Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

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Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999

Transcript of Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Page 1: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Guernica, 1937 by Pablo Picasso

Shannon Frost and

Mary Catherine Taylor

August 12, 1999

Page 2: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Pablo Picasso

Born in Spain Known as the most famous artist of the 20th

century Lived from 1881-1973 Pablo Picasso is considered a Modernist in

terms of art history

Page 3: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Guernica

Page 4: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Historical Context of Guernica, 1937 Commissioned by the Spanish Republican

Government to create a mural The Spanish Civil War broke out July 18, 1937 The massacre of the village Guernica became the

image for the mural

Page 5: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Biographical Context: Why the Spanish Civil War Affected Picasso? Picasso was a Spaniard with strong populist

beliefs He was moved by the tragedy of the war

Page 6: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Aesthetic Analysis of Guernica

Elements– Line– Shape / Form– Space– Texture– Value– Color

Arrangement of the elements

Page 7: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Lines– Thin lines – Mechanical Lines – Organic lines – Fine point instrument– Asymmetrical– Not drawn to scale– Horizontal, vertical, and

curved lines

Page 8: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Shape and Form Triangles Ovals Rectangles Square Circles

Page 9: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Space

Two-dimensional perspective

Page 10: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Texture

Combination– Some objects appear smooth, no brush strokes or

scratch marks– Some objects appear rough

Page 11: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Value There is high contrast between light and dark in

this work– There is no evidence of a light source because there

are no shadows

Page 12: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Color Somber tones of gray Charcoal Black White

Page 13: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Shannon and Mary Catherine’s Critical Interpretation

Pain and despair Abandonment of hope Cubist in origin

Page 14: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Critical Interpretation by Scholars There is no hope depicted in the colors,

figures, and complex symbolism Bull is brutality and darkness Horse represents the innocence of the

civilian victims The weeping woman is Picasso’s mistress,

Dora

Page 15: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.

Educational Interpretation

Lesson Plan– School Setting– Rational– Virginia Standards of Learning– Art Objectives

Page 16: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.
Page 17: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.
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Page 21: Guernica, 1937 by Pablo Picasso Shannon Frost and Mary Catherine Taylor August 12, 1999.