GCA Workshop II - Photographing monuments by Madhu Gopalan
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Transcript of GCA Workshop II - Photographing monuments by Madhu Gopalan
![Page 1: GCA Workshop II - Photographing monuments by Madhu Gopalan](https://reader038.fdocuments.in/reader038/viewer/2022100606/559fe3871a28abfd2d8b4790/html5/thumbnails/1.jpg)
P hotographing MonumentsMadhumita Gopalan
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The Basics
LENS
APERTURE
SHUTTER
SENSOR
● What's the story?
● Compose the image
● Control the light
● Shoot!
● Review, Reshoot
● Process[ ]
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When do you have the best light?● Early mornings, mid mornings, late afternoons and around sunset are
great● Sunny days with clear blue skies and fluffy white clouds here and there
make dramatic colorful backdrops. Light is harder and colours brighter● Clouds act as diffusers – they make light softer, and illuminate building
evenly. But too much will make your photo dull● Rainy days can be quite dramatic but keeping your gear safe is a
challenge● Right AFTER a rain, everything is clean, colors pop, gear is safe -
ideal● Avoid shooting when the front of the monument is in shadow – you
can, however, experiment with silhouettes, flares etc● Useful to know orientation of the monument beforehand
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Look for interesting compositions● Wide shots of the whole monument● Zoom in and capture architectural details, carvings, etc● Try low angles to exaggerate features● Walk all around the monument to make sure you haven't missed an
interesting angle/view● Look for repeating patterns – a frame with a single repeating pattern
can make a compelling image● Views of the monument from other places – neighborhood, other
nearby buildings, etc
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Interesting ways to frame the monument● Through an arch● Through the window of your car ● Through the leaves of a tree ● Seen from another monument● Reflections in ponds, puddles, rearview mirrors,
windshields - anywhere!● Interesting shadows
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Inside the monument (if al lowed )● Photos of the interiors
● Photos of the outside FROM the inside
● Light-shadow patterns created by stained glass, perforated screens etc
● Dramatic shafts of light through stained glass windows etc
● Look up - Ceilings are often interesting
● Look down from staircases, balconies, etc
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Make use of distractions● Use people, vehicles and other familiar objects to convey the size of
the monument
● These also add color and movement to the photo
● Use the monument as a backdrop for some other subject – like children running around, hawkers on the street, etc
● Local people in the frame add character
● Pigeons...or any bird = awesome
● Distractions like wires, garbage = not awesome
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More C omposition Tips● Make sure your horizon and lines are straight
● Level your planes – very hard to correct later
● Rule of thirds
● Minimalism
● Pathways, driveways, staircases as leading lines
● Convey depth
● Use diagonals
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Flares and Sil houettes(sun behind monument)
Flares:● Shoot into the sun, at an angle.● Don't include the whole sun – let the building cut out most of it.● Don't point at the sun directly – harmful to your eyes and camera sensor
Silhouettes:● Only the outline of the monument ● Colorful sky at the time of sunset is best● Monument should have distinct identifiable outline● Sun need not be right behind building, it just has to be in front of you● Underexpose as required if using DSLR● Don't use auto white balance – you might lose colours. Switching to
cloudy mode might make colors better.
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So...● Use techniques alone or in combinations● Don't shy away from the cliched shots● How often do you visit the same monument? Shoot, review,
recompose, reshoot as many times as you want. It's digital & storage is cheap.
● Rules are meant to be broken, but break them unapologetically for maximum impact
● Remember to take some time to soak in the atmosphere – it'll help you see the story you want to shoot
Happy Shooting!