Imágenes en el futuro

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4. 20/05/2015Nederlands Instituut voor Beeld en Geluid CENTRAL POSITION OF THE COLLECTION Content is key 70% audio visual heritage > 800.000 hrs of audiovisual material 2 million photos 20.000 objects and counting 1 catalogue 1 annotation process

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6. 20/05/2015 DIGITAL ARCHIVE 137.200 hours video 17.510 hours film 123.900 hours audio 1.200.000 photos yearly 8.000 hours video 30.000 hours radio Approx. 300TB per year Born digital: Dutch television & radio Europes largest digitisation project

7. 20/05/2015 A Visuals https://vimeo.com/51425368 - Sebastiaan ter Burg CC-BY 5,6 Petabytes of born digital and digitized video (and audio) 7,4 Petabytes of digitized film ~20.000 hours of film

8. 20/05/2015 video: plusoneamsterdam.com https://vimeo.com/16611485

9. 20/05/2015 - Content production changed - Distribution changed - Media consumption changed - Business models changed - Attention economy (Copyright legislation hardly changes) IN THE MEANTIME Source:Hokusai.TheGreatWave.1829-1832

10. 20/05/2015Source: kpcb.com/InternetTrendsNote: 1 petabyte = 1MM gigabytes, 1 zetabyte = 1MM petabytes. 2/3DS OF DIGITAL UNIVERSE CONTENT = CONSUMED & CREATED BY CONSUMERS

11. 20/05/2015 Source: http://blog.1000memories.com/94-number- of-photos-ever-taken-digital-and-analog-in-shoebox Date of publication: 2011. Note 1000 Memories stopped its operations after being acquired by Ancestry

12. 20/05/2015 TIMELAPSE MINING Source: http://qz.com/406497/using-millions-of-online-photos- cobbled-together-we-can-now-watch-history-unfold/

13. 20/05/2015 THE ARCHIVE IN THE MIDDLE Source: http://www.avid.com/static/resources/common/documents/whitepapers/Avid_Everywhere.pdf where everything revolves around the archive-

14. 20/05/2015 Source: Horowitz Associates, State of Cable and Digital Media Report, 4/14. . DIVIDED ATTENTION

15. 20/05/2015 84% OF MOBILE OWNERS USE DEVICES WHILE WATCHING TV Source: Nielsen Connected Devices Report, Q3, 2013 Sample = 13+ years old, 9,448 respondents who own a mobile device (tablet, smartphone, etc.)

16. 20/05/2015 Thousands of hrs of new television content produced by Dutch public broadcasters every year Hours of archival content of Sound and Vision used in this new content ATTENTION ECONOMY - SOME GUESTIMATES (1/2)

17. 20/05/2015 Total collection of Sound and Vision 800k of hours (& growing daily) we need different channels! competing for attention ATTENTION ECONOMY - SOME GUESTIMATES (2/2)

18. 20/05/2015 SOUND AND VISION - CHANNELS

19. 20/05/2015 (3 examples) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNELS

20. 20/05/2015 (3 examples) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNELS

21. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR

22. 20/05/2015 OPEN FULFILL THEIR PUBLIC MISSION For content to be truly accessible, it needs to be where the users are, embedded in their daily networked lives. (Wabel, 2009) STIMULATING COLLABORATION AND CREATIVITY No matter who you are, most of the smartest people work for someone else. (Joys Law, via Michael Edson)

23. 20/05/2015 if it doesnt spread, its dead (Jenkins, 2013) SYNDICATION AS STRATEGY

24. 20/05/2015 (3 examples) general public & creative industries media studies scholars general public SOUND AND VISION - CHANNEL

25. 20/05/2015 MW2012

26. 20/05/2015 EXAMPLE: SOCCER PAGE DUTCH WIKIPEDIA

27. 20/05/2015 MEASURING IMPACT Number of items on Wikimedia Commons 1,600 Number of articles on Wikipedia 2,000 Number of language versions 70 Number of views 50,000,000!!! 2013 numbers http://www.openimages.eu/blog/2014/09/sound-and-vision-on-the-future-of-video-on-wikipedia/

28. 20/05/2015 Edit-a-thons There is not enough quality information about fashion on Wikipedia

29. 20/05/2015 1. 2012/04 NM, Stockholm 2. 2013/05 CMU, Utrecht 3. 2013/09 MOMU, Antwerp 4. 2013/11 NM, Stockholm 5. 2013/11 MRC, Padova 6. 2013/11 HIT, Tel Aviv 7. 2014/03 LAD, Paris 8. 2014/11 MAA, Belgrade 9. 2015/01 MDT, Madrid 10. 2015/02 PFF, Athens 11. 2015/03 NM, Stockholm 12. 2015/03 AM, Amsterdam

30. 20/05/2015 Europeana Fashion content on Wikimedia Commons

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32. 20/05/2015 SOUND OF THE NETHERLANDS Step 1: uploading hundreds of high quality, digitized archival sounds to Soundcloud www.geluidvannederland.nl

33. 20/05/2015 SOUND OF THE NETHERLANDS Step 2: placing the sounds on the map & ask the world to contribute

34. 20/05/2015 SOUND OF THE NETHERLANDS enrichments on Soundcloud inserts in Wikipedia pages app Mix van Nederland https://en.wikipedia.org/wiki/Emperor_Goose http://tools.wmflabs.org/glamtools/baglama.php? https://soundcloud.com/beeldengeluid/comment aar-en-racegeluiden-op

35. 20/05/2015 NEW VISUALISATIONS Source : https://vimeo.com/103364847

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37. 20/05/2015 Photo: CC-BY-SA 2.0 Maarten Brinkerink

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39. 20/05/2015 Open Culture Data guidelines 1. Open Culture Data is (1) knowledge and information of GLAMS about their collections and/or (2) digitised objects from collections 2. Everyone can consult, use, spread, and reuse Open Culture Data (through an open license or by making material available in the public domain) 3. Open Culture Data is available in a digital (standard) format that makes reuse possible 4. The structure and possible applications of Open Culture Data are documented in a data blog 5. The provider of the Open Culture Data is prepared to answer questions about the data from interested parties and respects the efforts that the open data community invests in developing new applications Related work at http://openglam.org/principles/

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41. 20/05/2015 SOME LESSONS LEARNED Have access to expertise on the dimensions of collection Buy-in from the senior management is essential Necessity to invest in engagement with third parties Face to face meetups are extremely valuable Start with something sweet and small

42. 20/05/2015 2. Create something amazing: http://datahub.io/group/open-glam 1. Join the conversation: http://openglam.org/ 3. Follow the course: https://p2pu.org/en/groups/ open-glam/ HOW TO OPEN GLAM YOURSELF

43. 20/05/2015 http://www.digibis.com/dpla-europeana/ CONNECTED

44. 20/05/2015 4 4 www.euscreen.eu PAN-EUROPEAN AGGREGATOR

45. 20/05/2015 THE CONSORTIUM

46. 20/05/2015 THE NETWORK

47. 20/05/2015 The website (1/2)

48. 20/05/2015 The website (2/2) tens of thousands of videos and photos

49. 20/05/2015 BEYOND SEARCH => CONTEXT! exhibitions academic journal

50. 20/05/201528-5-2015 Enriched version of Na de bevrijding, a 7-part NTR series on about the five years after WWII Original sources: films, soundtracks, photos & newspaper articles used in the series and as research material. From official archives (45) to personal collections (35). Tablet-first development: more and more tv-viewers use tablet during and after viewing From manual to linked media AFTER THE LIBERATION

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56. 20/05/2015 DEVELOPMENT Front-end: HTML5 Back-end data: Google Drive Content: Amazon S3 for hosting

57. 20/05/2015 LINKEDCULTURE From manual annotations to linked media

58. 20/05/2015 Use case: Tussen Kunst & Kitsch

59. 20/05/2015 TV and related Web screen- synced

60. 20/05/2015 How: video analysis e.g.

61. 20/05/2015 How: annotation

62. 20/05/2015 How: enrichments via curation tool

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67. 20/05/2015 Smart OpenConnected WHAT WE AIM FOR

68. 20/05/2015 Image:BBCArchive Thank you [email protected] @erwinverb @benglabs labs.beeldengeluid.nl Slides with thanks to Lotte Belice Baltussen Johan Oomen Maarten Brinkerink

Imágenes en el futuro

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