Jackson Center for the Arts

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JACKSON HOLE CENTER FOR THE ARTS This 35,000 sf Performing Arts Pavilion – located near the village center and connected to an existing Arts and Education complex – includes a 500 seat proscenium theater for drama, dance, and music, as well as a public lobby, music practice rooms and theater support areas. CONCEPT STATEMENT The theater responds to the seasonal fluctuations of a resort town with a seating configuration placing 200 seats in an orchestra level allowing for an intimate setting, and 300 seats in a balcony above providing the capacity of a full theater. The transparent lobby connects the theater to the community, revealing the activity within as well as bringing the surrounding landscape into the space. The grass amphitheater, an extension of the lobby, leads up to a park at street level. The building masses are unified by a skin of wood slats that are exterior cladding, sun shading and mechanical screening. A continuous canopy through the entry spaces unifies the sequence from street to lobby. The exposed concrete fly tower and wood slats express a utilitarian nature of the early local built environment.

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Transcript of Jackson Center for the Arts

Page 1: Jackson Center for the Arts

JACKSON HOLE CENTER FOR THE ARTS

This 35,000 sf Performing Arts Pavilion – located near the village center and connected to an existing Arts and Education complex – includes a 500 seat proscenium theater for drama, dance, and music, as well as a public lobby, music practice rooms and theater support areas.

CONCEPT STATEMENT

The theater responds to the seasonal fluctuations of a resort town with a seating configuration placing 200 seats in an orchestra level allowing for an intimate setting, and 300 seats in a balcony above providing the capacity of a full theater.

The transparent lobby connects the theater to the community, revealing the activity within as well as bringing the surrounding landscape into the space. The grass amphitheater, an extension of the lobby, leads up to a park at street level.

The building masses are unified by a skin of wood slats that are exterior cladding, sun shading and mechanical screening. A continuous canopy through the entry spaces unifies the sequence from street to lobby. The exposed concrete fly tower and wood slats express a utilitarian nature of the early local built environment.

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AREA LOCATION MAP

JACKSON TOWN SQUARE

CENTER FOR THE ARTS

SNOW KING SKI RESORT

CACHE STREET

FUTURE PARK

PERFORMING ARTS PAVILION

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SECTION PERSPECTIVE

ORCHESTRA LEVEL (200 SEATS)

SCENE SHOP

MUSIC PROGRAM BALCONY (300 SEATS) STREET LEVEL BRIDGE

LOBBY CONNECTING TO ADJACENT FACILITY AMPHITHEATER

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SOUTH FACADE

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SOUTH FACADE

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SOUTHEAST CORNER FROM STREET

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NORTHEAST CORNER FROM STREET

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THEATER INTERIOR SHOWING LIGHTING CAPABILITIES

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RELATIONSHIP OF THEATER TO LOBBY

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LOBBY BELOW THEATER BALCONY, WITH VIEW TOWARD AMPHITHEATER AND SNOW KING MOUNTAIN BEYOND

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VIEWS FROM STREET

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DETAILS SHOWING SCREEN AT NORTHEAST CORNER AND AT CONCRETE FLY TOWER

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ENTRY CANOPY

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DIAGRAMS OF SKIN AND CANOPY UNIFYING BUILDING MASSES

SKIN WRAPS PROGRAMATIC ELEMENTS, CREATING INTERSTITIAL SPACES FOR PUBLIC USE.

CANOPY SLICES THROUGH BUILDING MASSES, UNIFYING INTERSTITIAL SPACES LEFT BY SKIN ENCLOSURE.

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LEVEL 1, ORCHESTRA

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LEVEL 2, BALCONY

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LEVEL 3, MEZZANINE / CATWALK

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EAST ELEVATION

SECTION