for students, alumni, friends, and supporters. GD Program ... · GD 200 Intro to Graphic design. He...
Transcript of for students, alumni, friends, and supporters. GD Program ... · GD 200 Intro to Graphic design. He...
1
for students, alumni, friends, and supporters.The biannual Graphic Design program communication composition 1NUMBER
Volume XIV
INSIDE• Visual Thinker
Lecture Series
• Arrival of Glowforge Printer
• GD Alumni
• GD Internships
• Professor Updates
• '18 London Trip
• Twenty Years of the ISS and ISSAP logo
• GD 407
• Ban.do and Starbucks latest collection
• '19 Holiday Mug
GD Program Ranked #1 in CA February 2018, Chapman’s Graphic Design Program was ranked first for the best graphic design colleges in California. The
award reads as follows, ‘Chapman University offers 1 Graphic Design Degree program. It’s a medium sized private university in a mid sized city. In 2015, 29 students graduated in the study area of Graphic Design with students earning 29 Bachelor’s degrees. For more information, visit https://www.universities.com/find/california/best/graphic-design-degrees.
This October, Chapman's Graphic Design Program got a Vimeo! Check it out for an inside look at the progress of our students' projects, such as our recent design for Neom Technology on our London trip. In our Motion Design class, students cre-ated short movie trailers and music videos that will also be uploaded.
Introducing GD Program Channel
vimeo.com/chapmangraphicdesign
2
Visual Thinker Lecture Series FallThe Graphic Design Program hosts a Visual Thinker Lecture Series every semester. This fall semester, we had the honor of having the mayor of Naraha, Japan,
Yukiei Matsumoto, as our VTLS speaker. The 2010 earthquake and tsunami that caused the Fukushima Daichi Nuclear Power Plant disaster destroyed 125 homes and killed 13 people in Naraha. Mayor Matsumoto's presentation amplified the importance of utilizing design strategies to communicate evacuation plans to the public when an unexpected catastrophe strikes.
Free and open to the public. For information, please call: (714) 997-6729
P R E S E N T S
Yukiei Matsumoto Yukiei Matsumoto is the mayor of Naraha, Japan. In April 2012, the entire town of Naraha was under evacuation orders because of the 2011 Fukushima Daiichi Nuclear Power Plant disaster. Matsumoto has been taking the lead in the town’s recovery. In September 2015, the evacuation order was � nally li� ed, which made Naraha the � rst municipality to repatriate residents to the town since the accident.
� is year’s Graphic Design VTLS stems from the perspective that creative work can be an agent of advocacy. For students exploring creative scholarship, the story takes an emic perspective as Matsumoto provides his testimony from crisis to recovery of an entire town impacted by a nuclear accident. His narrative will enable us to make connections to viewpoints, systemic contexts and the possibilities of how art and design can be a part of public service before, during, and a� er crisis situations.
� is interterm, the GD program and Professor Claudine Jaenichen will be hosting a workshop, Design for Emergency Management, here at Chapman, which will touch further on this topic of design thinking and emergency planning.
2018
Wednesday
Argyros Forum 209ANOV147
CREATED BY THE
2018
Department of ArtGraphic Design Program
Department of ArtArt Program
Department of ArtArt History Program
Department of ArtGraphic Design Program
Graphic Design Program
Department of ArtArt History Program
Department of ArtArt • Art History • Graphic Design
Department of ArtArt • Art History • Graphic Design
Department of ArtArt • Art History • Graphic Design
Department of ArtArt Program
Department of ArtArt History Program
Department of ArtGraphic Design Program
Department of ArtArt • Art History • Graphic Design
Department of ArtArt Program
Department of ArtArt • Art History • Graphic Design
Graphic Design Program
Graphic Design InternshipsGraphic Design majors are required to complete one internship during their time at Chapman. Partnering with the Career Development Center and
a Graphic Design faculty member, students are given a variety of options to suit the specific area of study they feel is most important to them, ranging from design firms to advertising agencies to bigger industries with in-house design departments. Check out where past students have interned during their time in the Art Department.
STEPT STUDIOS
THE SHIFT CREATIVE STUDIO
NEWPORT BEACH FILM FESTIVAL
USCAPE APPAREL
WOODEN WICK CO.
BEACH HOUSE PUBLIC RELATIONS
ROGUE CREATIVE DEVELOPMENT
SPIRIX MUSIC
FAM BRANDS
3
Arrival of Glowforge Printer This fall, we were excited to receive our new Glowforge 3D laser printer. The printer is able to produce layers, engravings, and cuts into all kinds of materials; we're
currently experimenting with etching logos into chocolate bars and marshmallows! In the classroom, Eric Chimenti's GD 200 class was given the assignment of creating a mascot for a hypothetical university of their choice. Students had the opportunity to use the Glowforge to engrave their mascot labels into wooden key chains for their final projects, as seen below. We hope to integrate the use of the Glowforge into future design classes as well as make it available as a resource for students as we continue to learn the ropes of the printer. With the Glowforge, printing possibilities are endless!
Graphic Design Alumni Alumni Updates
For complete information check out our website: http://www.chapman.edu/wilkinson/art/graphic-design/graphic-design-alumni.aspx
BRENDAN BAZ, BFA in GD ‘16 Graphic Designer for the Academy of Motion Picture Arts and Sciences
THOMAS DANIELSEN, BFA in GD ‘16 Product Designer at Microsoft
SUMMER WOODWARD, BFA in GD ‘15 Senior Graphic Designer and Copywriter at Munchkin
VALERIE GEIGER, BFA in GD ‘15 Freelance Graphic Designer
LISA ROYÉRE, BFA in GD ‘16 Designer at Citrus Studios
LINDSEY DORIS MEYER, BFA in GD ‘16 Designer at H2O+
DILLAN WATTS, BFA in GD ‘16 Freelance Graphic Designer
JOSEPH DOLACK, BFA in GD ‘16 Graphic Designer at Pilot Ventures
RACHAEL MORELLO, BFA in GD ‘12 Freelance Graphic Designer
KATE EGLEN, BFA in GD ‘12 Senior Art Director at INNOCEAN USA
KELLY LONERGAN, BFA in GD ‘12 Graphic Designer & Art Director at Flipeleven
JACOB KINCAID, BFA in GD ‘15 Mid-Level Designer at CharacterSF
ELIOT SPAULDING, BFA in GD ‘12 Visual Display Coordinator at Anthropologie
NOAH FELL, BFA in GD ‘12 Marketing Art Director at InMobi
KIRSTEN WORRELLS, BFA in GD ‘17 Graphic Designer at Artelexia
LEAH DEMETER, BFA in GD ‘07 Visual and UX Designer at Spiegel Design Group, Inc.
ROGER DUMAS, BFA in GD ‘13 Freelance Graphic Designer
MARIA REISINGER, BFA in GD ‘13 Design and Communications Manager at BNBuilders
4
FT Professor Update
TEACHING — This fall, Professor Chimenti taught GD 103 Visualization and GD 200 Intro to Graphic design. He also oversaw five graphic design internships. The fall semester also begins the yearly planning for GD 308 Sustainable Design London – Summer 2019 edition.
SERVICE — Eric was the advisor for 58 majors and minors in the program and continues to oversee the Ideation Lab. This semester the Lab employed 12 students and they worked on as many as 20 jobs per week. Professor Chimenti continues to head the Graphic Design program and as one of two Associate Deans for Wilkinson College.
CREATIVE/SCHOLARLY – Professor Chimenti continued his work with the Center for Demographics and Policy – this time just helping oversee - Feudalism: The Squeeze on the Middle Class publication. (get artwork from Cassandra) He completed a preliminary logo Design for Castle 387 in VA, designed a timeline for the Remembering War Exhibition in Argyros Forum, and continues working on an expanding series of illustrations to be included in the InterVarsity Press Apollos commentary on the book of Exodus and the book of Numbers.
TEACHING — This fall, Professor Jaenichen taught GD 102 Research Methods for Designers and GD 201 Typography.
SERVICE — Professor Jaenichen's university service for this semester includes the Women's Leadership Committee.
CREATIVE/SCHOLARLY — Professor Janeichen launched FireClear for Laguna Beach and Aliso Viejo.
Design for emergency management is an emerging field, the goal of which is to explore academic and practice based systemic approaches for evidence-based design in the specialized area of visual communication for emergency planning and disaster risk reduction. To date, official collaborations in this area of visual and human-centered design, public communication, and emergency planning have been nonexistent.
Due to the recent wildfires, Professor Jaenichen has been hired by local and state authorities to improve their wildfire evacuation maps.
ERIC CHIMENTIAssociate Dean,Wilkinson College of Humanities and Social Sciences at Chapman University
Current – Chapman University, AIGA, EMC illustration & design
Education – Savannah College of Art and Design
CLAUDINE JAENICHENAssociate Professor and Design Consultant
Current – International Institute of Information Design, Chapman University
Education – California Institute of the Arts
LINDEN
HIGH DR
MYR
TLE
ST
JASM
INE
ST
LOCU
ST S
T
HOLL
Y ST
HIL
L ST
POPL
AR S
T
ASTE
R ST
HIG
H D
R
MONTEREY DR
HAW
THORN
E
CLIF
F
WATER TA
NK R
D
BOAT RD
EMER
ALD
CANY
ON R
D
LAGUNA B
OW
L RD
SPUR
BIG
BEN
D TR
AIL
PARK
AVE
BERN DR
SHORT
ARRO
YO
CHI
CO
MOUNTA
IN V
IEW D
R
NES
TALL R
D
CRES
TA W
Y
ZELL DR
DORN CT CHILLON
BERNARDCT
CHATEA
U W
YBONN D
R
PHILLIPS
ST
STANS LN
LOMBA
RDY
SANTACRUZ
DUNN
ING
DR
TERR
ACE W
AY
RIM R
OCK C
YN
UPPE
R
GAVIOTA DR
CRESS ST
PARK AV
E
S
AN RE
MO DR
DON
NA DR
HIDDEN VALL
EY
HILLVIEW
HILLVIEW
BRIDGE
BERN CT
LAGU
NA CAN
YON
FRON
TAGE
RD
CANYON ACRES DRMILLIGAN
VICTO
RY
WALK
ARRO
YO D
R
LEWELLY
N
LEWIS LN
ALLVIEWTERRACE
HAROLD
LOOKOUT
LINDEN
OLI
VE
BAJA
LA M
IRADA
CORTEZ
DEL MAR AVEDEL MAR
ENSENADA
CORTEZ
SUMMIT DR
BLUEBIRD CANYON DR
MOR
NING
SIDE
DR
MORNINGSID
E DR
MADISON PL
TEMPLE PL BLU
EBIR
DCY
N L
N
ORIOLE DR
MEADOW LA
RK
FLAMINGO RDRE
GATT
A RD
STAR
LIT DR
BLUEBI
RD CA
NYON DR
BLUEBIRD CYNDYER PLWYKOFFEASTMAN
KELLER
CRABBEBLUEBIRD CYN SA
LING
SUMMIT WAY
REMBRANDT
VAN DYKE DR
PEAR
L ST
PEAR
L
ST
FLOR
A ST
SANTACRUZ
BAJA
KATELLA
KATELLA
CENT
ER ST
CRES
TVIEW
CRESTV
IEW
OSGO
OD
RADC
LIFFE
RUBY
MOS
S
RUBY CATALINA
DIAMOND
GAINSBOROUGH
CRES
TVIEW
CRESTVIEW PL
COAST VIEW
BUEN
A VI
STA
WY
CYN V
IEW
DR
BAYVIEW
C
ERRIT
OS
DR
THURSTO
N
PALM
EL
TORO
BO
MM
ER
RID
GE
OLD EMERALD TRAIL
CASTLE ROCK
STAN
RAQUEL
ARCADIA
OAKS DRGUNDERSON
CLARIS
A
WOODLAND
LOM
A TERRACE
BLU
MONT
VIRGINIA
PARK DR
HILLED
GE
MYSTIC WY
VISTA LNM
YSTIC
VIEW
VISTA LN MYSTIC WY
ANACAPA WAY
COLORADO
SKYLINE DR
SKYLIN
E DR
SAM
OA BOUNTY
PACI
FIC
AVE
TAHITI AVECAR
IBBEAN
CORAL DR
MANZA
NIT
A
LA VISTA
SKYLIN
E
TERRACE
MOOREA
BERM
UDA
PAC.W
Y
PITCA
IRN
MAGNOLIACYPRESSCYPRESS DRCEDAR WAY
CLIFF DRCLIFF DR FO
RRES
T
3RD ST
MERMAID
2ND ST
PARK AVE
BENT
OCE
AN
BEACH
GLENNEYRE ST
RAMONA AVE
GAVIOTA DR
CLEO ST
GOFFCATALINA
THROUGH LEGIO
N ST
GRIFFIN
ST A
NN
’S
ANNS
ST
NitaCarmen
ParkLO
S
OLIVOS
LO
S ROBLES
EL CAMINO
DEL MAR
EL B
OSQUE
CATALINA
ST AN
NS
ST AN
N’S
WILSON ST
GRACE
LAND
FEN
CUPR
IEN
SEAVIE
W
AVALON
SEAVIE
WTH
ALIA S
T
ANITA
ST
GLENNEYRE STCATALINA
TEMPLE TER
RACE
ANITA
ST
BRANGW
YN
WILSON
OAK ST
BROOKS
ST
OCEAN
CRES
S ST
MOU
NTAIN RD
CARMELITA
SHAD
OW
CALLIOPE
AGAT
E ST
GLENNEYRE ST
OCEA
N WAY
OCEAN
BLUE
BIRD
CYN
CARMELITA ST
DIDRICKSON
SUMM IT DR
D IAMOND
BOLSA
TEMPLE
HILLS
TEMPLE HILL DR
TEMPLE
HILL DR
WEN
DT TER
RACE
ALTA LAGUNA BLVD
ALTA
LAGUNA B
LVD
RIDGE
DR TAYLOR DR
RIMCREST
CREST
WOOD
PARK
PL
RIM RO
CK
DR
TIA JU
ANA
SANTA
ANA
CAPISTRANO
QUIV
ERA
ACAPULC
O
NORIA
LA M
IRADA M
IRAM
AR
CAPISTRANO
BONITA
BALB
OA A
VE
LAGUNA RIDGE
WEST RIDGE TRAIL
Laguna Beach Central
1
133
Festival of Arts andPageant of the Masters
1
Aliso and Wood Canyons Wilderness Park
Heisler Park
Laguna ArtMuseum Main
BeachPark
Top of the WorldElementary
ThurstonMiddle School
Pearl Street Beach
Sawdust ArtFestival
Alta Laguna Park
Top of the Worldin Laguna Beach
Crystal Cove State Park
Laguna Collegeof Art and Design
Laguna Collegeof Art and Design
Anneliese’sSchool
Laguna Coast Wilderness Park
WillowStaging
Area
Laguna Beach Dog Parks
Blue
bird
Park
LBHigh
School
CityHall
Familiarize yourself with major routes and, if possible, multiple ways out of your neighborhood in case of an evacuation.
Know your way out.
High Fire Risk
Schools
Trails
Severe Fire Risk
DESIGN AND FIRECLEAR MAP PROVIDED BY CLAUDINE JAENICHEN
5 405Aliso Viejo
WILLOW CYN ROAD
MOR
O RI
DGE
Pacific Coast
5
PT Professor Update
TEACHING — This past summer, Professor Shalat joined Professor Chimenti and 17 students on GD308, Sustainable Design Travel Course in London. After completion of the 5-week course, which researched and considered the proposed city of NEOM in Saudi Arabia, he and several students from the course, produced a narrated overview video of the final presentation made while in London (which can be viewed here at https://vimeo.com/292206390). During this past Fall, Professor Shalat once again taught GD103 Visualization and Rendering, and GD202 Interactive and Web Design. During the Fall courses, Professor Shalat was frequently joined by the 13-year old canine, Sandy, who took in both courses as an auditor. Sandy has as yet to produce a sketch or web page.
SERVICE — Professor Shalat headed the Bensussen Speaker committee, lining up speaking candidates to visit campus in the upcoming two years.
CREATIVE/SCHOLARLY — Professor Shalat is on the last leg of his own graduate study, completing his MFA in Graphic Design and Visual Experience from Savannah College of Art and Design. His thesis is entitled “INTENTIONISM AND ARTIFACT IN CONTEMPORARY GRAPHIC DESIGN: A Unifying Design Principle from Dadaism and Its Irony to Stencil Art and the Absence of Authorship” . This thesis explores and uncovers a methodology toward a unifying principle in modern and postmodern graphic design. The principle is Intentionism. Modernism, as it pertains to Graphic Design, gets its meaning from the modernism of painting and sculpture. Within the modernism and its postmodern siblings, authorial intent is an ingredient in any design work. Consideration of intentionality (which comes after the author has left the scene) is a necessary foreground for any work of design to commence. Intentionality is separate from, but alternately informed by intent, and can be considered the invisible element that helps define and is thereby defined by the context of the design artifact. Intentionism is simply an approach to looking at this process, as a unifying principle.
TEACHING — Travis Keith is so excited to be joining the adjunct staff here at Chapman. This is actually his first teaching job, and teaching GD 401- Business Practices has been such an enjoyable experience for him. Keith has been in the design and advertising agency world for 10 years, and thinks that it is great to share some of that knowledge with future graphic design students. He is so proud to be a part of that vision here at Chapman.
CREATIVE/SCHOLARLY —In his free time, Keith volunteers with high school students as a "mentor" of sorts. He has a passion with helping students get to the next level. Outside of his mentorship, Keith has been working at Column Five Media as the Acount Director for 3 years of his 7 seven years with the company. His job involves content creation strategy and working with clients and designers to produce high quality infographics.
TEACHING — Ellen Shakespeare was an instructor in a Fall Graphic Design 302 Branding class. The four comprehensive projects required the students to solve extensive design problems, across platforms. The most complex project “Selling Green,” required students to consider how to frame a green vehicle, or other green transportation method, to gain greater visibility with a larger audience. The solutions clearly demonstrated the students’ advanced ability to take creative risks while generating practical and engaging solutions in real world situations.
SERVICE — Ms. Shakespeare’s students were senior designers, and business majors or minors as well. Bridging the disciplines was an ideal opportunity to extend professional best practices across two fields of study that could substantially inform one another.
CREATIVE/SCHOLARLY — Ellen Shakespeare is a Freelance Copywriter. Her project list includes healthcare, fashion, destination, financial and athletic work for national clients.
TRAVIS KEITHGraphic Design Professor
Current – Column Five Media, Chapman University
Education – California State University- San Bernadino
ELLEN SHAKESPEAREStudio Art Professor
Current – Academy of Art Unoversoty, Chapman University, Freeklance Copywriter
Education – Art Center College of Design, School of Advertising
ANDREW SHALATGraphic Design Professor
Current – Chapman University, sessions.edu
Education – Brandeis University
6
London 2018Graphic Design Summer Course
GD 308 is a 5 week summer program that focuses on sustainable design principles in the context of a real-world assignment. Previous projects include the London Olympics, Living Cities, and Lunar Mission One. This year, GD 308 worked with Buro on the city of Neom in Saudi Arabia. The class de-signed city including accounting for all components of a livable civilization: technology, economy, environment, education , community, transportation, infrastructure, agriculture, and tourism. At the end of the course the class presented there work to the client and received enthusiastic feedback.
7
Designed by Cameron Mannen, BFA Graphic Design 2022
SHAPING THE FUTURE OF HUMAN SPACE EXPLORATIONThursday, 4 October 20189:45 – 11:15 amCCB Focke Wulf Saal, Breman Exhibition and Conference Center
By the people who developed the ISS
and operated it. Featuring heads of space
agency departments, scientists, and ISS crew.
Twenty Years of ISS and ISSAPStudent PosterSophomore Graphic Design student Cassandra Taylor designed a poster and slide for the International Space Station's 20 Year event. Her designs
were well received by both the participants and audience members. Former Director General of the European Space Agency (2002-2015) Jean-Jacques Dordain even requested one of the posters! In GD 100, students were given the assignment to design a logo for the International Space Station Archaeological Project, which happens to be led by head of the Art Department Justin Walsh. Freshmen Sarit Ash, Lucy Guyer, and Cameron Mannen, as well as sophomores Taylor Johnston and Meira's concepts were selected to be refined and digitalized as the ISSAP continues narrowing their options down to find their final logo.
Twenty Years of ISS Poster - Designed by Cassandra Taylor, BFA Graphic Design 2019
Designed by Sarit Ash, BFA Graphic Design 2022
Designed by Lucy Guyer, BFA Graphic Design 2022
Designed by Taylor Johnston, BFA Graphic Design 2021
Designed by Mira Thekdi, BFA Graphic Design 2021
Student Logos
International Space Station
Archaeological Project
I N T E R N A T I O N A L S P A C E S T A T I O N
In te rnat iona l Space Sta t ion
A r c h e o l o g i c a l P r o j e c t
Alternative Option
8
Advanced Typography GD307Fall 2018 Events and Projects
Rachelle W. Chuang's GD307 Advanced Typography Fall 2018 class worked on
three important projects.
Their first project was with Patty Randall and Chelsea Pero from CHOC Children's to propose new marketing and design collateral using their brand standards. Students created social media campaigns, posters, folders, event flyers, products and other "out of the box" marketing strategies. One student, Sanjay Joshi, is continuing to work on CHOC projects as a result.
Logo Variations
Cocktails for a Cause
Their second project was to honor the legacy of Vernon Adams, free font designer. His wife Allison Adams came to speak showing his many sketchbooks and typography books. Students designed posters using fonts from Vernon Adams for an exhibition at the Leatherby Library and created their own fonts inspired by his work.
Finally, Kyle Richter and Suzanne Schwartz of RSM Design came to speak and showed their "international projects ranging in scale from packaging and logo design to large mixed-use entertainment developments and urban planning." Kyle also took the class on a tour of Pacific City Huntington Beach as RSM created specialty graphics ranging from a wood block 3D map, parking lot signage, "graphics under and on top of the stairs and wayfinding elements on the walls, and little moments of whimsy throughout the site." Students then designed graphics for a proposed eatery at Pacific City as well as a typographic mural. These projects were designed for students to have live interaction with professionals and work in a variety of typographic contexts.
Students in the class were Aimee Bowen, Andrew Bowman, Sanjay Joshi, Casey Kwan, Nikki Nguyen, Cassandra Taylor and Ivy Zhou.
Designed by Vernon Adams
Oswald is a reworking of the classic style historically represented by the ‘Alternate Gothic’ sans serif typefaces. The characters of Oswald were initially re-drawn and reformed to better fit the pixel grid of standard digital screens. Oswald is designed to be used freely across the internet by web browsers on desktop computers, laptops and mobile devices.
Oswald Extra LightAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSs TtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds.
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was was strewn with silver. Looking
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the sameSize 24
Apparently we had reached a great height in the atmosphere, for theSize 30
Apparently we had reached a great
Oswald LightAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSs TtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds.
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle.Size 24
Apparently we had reached a great height in the atmosphere, for theSize 30
Apparently we had reached a great
Oswald RegularAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPp QqRrSsTtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere,
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased toSize 24
Apparently we had reached a great height in the atmosphere, forSize 30
Apparently we had reached a great
Oswald MediumAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPp QqRrSsTtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the starsSize 24
Apparently we had reached a great height in theSize 30
Apparently we had reached a
Oswald SemiBoldAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPp QqRrSsTtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the starsSize 24
Apparently we had reached a great height in theSize 30
Apparently we had reached a
Oswald BoldAaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPp QqRrSsTtUuVvWwXxYyZz ‘?’“!”(%)[#]{@}/&\<-+÷×=>®©$€£¥¢:;,.*
Size 6Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the
Size 8Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the
Size 10Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable
Size 12Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts
Size 18
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and theSize 24
Apparently we had reached a great height in theSize 30
Apparently we had reached a
Bhmq
VERNON ADAMSVernon practiced typeface design from 2007 to 2014. A lifelong artist, during this time he eagerly explored designing type for the cloud-based era. His work spans all genres, from lively script faces to workhorse text families and oper-ating system UI. Vernon graduated with an MA in Typeface Design from the University of Reading and lives in California. Follow his story at www.sansoxygen.com.
ѪÆiThe SPECTACLE before us was indeed sublime.
The SPECTACLE before us was indeed sublime.The SPECTACLE before us was indeed sublime.
The SPECTACLE before us was indeed sublime.The SPECTACLE before us was indeed sublime.
The SPECTACLE before us was indeed sublime.
Qg tLOREM IPSUM
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus viverra ligula ac metus malesuada dignissim. Vestibulum ultrices fermentum varius. Mauris in elit volutpat, lobortis massa eu, lacinia urna. Curabitur ligula orci, auctor a elit non, pharetra gravida est. Aliquam erat massa, blandit non erat in, mollis consectetur dolor. Proin fringilla interdum dolor, ut feugiat tortor maximus et. Aliquam euismod ex at ligula luctus, non auctor risus dignissim. Etiam in tellus id mauris consectetur fermentum. Morbi molestie scelerisque finibus. Nunc pulvinar ante a rutrum placerat. Fusce eros justo, pulvinar non lectus sit amet, tincidunt fringilla purus. Nulla id ligula enim. Morbi hendrerit efficitur purus sit amet tristique. Etiam ac augue ac nibh vulputate semper sit amet vel urna. Nam nec justo non justo maximus.
Pellentesque at eleifend eros. Aliquam interdum nec orci tristique tempus. Duis venenatis tellus ligula, id lacinia libero lobortis ut. Mauris sed leo commodo, finibus lorem et, molestie neque. Nunc vel nunc mi. Praesent interdum sed metus eu sollicitudin. Vestibulum ornare ipsum purus, sit amet porttitor nulla hendrerit et. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Nam ac purus condimentum, rutrum tortor eu, dignissim neque.
SUSCIPIT
Phasellus molestie, leo in facilisis pellentesque, lectus elit condi-mentum lorem, ut eleifend lectus massa vitae eros. Integer eget faucibus tellus, non imperdiet justo. Proin pharetra eleifend libero vitae blandit. Fusce facilisis pretium semper. Quisque nec imperdiet nunc. Praesent non lorem orci. Mauris gravida leo nec quam aliquam, in fringilla elit ultrices. Sed quis tellus purus. Aenean quis ullamcorper lorem. Phasellus imperdiet consequat odio a suscipit.
Donec ultrices efficitur sapien eu vulputate. Morbi ac urna maximus, fringilla lacus sit amet, condimentum nisl. Pellentesque maximus justo magna, ac dapibus lacus pharetra quis. Curabitur luctus feugiat ipsum, ut tristique odio congue fringilla. Nullam eu dolor a massa sagittis hendrerit. Vivamus a felis gravida, vulputate purus eget, aliquet arcu. Praesent imperdiet elementum eleifend. In rutrum est hendrerit finibus commodo. Nullam nisi nibh, sodales non tempor eget, suscipit vitae ex. Nulla vitae nisl nec tellus tincidunt aliquam tincidunt
in nibh. Aliquam id eros ultricies, pharetra nunc vel, faucibus ante. Suspendisse varius mollis lectus et dapibus. Sed sollicitudin tincidunt est, ac dapibus ligula. Integer ornare mi et nisl gravida cursus. Aenean consectetur non lorem eget egestas.
Nunc fringilla elit et felis dapibus, non cursus nulla elementum. Etiam at mauris eget ante consectetur tincidunt. Donec malesuada, magna vitae suscipit tincidunt, lacus ex efficitur ipsum, a mollis erat nulla eget leo. Ut vel vehicula eros. Maecenas et est diam. Praesent pretium massa nisl, vitae ullamcorper erat commodo non. Fusce mollis, dolor at tempor consectetur, dolor sem condimentum nulla, et ultrices metus sapien et mi. In scelerisque eleifend eros ut sodales. Nullam consequat enim et orci posuere, ut pretium turpis gravida. In placerat accumsan neque non lacinia.
PORTITOR
Integer at nisl non est lacinia hendrerit ac nec tellus. Praesent varius est sit amet dolor feugiat posuere. Duis scelerisque velit eget odio dictum viverra. Aliquam congue condimentum leo id maximus. Nam odio elit, vulputate et nulla vel, sollicitudin euismod nisl. Praesent laoreet nibh neque, eu ornare nisl viverra non. In a porttitor nunc. Phasellus fringilla ex eros, a pellentesque diam tempor ut. Sed vel mollis leo. Nam a cursus velit. In hac habitasse platea dictumst.
Fusce scelerisque facilisis nisi sed porta. Proin a odio purus. Cras convallis accumsan aliquet. Cras ut molestie urna, a iaculis nulla. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus ut nisi felis. Cras nec tincidunt tellus. Nullam rutrum arcu ut nibh sollicitudin blandit. Aenean vulputate risus nec laoreet fermentum. Proin faucibus faucibus enim sit amet tincidunt. Nam velit mauris, accumsan bibendum pharetra vestibulum, cursus maximus ipsum. Praesent tempor tellus at magna volutpat hendrerit. Aliquam tempor nulla nec diam dictum porta.
FACILISI
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Etiam quis leo ac elit blandit sollicitudin quis interdum quam. Vestibulum in tempus nisl, ultrices cursus leo. Nulla facilisi. Aliquam erat volutpat. Praesent fermentum augue eget ante rhoncus aliquam. Nam id ante a tellus facilisis dignissim sed at felis. Vestibulum nulla risus, vestibulum nec
purus sed, gravida elementum lectus. Phasellus vehicula quis purus ac vehicula. Suspendisse ac pulvinar ante. Proin a venenatis metus. Ut et lacus eros. Phasellus condimentum porta nisi sit amet porta. Fusce mollis, dolor at tempor consectetur, dolor sem condimentum nulla, et ultrices metus sapien et mi.
Etiam in quam vitae ante sagittis hendrerit ut id diam. Sed non magna finibus augue faucibus dictum. Integer eget fermentum leo. In condi-mentum, lorem accumsan venenatis dignissim, justo lectus pharetra nibh, eget cursus felis libero sit amet ligula. Vestibulum eu fringilla arcu. Aenean elementum massa vel elit posuere, in porta sem hen-drerit. Maecenas eget iaculis libero, sit amet egestas ex. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Phasellus sit amet purus sodales, feugiat orci tincidunt, mattis sapien. Maecenas feugiat leo fringilla sapien lobortis, vitae elementum tellus vehicula. Mauris viverra gravida quam id lobortis. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Etiam in egestas neque, in volutpat nisi.
SAGITTIS
Nulla sed pulvinar erat. Ut vestibulum iaculis quam. Orci varius natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Nam in rutrum urna, sed gravida tellus. Vivamus fermentum sit amet arcu at tempor. Pellentesque nec tortor nec tortor tristique luctus eget at eros. Nam ut risus imperdiet, cursus sapien vitae, feugiat nulla. Praesent sed tempor felis. Nulla consequat augue sit amet risus bibendum scelerisque. Aliquam erat volutpat. Phasellus varius, tortor sit amet tincidunt aliquet, nulla turpis fermentum purus, non vestibulum est ante congue erat. Sed ut velit tortor. Ut fringilla leo eget fringilla commodo.
Etiam blandit lectus ac nunc egestas bibendum. Donec rhoncus lacus et ipsum tristique, vel malesuada mauris feugiat. Curabitur mi libero, iaculis eget mi id, cursus dignissim arcu. Integer convallis venenatis mi, sed varius magna rutrum maximus. Maecenas mollis faucibus ip-sum at tincidunt. Proin sodales eleifend est eu dignissim. Suspendisse quis ante nulla. Donec non massa arcu. Nullam sagittis mi dolor, id tincidunt neque egestas ut. Ut feugiat velit at congue ultricies. Duis sit amet faucibus nulla. Duis sollicitudin lacinia dui vitae tincidunt. Nullam lobortis mi id nisl semper vehicula. Pellentesque ex sapien, vehicula a facilisis id, sagittis sit amet enim.
x-height
stress
tail
link
ear
terminal
ascender/cap height
baseline
descender
Oswald
TYPE SPECIMENS
Poster design by Aimee Bowen
IN HONOR OF
VERNON ADAMSFREE FONT DESIGNERITEMS ON DISPLAY OCT 10–DEC 1, 2018 Chapman’s graphic design students designed posters using fonts from Vernon Adams and are creating their own fonts inspired by his work. Allison Adams also came to speak about her late husband’s legacy and memory. This font, Oswald, is featured in more than 5,300,000 websites and 51 free Google Font Families are available. Vernon’s philosophy was to make fonts free to all. This case also holds his typography books.
You can learn more about him at sansoxygen.com
9
Ban.do and Starbucks Latest CollectionOverseen by Chapman Alumni Ali LaBelle
2012 alum Ali LaBelle is currently the creative director of art and design at the popular LA based design house, ban.do. In her recent work, she had the opportunity to oversee the design and production of a collaboration with Starbucks. The holiday line, launched on November 27th, features a variety of floral mugs and pencil pouch. The collection is available in select US and Canada stores and internationally in Australia, Cambodia, Indonesia, Singapore, Taiwan, and Vietnam.
GD 407Studio C
Studio C is an on-campus studio-oriented workshop by invitation of instructor only. The course focuses on the development of finished portfolio-quality design work. Professional designer/art director environment involves actual projects with clients, budgets and deadlines. Students are responsible for all project phases from design to production, print supervision and completion. This fall, Studio C was hard at work on designing skiing, snowboarding, and cycling gear for Oakley and Beachbody. These companies looked over students' concepts and decided on winning designs that will later be produced into snow goggles and cycling jerseys sold to Oakley and Beachbody customers.
OAKLEY SNOW GOGGLESThe objective of the Oakley Snow Goggles project was to create a strap collection and Microbag for a series of Lineminer goggles that can merchandise together and cater to the alpine, big mountain, and park ski/snowboarder. The collection of three were to reflect the different tastes of each segment. Kelly had the winning design and is thrilled to watch her concept come to life in Oakley stores around the country!
BEACHBODY RADIAL SPORTS FORTE SPORTSWEAR The objective of the Beachbody Radial Sports Forte Sportswear project was to design a Classic Men's Cycling Jersey for Beachbody to be distributed to Independent Bicycle Dealers and sold to bicyclists around the world.
10
3
In version two, the panther rides a toboggan downhill, wearing his scarf and a smile. The design incorporates wintry swirls and the repetition of snowflakes. Some of these may also feature the Fenestra, as in version one. The script font House Holiday is open and friendly, as well as seasonal.
Publisher:Chapman University Department of Art
Executive Editors:Professor Eric ChimentiCameron Mannen, ‘22
Lucy Guyer, ‘22
Contributing Writers:Professor Eric Chimenti
Art Director:Professor Eric Chimenti
Commpost Graphic Designers: Cameron Mannen, ‘22
Lucy Guyer, ‘22
Chapman's 2019 Holiday MugDesigned by Annie Brennan, BFA Graphic Design 2021
2
The panther in version one of “Season’s Glee” is relaxed and lounging in his holiday scarf, holding a bell in his paw. In the bottom left corner is a snowflake resembling the Chap-man Fenestra. These symbols are non-spe-cific to any specific holiday but together are icons of the season. His upturned whiskers and tail give him a “gleeful” expression. The font Gallery Condensed is structured enough to fit into the shape of the panther and still has a holiday whimsy.
4
In version three I used the head of the pan-ther instead of the whole body, which helps emphasize his “gleeful” expression and his flowing scarf. The hidden fenestra and snow-flake bring the design back to chapman.
5
Version four utilizes the palm tree, a Southern California landmark, and incorporates it into a wintry scene. They have snow piled on top of their fronds and the landscape is created by similar wintry swirls as in version two. The panther prances across the scene with his scarf, mimicking scenes of reindeer run-ning through snowy fields.
6
Finally, version five emphasizes the panther’s face like version three. Again, his expres-sion, mug of cocoa and warm scarf express glee and holiday joy.
Every year Chapman University has an annual Holiday party in
which each faculty member recieves a holiday mug designed specially for that year. This year one of the Ideation Lab students had the oppurtuity to design the mug for the Chapman faculty!