Frame nº 80 Cantina da cidade da cultura de Galicia

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THE GREAT INDOORS : ISSUE 80 : MAY/JUN 2011 €19.95 EU – CHF 30 SWITZERLAND – $19.95 USA – $29.50 CANADA £14 UK – $28.99 AUSTRALIA – ¥3,570 JAPAN – WON 40,000 KOREA TIME TRAVELS IN DESIGN VIEW DÉJÀ

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Frame nº 80 Cantina da cidade da cultura de Galicia

Transcript of Frame nº 80 Cantina da cidade da cultura de Galicia

Page 1: Frame nº 80 Cantina da cidade da cultura de Galicia

THE GREAT INDOORS : ISSUE 80 : MAY/JUN 2011 €19.95 EU – CHF 30 SWITZERLAND – $19.95 USA – $29.50 CANADA £14 UK – $28.99 AUSTRALIA – ¥3,570 JAPAN – WON 40,000 KOREA

TIME TRAVELS IN DESIGN

VIEW

DÉJÀ

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PHOTO HÉCTOR SANTOS-DÍEZ

PHOTO LOUIS BAQUIAST

PHOTO ANDREW MEREDITH

028 : CONTENTS

VISIONS 036 Polyhedral residences, interactive interiors,

sustainable spaces and other ideas from Diller Scofidio + Renfro, UNStudio, Frank Agterberg and co

STILLS SHOPS048 New Aēsop stores from March Studio and

Jo Nagasaka, a tangle of tripods from Sinato, and other must-see retail spaces

059 SHOP/RESIDENCE Cyril Duval’s store-in-a-home, the Bless

Shop Berlin 061 RESIDENCE The Gururie house: Point and Ouvi’s rooms

with views 063 INDOOR MINI GOLF Sinneswandeln’s Schwarzlicht Minigolf

is sensationally psychedelic 064 CAFÉS Tobias Rehberger angles for Artek, Alfons

Tost frames fast food in a fresh light, and Estudio Nômada does tables under trees

070 EXHIBITIONS Kinkorn excavates the Archaeology of

the Netherlands, while Form Us With Love dissects the dandy

075 STANDS Tulp takes steps for Desso, and HfG

Offenbach is highly strung

REPORTS 194 Ecophon and the science of sound 200 Smart urban stage predicts the future

of the city

CATALOGUE204 Visual Merchandising: amazing

mannequins, superior shelving and other presentable essentials056067

078 CHANGING ROOMS Soweto sign writers go to town in

RUF Project’s refurbished Football Training Centre

081 ICE-CREAM PARLOUR Antonio Gardoni’s Possi is a confection of

candy colours and maritime motifs

082 SCHOOL White, light and bright: Palatre & Leclere’s

L’École de la Deuxième Chance is suitably optimistic

085 ATELIERS Studio spaces by Jun Igarashi and Kensaku

Tohmoto prove that small is beautiful

088 LAUNDRY Washing in style, with Suds by

Plus Architecture

091 CINEMA Matali Crasset’s Nouvel Odéon is

contemporary, convivial and compact

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GOODS 210 PORTRAIT Benjamin Hubert on materials, multitasking

– and why he’s big in Milan this year

218 INTRODUCING The process-driven playfulness

of Mischer’Traxler

222 TALK Franco Clivio and the wisdom of

the dilettante

228 OVERVIEW Knitting as subversion? The unlikely

rebirth of handicrafts

232 PROCESS A daring example of digital craft:

Atmos’ stunning staircase

236 DESIGN ART Hyperreal: Reinier Bosch does

cardboard copper

237 ONE ARTIST, ONE MATERIAL Jorge Otero-Pailos brings new meaning

to the phrase ‘peeling walls’

239 BOOKS What next for materials? We consult

three new publications

240 NEXT A sneak preview of Frame 81

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PORTFOLIO OF PLACESSTILLS

067 ESTUDIO NÔMADA PICK UP STICKS

046 : STILLS

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056 JO NAGASAKA, MARCH STUDIO FABLED AËSOPS

091 MATALI CRASSET MOVIE MAGIC

PHOTO HÉCTOR SANTOS-DÍEZ

PHOTO LOUIS BAQUIAST

PHOTO JÉRÔME SPRIET

STILLS : 047

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THE CANTINA AT THE CITY OF CULTURE OF GALICIA IS A REFLECTION OF SPANISH CULTURAL TRADITION AND MODERN POLITICAL DISCOURSE, SAYS DESIGNER ENRIQUE DE SANTIAGO.

In planning the café for Galicia’s City of Culture building, Enrique de Santiago of Estudio Nômada says he first researched traditional cantinas in rural Spanish villages. His resulting design is a lively lunch spot, where neutral oak contrasts with bursts of colour on wall tiles, and guests dine at communal tables with treelike branches rising above their heads. ‘In Spain, during holidays we put long tables under trees for gatherings,’ De Santiago explains. ‘We want people in the cantina to feel like they are protected by the trees and are part of a community. That’s why we have two long tables, so they can share a meal and an experience. Instead of individuals, they are part of a celebration.’ Meanwhile, the colourful tiles effectively protest a municipal ban on the use of tiles on private façades: the attempt of authorities to keep cityscapes aesthetically

CITY OF CULTURE OF GALICIA BY ESTUDIO NÔMADA

neutral. ‘We used tiles to prove you can find beauty in interpretation and create something pretty out of ugliness,’ concludes the designer. estudionomada.es

WORDS LYDIA PARAFIANOWICZPHOTO HÉCTOR SANTOS-DÍEZ

SANTIAGO DE COMPOSTELA : CAFÉ : 067