Identidad Musical de Los Cantes Mineros Búsqueda y Documentación

7/17/2019 Identidad Musical de Los Cantes Mineros Búsqueda y Documentación

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Diagonal: An Ibero-American Music Review

UC Riverside

Peer Reviewed

Title:

Identidad musical de los cantes mineros: Búsqueda y documentación

Journal Issue:

Diagonal: An Ibero-American Music Review, 1(1)

Author:

Castro Buendía, Guillermo, Centro de Investigación Flamenco Telethusa

Publication Date:

2015

Permalink:

http://escholarship.org/uc/item/3x74g10t

Local Identifier:

diagonal_28583

Abstract:

La formación de los cantes mineros tuvo un proceso artístico a partir de formas musicales quese cantaban en el siglo XIX, cantes y cantos que fueron base de los estilos que hoy conocemosy que se cantan bajo el nombre de cartagenera, taranta, minera, levantica o murciana comomás significativos. La presencia en estos cantes del V grado rebajado es una de sus señas deidentidad, a las que hay que añadir el llamado toque de taranta, con sus típicas disonancias y

ausencia de compás medido.Descubriremos en este trabajo en qué documentos antiguos, yasean sonoros, partituras o de otra índole, podemos encontrar esos rasgos identificativos comoalgo presente en la cultura de esta comarca y zonas limítrofes, intentando descubrir cuál fue elpapel de Murcia en la configuración de estos cantes.

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Identidad musical de los cantes mineros:Búsqueda y documentación

GUILLERMO CASTRO BUENDÍACentro de Investigación Flamenco Telethusa

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Identidad Musical de Los Cantes Mineros Búsqueda y Documentación

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