and Cabalism were important formative influences on early modern magic,even if Yates's claims about their influence on early modern science are rejected.

19 Karen de Leon-Jones, personal communication, 1998. I have not found a singletable or chart or discussion of such anywhere in the works I have seen of the twogreat modern historians of the Kabbalah, Gershom Scholem and Moshe Ide!.

20 In Bodley 908, at fols. 180-197; in Sloane 8, at fols. 102-138; see my Table I.21 Book of Enoch, Sloane 3189, in four openings of the book, between fols. 58-65,

as shown in my Table I.22 In Bodley 908, fols. 167L 168v ; in Sloane 8, fols. 138v-140v . The Bodley 908

version seems to contain many mistakes.23 Charles Babbage, 'Notice respecting some Errors common to many Tables of

Logarithms', Memoirs of the Astronomical Society, 3 (1827), 65-67, which I haveonly seen reprinted in Charles Babbage, The works of Charles Babbage, edited byMartin Campbell-Kelly, 11 vols (London: W. Pickering, 1987), II, pp. 67-71. Summarized in Dr Dionysius Lardner, 'Babbage's Calculating Engine', Edinburgh Review,July 1834, no. 120; which I have only seen as reprinted in Charles Babbage and hisCalculating Engines, Selected Writings by Charles Babbage and Others, edited byPhilip Morrison and Emily Morrison (New York: Dover, 1961), pp. 163-224; thediscussion of errors in logarithm tables appears on pp. 177-183.

24 Yates, Giordano Bruno, p. 149 and note. The tables are in Agrippa, De OccultaPhilosophia, III, 25, not III, 24.

25 That is, Yates did not care to pay attention to the differences between thetables, possibly because she did not know how to. It is also possible that for Yates,magic tables - unlike texts or images - are not subject to the processes of copying,emulation, improvement, and confusion; that is, they are neither vehicles for ideasnor potential sources of evidence in intellectual or cultural history.

26 Raphael Patai, The Jewish Alchemists (Princeton: Princeton University Press,1994), pp. 277-288.

27 Menso Folkerts, 'Zur Friihgeschichte der magischen Quadrate in Westeuropa',Sudhoffs Archiv, 65 (1981), 313-338 gives a detailed survey of the genre. VladimirKarpenko, 'Between Magic and Science: Numerical Magic Squares', Ambix, 40(1993),121-128, surveys alchemical magic squares; in this connection, also see Patai,The Jewish Alchemists, chapter 26.

28 Heinrich Cornelius Agrippa of Nettesheim, De Occulta Philosophia libri tres(Cologne, 1533). I rely on the edition of V. Perrone Compagni (Leiden: Brill, 1992).In a supercilious scholium, Shumaker, The Occult Sciences in the Renaissance, p.139,takes Agrippa to task for a mistake in one of his magic squares. However the mistakeis clearly a typographic error present only in the Arabic numeral form of the square,and only in the particular edition Shumaker looked at. (Shumaker, p. 158, note70, seems to say he relies on 'Henricus Agrippa ab Nettesheym, Opera (Lugduni,c. 1650?)', which he understands to be printed in London instead of Lyons!) For a discussion of Agrippa's magic squares, see K. A. Nowotny, 'The construction ofcertain seals and characters in the work of Agrippa of Nettesheim', Journal of theWarburg and Courtauld Institutes, 11 (1949), 46-57 and I. R. F. Calder, 'A note onmagic squares in the philosophy of Agrippa of Nettesheim', Journal of the Warburgand Courtauld Institutes, 11 (1949), 196-199.

29 Donald C. Laycock, The Complete Enochian Dictionary: A Dictionary of theAngelic Language as Revealed to Dr. John Dee and Edward Kelley, revised edition(York Beach, Maine: Samuel Weiser, 1994); Whitby, Actions with Spirits, I, pp.144-146.

26 J. Reeds

30 Sloane 3189, fo1. 62v , transcribed in Whitby, Actions with Spirits, II, p. 227.Apparently one of the tables is not to be written, leaving only 48 to be put inthe Book of Enoch. It is tempting to compare this with the Book of Soyga's T36'Magistri', which has a missing row.

31 Agrippa, De Occulta Philosophia, III, 25, sigs. yiif -yiiiif . These tables are surveyed in a modern reissue of the J[ohn] F[rench] translation (London, 1651) of Agrippa: Three Books of Occult Philosophy, edited by Donald Tyson (St. Paul, Minnesota:Llewellyn Publications, 1993), appendix VII, pp. 762-767.

32 J. Denes and A. D. Keedwell, Latin Squares and their Applications (New York:Academic Press, 1974).

33 Johannes Trithemius, Polygraphiae libri se.7: (Oppenheim, 1518), v, sigs. oijfand oijv. It is barely possible that Trithemius received the idea of such tables fromAgrippa, possibly when they met in the winter of 1509/1510. In 1510 Agrippa sentTrithemius a draft of his De occulta philosophia which, according to Compagni (p.58), lacked the chapter containing the Ziruph tables and tables of commutation.Trithemius's use of the tabula recta is purely cryptographic, and most printed workson cryptography ever since include such diagrams, often under the name of 'Vigeneretable'. Since Agrippa's text does not discuss his tables of commutation it seems morelikely, absent any further direct evidence, that Agrippa copied from Trithemius.

34 Johann Reuchlin, De Arte Cabalistica (Hagenau, 1517), Book III, sig. Nvif ;I rely on the parallel-text translation of M. Goodman and S. Goodman, of 1983,reissued with introduction by Moshe Idel (Lincoln, Nebraska: University of NebraskaPress, 1993). For gematria and the Reuchlin-Abulafia connection: Gershom Scholem,'Gematria' in Encyclopaedia Judaica (Jerusalem: Macmillan, 1971) and GershomScholem, Major Trends in Jewish Mysticism, second edition, reissued (New York:Schocken, 1995), p. 127.

35 A somewhat similar table of reciprocal substitution alphabets occurs inGiovanni-Battista della Porta, De Occultis Literarum Notis (Naples, 1563) II, 16; Irely on a facsimile (Zaragoza: Ccitedra de Criptografia del Centro Politecnico Superior de la Universidad de Zaragoza, 1996) of the 1593 Montbeliard edition. This is acryptographic work, and Porta tables are almost as much a fixture in cryptographicliterature as Vigenere tables. Porta's table is based on a 22 letter Latin alphabetwith the letter K omitted. In Porta's table but not in the Ziruph table letters fromthe first half of the alphabet are paired only with letters from the last half.

36 There appears to be one deviation from this pattern. In the seventeenth row ofboth Reuchlin's and Agrippa's tables the letters sade and resh are paired, as are tetand taw. The rule used to produce the rest of the table would pair taw with sadeand pair tet with resh.

37 British Library, Additional MS 6782, fols. 27, 28, with associated calculationon fo1. 57. These are briefly described in John W. Shirley, Thomas Harriot: a Biography (Oxford: Oxford University Press, 1983), pp. 419-420, who apparently did notunderstand the calculation on fo1. 57. I intend to address these Harriot tables in asubsequent paper.

:Book ofSoyga

The Book of Soyga

bttp:/Iwww.researeh.att.com/-reedslsoyga.html

The Book ofSoyga is a medieval or early modem magical treatise, a copy ofwhich is known to have beenowned and (to some extent) studied by the mathematician and magician John Dee (1527--1608). Thebook itselfwas, to the frustration ofgenerations ofDee scholars, not to be found. Quite recently, however,D. Harkness found copies in the Bodleian Library and in the British Library, filed under its alternate title,Aldaraia.

Contained in this book are 36 large square tables of letters, which exhibit a complex hidden pattern that Iwas lucky enough to recently figure out. My paper will appear in a book John Dee: Interdisciplinaryessays in English Renaissance Thought, being published within the next year (or less, I hope) by KluwerofAmsterdam.

Click here to see a postscript version ofthis paper (without illustrations).~.~. :':':.'--- -.- .~. -.: -..";,""'" -~'."'",,:-.--~:. "._~" .-:-~":..,~~ ....~. -.: . -..• '~.~'~-"

Last modified 25 June 1998.

Jim Reeds [email protected]. com

8/27/988:28 PM

:Eoochian-L Mailing List Archives hnp:/Iwww.hoIlyfuId.orgIEsoteric/Emenocbian-I/9807/msgOOO17.phtml

Re: Soyga Squares

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• To: [email protected]• Subject: Re: Soyga Squares• From: [email protected] (Michael Arndt)• Date: Thu, 02 Jul1998 20:08:32 +0200• References: <[email protected]>

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> Thanks for all of this! I wonder if it has any relation (at least in> concept) to the Liber Loagaeth ... ?

Well, Jim Reeds speculates that the 36x36 size tables might have givenDee ideas for the 49x49 tables. Also, according to Reeds, Dee copied8 of the Soyga tables into his Book of Enoch notebook (I am notfamiliar with all those books and manuscripts-Dee seems to have written,so I don't know which book that is), pasting two squares together at atime, giving a 72x36 table.

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8/27/988:50 PM

Tabu(a 1 ~ NISRAM ~ Arid

n , i z 6 , i z 6 , i z 6 , i z 6 , i z 6 , i z 6 ({ i z 6 , i z 6 , i z

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Tabu(a 3 , IOMIOT , Gemini

i z 6 a i z /j i i z 6 , i z 6 ,{ i z 6 , i z 6 , i z 6 , i z 6 , i z 6 ,0 6 g k a 6 , i z 6 , i z 6 , i z 6 , i z b , i z b , { z 6 , i z 6 d i

m 9 n a c i s r ( y t r ( y t r ( y t r ( y t r ( y t r ( y t r ( y t r

i x e p q 6 u i 6 a x i 6 a x i 6 a x i 6 a x i 6 4 X i 6 a x i 6 a x i0 f g x 6 g c m a c a ( y q s r n p ( f d f z ( y q $ r n p ( f , f z (

t 0 P ( t x s u q z c 0 9 y k. i , u c i s 0 6 q t a u i , u c i s 0 6 qt Y 9 r q s c z s 6 6 t P m i z f y s r f q t g 6 c z ( a y s r f q i g0 g n 6 x i- s 6 z ~ z x 9 s r ( , 6 u i u 6 ~ IJ r 0 6 q x 0 c u x 6 { IJi x i y n a u z 6 m y n x k i 6 i q r u m g q t 6 q r g " t ( r i y 6 a

m u u 0 x q r ( y , , s f m 6 9 ( n 6 6 0 p f x r , £ y t , q 0 r k r m0 ( ( ( s a t t g k t c i c ( , q k z , t z 6 c u t s g 6 f s y i a t ui t t t C

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Ta6ufa 4 III ISIAPO III Cancer

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Ta6ufa 14 fI RELEOR, Taurus

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Ta6ufa 15 ~ TOIMOI ~ Gemini

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; p u t c q n z q P t x 0 y p x t q 9 u 0 t z t c a n r j z x 6 a p 6 q0 z y u s a p n 9 x { s y 0 z z x 6 m t y U P i r m m q c c a i- q m g ym y 0 t i P t a m u c x 0 y p n m g s d d b r u i c p J t r m i 9 s P mi n t t r c 6 i c z t m n n J p b i i s m a t e' z t f 6 i- f c m If u g s0 x u { 0 ( t z t 0 n c q k x 9 b 0 r f 0 i k u p s 0 q B P q i u m If ut J y c r y u P 5 Y t r d p { d n t h [ [ J m t z u j s p e B p If. d { rt 0 9 i /j , 6 r j a g z j r J t x u z n b 6 r 9 J y x k 9 [ tf u b If n fj

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Ta6u(a 16 t1 OPAISI ' Cancer

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Tabufa 17 ~ ESARRO ~ Leb

e' t a i z b , i z b a i z h d i z b a i z fJ a i z b a i z b d i z b a i

s a i z 6 " j z 6 a i z b a i z 6 d i z fj d i z b a i z b a i z 5 a i za J ( u r p y p p r u p p r u p p r u p p r u p p r u p p r u p p r u pr r y m q m x 9 x i { m 0 6 y g x i { m 0 6 y 9 x i { m 0 6 y 9 x j ( mr e' n c t u n x n z n c r n n X n z n c r n n x n z n c r n n x n z n c0 n i Ii a y t m m y e' r t , s J p n d 6 Y e' a , q u e' r e' a s J p n d 60 x t q X 0 n c p m d y u t c i f p r t g { a e' 9 c h y u t c i f p r t

r i i- Ii c r a e' J 0 m x m s I j b u i k. Y c d ft Y s q t e' ~ s r r c u (

r u 6 R s 6 c 6 [ [ i m [ p a Ii n { J m x s m i n i 9 b 9 q P 9 z e' [ fj

a y r x R. r 0 q 6 q J 0 t z c ( R c i c a u i 0 x a i q a x 9 n 0 n 6 Rs 9 z z m q { n y fj f t q u s t s [ j e' P It t Y n P y 6 i m J p a s R fj

e' x p n c t t x 0 q h q n { p i i b fj It g q q t x 9 e' Y a 0 0 z Ij u b de' m 0 x s a a z q n y fj s t Z { j a n a i 9 y [ s p s 9 E u J b h b d is u J z u t i 0 a p m g a x p a h i d j { d d q P e' i x y m e' q e' q a [

a y x P k. I j q x 9 s P 0 j r m 9 p r r y t m p e' t r i n c b x u h j nr k. n j m k x h c i- t 9 u x i c It 9 z t 9 b 0 z 9 D t r a e' y n ( e' u e'r x I u d P { e' r x 6 i [ s r 0 s p n It y r 6 b i q q 0 i t 9 t t n I b

8 c 9 x c Ii y n q f n i h t c s x b t k r u h x j ( q a a x e' b at1 J a0 0 p q d c j It 0 x b I It a k I z u n q x { 9 z y z z h q n s i m ti 9 f{

r b r d i r r x j z Ii. c n p z n 0 e' d x n b i 0 9 j b it b s c m t a i ar n fj i z t b z fj e' a e' d u P c r q a z p p y j i u r x z U $ U c d 0 ia p x a b x r ( e' t i t m t z e' fj x q u 9 x 0 0 r fj y n 0 e' i ( z j q if5 z Z c e' m q fj k. ( f x ([ a D 9 0 J s t x n e' e' h n n d t n z n 0 0 a /j

e' 0 h h It d x z m It x n s ; q d t 0 c b c q b g 0 x e' $ d s h s y j c (

e' e' Y z m c a b 0 s j P h 0 a j x j e' Y s a d m n m d z j u z u 0 0 t bs n n 0 u 5 i q £ P t z k J c i m e' t 9 a c 9 s x d i 0 0 t 0 e' e' e' b Ie.

a p c r h z [ n b r 9 J m e' r u d Ii. [ a J e' x Ii. n s r b q h q b 9 [ y br c J t q u c q y i x x d f{ i { a m k. t 0 n m ; a z t k. h g Y r s t 9 Iir 0 0 d x m b s E P I s m i z n p b m s y I c m c c y b k. Y 0 b u I d n0 y j j z 0 k It. Y 9 r } 0 r I It. g h r J a g ; c } r n q 9 e' e' q r y t x0 9 m e' 0 Y b m x y i u J t t s P x i u q " 0 { c h s a i t n 9 z a x nr s u u j a d r i n z y x I q P e' m h b s m n b e' Y k q j x t x P 0 j pr j y m t p r t z p n n m It h u u d n q p b P P s 9 q n u n t j r b h ua h d r q m q b b r a p b m 9 c z j p J r n j r j i g t t d a h y r t e'$ q a t a 0 a d g z c s ~ " m b b h u x i d I 0 0 r s d k t i Y 0 b x ue' 9 9 b c r m c k P q P z } 0 It r t t m h i b q l 0 c 9 q q J a q y n t

Ta6u{a 18" EUCASO II vir80

i t ({ i z h d i z b ([ i z b a i z b i i z b d i z b d i z b tf i z [, d iu ( a { u r p y p p r u p p r u p p r u p p r u p p r u p p r u p p r u, 0 i b Y i j a r c u m 0 z t t J r t [ m 0 b y B x i { m 0 b y 9 x i (

a q f i a 0 0 i 6 6 6 0 y P i t 0 6 9 r z q y 0 p ( f n c r n n x n z nj a 6 i s y J ( t Y r [, a r u [ ( y y i 0 a a q m i. x t r t d j j p n d0 i Y a u 0 0 t n n fj 9 9 z y c 0 9 t z q x q n c n m a y u t c i J p r

0 r k. q r 6 q q i- t Y Y Y P m 6 q d k. P J z s x s x a i n { q z { , s bs [, m p g 6 x fj p s 9 t' n J 0 k fj i a r r { p ( p ( a { k , t 6 q z u ra d r c R. z z f. 9 a i t x x J m 9 p 0 6 t t z n ,] n p a m [, x z s 6 [, t, g z t' a b 6 m If c m s f z b r $ z q y { q u t u t' f , p p ( u i- z i a

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t' , ( r m r s s { z t y i q P m r y 6 i n f. 6 a u fj n t q t R. t j r 9 r

u t t b 0 b u It , , y 0 r d u d y 0 q J p z d IJ y z P i 9 [ 9 ( , u y ic y l Y Ii d b m [, t' n e' b i [ a a q n u 9 J j h d t j { d q d q z y 0 r

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0 b r t s It t t 0 m q a t i x s J x , P h J m a 0 m p k q m y i. y 0 n Its i. i i. k. b x { { i 9 ft { J z u x n r c [ c p 0 y d u b s u 0 s 9 u e aa m b p z d c 0 t r s s t 0 6 [, z p 9 i b e' IJ q t m t R. f. m n i x m d fc p x 9 j J I e' Ii. i i ; Ii. Ii It r ( m j I Y u x b a 0 d P z 0 x a z 0 m tu 9 d m t u u u b ( If { g m i b q i u , b Y n Y q { a r { { s i 0 Y a k.e' x t u u m t t q b { h m [ IJ It h 0 e' r n n d d x c d y c 0 , m n n s st m s t { i f{ u h n fj k. d q c n y J 9 z P c 9 Ii. n r p m b q z 0 x e' i iu d z 9 r u b y z p p z j s [ Ii. 0 0 p n j e' x 6 P 9 x d 9 y P " c h 0 rc 9 j i n b tf ,{ t j r [ c x c n t' t j P t n m a r s j J i n j- f ( y J t

a i u a l r p r q c u c If z t' d k. u x g b P b c u Ii x x a p t 0 n n u [

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a u b r 8 0 t e' n u p Ii It r d x m I h Y 0 b z t' d c 0 d q m 0 9 q 9 i bc z a y y IJ x u e' ( m t' a t m u d q e' n t q u u t I { a s u J i g n z du p r It 0 0 Ij Y u c p s i /{ " b j s n d Ii h b Y { " q x Ii m t' z i d e se if t s y IJ h d b t :j u a m c e' u Ii e' s s q y 0 t q n m i c b t z j 9 a

Ta6ufa 19 " RI UAUX ~ Libra

r e t " i z b d i z b d i z b d i z D d i z b a i z 6 a i z b ri i z 6 rii t " i z 6 i i z b a i z b a i z b a ; z 6 d i z b a i z b d i z b d iu ( a ( u r p y p p r u p p r u p p r u p p r u p p r u p p r u p p r ua n p a y i f a r c u m 0 z t t f r t ( In 0 6 y 9 x i r m 0 6 y g x i (

u e J c 6 { , ri Y s e c r ( q D fj Y u c P tf g e x n z n c r n n x n z nx u x s { c f f a u u s b n 9 h n n { z r p u u n " e , h Y e' , c q u e'x m u k 6 t u x q r 6 z , s p x e' , q u i f y m m c 6 i Y 0 n s ( n { 6u tf 5 m a 9 c a s 6 k P r J r i t m p R. a /j ({ r z t y a a q i. k. c q 6 9a j { r m J e' P 6 9 q m q c u a x , u 6 c { a t 6 f- a i p I} m i r d n xu x t 6 0 0 n J f- y 6 r a b 6 c a f y r a t i i- z m n z r r z ( 0 m m ui m s i- f q i- x 6 a R. i s q y s i u 0 5 q q J m y tf s E y i 0 t Y d r 6r z u 6 fj x 6 z d j m b z s 9 a ( r 6 ti x 6 { i n s c { t r b x 0 m q e'r { r n y n q u t 0 u z 6 u y q fj y r p [ t 6 ( i i s t a y r i e' c t ni 6 t x 0 x Jj b x j y p P f. 0 a f. 0 6 r y u r y b m r 9 f.. 0 b ( 6 t f.. e'

u r 9,

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u ( m q tf r u z q b 9 u r [ e y i- t x m x Ii. u u q c a j If z q h 9 d P 5

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a m 0 j t A h A s 9 s s y e' P 0 s 9 a n y m z z i t i x c y n u ( ( 9 uu a t 0 n a ti p fj m r j a 9 x J u y t x 0 u p n z x a z e' n d h n b i [

; 5 a t x q a r t u i u q a c i { t d c r h u e' 0 J c c fj s m a p p y cr j j x n 9 9 z x m 6 b s m 6 { 6 a j e' 6 n { b q c J e' Y k a f r c b e'r r r i d m } b z 0 q y k d 9 r t i u u z p a d x s 0 n n a J h Y s f. ui h Y a J- 0 0 k P ti x 0 5 m J t d 0 t t u 9 9 k n i e' a s i u z a u b yu z a c i e' e' a r p { { P h fJ a J q b n ( d m i ti 0 n 5 c m t b J y r k.a ' h c J ( 6 9 9 z r y c s i- z c i 9 fJ s t m ( IJ ') q k Ie. s u I t u 0 b mu r 0 0 t k Y y P B e' r J m y s r s q P i c 0 0 0 a m i i { h i. m n q ix i eJ e' Ii. b a a r s n h ( i n i h z s z { z q { { x d 0 r y z m { A fj 0

x a 9 [ 9 h J c u Ii. e' Y c m m h n 0 c c 0 h x c 0 } j q 0 B } 0 t S q Iu q d q d n u s t a 9 e' r z 0 q It } e' r b Ie. n r b h I n e' x x j x Ie. h qa s m p r a y i. u q d It i 0 Y h P t n h 9 q It i q e' b P s If z h c n y hu k d u ; p m i , n s s r b a i- 9 b P x Y h P y h Ii. r c x x p x s x 0 qi a f y a r z [ h s c x i q x h i q m u 0 q m x z m q z z z r i i m n 9r m t n P 8 j n y Ii. s J [ n m a ( n c z q n c a b 0 a b b b t r u d s P

Tabufa 20 ~ CASOAR , Scorpio

, J /j n d i z b a i z 6 d i z 6 d i z 6 d i z b d i z. b d i z b ({ i z ba /j n a i z 6 d i z 5 d i z b d i z b d i z 6 d i z b a i z 6 d i z b ds q f. t r { y t r { y t r ( y t r [ y t r [ y t r [ y t r [ y t r [ y t

0 a m s 6 n n k i 6 a x i 6 a x i 6 a x i 6 a x i 6 a x i 6 a x i 6 a xa c p fj 9 t X 6 { y q s r n p { J , j z { y q s r n p { J d f z ( y q sr 0 z i. y { s k , 6 s c u ( J n u t 0 6 q t a u i a u , i s 0 fj q t a ur b 6 m x c x 6 ~ q P q r i c q r 9 u z s , J J a J y s r J q e 9 b , za a 9 s j ( m a 9 y 9 y i g i g z ; { u i- t 0 9 9 m x k. i u 6 k. Y r 0 60 m IJ u x u d J i n x 0 r s r s 1J 0 t ( a x J i x , , n z y z m x i e ys u x m u m c i z P ( { 0 c u k z q q 6 c a fj 0 J J e d t n 0 u n z 9 (

a y n , z 0 [ J 6 r y c r 0 e a 6 s a , b f i- f fj ( 6 f 9 t Y m m y y u, b P q u IJ n u r ( n r e t t i q P 0 m 9 m i u z n q c R. ( t u d a a b, t if s ( u ( { 0 n { y u u ( f $ Z q i x { 0 e 0 x fj fj p a x m c 9 i- ra 9 m r q r q h t x t 9 , z n u k P j { s m n t y n y z r m u d h m i bs P b t a t a k [ s a tn b b P { h r r y It a s d , s 9 J t u m , [ i z R.

0 z a a , y q 9 r f J 0 i- r , n q 0 b a m c x t tn r s 0 a b 0 [ h 0 6 Pa b IJ c j a s p 9 tn ( ( a t { it h t It q i r i It. a y It. J J tl t t q [ ( I]T 11 U S 0 i i j i c h k. q q b P x [ g y a t r x t 9 q , i s a a s t n ur a y R. i} ( J h 0 ( e' a s a k- g { q d d J x i m s p j ( z u t i i It ( (

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r m i t c a t s j J h I Y t r a It h 0 p J f J u t k. 6 5 (, r b m n q i Ii.r z [ q z c y k. x x z B e' k. i P z i. j r r r r h a m a u z t It d s a I ga b n 9 iJ e' n a z z b i t s r , c n u i h Y i Y q i P k. P i a j u q 1J m0 k. r x x u e' p n 0 k. a x It i r 0 x m h n n z a s r , n f { x x m p x ds s n m u m d u e' e' a , a m h y j z 0 q k e' 0 { i h h s 0 t j Z 0 Z Z ja u e' c z 0 m t n t i r m [ e' n u p d x b g u a £ e' Y i. j x x P d e' 0 0

c z 9 i 0 Y a a p i z t u c h s e' j j z a m t i 6 g e a h c a r p s y j

Ta6u(a 21" AUDASR" Sagittariu5

a c j b n i i z 6 i i z 6 d i z 6 d i z 6 a j z 6 a i z 6 , i z 6 d i zU $ 0 q k t r ( y t r { y t r { y t r ( y t r { y t r ( y t r { y t r (, z q n a x i 6 a x i 6 a x i 6 a x i 6 4 X i 6 a x i 6 a x i 6 a x i 6a 6 s x q s r n p ( f , f z ( y q s r n p ( f d f z ( y q s r n p ( f ,s 1 l n 9 a t x 9 r r p t 6 q t a u i a u c i s 0 6 q t a u i a u c i sr x 6 P u q q s p 9 z r B 0 a x q r u t ~ r u i- J k b a c z ( a y $ r IJr i q m t a s c s p n h m n p ( n 6 6 x u i { 9 m i y q z 6 n p m r ~ us r , r g 9 a ~ i J p x d s z n d n q s ~ z n x d 0 g y p p c s u i t ~

a t m q d m z g P t z z J u p c 9 t a u u p c a j q d tl u 9 i i ( j x ud a 0 a j 0 6 m 0 d ~ 0 0 ~ J ~ x { x m t z ~ P t a j j y y a { fj [ s ~

u q [ x x J f. tl t m d t Y u x u n 6 z 0 a ~ t Z X q c i n n p a f. c x ua s t f z fJ p r 9 s m s 9 c a y ~ q u f f 9 6 6 z s { J p c s i a t m t

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Ta6u(a 22 * AGORTA ~ Capricornu$

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n a i z 6 d i z /) { i z 6 a i z b { i z 6 d i z b a i z 6 a i z fj d i zi s r { y t r { y t r { y t r ( y t r { y t r { y t r { y t r { y t r {

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n j x a y J a 9 e' n a p q J 9 t s n i tl r g t i d c c a r i i t s s g zn u n p m t p u u t 5 Z S 0 P i i a 0 m q d R. a J e' r m q j { q p fj m Yi { R. 9 $ n J y m d z b u j r u a j q i 9 k b c i t b 0 a h q n j l "

,e' 6 m j u t u 0 " t b 9 , i b b , i 9 P u b d h 0 d g u q e' 9 t 0 s m ,6 a r r fj R. m n [ q t' x s r t R. s r s z Y r P x J J i ( n t p i t i c J0 m q 0 q g s X c t n m r e' i- f) u i i 0 9 z r i u x a n d a r u u a t' u... v a q n x R. n r g t u i t S It m h 0 Y Y P g P It n p , g g z Y m z 9 ,a q x h 5 j m m q d a y a x i- f, 0 q ( t 8 x y 8 q It g i x y p m ( u y s0 a z R. k. x d r d i P m z z m a q n b x y n n x 6 P u a z a r z n ( t ,5 c c n a z J t m h u d e' 0 u q n d 9 a d s x n y 9 c d t' P 8 j P a x sI r 0 x q u x ( i Y m c b t e 9 t m J J j u n a d m b J 9 x y x 9 9 d zi h t ) s e' m It a a 0 I e' It u Y I i u x x m m c 9 s i. x Y n n m J i s 5n y [ c x u tl P 0 i e' b .8 q r Ii. c m t j- z 0 u s P h P f t x t' c i z u zn n b e' m t m 0 y a g h m p 9 q z 0 d t u J Y k- g 0 z n i n t { j- b J Pi ,

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i j z 6 n { 6 0 ( u e' ( z u u P ft t 9 x y x 6 n m s r q [ t u i J d 6 0

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0 b ( q y l m t m s 0 9 k a , p a t d n c 0 n b 0 m i y Ie. I d , s u p 9i Y u h d q i It d z q d P 0 t m z x t X s y e' q { i z a m k. t [ P It 9 na a J z J s r x t h x t Z q h r { 5 a c x 0 n 9 r u p 0 u 6 x c S 5 P c; p m y x It i m 5 q 5 a ( B 0 b n i 5 i I 5 Y e x i I m n I y n r j u 9 ia r z a z m h r j s c B I d t it e z u c x 0 n m h q i a q t x i u m J (t h t P n c [ 0 0 c J i h J x h 9 j y s j q It d n 9 p r d a z I r z h q( y u 9 t I h t Y s 0 r n u n q d I t c i 9 q a p u B z j c c 0 b b k ba a y y { h n k 0 c r e d b P j J n It s r s a c s e x p t I z q y r x zi p m x c t It b q z t n s It 9 m t' d P h Y k. q z u u n j x c c t g z z ba r z z t' b m a s h a p b P u d k. t z It 0 s a b y m m t m b e It y P n qi h e 0 n q i P h n p t Y 9 c g q q u b q P 0 It 0 u d It d B t g t j P 'j0 q b q It h 0 z It t j g t x s p j 5 e' q n J q g u m c n s p a i t 0 z b

Ta6u(a 28 , ITIABA , Sons

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a t $ r k r z k y Y t Y 6 s c u t J n u t 0 6 q t a u i , u c i s 0 6 qa 9 a t 5 6 6 m x 0 d d 9 a t { 6 6 5 t i J f. 6 a c z ( a y s r J q t 96 i P i i q Y d c r p r s i t t k z u u b 6 P x q z 6 n p m r t u h f- Ya ( m fj 0 a a J t 6 u i i z x { 9 J y m a i 9 d x P P c s u i t t Y 6 ai 6 0 q { x q c h n { J ( u n 6 i u 0 u q 9 n s f r c J u m fj a 9 t q xt i. J s t j s ( t a q c 0 t a 9 p i- f y h m m r r t r r 6 r t i x u 6 ci a 6 z x x f- c 6 i 9 i t t m J r x x 0 q i c u i t b t q 0 d 0 J y z ti P x P ( s s ( t z i z 9 6 0 0 b z z q n z t [ J x r 9 y J J q c b b 9t Z Z r y f- i- c fj t z b i q ( ( y p n 9 t 6 f. , i m q a a ( c t ( Y r si 0 h Y 0 S 5 { t t h g P j- n b a r a i It z m b { i 9 It t t l q h d Y Ita q t n t i i b 9 b Ii Y B m m a c u q J m y a B r u y b x I 6 x z J a mb s n d f. a { J y r x 0 P 6 0 i r fj x x , , i x i [ t f. n b R. n 0 0 i c,-I1r t 5 S i b a a t j q m a q J t q s j j j [ s r y [ 9 t i. b P a t r 0

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Ta6u(a 30 II REUELA ~ Me'rcurii

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Ta6u(a 31 II UISEU A #I Lunae'

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Ta6u(a 32s MERONF:$ Ignis

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r c t t m n p m i m [ j h x 9 9 z b x { z r 9 x n b J m I t r d m x z nt r 9 b 0 x 9 s r z n u z z i x P P [ fj t fj m u t q c p a x i s u n 0 xm q a 9 u n x i- i 0 x m y p y n J r y z 9 0 u m d x s z c a ( p it.. ~ i mm p r s i d c n z q 5 U 0 Z a p t b a b i ~ { i s J u p q x c s s n t u( J t c b i r a b s c z q u q m s It q Y a g r u It x m 0 a z t i i d a yr r 9 i Y a t i q P q u h b s u P- b s 9 9 n b b m u d t i 0 n z { a , b0 b i z a c y a s z s t y r J y b d z i x ~ y r z y t d 0 Y ~ 0 t i r nn q J b c j II C X P h It 0 b b d 9 Ii P Y n t 9 z b II X t Y 0 n ( It a t x

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Ta6u(a 33 II ILIOSU , Aer{s

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Ta6u(a 34 , OYNIND , Aquae'

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Ta6u{a 3:5 II IASULA II Tetrai

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Ta6ufa 36 :I MOYSES" Magistri

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John Dee and the Magic Tables in the Book ofSoyga* · PDF file25.06.1998 · John...

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Transcript of John Dee and the Magic Tables in the Book ofSoyga* · PDF file25.06.1998 · John...