In spite of, and maybe even therefore - Simon Steen-Andersen · 2009. 2. 6. · multiphonics should...

In spite of, and maybe even thereforefor flute, clarinet, bassoon, horn, percussion, piano and double bass

by Simon Steen-Andersen 2007

Instrumentation:

Amplified group:

Flute (sitting at a low table)

Horn in F + practice mute (sitting at a low table, must be a double horn and have a detachable bell)

Clarinet in Bb (sitting at a low table)

Unamplified group:

Piano (slightly prepared, closed and dampened underneath with pillows or blankets)

Double bassoon

Double bass (4 strings, 4th string detuned 1 octave)

Percussion (1 vacuum cleaner tube with guiro-like surface, 1 plastic card and 1 hot-rod)

SCORE IN TRANSPOSITION

Staging:

flute

horn

clarinet

(conductor)

3 tables with mics

piano

double bassoondouble bass

percussion

Amplification:the normal playing and the actions on the tablesshould be amplified a lot (as much as possible) with one or more microphones (for example a combination of overheads and contact-mics).

Flute:The flute is slowly taken apart: The flute is only played normally in the very beginning. Mostly the flute part consists of taking the instrument apart, playing on the bits and sliding them around on the table.Dynamics: The flute only has one dynamic in the piece; ppppp – as soft as possible, but always sounding, and always trying to match thedifferent sounds dynamically. All actions are amplified.Resulting system: Above the main system is a small system with a reduced and quantized result of the actions to show the wanted sound or pitch. A normal note head means pitch, a squared note head means noise, a cross means percussive sound. Tuning: The pitches in the resulting system are quantized pitches. Many of the alternative playing techniques produce tones, that are more or less out of tune or very noisy. The harmonies (Bethoven Bagatellenop. 126) are not intended to be in perfect tune, but nevertheless, an effort should be made to get as close to the written pitches as possible.Quasi legato / tenuto possible: All actions marked with a tenuto sign (-) are to be held evenly during their whole value, actively trying to make a quasi legato to the next action of the other instruments.Score: the part should be placed on the table, avoiding a stand to makethe actions as visible for the audience as possible. M*21: repeat measure 21 times.

Detach / pick up – put on table.

Noise sound – for example from sliding off a part of the instrument.

Blow into the instrument (as indicated) 1 cm. away from the hole.

Slide object on table.

Tap opening of the instrument with 1 finger / tap with the palm.

Close tube – open tube.

Blow into the key holes as close as possible – as if playing pan flute.

Tremolo: Always as fast / dense as possible.

Horn:Mute: The beginning of the piece is played with a yahama silents brasspractice mute.The horn is slowly taken apart: The horn is only played normally in the very beginning. Mostly the horn part consists of taking the instrument apart, playing on the bits and sliding them around. Dynamics: The horn only has one dynamic in the piece; ppppp – as soft as possible, but always sounding, and always trying to match the different sounds dynamically. All actions are amplified.Resulting system: Above the main system is a small system with a reduced and quantized result of the actions to show the wanted sound or pitch. A normal note head means pitch, a squared note head means noise, a cross means percussive sound. Tuning: The pitches in the resulting system are quantized pitches. Many of the alternative playing techniques produce tones, that are more or less out of tune or very noisy. The harmonies (Bethoven Bagatellenop. 126) are not intended to be in perfect tune, but nevertheless, an effort should be made to get as close to the written pitches as possible.Quasi legato / tenuto possible: All actions marked with a tenuto sign (-) are to be held evenly during their whole value, actively trying to make a quasi legato to the next action of the other instruments.Score: the part should be placed on the table, avoiding a stand to makethe actions as visible for the audience as possible. Tubes: The tubes (and the corresponding keys) are numbered by size and horn (1 being the smallest); F-1, F-2, F-3 (middle pos., upper, lower), Bb-1, Bb-2, Bb-3. F-0 and Bb-0 are the tubes, leading the air to the vaults. M*21: repeat measure 21 times.


Noise sound – for example from sliding off a part of the instrument.Blow into the instrument (as indicated) 1 cm. away from the hole. Slide object on table.


“Air guiro”: During the piece tubes are sled to the “front position”, just in front of the player. Blow on the setup of pipes one after the other,from one side to the other, very close to the pipes.

Clarinet:The clarinet is slowly taken apart: The clarinet is only played normally in the very beginning. Mostly the clarinet part consists of taking the instrument apart, playing on the bits and sliding them around. Dynamics: The flute only has one dynamic in the piece; ppppp – as soft as possible, but always sounding, and always trying to match thedifferent sounds dynamically. All actions are amplified.Resulting system: Above the main system is a small system with a reduced and quantized result of the actions to show the wanted sound or pitch. A normal note head means pitch, a squared note head means noise, a cross means percussive sound. Tuning: The pitches in the resulting system are quantized pitches. Many of the alternative playing techniques produce tones, that are more or less out of tune or very noisy. The harmonies (Bethoven Bagatellenop. 126) are not intended to be in perfect tune, but nevertheless, an effort should be made to get as close to the written pitches as possible.Quasi legato / tenuto possible: All actions marked with a tenuto sign (-) are to be held evenly during their whole value, actively trying to make a quasi legato to the next action of the other instruments.Score: the part should be placed on the table, avoiding a stand to makethe actions as visible for the audience as possible. M*21: repeat measure 21 times.


Noise sound – for example from sliding off a part of the instrument.

Blow into the instrument (as indicated) 1 cm. away from the hole.

Slide object on table.

Tap opening of the instrument with 1 finger / tap with the palm.


Blow into the key holes as close as possible – as if playing pan flute.

Tremolo: Always as fast / dense as possible.

Piano:Preparation: The 2 very highest and the 2 very lowest notes should be dampened completely for example with “sticky tag”. The piano should be closed and covered with its “coat”. The una corda pedal should be fixed down. The piano should be dampened with thoroughly underneath with foam, pillows or blankets, so that it matches/blends dynamically with the other instruments in the unamplified group.Dynamics: The general dynamic of the piano is fffff – as loud as possible, even though the result is not very loud because of thepreparation. Glissandi: The piece could be performed with finger gloves (the ones with holes for the fingers) to avoid burns when doing the glissandi. Glissandi should start right away and be performed with an even speed. “Guiro-gliss.”: Toneless glissando without pressing down the keys but with enough pressure to make an audible guiro effect.M*21: repeat measure 21 times.n: niente / quasi niente

Double bassoon:Dynamics: The general dynamic of the bassoon is fffff – as loud as possible, even though the result is not very loud. Crescendi and diminuendi should be performed very exponential: Very late and exploding crescendo, very fast (reverb-like) diminuendo.M*21: repeat measure 21 times.n: niente / quasi niente

Breath in – audible but not too exaggerated.

Multiphonic – as dense as possible. 4 different quick responding multiphonics should be found for the piece, ordered relatively by register: Low, mid, high, highest.

Transformation pitch trill to percussive key sound trill by fading outthe tone while making the key sounds louder.

Blow on the point of the reed 1 cm. away.

Double bass:Scordatura: The 4th string should detuned about one octave.

Dynamics: The general dynamic of the bass is fffff – as loud as possible, even though the result is not necessarily very loud.

Glissandi: Glissandi should start right away.

M*21: repeat measure 21 times.

n: niente / quasi niente

pz: pizzicato.

+ : Left hand pizzicato.

[ ] : Actual pitch on the 4th string. (Transposing up one octaveand correcting the intonation of the loose string.)

Percussive sound by hitting the strings with left hand.

Gradual transition between pure pitch and pure noise.

Noise sound by sliding bow along the indicated strings.

Highest possible note.

Col legno battuto.

Gradual transition between normal tone and harmonic. The D# harmonic is meant to be more or less “dead”making a percussive sound when pizzed.

Gradually bend string outside fingerboard to make percussive, rattling sound.

Percussion:Instrumentation: - Vacuum cleaner tube (with a guiro-like surface).- Plastic card. (For playing the tube like a guiro.)-Hot-rod. (Or a rod of tree.)The main instrument is the vacuum cleaner tube. The tube could either be attached to a stand or be worn around the body – in both cases, one end should point in the direction of the audience. The tube is played like a digiridoo / a brass instrument, blown on, whistled into, tapped with the palm of the hand, hit with the rod and scratched with the plastic card.Dynamics: The general dynamic of the bassoon is fffff – as loud as possible, even though the result is not very loud. Crescendi and diminuendi should be performed very exponential: Very late and exploding crescendo, very fast (reverb-like) diminuendo. M*21: repeat measure 21 times.n: niente / quasi niente

Lowest possible tone with very loose lips – as if playing a digiridoo.

Glissando by increasing lip tension – like on a brass instrument.

Normal note head: Approximate pitch (brass technique).

Air noise by blowing (F-sound) on the edge of the tube 1 cm. away.

Transformation from pitch to noise by gradually changing from “brass” tone to F-sound while moving a bit to the side until blowing on the edge 1 cm. away.

Sharp S-sound with the mouth alone.

Guiro with the plastic card; either staccato or with a glissando line meaning moving along the tube with the card.

Whistle into the tube (relative pitch).Hit the tube with the rod.

Transition from F-sound on the edge to whistling into the tube.

Tap the opening of the tube with the palm.

In Spite Of, And Maybe Even Therefore: Description – NO PROGRAM NOTE!

The piece mainly consists of two musics that are both being build and destroyed at the same time. The first process is a quasi unison music played fortissimo by the unamplified instruments in the back; closed piano, double bassoon, double bass/cello and percussion. The very beginning of this sequence is repeated over and over in a small loop, slowly getting longer and longer, revealing more and more of the sequence. At the same time this music is interrupted by breaks or inserts of the other music (played by the amplified flute, clarinet and horn in front). In the beginning it is only seldom interrupted and only for very short durations. Slowly the interruptions come more and more often and they get longer and longer. Just before the sequence is finally revealed in its whole, the intervals between the interruptions get shorter than the length of the sequence, and thus we never get to hear the complete sequence uninterrupted. Soon the interruptions take over and the sequence gets more and more fragmented and ends up being only short echoes of the beginning.

The second process is one of Beethoven’s Piano Bagatels opus 126 played ultra pianissimo by the amplified flute, clarinet and horn sitting at tables in the front. To begin with they only play one chord at the time every now and then, but slowly the chords come closer. In the beginning one only realizes, that it is tonal music, and that the chords are getting closer and closer. At one point we realize that the chords will eventually get so close, that they will form a tonal music or chord progression. But each time a chord is played, a piece of one of the instruments is being dismantled, eventually making the chords harder and harder to play in tune. Exactly at the point where the chords finally come together, the instruments are completely taken apart, leaving only bits and pieces on the tables in front of the musicians. The musicians try very hard to play the Beethoven on the bits, but the original music almost disappears in the sound of picking up and putting down the pieces, and the noisy and out of tune alternative ways of playing the notes. After a while the tones disappear leaving only the sounds of the “choreography” needed to perform these notes. Out of this “musical ruin” the music attempts to build up new relations and new ways of creating continuity, but this attempted continuity is slowly being destroyed by freezes getting longer and longer.

In spite of, and maybe even therefore was commissioned by and written for ATON, Iceland.

Duration: Approx. 9 minutes

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83

83

83

83

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

√

√

◊

23

∑

∑

∑

23

∑

5


∫ œœœœœm

3

––––

˘

––––

.

––––

.

œ

n

‰

(fffff)

3

––– ≈

–––≈

–––

≈

œ

3

–˘

––.

––.

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘œ˘

III

III IV III

II

J

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3

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.

[F]

∑

∑

∑

∑

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5

œm>

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5

œ œ œ œ œm5

œ œb œb œœ

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

¿

˘m

≈ ‰ ‰

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∑

∑

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5


∫ œœœœœm

3

––––

˘

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.

––––

.

œ

n

‰

(fffff)

3

––– ≈

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≈

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3

–˘

––.

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3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

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III

III IV III

II

J

–´

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3

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.

[F]

5

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&

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&

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t

t

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45

45

45

45

45

45

45

45

45

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

cfg.

db.

pc.

fl.

cl.

hn.

pno.

◊

Ÿ~~~~~~~~~~~~~√

¤

√

√

28

∑

∑

∑

28

∑

..œœb

5

œm>

œ œ œ œ

5

œ œ œ œ œm5

œ œb œb œœ

j¿¿¿œ¿

>

≥

œ

J

œm œJ

œm œm

¿

˘m

≈ ‰ ‰

.‡-

∑

∑

∑

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5

œ œœb œœœœœœœ∫ œœœœœm

3

––––

˘

––––

.

J

œ

n

‰

(fffff)3

––– ≈

–––

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3

–˘

––.

œ

3

–

´˘ –

˘[F] [S]

Œ Œ Œ ‰œ

Œ

Œ Œ Œ ‰

ppppp

œ-

Œ

‰

.–( ) ¿.

‰

¿. œ

Œ

‰

ppppp

.– ¿.

‰

¿.

œ- Œ

(play the indicatedtone throughthe tube, wherethe F-3 is missing)

[F-3]

[F- 2]

(prepare to detach F-2) (detach) (put on

table)

Œ Œ Œ ‰ œ Œ

Œ Œ Œ ‰

ppppp

œ-

Œ

∑

∑

∑

∑

∑

∑

∑

∑

‰

3


3

œ

œbœ

‰

(fffff)3

≈ ––––.

‰ ‰

3

œmœm

œ

(fffff)

3

≈–––

≈ J

–––

n

‰

(fffff)3

œmœm œ

(fffff)

3

≈––.

J

—

3

—˘

˘

˘

3

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˘

˘ ˘

I IIIII IV III II

3

≈

(fffff)

¿˘

m

J

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3

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3

œ.( )

.

.

[F]

∑

∑

∑

n

5

≈

œ œ œ œ

5

œm . œ. œ. œ.

n

œ.

œm(gradually fade out the tone and exagerate the key sound)

5

œm . pzœ

I

(gradually change fromnormal tone to harmonic)

5

œ˘

( )

n

¿ ¿ ¿ ¿(hot-rods on tupe)

∑

∑

∑

(fffff)

œœ˘

≈ ‰ ‰

∑

PED.

¿

>

≈ ‰ ‰

.–́

n

–́ .–

( f )

–.

(blow on reed)

JOm>

‰ ‰

(fffff)

¿

>

≈

n

‰

n

‰

J

–‰

.–´

( f )

–.

[S] [F]

(S-sound away from the tube)

(F-sound on the edge)

6

&

&

?

&

&

&

&

?

t

t

?

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

81

81

81

81

81

81

81

81

81

47

47

47

47

47

47

47

47

47

82

82

82

82

82

82

82

82

82

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

◊

Ÿ~~~~~~~~~~~~

√

¤

34

∑

∑

∑

34

∑

(fffff)

..œœb

(fffff)

5

œm>

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5

œ œ œœ œm5

œ œb œb œœ

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

¿

˘m

≈ ‰ ‰

(fffff)

.‡-

∑

∑

∑

∑

5


3

––––

˘

––––

.

––––

.

œ

n

‰

(fffff)

3

––– ≈

–––≈

–––

≈

œ

3

–˘

––.

––.

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

I

IIIII IV III

II

J

–´

3

O. .

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3

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.

.

[F]

∑

∑

∑

n

5

≈

œ œ œ œ

5

œm . œ. œ. œ.

n

œ.

œm

5

œm . pzœ

5

œ˘

( )

n

¿ ¿ ¿ ¿

∑

∑

∑

(fffff)

œœ˘

≈

∑

PED.

¿

>

n

≈

J–́

JO

>

(fffff)

¿

>

n

≈

J

–

[S]

Œ Œ Œ w

Œ Œ Œ

ppppp

w-

Œ Œ Œw

Œ Œ Œ

ppppp

w-

[F-1+F-3]

(play through F-3, also pressing down F-1)

–( ) ¿ ¿

Œw

ppppp

– ¿. ¿.

Œw-

(prepare to detachbell by pulling it almost off)

(detach bell)

[bell]

(put bell on thetable, upright with the small openingpointing upward)

∑

∑

∑

∑

∑

7

&

&

?

&

&

&

&

?

t

t

?

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

49

49

49

49

49

49

49

49

49

cfg.

db.

pc.

fl.

cl.

hn.

pno.

◊

√

¤

◊

¤

Ÿ~~~~~~~~~~~~~~~~~~√

√

40

∑

∑

∑

40

∑

∑

≈

n

–

´

.–

( f )

–.

∑

‰

n

.–´

( f )

–.[F]

∑

∑

∑

∑

(fffff)

..œœb

(fffff)

5

œm>

œ œ œ œ

5

œ œ œ œ œm5

œ œb œb œœ

(fffff)

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

¿

˘m

≈ ‰ ‰

(fffff)

.‡-

∑

∑

∑

∑

5


∫ œœœœœm

3

––––

˘

––––

.

––––

.

œ

n

‰

(fffff)

3

––– ≈

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–––

≈

œ

3

–˘

––.

––.

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

J

–´

3

O. .

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3

œ.( )

.

.

[F]

∑

∑

∑

n

5

≈

œ œ œ œ

5

œm . œ. œ. œ.

n

œ.

œm

5

œm . pzœ

5

œ˘

( )

n

¿ ¿ ¿ ¿

∑

∑

∑

(fffff)

œœ˘

≈ ‰ ‰

∑

PED.

¿

>

n

≈ ‰ ‰

.–́ .–́

JO

>

‰ ‰

(fffff)

¿

>

n

≈ ‰

n

‰

J

– ‰

J

–´

[S] [F]

∑

∑

∑

5

œ>

œ œ œ œn

‰

n

5

≈.

œm.

œ.

œ.

œ.

(fffff)

œ.

œ.

(fffff)

5

¿

–

fl

≈

nœm.

œ.

œ.

(fffff)

œ.

œ.

[

5

œm œ

+ (c.l.b.)

œ

´

œ

+ pz

œ œ. ]œ

.

(arco)

actual pitch (+oct.)

(fffff)5

¿–

˘

n

œ¿ œ¿ œ¿ œ¿

(fffff)

œ¿ œ¿

(hit tube opening with palm)

(rod)

8

&

&

?

&

&

&

&

?

t

t

?

49

49

49

49

49

49

49

49

49

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

◊

47

Œ Œ Œ Œ ‰œ

Œ Œ Œ Œ

Œ Œ Œ Œ ‰

ppppp

œ-Œ Œ Œ Œ

–( ) –( ) ¿.

‰

¿.

‰ ‰ œ Œ

–( ) ¿.

‰ ‰

¿.

ppppp

– – ¿.

‰

¿.

‰ ‰

œ-

Œ

– ¿.

‰ ‰

¿.[F-3]

[Bb-2](prepare to detach Bb-2)

(detach) (put ontable)

(prepare todetach mute) [mute]

(detach) (put on table)[+F-1?]

Œ Œ Œ Œ ‰ œ Œ Œ Œ Œ

Œ Œ Œ Œ ‰

ppppp

œ-

Œ Œ Œ Œ

47

∑

∑

∑

∑

∑

∑

∑

∑

∑

(fffff)

..œœb

(fffff)

5

œm>

œ œ œ œ

5

œ œ œœ œm5

œ œb œb œœ

(fffff)

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

(fffff)

¿

˘m

≈ ‰ ‰

.‡-

∑

∑

∑

∑

5


3

––––

˘

––––

.

––––

.

œ

n

‰

(fffff)

3

––– ≈

–––≈

–––

≈

œ

3

–˘

––.

––.

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

J

–´

3

O. .

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3

œ.( )

.

.

[F]

9

&

&

?

&

&

&

&

?

t

t

?

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

411

411

411

411

411

411

411

411

411

84

84

84

84

84

84

84

84

84

cfg.

db.

pc.

fl.

cl.

hn.

pno.

◊

¤¤

Ÿ~~~~~~~~~~~~~~~~~~~

√

(√)

51

∑

∑

∑

51

n

5

≈

œ œ œ œ

5

œm . œ. œ. œ.

n

œ.

œm

5

œm . pzœ

5

œ˘

( )

n

¿ ¿ ¿ ¿

∑

∑

∑

(fffff)

œœ˘

≈ ‰ ‰

∑

PED.

¿

>

n

≈ ‰ ‰

.–́ .–́

JO>

‰ ‰

(fffff)

¿

>

n

≈ ‰

n

‰

J

– ‰

J

–´

[S]

[F]

∑

∑

∑

5

œ>

œ œ œ œn

‰

n

5

≈.

œm.

œ.

œ.

œ.

(fffff)

œ.

œ.

(fffff)

5

¿

–

fl

≈

nœm.

œ.

œ.

(fffff)

œ.

œ.

5

œm œ

+ (c.l.b.)

œ

´

œ

+ pz

œ œ.

œ.

(arco)

actual pitch (+oct.)[ ]

(fffff)5

¿–

˘

n

œ¿ œ¿ œ¿ œ¿

(fffff)

œ¿ œ¿

œ ‰ Œ Œ Œ Œ Œ Œ Œ Œ Œ ‰ œ

ppppp

œ- ‰ Œ Œ Œ Œ Œ Œ Œ Œ Œ ‰

ppppp

œ-

œ

‰ Œ Œ Œ Œ Œ Œ Œ Œ Œ ‰œ

ppppp

œ-

‰ Œ Œ Œ Œ Œ Œ Œ Œ Œ ‰

ppppp

œ-

[F-1+F-3] [F-1+F-3]

œ‰

–( ) –( ) –( ) –( ) –( ) –( ) ¿.

‰ ‰

¿.

Œ ‰œ

(very noisy/airy tone)

ppppp

œm-

‰

– – – – – – ¿.

‰ ‰

¿.

Œ ‰

ppppp

–m´

-

[1/2 key]

(blow into the mouthpiece~1 cm. away from the hole)

(unscrew reed-attachment) (slide out reed)

(detach) (put on table)

(half open key - oras much as neededto sound the E)

[reed]

∑

∑

∑

∑

∑

10

&

&

?

&

&

&

&

?

t

t

?

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤

◊

Ÿ~~~~~~~~~~~

Ÿ~~~~

Ÿ~~~~~~~~~~~~~~~~

¤

Ÿ~~~~~~~~~~~~~~~

√

√

√

◊

55

∑

∑

∑

55

n

3

≈

œ œ

(fffff)

Jœ

Jœ

‰

(fffff)

3

œm.

œ.

œ.

n

‰ ‰

(fffff)

j

œ

(fffff)

j

œmj

¿J

¿

( p )

j

œ

(gradually fade out toneand exagerate key sounds)

(loudest soundingkey trill- all keys)

(fffff)

j

œmj

œ¿

¿¿¿

¿¿¿

¿¿¿

¿¿¿

j

œ

≤

(gradually bendstring outsidefingerboard)

(hit stringswith l.h.)

[ ]

(actual pitch) (string vibratingagainst thefingerboard)

(fffff)

œ¿

≈.¿

m

slow guiro gliss.with plastic card,accelerating...

∑

∑

∑

∑

..œœb

(fffff)

5

œm>

œ œ œ œ

5

œ œ œ œ œm5

œ œb œb œœ

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

¿

˘m

≈ ‰ ‰

.‡-

∑

∑

∑

∑

5


3

––––

˘

––––

.

––––

.

œ

n

‰

(fffff)

3

––– ≈

–––≈

–––

≈

œ

3

–˘

––.

––.

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

J

–´

3

O. .

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3

œ.( )

.

.

[F]

∑

∑

∑

n

5

≈

œ œ œ( f )œ

5

œm . œ. œ. œ.

n

œ.

œm ¿

5

œm . pzœ O

5

œ˘

( )

n

¿ ¿ ¿

( f )

¿

Œ œ ‰ Œ Œ

Œ

ppppp

œ- ‰ Œ Œ

Œ œ ‰

–( ) –( )

Œ

pppppœ-

‰

– –[F-3](unscrew the bell)

(+F-1?)

Œœ

‰ Œ Œ

Œ

ppppp

–m´

-‰ Œ Œ

[1/2 key]

∑

∑

∑

∑

∑

∑

–( ) –( ) ¿.

‰ ‰

¿.

– – ¿.

‰ ‰

¿.

[bell]


∑

∑

∑

∑

∑

∑

11

&

&

?

&

&

&

&

?

t

t

?

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

44

44

44

44

44

44

44

44

44

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~

¤¤

Ÿ~~~~~~~~~~~~

Ÿ~~~~

◊◊

62

Œ ‰ œ Œ

Œ ‰

ppppp

œ- Œ

Œ ‰

œ

Œ

Œ ‰

ppppp

œ- Œ

[Bb-2+1]

Œ ‰œ

–( )

Œ ‰

ppppp

–m´

-

–[1/2 key]

(slide off the reed attachment)

62

∑

∑

∑

∑

∑

∑

∑

¿.

‰ ‰

¿.

¿.

‰ ‰

¿.

[reed att.]

(detach) (put on table)

∑

∑

∑

∑

∑

∑

∑

∑

(fffff)

œœ˘

≈ ‰ ‰

∑

PED.

(fffff)

¿

>

n

≈ ‰ ‰

.–́ .–́

pz

(fffff)

JO

>

‰ ‰

(fffff)

¿

>

n

≈ ‰

n

‰

J

– ‰

J

–´

[S]

[F]

∑

∑

∑

(fffff)

5

œ> œ œ œ œ

n

5

≈

œ œ œ œ

n

5

≈.

œm.

œ.

œ.

œ.(fffff)

5

œ.

œ.

œ.

œ.

nœ.

(fffff)

5

¿

–

fl

≈

nœm.

œ.

œ.

(fffff)

œ

[

5

œm œ

+(c.l.b.)

œ

´

œ

+ pz

œ ]œ

(actual pitch)

(fffff)5

¿–

˘

n

œ¿ œ¿ œ¿ œ¿

(fffff)

5

œ¿ œ¿ œ¿

n

≈ ≈

∑

∑

∑

(fffff)

Jœ

Jœ

‰

‰ ‰

(fffff)

j

œ

j

¿J

¿

( p )

j

œ

j

œ¿

¿¿¿

¿¿¿

¿¿¿

¿¿¿

j

œ

(fffff)

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m(sim. acc.)

∑

∑

∑

∑

..œœbœ œœb

(fffff)

5

œm>

œ œ œ œ

5

œ œ œ œ œm5

œ œb œb œœ

nJ

œ

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

J

œ

¿

˘m

≈ ‰ ‰ jœ

.‡-‰

œ ‰

–( ) –( ) –( )

ppppp

œ-

‰

– – –

unscrew the screw at the end of the mouthpiece

œ‰ Œ Ó

ppppp

œ-

‰ Œ Ó

[F-3+1]

œ ‰ Œ Ó

ppppp–-

´

‰ Œ Ó

∑

∑

∑

∑

∑

12

&

&

?

&

&

&

&

?

t

t

?

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

69 –( ) –( ) ¿.

‰

¿.

œ

– – ¿.

‰

¿.

œ-

[screw]


Œ Œ Œ ‰ œ

Œ Œ Œ ‰

œ-

[F-3]

(+F-1?)

Œ Œ Œ ‰œ

Œ Œ Œ ‰–m´

-

[1/2 key]

69

∑

∑

∑

∑

∑

∑

Œ

– – ¿.

Œ

Œ

– – ¿.

Œ

(prepare todetach Bb-3)

[Bb-3]

(detach)

∑

∑

∑

∑

∑

∑

Œ Œ œ ‰

Œ Œ œ- ‰

¿.

‰ Œ

œ

‰

¿.

‰ Œ œ-

‰

(put on table)

[F-3+1]

Œ Œœ

‰

Œ Œ–m´

-‰

[1/2 key]

∑

∑

∑

∑

∑

∑

∑

∑

∑

(fffff)

3

œœœb . œœœœ∫ . œœœœœm .

3

––––

˘

––––

.

––––

.

‰

(fffff)3

––– ≈

–––≈

–––

≈

(fffff)

J

œ

3

–˘

––.

––.

(fffff)

J

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

J

–´

3

O. .

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3

œ.( )

.

.

[F]

13

&

&

?

&

&

&

&

?

t

t

?

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤¤

Ÿ~~~~~~~~~~~~

√

√

74

∑

∑

∑

74

n

5

≈

œ œ œ œ

(fffff)5

œm . œ. œ. œ.

n

œ.

œm

5

œm . pzœ

5

œ˘

( )

n

¿ ¿ ¿ ¿

∑

∑

∑

(fffff)

œœ˘

≈ ‰ ‰

(fffff)

œ> œ

∑

PED.

¿

>

n

≈ ‰ ‰

(fffff)

¿

–

˘

ÿ

≈

.–́ –́J–́

‰

JOm>

‰ ‰

[ œm ]œ

+

(fffff)

¿

>

n

≈ ‰

n

‰

(fffff)

¿–

˘

( p )œ¿

J

– ‰

J

–´

‰[S]

[F]

‰ œ Œ Œ Œ

‰

ppppp

œ-

Œ Œ Œ

‰œ

Œ Œ

–( )

‰

ppppp

œ-

Œ Œ

ppppp

–[F-1+3]

(prepare todetach Bb-1)

‰œ

–( ) ¿.

‰

¿.

‰

‰

ppppp

–

´

-

– ¿.

‰

¿.

‰

[mouthpiece](prepare to detach mouthpiece)


∑

∑

∑

∑

∑

Œ Œ ‰œ œ

Œ Œ ‰

ppppp

œ- œ

¿.

‰

¿.

‰ ‰ œ œ

¿.

‰

¿.

‰ ‰

ppppp

œ-

œ(detach) (put ontable)

[Bb-1]

[F-3]

(+F-1?)

Œ Œ ‰œ œ

Œ Œ ‰

ppppp

¿

œæ

´¿

œæ

(tap opening with one finger)

∑

∑

∑

∑

∑

.˙ œ‰

.˙ œ‰

.˙ œ ‰

.˙ œ

‰

.˙ œ‰

.

.

¿

æ̇

¿

œæ‰

∑

∑

∑

∑

∑

–( ) ¿.

‰

¿.

‰

ppppp

– ¿.

‰

¿.

‰

(prepare todetach ext.)


[extension]

∑

∑

∑

∑

∑

∑

∑

Œ ‰œ

Œ ‰

ppppp

œ-

Œ ‰

œ

Œ ‰

ppppp

œ-

[F-1+3]

Œ ‰œ

Œ ‰

ppppp–

´

-

(blow into the hole~1 cm. away)

∑

∑

∑

∑

∑

14

&

&

?

&

&

&

&

?

t

t

?

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

44

44

44

44

44

44

44

44

44

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

◊ ◊

81

∑

∑

∑

81

(fffff)

3

œ œ œ

n

5

≈

œ œ œ œ

n

3

≈

œm œ

(fffff)

5

œ.

œ.

œ.

œ.

n

œ.

‰

(fffff)

œm

‰

][

(fffff)

œm

( p )

3

œ¿ œ¿ œ¿

(fffff)

5

œ¿ œ¿ œ¿

n

≈ ≈

∑

∑

∑

(fffff)

Jœ

Jœ

‰

‰ ‰

(fffff)

j

œ

j

¿J

¿

( p )

j

œ

j

œ¿

¿¿¿

¿¿¿

¿¿¿

¿¿¿

j

œ

(fffff)

.¿

m

∑

∑

∑

∑

..œœbœ œœb

(fffff)

5

œm>

œ œ œ œ

5

œ œ œ œ œm5

œ œb œb œœ

nJ

œ

j¿¿¿œ¿

>

≥

œ

J

œm œ Jœm œm

J

œ

¿

˘m

≈ ‰ ‰ jœ

.‡-‰

œ‰ Œ Ó

ppppp

œ-

‰ Œ Ó

œ‰ Œ Œ

¿.

‰

pppppœ-

‰ Œ

ppppp

– ¿.

‰

[F-1+3]

(prepare todetach B-0)

(detach)

[Bb-0]

œ

‰ Œ Œ Œ

ppppp–m´

-‰ Œ Ó

∑

∑

∑

∑

∑

Œœ

‰ Ó

Œ

ppppp

œ-‰ Ó

¿.

‰ œ ‰ Ó

¿.

‰

pppppœ-

‰ Ó

[F-3]

(+F-1?)

(put ontable)

Œœ

‰ Ó

Œ

ppppp–

´

-‰ Ó

∑

∑

∑

∑

∑

Œœ

‰ Ó

Œ

ppppp

œ-‰ Ó

Œ

œ

‰ Ó

Œ

ppppp

œ-

‰ Ó

[F-1+3]

Œ

œm ‰ Ó

Œ

ppppp

¿

œm æ

-

-

‰ Ó

tap hole with palm

∑

∑

∑

∑

∑

15

&

&

?

&

&

&

&

?

t

t

?

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

44

44

44

44

44

44

44

44

44

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

¤

√

Ÿ~~~~~~~~~~~~~~~

87

‰œ

Œ Œ ‰ œ

‰

ppppp

œ-Œ Œ ‰

ppppp

œ-

‰œ

Œ Œ ‰ œ

‰

pppppœ-

Œ Œ ‰

pppppœ-

[F-1+3] [F-3]

(+F-1?)

‰œ –( ) ¿.

‰

¿.œ

‰

ppppp

–

´

-

– ¿.

‰

¿.

–m´

-

[joint]

(detach)

(prepare to detach joint)

(put ontable)


87

∑

∑

∑

∑

∑

–( ) ¿.

‰

¿.

‰ ‰ œ

– ¿.

‰

¿.

‰ ‰

ppppp

¿

œ

´

æ

-

(prepareto detachmouthpiece)


[mouthpiece] tap hole with one finger,doing the indicated fingering

Ó Œ ‰

œ

Ó Œ ‰

ppppp

œ-

[F-3]

Ó Œ ‰œ

Ó Œ ‰

ppppp–m´

-

∑

∑

∑

∑

∑

∑

∑

∑

∑

(fffff)

3

œœœb . œœœœ∫ . œœœœœm .

3

––––

˘

––––

.

––––

.

‰

(fffff)3

––– ≈

–––≈

–––

≈

(fffff)

J

œ

3

–˘

––.

––.

(fffff)

J

œ

3

–

´˘ –

˘ ¿˘

m[F] [S]

∑

∑

∑

3


3

œ

œbœ

‰

‰ ‰

3

œmœm

œ

J

–––

n

‰

(fffff)3

œmœm œ

J

—

3

—˘

˘

˘

3

œ

˘

˘ ˘

J

–´

3

O. .

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3

œ.( )

.

.

[F]

∑

∑

∑

n

5

≈

œ œ œ

( f )

œ

(fffff)5

œm . œ. œ. œ.

n

œ.

œm ¿

5

œm . pzœ O

5

œ˘

( )

n

¿ ¿ ¿

( f )

¿

16

&

&

?

&

&

&

&

?

t

t

?

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤

92

œ ‰ Œ Œ ‰ œ

ppppp

¿

œ

-

æ

´

‰ Œ Œ ‰

ppppp

¿

œ

-

æ

´tap hole with finger sim. fingertap

œ‰

–( ) ¿.

‰

¿.

œ

pppppœ-

‰

– ¿.

‰

¿.

œ

[F-1+3] (prepare)

(detach)

[F-0]

[F-0]

(put ontable)

œ‰ Œ Œ ‰

œ

ppppp–m-

´

‰ Œ Œ ‰

ppppp–-

´

92

∑

∑

∑

∑

∑

Œ Œ ‰ œ Œ

Ó ‰

ppppp

¿

œ

-

æ

´

Œ

fingertap

Œ Œ ‰œ –( )

Œ Œ ‰

ppppp

œm-

–[F-0/Bb-0](prepare)

–( ) ¿.

‰

¿.œ

Œ

– ¿.

‰

¿.

–n-´

Œ

[upperkey-part](prepare)

(detach)

[lower key-part]

(put on table)

∑

∑

∑

∑

∑

Œ.˙

Œ

ppppp

¿

œ

-

æ

´¿

œæ

¿

œæ

fingertap

¿. ¿.

.˙

¿. ¿.

.˙-

[F-1]

(detach)

(put ontable)

[F-0/Bb-0]

Œ.˙

Œ

ppppp

–-

´

– –

[upperkey-part]

∑

∑

∑

∑

∑

.˙

¿

œæ

¿

œæ

¿

œæ

.˙

.˙

.˙

– – –

∑

∑

∑

∑

∑

Œ Œ œ ‰ Œ

Œ Œ–-

´

‰ Œ


Œ Œ œ

–( ) ¿. ¿.

Œ Œ

pppppœ-

– ¿. ¿.[F-0]

(prepare)

[mouthpiece]

(detach)

(put ontable)

¿.

‰

¿.

‰œ

‰

¿.

‰

¿.

‰

¿.

‰¿

œ-

æ

-

‰

¿.

‰

(palm)

[lower] [upper][lower]

(pick up the lower key-part and putthe upper key-parton the table)

[lower->upper]

(pick up the upperkey-part and putthe lower key-parton the table)

∑

∑

∑

∑

∑

œ ‰ ‰œ

‰ . œ

–-

´

‰ ‰ –m-

´

‰ ≈¿

œn´

(fingertap)

œ)(

–( ) ¿. œ)(‰ .

œ

–-´

– ¿. –-́

‰ ≈

–-´([Bb-0])

[spittube]

(blow into mp the hole~1 cm. away)

(detach"spit tube"and blow into it sim.)

[spittube]

(blow into the indicated"vault-tubes"~1 cm. away)

[vault-holesF-2+Bb-2]

œ ‰ ‰ œ ‰ . œ

¿

œæ

-

-

‰ ‰¿

œæ

-

-

‰ .¿

œ

-[upper]

(palm) (palm)(palm)

[F open]

∑

∑

∑

∑

∑

17

&

&

?

&

&

&

&

?

t

t

?

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

163

163

163

163

163

163

163

163

163

83

83

83

83

83

83

83

83

83

163

163

163

163

163

163

163

163

163

86

86

86

86

86

86

86

86

86

cfg.

db.

pc.

fl.

cl.

hn.

pno.

◊

√

¤

Ÿ~~~

¤

98

∑

∑

∑

98

(fffff)

œœ˘

≈ ‰ ‰

∑

PED.

(fffff)

¿

>

n

≈ ‰ ‰

.–́ .–́

pz

(fffff)

JO

>

‰ ‰

(fffff)

¿

>

n

≈ ‰

n

‰

J

– ‰

J

–´

[S]

[F]

∑

&

∑

∑

(fffff)

5

œ> œ œ œ œ

n

‰

n

5

≈.

œm.

œ.

œ.

œ.(fffff)

œ.

>

œ.

(fffff)

5

¿

–

fl

≈

nœm.

œ.

œ.

(fffff)

j

œ

[

5

œm œ

+(c.l.b.)

œ

´

œ

+ pz

œ ]

j

œ

(arco)

(fffff)5

¿–

˘

n

œ¿ œ¿ œ¿ œ¿

(fffff)

œ¿>

œ¿

Jœ ‰ ‰ J

œ

ppppp

J

¿

œæ

´

-

‰ ‰

J

¿œm

æ

´

-

Jœ

‰ J¿.

‰

ppppp

J–-´

‰ J

¿.

‰

[vault-holesF-2+Bb-2]

[horn]

(put ontable)

(put horn asidein a way so that the vault-holescan still be blownwithout pickingit up again)

Jœ ‰ ‰

jœ

ppppp

J

¿

œ

-

-

æ ‰ ‰

J

¿

œ

-

-

æ

(palm) (palm)

∑

∑

∑

∑

∑

‰ .

∑

.J¿.

.

J

¿.

[spit-tube -> F-3 (tube)]

(put down s.-t.and pick up F-3)

∑

∑

∑

∑

∑

∑

Jœ ‰ J

œ

J

¿

œæ

´

-

‰j

–m-

´

jœ

J¿.

Jœ

j–-

´J

¿.

J–-́

[F-3]

[Bb-2]

[Bb-2]

(blow into the detached tube sim.)

Jœ

‰ Jœ

j–-

´

‰ j–-

´

∑

∑

∑

∑

∑

≈ J

œ

≈J–-´

¿.

≈ ≈

¿.

≈ ≈

[F-3]

≈j

œ

≈

J

¿

œ

-

-

æ

(palm)

∑

∑

∑

∑

∑

œJœ œ

Jœ

¿

œæ

´

-

j–m-

´ ¿

œæ

´

-

j–m-

´

J¿.

jœ

J¿.

œ J¿.

J

¿.

J–-́ J

¿.

–

ø

-́J

¿.

[Bb-2 -> Bb-3]

[Bb-3]

(close the tubein the other end)

[Bb-1][Bb-1]

[Bb-3]

œJ

œ

‰j

œ Jœ

–

´j

–m-

´‰

J

¿

œ

-

-

æj

–-

´(palm)

∑

∑

∑

∑

∑

.œ ‰ J¿.

Jœ

.

.

¿

œæ

´

-

‰ J

¿.

J

–

ø

-

[mouthpiece][mouth piece]

(blow into tube while closing themouthpiece hole)

‰ ‰j

¿.

3

‰ ¿. ¿.‰

.œ

œJœ

‰‰ j

¿.

3‰ ¿

.¿.

‰

.

.

–

ø

-́

–-

´

J–-́

(sim.)

[F-3]

[F-3]

[Bb-1]

[Bb-2]

[Bb-2]

[Bb-1]

‰ J¿.

J¿.

œ‰

‰ J

¿.

J

¿.

¿

œ-

-

æ‰

(palm)

[upper] [lower][lower]

∑

∑

∑

∑

∑

‰ ‰ ‰ .œ

‰ ‰ ‰.–-

´[flute]

‰

j¿.

j¿. ‰

j¿.

j¿.

.œ ‰ Jœ j

œ

‰j

¿.

j¿.

‰j

¿.

j¿.

.–-

´

‰ J–-´

J

–ø

-´

[F-3]

[Bb-2] [F-2]

[F-2](closetubesoftly)

[F-3][Bb-2]

.œ .œm

.

.

¿

œ-

-

æ

.–-

´

∑

∑

∑

∑

∑

18

&

&

&

&

&

&

&

?

t

t

?

83

83

83

83

83

83

83

83

83

46

46

46

46

46

46

46

46

46

83

83

83

83

83

83

83

83

83

81

81

81

81

81

81

81

81

81

83

83

83

83

83

83

83

83

83

81

81

81

81

81

81

81

81

81

86

86

86

86

86

86

86

86

86

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤

◊

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~

Ÿ~~~~~

◊

107

.œJœ ‰ J

¿.

.

.

–

ø

-

J

–

ø

-

‰ J

¿.[mouthpiece]

[mouthpiece]

(blow into tube, mouth hole closed)

Jœ j

œ Jœ ‰ ‰ j

œ

J–-́

J

–

ø

´

J–´

‰ ‰

J

–

ø

-́[Bb-2] [Bb-2]

œmJœ

Jœ j

œ Jœ

–-

´j

¿

œb-

-

æ

j¿

œ-

-

æ

j¿

œb-

-

æ

j¿

œ-

-

æ

(palm)

107

∑

∑

∑

∑

∑

œm Jœm

¿

œ

-

-

æ

J

¿œb

æ-

´(palm) (finger)[flute]

jœ j

œ

jœ

j–-

´j

–ø

´j

–

´[F-2]

.œ

.–b-

´

∑

∑

∑

∑

∑

.w

¿œb

æ-

´¿œ

æ-

´¿œ

æ-

´¿œ

æ-

´¿œ

æ-

´¿œ

æ-

´

.w

–

ø

-́ –

ø

-́ –

ø

-́ –

ø

-́ –

ø

-́ –

ø

-́[Bb-2]

.w

¿

œb-

-

æ

¿

œ-

-

æ

¿

œ-

-

æ

¿

œ-

-

æ

¿

œ-

-

æ

¿

œ-

-

æ

∑

∑

∑

∑

∑

œJ

œ

¿œ

æ-

´

J–-´

jœ J

œ jœ

J

–

ø

-́

J–´

J

–

ø

´

œJœ

¿

œ-

-

æ j

–b-

´

∑

∑

∑

∑

∑

∑

∑

∑

n

3

≈

œ œ

(fffff)

3

œm.

œ.

n

œ.

(fffff)

j

œm

][

(fffff)

j

œm

(fffff)

œ¿

≈

∑

∑

∑

(fffff)

Jœ

Jœ

‰

‰ ‰

(fffff)

j

œ

j

¿J

¿

( p )

j

œ

j

œ¿

¿¿¿

¿¿¿

¿¿¿

¿¿¿

j

œ

.¿

m

∑

∑

∑

∑

j

œœbœœb

(fffff)

5

œm>

œ œ œ œ

j¿¿¿œ¿

>

≥

œ

¿

˘m

≈

J‡-

19

&

&

&

&

&

&

&

?

t

t

?

86

86

86

86

86

86

86

86

86

83

83

83

83

83

83

83

83

83

45

45

45

45

45

45

45

45

45

cfg.

db.

pc.

fl.

cl.

hn.

pno.

114

J

œ

Jœ J

œJœ

J¿.

J

œ

J–-´

j–b-´

J–b-´

J–-´

J

¿.

j–m-

´

[extension]

[ext.]

‰ J¿.

J¿.

Jœ j

œj

œ

‰ J

¿.

J

¿.

J–-́

J

–

ø

´j

–-

´

[F-2][F-3][Bb-2] [F-3]

.œJœ

Jœ

J

œ

.

.

¿

œb-

-

æ

j¿

œ

-

æ

j¿

œ-

´

æ j

–-

´

114

∑

∑

∑

∑

∑

.œœm

J

œ

.–m-

>́

–n-´

j¿

œm-

æ

´(finger)

J¿

Jœ J

œ

Jœ J

œ

Jœ ?

J

¿.

J

–

ø

-́

J–´

J

–

ø

´

J–´

J

–

ø

´

[Bb-2] [horn on table:vault-holes F+Bb-2]

J

œ

J¿.

J¿. .œ

j

–m>

-

´J

¿.

J

¿.

.–-

´

[upper] [lower]

[upper]

∑

∑

∑

∑

∑

J

œ

‰ J¿.

œm Jœm

j¿

œm-

æ

´

‰ J

¿.

¿

œmæ-

-

j–-

´(palm)[flute]

(take F# withleft hand only)

[ext.]

Jœ

J

¿

œ

.

Jœ j

œJ

¿

œ

.

J¿.

&

‰ j¿.

‰ ‰ j¿.

j¿.

J–-

´

J

–ø

´

J–

´

–-´

‰

[F-3]

[F-2]

[F-2]

[F-3] [Bb-2]

.œ œJœ

.–-

´

–-

´j

–-

´

∑

∑

∑

∑

∑

Jœ

‰ Jœ

‰ J

œ

Jœ

J

¿œm

æ-

´

‰

J

¿œ

æ-

´

‰

J

–n-´J

¿œm

æ-

´(finger)

jœ J

¿œ

.j

¿

œ

.

.œ

‰ j¿.

j¿.

J

–

øJ–

J

–

ø

b.–-́

[Bb-2]

[Bb-3][F-2] [Bb-3]

(lower the toneby covering a bit of the end)

Jœ

Jœ

Jœ

J

œ

Jœ j

œ

j–

´j

–

´j

–

´j

–

´j

–

´

J

¿

œæ

-

-(palm)

∑

∑

∑

∑

∑

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

‰Jœ

Jœ œ ≈ J

¿.

Jœ

‰ j–-

´j

–-

´

–

´

≈ J

¿.

J

–

ø

-́

[mouthpiece] [mouth

piece]

(tube end,mp-hole closed)

Jœ

j¿

œ

.

J

¿œ

.

jœ

jœ

œ

¿

œ

.?

‰ j¿.

j¿.

‰- ‰ ≈

R

¿.

J–-́

J

–

ø

´

J–´

J

–

ø

-́

J–-

´

J

–

ø

-́[Bb-2]

[Bb-3] [F-3]

[F-2] [Bb-2]

[F-2->3]

Jœ

Jœ

Jœ

Jœ

Jœm

Jœ

j–

´j

–

´j

–

´j

–

´

j–m´

j–

´

∑

∑

∑

∑

∑

a tempo

a tempo

a tempo

a tempo

a tempo

a tempo

a tempo

‰ j¿.

‰

.œ .œ

‰

J

¿. ‰

.–m-´ .

.

¿

œn-

´

æ

[mouth piece]

(finger)

jœ J

œ jœ

jœ

Jœ

œ

¿

œ

.

≈

R

¿.

j–ø-

´

j–

´

j–ø

´

j–ø

´

J

–

ø

´

j–ø

´[F-3] [Bb-2]

[F-3]

[Bb-2]

Jœ

J¿.

J¿. .œ

j–-

´

J¿.

J¿. .

.

¿

œ

æ

-

´

[low.] [upp.]

[lower]

(finger)

∑

∑

∑

∑

∑

.œ J–

Jœ

Jœ

.–-

´J–-≤

j–-

´

J

¿

œ

-

´

æ

[breath in]

J

¿

œ

.

J

œj

œJ–

J

œ

J

œ

j¿.

j–ø

´bJ–´

j–ø

´ J–-≤

J–-´

J

–

ø

-́[breath in]

[Bb-3][Bb-3]

[F-3] [Bb-3]

[vault-holes F+Bb-2]

.œ‰ J

œ‰

.

.

¿

œ

æ

-

-

‰

j¿

œ

æ

-

-

‰

(palm)

∑

∑

∑

∑

∑

œJœ

–-

´

J

¿

œæ

jœ

J

œj

œ

j–ø

´bJ–´

j–ø

´[F-3]

[Bb-3][F-3]

œJœ

¿

œ

æ

-

- j¿

œ

æ

-

´(finger)

∑

∑

∑

∑

∑

20

&

&

?

&

&

&

&

?

t

t

?

45

45

45

45

45

45

45

45

45

82

82

82

82

82

82

82

82

82

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

86

86

86

86

86

86

86

86

86

cfg.

db.

pc.

fl.

cl.

hn.

pno.

122

w œ

¿

œæ

´¿

œæ

´¿

œæ

´¿

œæ

´¿

œæ

´

w œ

–ø

´

–ø

´

–ø

´

–ø

´

–ø

´

w œ

¿

œæ

-

´

¿

œæ

-

´

¿

œæ

-

´

¿

œæ

-

´

¿

œæ

-

´

122

∑

∑

∑

∑

∑

∑

∑

∑

∑

(fffff)

œœb

(fffff)

5

œ œ œœ œm5

œ œb œb œœ

(fffff)

J

œm œ Jœm œm

(fffff)

œ( )

∑

∑

∑

∑

5


J

œ

n

‰

5œ

R

–

5œ

R–

[F]

.˙

¿

œæ

´¿

œæ

´¿

œæ

´

.˙

–ø

´

–ø

´

–ø

´[F-3]

.˙

¿

œæ

-

´

¿

œæ

-

´

¿

œæ

-

´

∑

∑

∑

∑

∑

œ‰

–m-

´

‰

jœ J

œ jœ

j–ø-

´

j–

´

j–ø

´

œJœ

¿

œæ

-

-

j–-

´

(palm)

∑

∑

∑

∑

∑

‰ ‰ Jœ .œ

‰ ‰j

–m-

´ .

.

¿

œæ

´

n

J¿.

J¿.

jœ

jœ

Jœ

jœ &

J

¿.

J

¿.

j–ø-

´

j–ø

´ j–

ø

´

j–ø

´

[Bb-3] [Bb-2][Bb-2]

[F-3] [F-3]

‰ ‰ Jœ .œ

‰ ‰

j¿

œæ

-

-

.

.

¿

œ

æ

-

´(finger)

∑

∑

∑

∑

∑

21

&

&

&

&

&

&

&

?

t

t

?

84

84

84

84

84

84

84

84

84

49

49

49

49

49

49

49

49

49

cfg.

db.

pc.

fl.

cl.

hn.

pno.

128.œ ‰ ‰ J

¿.

.

.

¿

œæ

´

-

‰ ‰ J

¿.

[mouthpiece]

jœ J

œ jœ

J¿. ¿.

‰ ?

j–

´

J

–

ø

´

j–

´J

¿.

J

¿.

‰

[F-3][vaultholes]

[F-3]

[Bb-2] [Bb-3]

(blow into one of the F-3 vault tubes,close the other one).œ

‰ J¿.

J¿.

.

.

¿

œ

æ

-

´

‰ J

¿.

J

¿.

[upper] [lower]

128

∑

∑

∑

∑

∑

.œ œJœ

.

.

–

ø

-́ –

ø

´

j–-

´

[mouthpiece][flute]

jœ J

œ jœ

jœ

J

œj

œ &

j–ø-

´

j–

´

j–ø

´

j–ø

´bJ–´

j–ø

´[F-3]

[Bb-3][F-3]

.œ œ

Jœ

.

.

¿

œ

-

´

æ

¿

œæ

´ j¿

œ

´

æ

[F open][upper]

∑

∑

∑

∑

∑

–

‰ J¿.

Jœ

Jœ

–-≤

‰ J

¿.

J

¿

œæ

´

-

j–m-

´

(breath in - as if preparingto play a note)

[mouthpiece]

J–

‰ J¿.

J¿.

Jœ J

¿.

J

–-≤

‰ J

¿.

J

¿.

J

–

ø

-́J

¿.[Bb-1]

[Bb-3][F-3] [Bb-1]

(breath in as if preparingto play a note)

Œ . ‰j

œ Jœ

Œ . ‰

J

¿

œ

-

-

æj

–-

´(palm)

∑

∑

∑

∑

∑

.œ ‰

¿.

‰

.

.

¿

œæ

´

-

‰

¿.

‰

[mouthpiece]

‰ ‰j

¿.

3

‰ ¿. ¿.‰

.œŒ .

‰‰ j

¿.

3‰ ¿

.¿.

‰

.

.

–

ø

-́

Œ .

[F-3] [Bb-1] [Bb-2]

[Bb-1]

‰ J¿.

J¿.

Œ .

‰ J

¿.

J

¿.

Œ .

[upper] [lower]

∑

∑

∑

∑

∑

J–

‰ ‰ .œ

J–-≤

‰ ‰.–-

´[flute]

(breath in)

‰

j¿.

j¿. ‰

j¿.

j¿.

‰ ‰ jœ ‰ J

œ j

œ

‰j

¿.

j¿.

‰j

¿.

j¿.

‰ ‰

J–-

´

‰ J–-´

J

–ø

-´

[F-3]

[Bb-2] [F-2]

[F-2]

[F-3][Bb-2]

‰ ‰ Jœ .œm

‰ ‰

j¿

œ-

-

æ

.–-

´

∑

∑

∑

∑

∑

∑

‰ jœ( )

J

¿œ( ) ‰

‰

j¿

ø.

j¿

˜

fl

‰

[Bb-2]

(remove fingersuddenly)

(try to match the 2sounds dynamically)

(close tubesoftly)

‰ ‰

–

‰ ‰

–-≤

(breath in as if preparingto play a note)

∑

∑

∑

∑

∑

22

&

&

&

&

&

&

&

?

t

t

?

49

49

49

49

49

49

49

49

49

82

82

82

82

82

82

82

82

82

86

86

86

86

86

86

86

86

86

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

134

∑

hold possition (non theatrically)

∑

hold possition (non theatrically)

∑

hold breath and possition (non theatrically)

134

∑

∑

∑

∑

∑

J–

J¿.

J–-≤

J

¿.(breath in)

[mouthpiece]

∑

∑

∑

∑

∑

∑

∑

œm Jœm

‰ J–

‰

¿

œ

-

-

æ

J

¿œb

æ-

´

‰ J–-≤

‰

(palm) (finger)[flute] (breath in)

jœ j

œ

jœ j

œ( )J

¿œ( ) j

œ( )

j–-

´j

–ø

´j

–

´

J

¿

ø

.j

¿

˜

fl J

¿

ø

.[F-2]

[Bb-2]

(sim.close)

(sim.open)

(close)

.œ

‰ J–

‰

.–b-

´

‰ J–-≤

‰

(breath in)

∑

∑

∑

∑

∑

∑

‰ J¿.

J

¿–.

‰

‰

j¿.

j¿. ‰

‰ ‰

J–-≤

‰

[F-2] [F-3]

(breath in)

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ ‰

3


(fffff)

3

––––

˘

––––

.

––––

. ‰

(fffff)

3

––– ≈

–––≈

–––

≈

n

J

–––

(fffff)3

–˘

––.

––.

J

—

(fffff)3

–

´˘ –

˘ ¿˘

m.–

´O

[F]

23

&

&

&

&

&

&

&

?

t

t

?

82

82

82

82

82

82

82

82

82

86

86

86

86

86

86

86

86

86

85

85

85

85

85

85

85

85

85

411

411

411

411

411

411

411

411

411

43

43

43

43

43

43

43

43

43

cfg.

db.

pc.

fl.

cl.

hn.

pno.

139

J¿.

J

œ

J

¿.

j–m-

´

[extension]

[ext.]

jœ

jœ

J

–

ø

´j

–-

´[Bb-2] [F-3]

Jœ

J

œ

j¿

œ-

´

æ j

–-

´

139

∑

∑

∑

∑

∑

∑

J¿.

Jœ( )

J

¿œ.

( )

Jœ( )

J

¿œ.

( )

Jœ( )

?

J

¿.

J

¿

ø

.

J

¿

˜

˘

J

¿

ø

.

J

¿

˜

˘

J

¿

ø

.

[Bb-2] [horn on table:vault-holes F-2]

(close)(open)

‰ J¿.

J

¿–.

‰ ‰ ‰

‰

j¿.

j¿. Œ .

‰ ‰J–-≤

Œ .

[upper][lower]

(breath in)

∑

∑

∑

∑

∑

‰ ‰ J¿. –

‰

‰ ‰ J

¿. –-≤

‰

[ext.](breath in)

‰

J

¿

œ

.

( )Jœ

‰ J¿.

J¿.

&

‰j

¿.‰ ‰

j¿.

j¿.

‰

J

¿ø

.

J

–˜

-

´

Œ .

[F-3]

[F-2] [F-3][Bb-2]

‰ ‰ Jœ

Œ .

‰ ‰ j–-

´

Œ .

[upper]

∑

∑

∑

∑

∑

‰ ‰ ‰ J–

‰ ‰

‰ ‰ ‰ J–-≤

‰ ‰

jœ( )

J

¿œ

.

( )

j¿

œ

.

( )Œ .

‰ j¿.

j¿.

J

¿

øJ

¿

˜

flJ

¿

øŒ .

[Bb-2]

[F-2] [Bb-3]

Œ . ‰ ‰ J–

Œ . ‰ ‰ J–-≤

(breath in)

∑

∑

∑

∑

∑

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

poco rit.

J–

Jœ Œ J

¿.

J–-≤

j–-

´

Œ J

¿.

[mouthpiece]

[flute]

‰

j¿

œ

.

J

¿œ

.

( ) jœ( )

≈

¿.

‰

j¿.

j¿. ‰ ≈

R

¿.

‰

J

–

ø

´

J

¿

˜

fl

J

¿

ø

.

‰

[Bb-2]

[Bb-3][F-3] [Bb-2]

‰ Jœ

‰ ‰ ‰

‰ j–

´‰ ‰ ‰

[upper]

∑

∑

∑

∑

∑

a tempo

a tempo

a tempo

a tempo

a tempo

a tempo

a tempo

∑

∑

¿

æ

>

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

¿

æ

(smallest and fastest posible trembling movement on the table - lifting the piece a tiny bit and putting it down again - resulting in a nervous uneven tremolo)

[upper]

∑

∑

∑

∑

∑

24

&

&

&

&

&

&

&

?

t

t

?

43

43

43

43

43

43

43

43

43

47

47

47

47

47

47

47

47

47

82

82

82

82

82

82

82

82

82

cfg.

db.

pc.

fl.

cl.

hn.

pno.

145

Œ ‰

–

Œ

Œ ‰

–-≤

Œ

(breath in)

‰

œ.( )

¿

œ

.

( )‰

¿. ¿.

‰

¿

ø

. ¿

˜

˘

‰

¿. ¿.[F3][F3] [B2]

¿.

‰œ

‰ Œ

¿.

‰–

´

-

‰ Œ

[upper]

145

∑

∑

∑

∑

∑

Œ

¿. –

‰

¿.

Œ

¿. –-

‰

¿.

[mouthpiece]

(slide m.p.on table)

¿. ¿. ¿.

‰

¿.

‰

¿

øø

˘¿

˜̃

˘ ¿.

‰

¿.

‰

[B2]

(close both holes with palm, press hard,lift away suddently)

[B2] [F3]

Œ ‰

¿.

‰

–

Œ ‰

¿.

‰

–≤-

[upper](breath in)

∑

∑

∑

∑

∑

Œ Œ

3

–

‰ ‰

Œ Œ

3

–-≤

‰ ‰

(breath in)

3

‰

œ.( )

¿

œ.( )

‰

–

3

‰

¿. ¿.

3

‰

¿

ø

. ¿

˜

˘

‰

–-

3

‰

¿. ¿.[B1]

(slide on tablein direction ofthe front pos.* see preface)

[F3][B2][F3]

¿.

‰œ

‰ Œ

¿.

‰–

´

-

‰ Œ

[upper][upper]

∑

∑

∑

∑

∑

Œ ‰

–

Œ

Œ ‰

–-

Œ

[extension]

(slide ontable)

¿. ¿.

‰

¿. ¿.

‰

¿

øø

˘¿

˜̃

˘

‰

¿. ¿.

‰

[B2][B2] [F3]

(sim.)

¿.

‰

¿.

‰ ‰

–

æ

¿ø

˘¿˜

˘

‰ ‰ ‚-‚

[bell]

(press palm hard againstthe small opening of the bell standing upright on the table, then lift suddently- support bell with other hand)

[upper]

(blow into thekey holes -as if playing the pan flute,move the instrumentsideward, keep the head still)

(C pointing to the right)

∑

∑

∑

∑

∑

Œ ‰

œ

3

–

‰ ‰

Œ ‰

O-

3

–-≤

‰ ‰

[mouthpiece]

(whistle toneon m.p.)

(breath in)

œ.( )

¿

œ.( )

‰

–

‰

3

‰

¿. ¿.

¿

ø

. ¿

˜

˘

‰

–-

‰

3

‰

¿. ¿.[B1]

[F3][B2][F3]

(slide further in the direction ofthe front pos.)

‰œ

Œ Œ

‰–

´

-

Œ Œ

[upper]

∑

∑

∑

∑

∑

∑

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

.[B2]

(close and open withpalm as fast as possible)

∑

∑

∑

∑

∑

∑

25

&

&

&

&

&

&

&

?

t

t

?

82

82

82

82

82

82

82

82

82

46

46

46

46

46

46

46

46

46

43

43

43

43

43

43

43

43

43

82

82

82

82

82

82

82

82

82

415

415

415

415

415

415

415

415

415

cfg.

db.

pc.

fl.

cl.

hn.

pno.

√

√

151

∑

∑

∑

151

(fffff)

3

œ

œbœ

‰

‰

3

œmœm

œ

‰

(fffff)3

œmœm œ

(fffff)3

—˘

˘

˘

3

œ

˘

˘ ˘

(fffff)3

O. .

.

3

œ.( )

.

.

∑

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿.

æ

¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

. ¿

øø

. ¿

˜̃

.[B2]

∑

∑

∑

∑

∑

∑

¿.

‰

¿. –

‰

–

æ

¿

øø

˘¿

˜

˘ –-

‰ ‚-

‚

[mouthpiece](close the mouthpiece hole and close the tube hole (audible)by pressing the palm hard againstthe opening, then lift this hand away suddently (audible))

[flute][extension]

(blow into the key holes - like a pan flute, move flutesideward, keep head still)

3

¿. ¿.

‰ ‰

¿. ¿.

‰

3

¿

øø

˘ ¿

˜̃

˘

‰ ‰

¿. ¿.

‰

[Bb2] [mouthpiece]

3

¿.

‰

¿.

Œ

–

æ‰

3¿ø

˘

J

¿˜

˘

Œ ‚-‚

‰

[bell]

(sim.)

[upper]

(sim. blow into the holes)

∑

∑

∑

∑

∑

Œ

œ

‰

–

≈ ‰

Œ

O-

‰

–-≤

≈ ‰

[mouthpiece](breath in)

(whistle tone)

‰

–

‰

œ

≈

¿. ¿.

‰

–-

‰

O-

≈

¿. ¿

øø

˘[Bb1]

(slide almost to the front pos.)

(whistle toneby blowing afocused and very soft air streamvery close to the sharpedge of the tube)

[Bb2][mouthpiece]

œ‰ Œ Œ

–

´

-

‰ Œ Œ

[upper]

∑

∑

∑

∑

∑

3

¿.

‰

¿. –

‰ ‰

–

æ

3¿

øø

˘

J

¿

˜

˘

J

–-

ŒJ‚-

‚

[mouthpiece][extension]

[flute]

(sim. blow into the holes)

¿. ¿. ¿.

‰

–

‰

¿

˜̃

˘¿

øø

˘¿

˜

˘

‰

–-

‰

[F1]

(slide towardfront pos.)

[mouthpiece]

(close both ends hard, open one end suddently)

3

¿. ¿.

‰ ‰

–

æŒ

3

¿ø˘ ¿

˜˘

‰ ‰ ‚-‚

Œ

[bell][upper]

∑

∑

∑

∑

∑

3

‰ ‰

œ

‰

– ¿. ¿.

3

‰ ‰

O-

‰

–-≤

¿

øø

˘¿

˜

˘[mouthpiece][mouthpiece]

3

‰

–

‰

œ

‰

¿. ¿. ¿.

3

‰

–-

‰

3

O

˜

O

ø

O

˜‰

¿

øø

˘¿

˜

˘¿

øø

˘[Bb1]

(slide TOfront pos.)

[mouthpiece] [B2]

(close the otherend in the indicatedrythm while makingthe whistle tone)

3

œ‰ ‰ Œ

.¿. ¿.

3

–

´

-

‰ ‰ Œ

.

.¿ø

˘¿˜

˘[bell]

[upper]

∑

∑

∑

∑

∑

∑

J¿.

‰

J

¿

˜̃

˘

‰

‰J

–

æ

‰j

‚-‚

[upper]

∑

∑

∑

∑

∑

26

&

&

&

&

&

&

&

?

t

t

?

415

415

415

415

415

415

415

415

415

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

cfg.

db.

pc.

fl.

cl.

hn.

pno.

158

∑

– – – – – – – – – – – – – – –

– – – – – – – – – – – – – – –[F1]

(slide around on table in even circles)

∑

158

∑

∑

∑

∑

∑

‰

–

æŒ

‰ ‚-

‚

Œ

[flute]

–

‰

¿. –

æ

–-

‰

¿. ‚-‚

(move TO front pos.next to Bb1)

[B2] ["air guiro"]

(put in the front pos. next to Bb1 and F1, leaving 6 parallel pipes in even distance: an "air-guiro", blow on the pipes from right to left)

∑

∑

∑

∑

∑

∑

‰

œ

‰

œ

‰

3

O

˜

O

ø

O

˜‰

3

O

˜

O

ø

O

˜

[mouthpiece] [mouthpiece]

(close tube in the indicated rythm while making the whistle tone)

≈

–

‰

œ

‰

≈

–-

‰

3

O

˜

O

ø

O

˜‰

[mouthpiece][F2]

œ≈ ‰ Œ

–-

´

≈ ‰ Œ

[upper]

∑

∑

∑

∑

∑

Œ ‰

–

æ

Œ ‰‚-

‚

[flute]

–

æ ‰

–

æ ‰

‚-‚

‰

‚- ‚ ¿.

["air guiro"]["air guiro"]

(left to right)

[F2]

(right to left)

‰

–

æ Œ

‰ ‚-‚

Œ

[upper]

∑

∑

∑

∑

∑

27

&

&

&

&

&

&

&

?

t

t

?

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

414

414

414

414

414

414

414

414

414

42

42

42

42

42

42

42

42

42

cfg.

db.

pc.

fl.

cl.

hn.

pno.

162

∑

J

¿

J

–j

¿

œ

J

¿.

J

–

J¿.

[F2+horn]

(attach F2 on horn)

(push F2 in)

(pressF2 key)

press downF0 on horn

[F2 key]

∑

162

∑

∑

∑

∑

∑

Œ

œ–

Œ

O- –-≤[mouthpiece]

(breath in)

‰

–

Œ

‰

–-

Œ

[Bb2]

(slide toward front pos.)

œ‰ ‰

¿.

–

´

-

‰ ‰

¿ø

˘[upper][bell]

∑

∑

∑

∑

∑

Œ

–

‰

¿ ¿

Œ

–-≤

‰

¿

øø

˘¿

˜

˘(breath in) [mouthpiece]

– ¿

œ

Œ Œ

–

¿.

Œ Œ

[F2+horn]

[F2 key]

(pull F2 almost out)press downF0 on horn

¿.

‰

¿. ¿. –

‰

¿˜

˘

‰

¿ø

˘¿˜

˘–-

‰

[bell] [reedattachment]

(slide on table)

∑

∑

∑

∑

∑

∑

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿

œ

– ¿.–

¿. – ¿.–

¿. – ¿.–

¿. – ¿.–

¿. – ¿.–

¿. – ¿.–

¿. – ¿.–

¿.

(push in)

press downF0 on horn

[F2+horn]

(pull out)

[F2 key] (sim.)

∑

∑

∑

∑

∑

∑

∑

– ¿

œ

–

– ¿.–

(pull out allthe way)

∑

∑

∑

∑

∑

∑

28

&

&

&

&

&

&

&

?

t

t

?

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

417

417

417

417

417

417

417

417

417

43

43

43

43

43

43

43

43

43

cfg.

db.

pc.

fl.

cl.

hn.

pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

167

∑

3

¿.

‰

¿. –

æ ‰

3

¿.

‰

¿. ‚-‚

‰

[F2] [F2]

(detach) (put in the front pos. next to the other ones)

[air-guiro]

(8 pipes wide,right to left)

3

¿. ¿.

‰ ‰œ

3

¿ø

. ¿˜

˘

‰ ‰–-

´[bell] [upper]

167

∑

∑

∑

∑

∑

œ–

œ.

≈ ‰

O- –-≤

O˘

≈ ‰

(breath in)[mouthpiece]

[mouthpiece]

Œ

–

Œ

–-[Bb3]

(slide to front pos.)

∑

∑

∑

∑

∑

∑

‰

¿. ¿. –

æŒ

‰

¿. ¿.

‚-‚

Œ

[mouthpiece] [extension]

(as when blowinginto the holes, but startingat the left edge, endingat the right edge of the tube)

–

‰ Œ

–

‚-‚

‰ Œ

–-[air-guiro]

(10 pipes wide,right to left)

[F3]

(slide to front pos.)

∑

∑

∑

∑

∑

∑

∑

∑

¿. ¿.

‰

–

æ

¿. ¿.

‰

‚b

[upper] [lower]

[lower]

(E pointing to the right)

∑

∑

∑

∑

∑

∑

∑

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

–

æ

‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚

(blow softly into the E-hole while trilling the key)

∑

∑

∑

∑

∑

29

&

&

&

&

&

&

&

?

t

t

?

43

43

43

43

43

43

43

43

43

81

81

81

81

81

81

81

81

81

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

cfg.

db.

pc.

fl.

cl.

hn.

pno.

¤

√Ÿ~~~~~~~~

√

172

∑

‰

–

æ

–

æ

–.

≈ ‰

–

æ

‰

‚‚

‚˘

≈ ‰

‚- ‚

(12 pipes)

[air guiro]

(left right left)

[air guiro]

(left to right)

– –.

≈ ‰

– – –.

≈

‚‚bfl

≈ ‰

‚‚

‚

fl

≈

172

∑

∑

∑

∑

∑

∑

∑

∑

n

3

≈

œ( f )œ

(fffff)3

œm . œ.

( p )

œ.

(fffff)

Jœm ¿

(fffff)3

œm˘ pzœ

pzO

3

œ˘

( )

(fffff) ( p )

¿

( f )

¿

–

æ

–

æ

–.

≈

j‚ J

‚

‚

fl

≈

[flute]

‰ ‰J

–

æ

‰ ‰ J

‚-‚

[air guiro]

(right to left)

J¿.

‰ ‰

¿.

‰ ‰

[upper] (hold upper in right hand, C pointing to the right, hold lower in left hand next to upper, E pointing to the left - as if one long tube)

∑

∑

∑

∑

∑

Œ ‰

–

æ

Œ ‰

‚ ‚ ‚

‚

[flute + extension]

(hold extension next to flute with~1cm. between)

Œ

–

æ‰

Œ

‚- ‚

‰

[air guiro]

(left to right)

–

æ

–

æ

–.

≈ ‰

‚‚b

‚‚

‚

‚‚fl

≈ ‰

[lower + upper]

∑

∑

∑

∑

∑

30

In spite of, and maybe even therefore - Simon Steen-Andersen · 2009. 2. 6. · multiphonics should...

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Transcript of In spite of, and maybe even therefore - Simon Steen-Andersen · 2009. 2. 6. · multiphonics should...