In this section, you will look at model performers in the following events: Sprint Hurdles High Jump...
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Transcript of In this section, you will look at model performers in the following events: Sprint Hurdles High Jump...
In this section, you will look at model performers in the following events:
• Sprint
• Hurdles
• High Jump
• Long Jump
• Javelin
• Discus
• Shot Putt
Sprint Model Performer
Take long strides
Elbows high and drive them forward beside the body
Lift knee high in stride
Run on the balls of your feet
Face relaxed - jelly jaw - no tension - mouth relaxed
Shoulders held down (long neck), back (not hunched), relaxed and square in the
lane at all times
Eyes focused at the end of the lane - tunnel vision
Hurdles Model Performer
attack the hurdle and aim to clear it, by approx. 17 to 18 cm, as
quickly and efficiently as possible
Lead leg knee is picked up fast and driven at the hurdle. Lower part of leg extends forward over the hurdle
lead leg straightens as it descends towards the ground
Trail knee sweeps wide and flat over the hurdle with the foot
cocked at the ankle so that the foot does not hit the barrier
Three strides are used to cover the ground between the hurdles
High Jump Model Performer
The run-in should be curved in towards the bar to give your body the angle and speed to launch.
You should take off from the foot furthest from the bar
Aim to drive yourself upwards, using your arms to power yourself over the bar.
Use your leading leg to twist your body over the bar and aim to lay back.
Arch your back and lift your hips
Even after your bottom has cleared the bar, make sure you lift your head and feet to complete the clearance
Long Jump Model Performer
About halfway down, pump those arms and legs to get maximum speed and hit the board in top
gear
On take-off, power yourself by driving your leading leg upward.
force your body through the air by circling your arms
thrust both legs outward in their extended position, and drive your hands down.
This will thrust your shoulders and head forward
On landing, bend your knees and move your upper body forward as you hit the sand
Javelin Model Performer
The javelin should be held horizontally
Your legs will provide the speed in the run up to obtain the
necessary power.
As you approach the line, pull the javelin back with a straight arm
The javelin should be pulled through strongly after the left leg is firmly planted before the line
keep your throwing elbow high and over the shoulder line.
release the javelin over your front foot and twist with the hips to the front to create power
Discus Model Performer
The discus should be held by the pads of your fingers with the
thumb resting against the side of it
Face away from the direction you are throwing and prepare to spin
To generate speed and power, try to move on the balls of your feet
as you spin your weight is shifted to the left with your right foot
being swept around to the middle of the circle with the discus trailing behind.
discus should then be released with the chest, hip, knees and
toes facing the front.
Shot Put Model Performer
Rest the shot on the base of your fingers and push it against your neck – it should be kept here under the final release.
Adopt a back-facing stance at the back of the circle, with your weight mainly on the right leg (if you are right handed)
lower your weight onto your right leg and form a low and closed crouching position
drive your right leg downward and then powerfully thrust your left leg towards the toe board
With a side-on stance, transfer the power up through the legs, body and throwing arm
with a high elbow, release the shot by punching your arm to the sky and
flipping the wrist