GEOGRAPHIES OF EXCLUSION PROFESSOR: CAROLINE …landscape as subject, and the collective life within...
Transcript of GEOGRAPHIES OF EXCLUSION PROFESSOR: CAROLINE …landscape as subject, and the collective life within...
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Master’s Degree in Planning and
Management of Tourism Systems
GEOGRAPHIES OF EXCLUSION
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
1. Landscape as a semiotic system
2. Eeyou Istchee : sign of aboriginality
3. James Bay : sign of modernity
4. Place naming (toponymy)
5. James Bay tourism : a new landscape
Development
Reading/writing landscape
Place names and culture
Immaterial heritage
Page 1
Erasure
Source: Pierre Turgeon, La Radissonie
(Libre Expression, 1992)
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Landscape reflects culture but
also the power relations
between cultures.
The creation of a landscape
by one culture can mean the
erasure of previous cultural
markers…
GEOGRAPHIES OF EXCLUSION
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Source: The Crumb Museum - www.crumbmuseum.com/crumb1.html#target
« A Brief History of America… » from Robert Crumb
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Is the first landscape « empty »?
Only to those who cannot read
the cultural text that is inscribed
in it…
1. LANDSCAPE AS A SEMIOTIC SYSTEM
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Page 5 Master’s Degree in Planning and
Management of Tourism Systems
INTERCULTURAL GEOGRAPHY
(M-GGR/01)
PROFESSOR: CAROLINE
DESBIENS
1. LANDSCAPE AS A SEMIOTIC SYSTEM
« A landscape is a cultural image, a
pictorial way of representing, structuring or
symbolising surroundings. This is not to say
that landscapes are immaterial. They may be
represented in a variety of materials and on
many surfaces – in paint on canvas, in
writing on paper, in earth, stone, water
and vegetation on the ground. »
Daniels, Stephen and Denis Cosgrove eds., The Iconography of
landscape (Cambridge, UK: Cambridge University Press, 1988)
Pieter Brueghel the Elder, The Harvesters, 1565.
1. LANDSCAPE AS A SEMIOTIC SYSTEM
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
April 26
2012
Page 6
2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY
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Principal trade routes at the beginning of the 17th century
2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY
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Treaties and reserves across Canada
Master’s Degree in Planning and
Management of Tourism Systems
2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY The process of « réduction » (spatial)
Master’s Degree in Planning and
Management of Tourism Systems
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Management of Tourism Systems
1857 : Act to Encourage the Gradual Civilization of Indian Tribes 1869 : Act for the Gradual Enfranchisement of Indians
1876 : Indian Act
« The great aim of our legislation has been to do away
with the tribal system and assimilate the Indian people
in all respects with the other inhabitants of the
Dominion as speedily as they are fit to change. »
Prime Minister John A. Macdonald (1887)
2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY The process of « réduction » (legal)
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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http://www.nfb.ca/film/cree_hunters
Beyond the reduction : the land as a lived territory…
« Cree Hunters of Mistassini » by Boyce Richardson
National Film Board of Canada (1974)
2. EEYOU ISTCHEE : SIGN OF ABORIGINALITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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3. JAMES BAY : SIGN OF MODERNITY
Source: Pierre Turgeon
La Radissonie (Libre Expression, 1992)
Quebec Premier Robert Bourassa (1933-1996)
“It will not be said that we will live
poorly on such a rich land.”
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
April 26
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Management of Tourism Systems
Bourassa « Father of James Bay » in front of the
Giant’s Staircase
“ The territory of Québec remains to a large extent
unexplored. While the Americans and Russians are
involved in space exploration, there remains on our
territory, very close to us and inside our frontiers, one of
the most beautiful challenges that can be taken up: the
conquest of Quebec’s North, with its tumultuous
waters that form so many grandiose rivers, its immense
lakes that resemble so many seas, its evergreen forests
that hide unimaginable resources in mining deposits of
all kinds… We must reinvent the history of
Quebec; we must repeat the courage and the
will of our ancestors in the twentieth century; we
must occupy our territory; we must conquer James
Bay. We have decided that the time has come.”
Bourassa, La Baie James (1973) p. 12.
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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James Bay : Responding to a cultural imperative…
Lord Durham (1792-1840) Rapport sur les affaires de l’Amérique du Nord britannique (1839)
Who shall convert the wilderness into a flourishing
country?
« The possession of the mouth of the St.-Lawrence concerns
not only those who happen to have made their settlements
along the narrow line which borders it, but all who now dwell, or
will hereafter dwell, in the great basin of that river. For we must
not look to the present alone. The question is, by what
race is it likely that the wilderness which now covers
the rich and ample regions surrounding the
comparatively small and contracted districts in which
the French Canadians are located, is eventually to
be converted into a settled and flourishing country? »
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Page 2 Master’s Degree in Planning and
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Converting the wilderness
into a flourishing country :
Economic initiatives
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Converting the wilderness into a
flourishing country : Mapping
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Converting the wilderness
into a flourishing country :
Resource planning and
engineering
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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« For in an important, if not always literal, sense the spectator owns the view
because all of its components are structured and directed towards his eyes only. The
claim of realism is in fact ideological. It offers a view of the world directed at the
experience of one individual at a given moment in time when the arrangement
of the constituent forms is pleasing, uplifting or in some other way linked to the
observer’s psychological state; it then represents this view as universally valid by
claiming for it the status of reality. The experience of the insider, the
landscape as subject, and the collective life within it are all implicitly
denied. Subjectivity is rendered the property of the artist and the viewer – those
who control the landscape – not those who belong to it » (p. 20)
Denis Cosgrove, Social formation and symbolic landscape (Croom Helm 1984)
Renaissance : emergence of perspective as a way of
seeing corresponds to a reconfiguration of the links
between art, science, capital and political power…
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS
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Page 19 Master’s Degree in Planning and
Management of Tourism Systems
Once the aboriginal landscape (Eeyou
Istchee) is resignified as a landscape
of modernity (James Bay) where the
Eeyouch are absent, what are the
processes that further consolidate the
erasure of “the experience of the
insider, the landscape as subject, and
the collective life within it » ?
3. JAMES BAY : SIGN OF MODERNITY
INTERCULTURAL GEOGRAPHY (M-GGR/01)
PROFESSOR: CAROLINE DESBIENS