Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the...

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GHOST STORIES The Legend Of Oliver's Landing a musical chiller -by- David Jacklin . . . sometimes, things do go bump in the night . . . Piano/Vocal Score © 1984/1992 David Jacklin R.R. 1, 394 Keays Road, Balderson, Ontario K0G 1A0 (613) 267-1884 [email protected] www.barndoorproductions.ca

Transcript of Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the...

Page 1: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

GHOST STORIESThe Legend Of Oliver's Landing

a musical chiller

-by-

David Jacklin

. . . sometimes, things do go bump in the night . . .

Piano/Vocal Score

© 1984/1992

David Jacklin

R.R. 1, 394 Keays Road,

Balderson, Ontario

K0G 1A0

(613) 267-1884

[email protected]

www.barndoorproductions.ca

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THE CHARACTERS

JOHN OLIVER, a ferryman and inn-keeper – baritone

MRS OLIVER, his wife and help-meet – mezzo-soprano

ELSPETH MARTIN, an innocent – soprano

ARCHIBALD STRITCH, a clerk – tenor

CONSTABLE DONAGHIE, the district officer of the law – non-singing*

IOYAN, an Indian woman, who rescues Archibald – non-singing*

THE NARRATOR, MR. MARTIN, Elspeth's father – bass or bass-baritone

RUFUS BUMFRY, a downright bad'un – tenor or counter-tenor

OTHERS, who are variously drunks, whores, scoundrels, good and honest folk – in general,

people.*

Minimum cast is 13, 8 male and 5 female, if MARTIN and THE NARRATOR are doubled by

the same actor. OTHERS made be expanded as available; 5 is the minimum number.

*sing as part of COMPANY

THE SETTING

Oliver's Landing (now Rideau Ferry), Upper Canada (now Ontario)

The Fall of 1822.

The Oliver's inn and environs.

Martin's house in nearby Perth and environs.

The woods along Big Rideau Lake.

Setting should be simultaneous, as much as possible, with no breaks from scene to scene; if

possible, unusual placement of the acting areas within the auditorium should be undertaken.

There should be a sense of the omni-present natural forces, waiting to drag the characters

down: the presence of the ever-threatening storm, the relentless wash of the lake, the brooding,

pressing quality of the wet, cold woods where the alien whites are carving spots for their roads and

cabins.

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MUSICAL NUMBERS

1. pp. 1-4 Overture Instrumental

2. pp. 5-16 A Happy Life Oliver, Mrs. Oliver

2a. p. 17 A Happy Life, button Oliver

3. pp. 18-34 What If? Archy, Elspeth, Oliver, Mrs.

Oliver, Bumfry

3a. pp. 34-35 Donaghie's Entrance (instrumental)

4. pp. 36-40 Before You Judge . . . Narrator, Others

5. pp. 41-48 Gelt! Oliver, Mrs. Oliver

6. pp. 49-54 For You Elspeth, Archy

7. pp. 55-59 Pleasant Little Murders Company

8. pp. 60-66 Human Nature Martin

9. pp. 67-71 What If?, reprise Elspeth, Archy

9a. p. 72 Chase Music Instrumental

10 pp. 73-82 Rationale Mrs. Oliver, Oliver

Act Break

11. pp. 83-90 Victims Oliver

12. pp. 91-96 Isn't This Lovely, Love? Mrs. Oliver, Oliver

13. pp. 97-100 Elspeth Archy

14. pp. 101-108 Song in which Elspeth expounds her broad

knowledge of inter-sex relationships. Company, Elspeth

15. pp. 109-114 Foolish Youth Company

16. pp. 115-125 Constable Donaghie Mrs. Oliver, Oliver

17. pp. 126-127 Before You Judge . . . , 1st reprise Company

18. pp. 128-132 Love Song Elspeth, Archy

19. pp. 133-134 Before You Judge . . . , 2nd reprise Company

20. pp. 135-136 Gelt!, reprise Mrs. Oliver

21. pp. 137-139 Isn't This Lovely, Love?, reprise Oliver

22. pp. 140-145 Finale (Life Is . . . ) Company

23. p. 146 Finale Ultimo Instrumental

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NOTES

Any show goes through a lot of changes during preparation, so many that it is probably

inevitable that a few errors and discrepancies will creep into the various versions.

In the case of discrepancy between the lyrics in this score and those in the libretto, I ask

that the libretto be taken as authoritative. Discrepancies between the piano/vocal and conductor’s

score should give precedence to the conductor’s score. As to dynamics and performance

markings, there is only so much that computerized notation can handle, convenient as it is; your

own good musical sense is invoked.

The available demo was created from the same files from which this score was printed.

While I have cleaned up all errors I have found, it is likely that some survive. In the case of an

apparent wrong note, I offer my apologies and Stravinsky's advice: "Well, play the right one!"

The existing arrangement of the music is for:

flute/double piccolo

Bb clarinets (1 and 2)

trumpet

trombone

piano and/or digital keyboard

percussion (1 or 2)

violins (1 and 2)

contrabass

Additionally, wave, surf and thunder effects are required and written into the score.

If a digital keyboard is used, I am not averse to, indeed, am in favour of, the use of

available voices as appropriate to the setting, eg., a spinet (not harpsichord) sound under

Bumfry’s solo section of No.3; a harp sound for glissandi in Nos. 3 and 18; a bell sound for high

treble sustained notes in Nos. 3 and 12. Other possibilities may suggest themselves and I urge

experimentation. The extant orchestration was created based on available instruments and the

likely capabilities of those who would be playing. It could be filled out a bit without endangering

the stark quality I wish to convey.

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No. 2: A Happy Life

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No. 2: A Happy Life

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 43

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 44

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Page 73: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 69

Page 74: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 70

Page 75: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 9: What If?, reprise

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 71

Page 76: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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Ghost Stories, The Legend of Oliver's Landing Conductor's Score Score Page 72

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Ghost Stories, The Legend of Oliver's Landing Conductor's Score Page 75

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Ghost Stories, The Legend of Oliver's Landing Conductor's Score Page 76

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No. 10: Rationale

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No. 10: Rationale

Ghost Stories, The Legend of Oliver's Landing Conductor's Score Page 79

Page 84: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 10: Rationale

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Page 85: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 10: Rationale

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Page 86: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 10: Rationale

Ghost Stories, The Legend of Oliver's Landing Conductor's Score Page 82

Page 87: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 83

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No. 11: Victims

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No. 11: Victims

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Page 90: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 11: Victims

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Page 91: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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CUE: MRS OLIVER: "Now you've done it."

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No. 18: Love Song

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 130

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No. 18: Love Song

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No. 18: Love Song

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 132

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 134

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 135

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No. 20: Gelt!, reprise

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 136

Page 141: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Page 137

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Page 142: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 21: Isn't This Lovely, Love?, reprise

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Page 138

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Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Page 139

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Page 145: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 22: Finale (Life Is)

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 141

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No. 22: Finale (Life Is)

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 142

Page 147: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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No. 22: Finale (Life Is)

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No. 22: Finale (Life Is)

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 144

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No. 22: Finale (Life Is)

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 145

Page 150: Ghost Stories, The Legend of Oliver's Landing … Stories Piano...Discrepancies between the piano/vocal and conductor’s score should give precedence to the conductor’s score. As

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CUE: Segue in tempo from No. 22

Ghost Stories, The Legend of Oliver's Landing Piano/Vocal Score Page 146