HNIKOY NAOY - Church of GreecenAAAlo/\orEIO! EtKQN BPEOKPATOYLH! TOY ElL BENETIAN EA/\HNIKOY NAOY...

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Transcript of HNIKOY NAOY - Church of GreecenAAAlo/\orEIO! EtKQN BPEOKPATOYLH! TOY ElL BENETIAN EA/\HNIKOY NAOY...

Page 1: HNIKOY NAOY - Church of GreecenAAAlo/\orEIO! EtKQN BPEOKPATOYLH! TOY ElL BENETIAN EA/\HNIKOY NAOY vno N. B. llPANllAKH tlJV San Giorgio dei Creci toil LEQoil aV'l'JQt'l'Jf,tBvn

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18 A Grabar evi amp00bull u 7 )(es 19 r kWTrJetov EImiddoti) dvoo-c (H XQlObtaVl)(lj XoL BUtClVtLvlj El)(OvoYQaltpLCl)

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241

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(llwT G Millet)

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17 BA XGL A Grabar Note sur l iconographie ancienne de la Vierge etc Cahiers techniques de l Art -rEil r 1954 a 7 Av-r61h 1toQotLiev(U 1to-Qo()elylUlo lieSLOxQaT01Jal)e IIovoyiac OflO[ooe tMtateLb IIoLliLOV IIaQisvOc elc ll)ltpLlioorov nlvox 1 fje MOvijc -rOil eQYOv Oil 1201) at xena tOY Xoil)Y1)-_ljv kWTrJeOv (F kWTrJeiav H XQLUttoVtxlj XClt BuloVtLVlj EtXOVOYQClltPLo B H ElxroV -rijc EleO-roxOu AvatUJtOV be tije eeOAOypoundClC -rOfl HZ ev A 1956 AiHj-Vot 1956 niV 4) efe aAAoc Et)(OVoe BQIlltpOxQo-rOvtJl)e Oil tlitOU MOVo-

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18 A Grabar evi amp00bull u 7 )(es 19 r kWTrJetov EImiddoti) dvoo-c (H XQlObtaVl)(lj XoL BUtClVtLvlj El)(OvoYQaltpLCl)

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241

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(llwT G Millet)

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17 BA XGL A Grabar Note sur l iconographie ancienne de la Vierge etc Cahiers techniques de l Art -rEil r 1954 a 7 Av-r61h 1toQotLiev(U 1to-Qo()elylUlo lieSLOxQaT01Jal)e IIovoyiac OflO[ooe tMtateLb IIoLliLOV IIaQisvOc elc ll)ltpLlioorov nlvox 1 fje MOvijc -rOil eQYOv Oil 1201) at xena tOY Xoil)Y1)-_ljv kWTrJeOv (F kWTrJeiav H XQLUttoVtxlj XClt BuloVtLVlj EtXOVOYQClltPLo B H ElxroV -rijc EleO-roxOu AvatUJtOV be tije eeOAOypoundClC -rOfl HZ ev A 1956 AiHj-Vot 1956 niV 4) efe aAAoc Et)(OVoe BQIlltpOxQo-rOvtJl)e Oil tlitOU MOVo-

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18 A Grabar evi amp00bull u 7 )(es 19 r kWTrJetov EImiddoti) dvoo-c (H XQlObtaVl)(lj XoL BUtClVtLvlj El)(OvoYQaltpLCl)

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241

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(llwT G Millet)

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247

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34 B A EvyyonoVov ButavttV(tL Etxovelt 8V MsncoQollt cr 41 tOU tl3poundoU ElxciJv tiilt eotoxoU 0131JY1JtQLalt EEBS tOIL r 1926 cr ]38 1OU tI3LOU Katcio-yO crcr 89

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247

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34 B A EvyyonoVov ButavttV(tL Etxovelt 8V MsncoQollt cr 41 tOU tl3poundoU ElxciJv tiilt eotoxoU 0131JY1JtQLalt EEBS tOIL r 1926 cr ]38 1OU tI3LOU Katcio-yO crcr 89

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248

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xUQEla toOov til IIuQfMvoU oOov xal trov AyyiAo)V -3 aVllvQO)JlEV oJlmotIJtu Lva xQo yUva1xu toti EJtttaltptoU )Ql]voU tOtxoYQaltptrov

NdtOuvIJ 37 xal 42 (1375 -1385) Ta JtQoOo)Jta ltaQuOtuOEO) toti VUOU ELVIlL JlUAAOV UVUYAUlttll OxAlIQOtEQltl

xal JtEQtOOotEQOV crxlJJlUtlxu AxoWI1 OltptxroteuroQov ELvllL to JtAUOtjtOV

881heQlJ 6x80crlJ A)ilvat 195Q nLv 19) O[tOlOtlj unuQxet OXt JtOVov XU to to ne-QtYQafLlta tou nQomonou dAAa xal XCltU to XQcOltau XUL AE3ttolt8getac toov xaQamiddot lItllQOlv ltultpOQoc ehat Tj 6xcpQacrtc xal 0 tQonoc 8t ou dn08pound80vtatlt8 ltoAAdc Aeuxuc YQa Jt flU to cpoota

degOcrov dcpoQi1 to crXl8tov tije fLogcpij f) I1avoyCa WA t8poundq Ehcova 2) unevilI-[tpoundlEt xaL naAatoteuroQov EQYOV tije lXOAije KOlvcrtaV1tVolInOECOe titv ITaQtrEvov tou EraYYIlAwJoU tijc Movije lacpvpoundou (Wi Weidle Mosaici paleocristiani e bizan-tini Milano Firenze (195) ntv 1154)

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-40 N B Aeavoau1j TOtxoYQllcptat VotcrxOlV taU MultQii dvatllltov EX tOOV

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Tilv dx 6 tije naQouOIe [tEAEtle At tOtXoYQIXltptal tile NtEtcravlj eQYu toii 14011 at XQovoAoyouvtUt

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1955 0lt1 5960)

249

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TOV mcd5LftLQ 44 reaQa TOVQWALOftOV CfJ siVaL arellMaYftEfJ OftOTeuroQOOV euroxcpQa(JEoov Tijlt (f-t(JLXij atnvs Mv EvaL sIlt Ta sQya W1) xOQUcpaLoU aYtOYQacpoU TOV L(JCOQt]aavw TO I1QooTuTov COU aYLO OQoU (a retaQTOV TOU 140U al) Ai ftoQcpat TOU TIavasAt]voU EXOW aTOftLXOV xamiddot

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et V(U ltAOOOLmeQCl 45 BA 1tQoxeLQms D falboe Rice Byzantine art Melbournemiddot London -

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49 0 CQonOC IlL 0( U1t08U)e-taL lTIaiQ Co JllLoo1tOV fJ xOJt) tou XQLatou ete CT)V etxova toii S Giorgio lmevfiu)1UeuroL chuloyov 181ttOulQELav (ltltacpeIELEeraquol Crje xo-Jl( tou IIaL8Lou ele 01 1tLVaXa 0U Giotto laquoMadonna di Ognissantiraquo (11Qoott) 8e-xaeda tou 140u at) tOY MOXEtJ1eVOv ete ti)v Galleria degli Uffizi trje Firenze (Luigi Coletti I primitivi Vol primo Novara (1941) rr(v 113) ilxoJ1llv oaov ucpoQQ to at)J1eLOV outo 8unxT)v euro11t8QaaLv (auVaaILeVlv de arrOJ1LIlt)aLv et8ouc

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51 QOnooe ete oue fJJ1ESQOUe uyysloue 1ooYQacpELaL UQX01JVCooe linilxouaa ano rov 6cpilalJlrov Et( xQo6cpoue 1t 6J1l olhoo xal ljIlcpL8ood ou KaXQLs ( 21l evfi- uvoot 1tLV XIII No 42 XIII No 43 XIV No 45 XXX No 86)

52 Jh 8LaCPllUYilL IT)V JQU on (tv xafroloU IltvaL 800)(010e fJ XQO-VOIOyIJOLlt flu1avtLvffiv cpoQltrov dx6voov PA Ch Bayet 11 JQd A Bu-

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53 Td 1tQoooma dyoyoe 3LaXQLVEL naQa 0 xaffOe rov 0 7taQatIJQEraL tOLxoYQacppoundae ste M(1xeaovCav 0 X(1-

Evyy6novAol YQutpeL ihL les artistes macedoniens savert dans lairs fi-gures allier la perfection de la beaute et Ie fremissement de la veriteraquo (Thes-salonique et la painture macedonienne 0 2) At avroteQro vo)tpound1ro 01 aEv )tova f6yov MOXQiiivta aLa V a1tOaexlgtli L roe eQYOv Ma-x6Mvoe roYQuqJOU BQeuroqJoxQatoilmlv fie BevllLaebullAffrooe Mvatapound V aTtO-xfepoundou on xaL ot roYQaqJOL die 7tQrotllllouOIJe elxov olAoCae 7tQoe toue ouvaMfltpolle troY toue etc Maxeaovpoundltll j

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248

toli KaXQLe EJtEXtELVETat xat oJto) 0 JlEyUAO av)EQEc1w l Ilaxga YQUJtYJ 39 ai XOVaQCCL lUPQVE l to)V OXlU bullAJlUyaaAO)tOU

oIm ELVUL ot EVtaliu OUVClVtroJlEV tOLXOYQa-ltpta xal tOU taCOll vaou til XQo)tEUOVOIJ 40 (at tSTIlQtOV tOU 140U at) xal vaou PXQatOuvLtOa 41 (1320)

Eav xata tYJv OVYXQIOtV AIJltp)i lX OljJEt lOVOV to KUTro JlEQO tOu 81l0JlIJtoQtXOU xQoOctUtoU 00 xal 0 flL 00 aJtOMaEt(U l JtAaOttxOtIJ

xUQEla toOov til IIuQfMvoU oOov xal trov AyyiAo)V -3 aVllvQO)JlEV oJlmotIJtu Lva xQo yUva1xu toti EJtttaltptoU )Ql]voU tOtxoYQaltptrov

NdtOuvIJ 37 xal 42 (1375 -1385) Ta JtQoOo)Jta ltaQuOtuOEO) toti VUOU ELVIlL JlUAAOV UVUYAUlttll OxAlIQOtEQltl

xal JtEQtOOotEQOV crxlJJlUtlxu AxoWI1 OltptxroteuroQov ELvllL to JtAUOtjtOV

881heQlJ 6x80crlJ A)ilvat 195Q nLv 19) O[tOlOtlj unuQxet OXt JtOVov XU to to ne-QtYQafLlta tou nQomonou dAAa xal XCltU to XQcOltau XUL AE3ttolt8getac toov xaQamiddot lItllQOlv ltultpOQoc ehat Tj 6xcpQacrtc xal 0 tQonoc 8t ou dn08pound80vtatlt8 ltoAAdc Aeuxuc YQa Jt flU to cpoota

degOcrov dcpoQi1 to crXl8tov tije fLogcpij f) I1avoyCa WA t8poundq Ehcova 2) unevilI-[tpoundlEt xaL naAatoteuroQov EQYOV tije lXOAije KOlvcrtaV1tVolInOECOe titv ITaQtrEvov tou EraYYIlAwJoU tijc Movije lacpvpoundou (Wi Weidle Mosaici paleocristiani e bizan-tini Milano Firenze (195) ntv 1154)

89 Ptva tocrov XaL crXl1atonotlJfteurolJV cruvavtoofLEv Kal naAatotsQov xat sle titv ELxova taU AILou rECOQytOll tou 8tacrOlQtou titv dnolctEtftEVlJV de to

i1toQtKOV MOllcrE1oV tije Mooxaij (P Muraloff La pittura bizantina Roma Itpoundv CLXXVIl) Kata toue bqAhtAfLoue tqv atovov xa[tnuAIv toov bcpQUOlV titv tOlV crKtaV xaL t1)v Amtllv crXlJ[tatMollrtEVlJV [tutlV 1) lIavaYLa S Giorgio dei Greci Evl1u1poundlet laquolAAlJV BQscpolctQatouOav lije Movijlt XIlAuv8aQpoundouXQOVoAvyvUrtEVlJV xata tOV Radojcic amp110 toov ftEOOlV toil 140u at (S Radojcic Monuments artistiques a Chilandari Ete titv ex80lt1tv tile Axa81)[ttalt toov EltwtlltooV Recueil des travaux Institut d Etudes byzantines No 3 Beograd 1955 ntv 25 lctaL cr 192) Kat Ililt titv eLlctOV(l toU 1) ElllotOyoe XQlltEL tOV XQIlt1IOV 8ul tile

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-40 N B Aeavoau1j TOtxoYQllcptat VotcrxOlV taU MultQii dvatllltov EX tOOV

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YQl[t1alt 41 A Grabar - Skira 6Yi) dVOlt 150 42 VI Petkovic Ev1 dvcot to1 I (1930) niv 02a BA etc

Tilv dx 6 tije naQouOIe [tEAEtle At tOtXoYQIXltptal tile NtEtcravlj eQYu toii 14011 at XQovoAoyouvtUt

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1955 0lt1 5960)

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TOV mcd5LftLQ 44 reaQa TOVQWALOftOV CfJ siVaL arellMaYftEfJ OftOTeuroQOOV euroxcpQa(JEoov Tijlt (f-t(JLXij atnvs Mv EvaL sIlt Ta sQya W1) xOQUcpaLoU aYtOYQacpoU TOV L(JCOQt]aavw TO I1QooTuTov COU aYLO OQoU (a retaQTOV TOU 140U al) Ai ftoQcpat TOU TIavasAt]voU EXOW aTOftLXOV xamiddot

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43 G Millet Monuments de Mistra Itt 123 44- m dvomiQm mocr11L 26 H KOWI1 toii XQL(JtoU iil etKOVOI Vladimir

et V(U ltAOOOLmeQCl 45 BA 1tQoxeLQms D falboe Rice Byzantine art Melbournemiddot London -

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dvmbull cr 151 il-8mQ8t 1 academisme maniere ou baroque UqJOl TO 01totov laquos installera partout a partir du XIV bull

Tov ELLClVOUijA iil NecrClVl (lA LVIL8LW)I) ex30crw Acade-miae regalis Servicae Montlmen ta Jugoslaviae artis veteris Series prima Monumenta servica artis Madiaevalis Liber II Decani Beograd 1941 ltlv

aovv tOV H JWQaataat tfj EXXAllaia Et aXE-lthoy Mv fAml1IlQLav xal tfj tOtrOYQWpLU tOl I1Qo)t(ltotJ Oihll 1tci1LV ampla lluyevEtav trv IhuxQ(-VOuaClV TO I1atltlLOv tfj E1x6vo tOU S Giorgio E1 to tOu

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oarov 3taQeurotllQ11illauv ampVCOtEQCO OUVciYEtat to aUlA3tEQaaAa Ott f]

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49 0 CQonOC IlL 0( U1t08U)e-taL lTIaiQ Co JllLoo1tOV fJ xOJt) tou XQLatou ete CT)V etxova toii S Giorgio lmevfiu)1UeuroL chuloyov 181ttOulQELav (ltltacpeIELEeraquol Crje xo-Jl( tou IIaL8Lou ele 01 1tLVaXa 0U Giotto laquoMadonna di Ognissantiraquo (11Qoott) 8e-xaeda tou 140u at) tOY MOXEtJ1eVOv ete ti)v Galleria degli Uffizi trje Firenze (Luigi Coletti I primitivi Vol primo Novara (1941) rr(v 113) ilxoJ1llv oaov ucpoQQ to at)J1eLOV outo 8unxT)v euro11t8QaaLv (auVaaILeVlv de arrOJ1LIlt)aLv et8ouc

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1oJ1evou s 01 EOaUQOOJ1evov ou Giotto trje S Maria Novella Ov flvacpsQoJf Vov t]8t) to 1312 (Luigi Colptti evil avoobull nLv 109 xat a XLVI) Eluaavoue

npoundv CLVI) 60 BI xaL ollae trje Ntsaavt) evil- dvoo bull (unoa 43) n(vaxll

CCLP (Euall) xat Vl Petkovic EVamp ovOOt C6J1 I 11pound11 90p (01 nQrotov 8X rov mo oyyelou 11Qoe i)v KOll1aLv) 1141l rAyulV reooQYLov)

51 QOnooe ete oue fJJ1ESQOUe uyysloue 1ooYQacpELaL UQX01JVCooe linilxouaa ano rov 6cpilalJlrov Et( xQo6cpoue 1t 6J1l olhoo xal ljIlcpL8ood ou KaXQLs ( 21l evfi- uvoot 1tLV XIII No 42 XIII No 43 XIV No 45 XXX No 86)

52 Jh 8LaCPllUYilL IT)V JQU on (tv xafroloU IltvaL 800)(010e fJ XQO-VOIOyIJOLlt flu1avtLvffiv cpoQltrov dx6voov PA Ch Bayet 11 JQd A Bu-

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53 Td 1tQoooma dyoyoe 3LaXQLVEL naQa 0 xaffOe rov 0 7taQatIJQEraL tOLxoYQacppoundae ste M(1xeaovCav 0 X(1-

Evyy6novAol YQutpeL ihL les artistes macedoniens savert dans lairs fi-gures allier la perfection de la beaute et Ie fremissement de la veriteraquo (Thes-salonique et la painture macedonienne 0 2) At avroteQro vo)tpound1ro 01 aEv )tova f6yov MOXQiiivta aLa V a1tOaexlgtli L roe eQYOv Ma-x6Mvoe roYQuqJOU BQeuroqJoxQatoilmlv fie BevllLaebullAffrooe Mvatapound V aTtO-xfepoundou on xaL ot roYQaqJOL die 7tQrotllllouOIJe elxov olAoCae 7tQoe toue ouvaMfltpolle troY toue etc Maxeaovpoundltll j

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249

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II xmareAt](J(Jotl(Ja ftoQCPf) T01) IIa[8[oU areoLa amp eva TroV nnw-TEQOOV reQoy6voov reQeuroreEI vmiddot ampvayvwQL(JOOftSV TOV lfJ(Jovv Tij IIavamiddot

TOV mcd5LftLQ 44 reaQa TOVQWALOftOV CfJ siVaL arellMaYftEfJ OftOTeuroQOOV euroxcpQa(JEoov Tijlt (f-t(JLXij atnvs Mv EvaL sIlt Ta sQya W1) xOQUcpaLoU aYtOYQacpoU TOV L(JCOQt]aavw TO I1QooTuTov COU aYLO OQoU (a retaQTOV TOU 140U al) Ai ftoQcpat TOU TIavasAt]voU EXOW aTOftLXOV xamiddot

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fin (a(Olt a xalHaTa aVtf)v aAM reavtoo OAtYOOtS-QOv ampQaLav AL aUTO EtVat )UatOV va sOOQfJii 0 fJlETEQO aYtOYQacpolt amp XAacrcrtKO )la tf)V sreOXtlV tOU

middot0 XQuJtO tijlt BsvstLa resQlaaOtSQov xata to vcpo tOY El-tftUVOUf)A Tij NtetaaVfJ 48 (Etx 8) Yj reQo tOY (ioo)sxastij lfJ

43 G Millet Monuments de Mistra Itt 123 44- m dvomiQm mocr11L 26 H KOWI1 toii XQL(JtoU iil etKOVOI Vladimir

et V(U ltAOOOLmeQCl 45 BA 1tQoxeLQms D falboe Rice Byzantine art Melbournemiddot London -

Baltimore (1954) elK 21(l 46 G Millet Monuments de l Athos 31poundV 35 47 A Xyngopovlos evW dvmbull cr 4 43 QI Wv OLXOYQ(t(PLWV (ClL tiil NlecrClVI) A Grabar - SkiM evt

dvmbull cr 151 il-8mQ8t 1 academisme maniere ou baroque UqJOl TO 01totov laquos installera partout a partir du XIV bull

Tov ELLClVOUijA iil NecrClVl (lA LVIL8LW)I) ex30crw Acade-miae regalis Servicae Montlmen ta Jugoslaviae artis veteris Series prima Monumenta servica artis Madiaevalis Liber II Decani Beograd 1941 ltlv

aovv tOV H JWQaataat tfj EXXAllaia Et aXE-lthoy Mv fAml1IlQLav xal tfj tOtrOYQWpLU tOl I1Qo)t(ltotJ Oihll 1tci1LV ampla lluyevEtav trv IhuxQ(-VOuaClV TO I1atltlLOv tfj E1x6vo tOU S Giorgio E1 to tOu

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oarov 3taQeurotllQ11illauv ampVCOtEQCO OUVciYEtat to aUlA3tEQaaAa Ott f]

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Kat ot JLxQoi ihlaavOt ot 1OOYQacpoUJ1EVOL 6118Q 0 ote 811t oli J1W)rrou crvlll0Yov u1t050ltJgtv XOJ1t)e tou EuayysAawu Iooavvou oii etxovL

1oJ1evou s 01 EOaUQOOJ1evov ou Giotto trje S Maria Novella Ov flvacpsQoJf Vov t]8t) to 1312 (Luigi Colptti evil avoobull nLv 109 xat a XLVI) Eluaavoue

npoundv CLVI) 60 BI xaL ollae trje Ntsaavt) evil- dvoo bull (unoa 43) n(vaxll

CCLP (Euall) xat Vl Petkovic EVamp ovOOt C6J1 I 11pound11 90p (01 nQrotov 8X rov mo oyyelou 11Qoe i)v KOll1aLv) 1141l rAyulV reooQYLov)

51 QOnooe ete oue fJJ1ESQOUe uyysloue 1ooYQacpELaL UQX01JVCooe linilxouaa ano rov 6cpilalJlrov Et( xQo6cpoue 1t 6J1l olhoo xal ljIlcpL8ood ou KaXQLs ( 21l evfi- uvoot 1tLV XIII No 42 XIII No 43 XIV No 45 XXX No 86)

52 Jh 8LaCPllUYilL IT)V JQU on (tv xafroloU IltvaL 800)(010e fJ XQO-VOIOyIJOLlt flu1avtLvffiv cpoQltrov dx6voov PA Ch Bayet 11 JQd A Bu-

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oarov 3taQeurotllQ11illauv ampVCOtEQCO OUVciYEtat to aUlA3tEQaaAa Ott f]

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49 0 CQonOC IlL 0( U1t08U)e-taL lTIaiQ Co JllLoo1tOV fJ xOJt) tou XQLatou ete CT)V etxova toii S Giorgio lmevfiu)1UeuroL chuloyov 181ttOulQELav (ltltacpeIELEeraquol Crje xo-Jl( tou IIaL8Lou ele 01 1tLVaXa 0U Giotto laquoMadonna di Ognissantiraquo (11Qoott) 8e-xaeda tou 140u at) tOY MOXEtJ1eVOv ete ti)v Galleria degli Uffizi trje Firenze (Luigi Coletti I primitivi Vol primo Novara (1941) rr(v 113) ilxoJ1llv oaov ucpoQQ to at)J1eLOV outo 8unxT)v euro11t8QaaLv (auVaaILeVlv de arrOJ1LIlt)aLv et8ouc

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