Invitation in Preservation and Presentation · Presentation Sonia Campanini Film Sound in...
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Film Sound in Preservation and Presentation Sonia Campanini
Transcript of Invitation in Preservation and Presentation · Presentation Sonia Campanini Film Sound in...
Film Soundin Preservation
andPresentation
Sonia Campanini
Film S
ou
nd
in P
reservation
and
Presen
tation
Sonia Campanini
has the pleasure of inviting you to the public defence
of her joint doctoral thesis
Film Sound in Preservation
andPresentation
on ThursdayApril 17, 2014
at 14:00in the Agnietenkapel at
the University of Amsterdam
Sonia [email protected]
What is the nature of film sound? How does it change through time? How can film sound be conceptually defined? To address these issues, this work assumes the perspective of film preservation and presentation practices, describing the preservation of early sound systems, as well as the presentation of film sound in the spaces provided by film heritage institutions. The preservation and presentation practices analyzed bring differ-ent dimensions of film sound to the fore, such as its material, human, technological, institutional, experiential, and memorial dimensions. The definition of film sound is constructed around the concepts of material form, trace, and performance, which explain its transitory nature and its many facets.
So
nia C
amp
anin
iISBN 978-90-6464-765-9
InvitationFilm Soundin Preservation
andPresentation
Sonia Campanini
Film S
ou
nd
in P
reservation
and
Presen
tation
Sonia Campanini
has the pleasure of inviting you to the public defence
of her joint doctoral thesis
Film Sound in Preservation
andPresentation
on ThursdayApril 17, 2014
at 14:00in the Agnietenkapel at
the University of Amsterdam
Sonia [email protected]
What is the nature of film sound? How does it change through time? How can film sound be conceptually defined? To address these issues, this work assumes the perspective of film preservation and presentation practices, describing the preservation of early sound systems, as well as the presentation of film sound in the spaces provided by film heritage institutions. The preservation and presentation practices analyzed bring differ-ent dimensions of film sound to the fore, such as its material, human, technological, institutional, experiential, and memorial dimensions. The definition of film sound is constructed around the concepts of material form, trace, and performance, which explain its transitory nature and its many facets.
So
nia C
amp
anin
iISBN 978-90-6464-765-9
Invitation
Sonia Campanini
ISBN 978-90-6464-765-9 © 2014 Sonia Campanini Cover designed by Loo Printed by GVO printers & designers B.V.
Film Sound in Preservation and Presentation
ACADEMISCH PROEFSCHRIFT
ter verkrijging van de graad van doctor
aan de Universiteit van Amsterdam en
Università degli Studi di Udine
op gezag van de Rector Magnificus
prof. dr. D.C. van den Boom
ten overstaan van een door het college voor promoties ingestelde
commissie, in het openbaar te verdedigen in de Agnietenkapel
op donderdag 17 april 2014, te 14:00 uur
door
Sonia Campanini
geboren te San Secondo Parmense, Italië
Promotores: Prof. dr. J.J. Noordegraaf Prof. dr. L. Quaresima Co-promotores: Prof. dr. G. Fossati Dr. S. Venturini Overige leden: Prof. dr. B. Flückiger Prof. dr. V. Hediger Prof. dr. P.P.R.W. Pisters Dr. C.J. Birdsall Faculteit der Geesteswetenschappen
UNIVERSITÀ DEGLI STUDI DI UDINE
CORSO DI DOTTORATO DI RICERCA IN STUDI AUDIOVISIVI: CINEMA, MUSICA E COMUNICAZIONE
CICLO XXV
Tesi in Cotutela con UNIVERSITEIT VAN AMSTERDAM
TESI DI DOTTORATO DI RICERCA
Film Sound in Preservation and Presentation
Dott.ssa Sonia Campanini
PROMOTERS Chiar.mo Prof. Leonardo Quaresima Chiar.ma Prof.ssa Julia Noordegraaf CO-PROMOTERS Dott. Simone Venturini Prof.ssa Giovanna Fossati
ANNO ACCADEMICO
2013/2014
