Flamenco Music

36
1 Clap 1 % Y Z ` . . . . . . . . . . . . . . . . . . African Kit % Y Z ` . . . . . . . . . . . . Latin Kit & Y Z ` E . . Q " String Ensemble & Y Z ` D . # . # . . . E . . Q . % Y Z ` D . # . # . . . . . O . . O . . . . . . Fingerstyle Bass % Y Z ` D . # . # . . . O . .

description

Jazz,

Transcript of Flamenco Music

  • 1Clap

    1% Y Z` . . . . . . . . . . . . . . . . . .African Kit % Y Z` . . . . . . . . . . . .Latin Kit & Y Z` E . .Q "

    String Ensemble

    & Y Z` D . #. # ... E . .Q .% Y Z` D . #. # .. .. .O ..O ... ...

    Fingerstyle Bass % Y Z` D . #. # . . .O . .

  • 22% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& . .Q " . ." D ." . ."& . .. .. .. . .Q . . #. # .P . .. . .Q .% F ... .. .. .O ..O ... ... . #. # .. .. ... ... z.

    ..% F . . . .O . . . # . . . . .

  • 33% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . .. .. .. .. ..& D .Q " . ." D ." . ."& ....O ..

    .O .Q .Q .Q ..P ..Q ..P. E D E .. .P .. .. . .Q .

    % . #O . #O{ z {.

    . .. z. #. #

    {. #. # .. .. ... ... ...

    % E# . . E # . . . # . . .O . .

  • 44% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . .. .. .. . .Q . . . #. # .P . .. . .Q ...Q ...% F .. .. .. .O ..O ... ... . #. # .. .. .. .... z

    .P ..P{% F . . . .O . . . # . . . . .

  • 55% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& E# ..

    !!. #. # .. .. .O .O

    !..

    & .Q ...O . ..Q ...... ......... ,,,,,,

    .....

    ."

    z% .Q ..O

    {..z {z

    .{,, .."

    % E# . . E # . . E # . . E # . .

  • 66% . . . . . . . . . . . . . . . . . .% . . .. .. .. . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . .. .. .. .. . #Q . #Q ..P . #. #. #. # .. .. .O .O .. ..&%% E# . . E # . . E # . . E # . .

  • 77% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& .. .Q .Q .. .. .. .. .. . . #. #. # .. .. .O .O .O ..&%% E# . . E # . . E # . . E # . .

  • 88% . . . . . . . . . . . . . . . . . .% . . . . .. .. .. .. .. . . . . . . . . .& D .Q " . ." D ." . ."& .. .

    . .. .. ..!

    .Q .Q . #. # .. .. .O .O .. ..&%% E# . . E # . . E # . . E # . .

  • 99% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& .. .O .O .. .Q .Q ..

    !.. D E D E

    & D . #. # ... E . .Q .% D . #. # .. .. .O ..O ... ...% E# . . E # . . . # . . .O . .

  • 1010% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&& . .. .. .. . .Q . . #. # .P . .. . .Q .% F ... .. .. .O ..O ... ... . #. # .. .. ... ... z.

    ..% F . . . .O ! . . # . . . . .

  • 1111% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&& ....O ..

    .O .Q .Q .Q ..P ..Q ..P. E D E .. .P .. .. . .Q .

    % . #O . #O{ z {.

    . .. z. #. #

    {. #. # .. .. ... ... ...

    % . # . . E # . . . # . . .O . .

  • 1212% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . .. .. .. .. ..& D .Q " . ." D ." . ."&& . .. .. .. . .Q . . . #. # .P . .. . .Q ...Q ...% F .. .. .. .O ..O ... ... . #. # .. .. .. .... z

    .P ..P{% F . . . .O . . . # . . . . .

  • 1313% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& D E D E E . .O . #

    % D E E . .O . #

    & .Q ...O . ..Q ...... ......... ,,,,,,

    .....

    ."

    z% .Q ..O

    {..z {z

    .{,, .."

    % E# . . E # . . E # . . E # . .

  • 1414% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . # . . .O - #% . # . . .O - #

    &%% E# . . E # . . E # . . E # . .

  • 1515% . . . . . . . . . . . . . . . . . .% . . .. .. .. . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . . .O . # . . - #% . . .O . # . . - #&%% E# . . E # . . E # . . E # . .

  • 1616% . . . . . . . . . . . . . . . . . .% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . . .O . # ." . ..

    !.Q .Q

    % . . .O . # ." . D E

    &%% E# . . E # . . E # . . E # . .

  • 1717% . . . . . . . . . . . . . . . . . .% . . . . .. .. .. .. .. . . . . . . . . .& D .Q " . ." D ." . ."& .. . .O . # . # . . . # .Q .% E . .O . # . # . . . # .Q .&%% E# . . E # . . E # . . E # . .

  • 1818% . . . . . . . . . . . . . . . . . .& . #. # .. E . #. #. # . . . # . #% . #. # E # {.

    ..O ... . #. #. # z. #. #. #

    {% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& D . # . . . # .O .% D . # . . . # .O .O E

    &%% .# . . . # .O . - #

  • 1919% . . . . . . . . . . . . . . . . . .& . #. # .. E . #. #. # . . . # . #

    z% . #. # {z {z. # {.

    ..O ... . #. #. # z. #. #. #

    {% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."& . # D E . # . . . # . .% D . # . . . # ... E

    &%% . # . . . # .O . . # . #

  • 2020% . . . . . . . . . . . . . . . . . .& . #. # .. E . #. #. # . . . # . #

    z% . #. # {

    .OzE

    {z. # ...{... . #. #. # . #. #. #z {% . . . . . . . . . . . . . . . . . .

    & D .Q " . ." D ." . ."& . # D E . # . . . # .O .% D . # . . . # .O .

    &%% .# . . . # .O . - #

  • 2121% . . . . . . . . . . . . . . . . . .& . #. # .. E . #. #. # ...O ... E # ....

    !! E D E

    z% . #. # {z

    E# .{ . z. #D E

    % . . . . . . . . . . . . . .. .. .. .. ..& D .Q " . ." D ." . ."& . # D E D E D E% . # D E D E D E

    &%% .# . . . # .O . - #

  • 2222% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%% .# D E D E D E

  • 2323% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%%

  • 2424% . . . . . . . . . . . . . . . . . .&%% . . .. .. .. . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%%

  • 2525% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%%

  • 2626% . . . . . . . . . . . . . . . . . .&%% . . . . .. .. .. .. .. . . . . . . . . .& D .Q " . ." D ." . ."&%&%& D D E E .Q .O .P .Q .%

  • 2727% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%& .O ..O . .P . . . .. . . .P .O .Q . .Q .O .P .Q .%

  • 2828% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%& ..O .O . .P . . . .. . . .Q .P . . .Q .O .P .Q .%

  • 2929% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . . . . . .& D .Q " . ." D ." . ."&%&%& .O .O . .P . . . .. . . .P .O .Q . .Q .O .P .Q .%

  • 3030% . . . . . . . . . . . . . . . . . .&%% . . . . . . . . . . . . . .. .. .. .. ..& D .Q " . ." D ." . ."&%&%& .O .O . .P . . . .. . . .Q .P . . #%

  • 3131% . . . . . . . . . . . . . . . . . .

    %& D D E E . .Q .O .P .

    % . . . . . #D E D E

    &&%&%& D D E E .Q .O .P .Q .%

  • 3232% . . . . . . . . . . . . . . . . . .

    %& .Q .O .P .O . . . .P .O .O . .P . .Q . . . . .O .P .

    %

    &&%&%& .O ..O . .P . . . .. . . .P .O .Q . .Q .O .P .Q .%

  • 3333% . . . . . . . . . . . . . . . . . .

    %& ..Q . .O . . . .P .O .O . .P . .O .O . .P . .O .P .

    %

    &&%&%& ..O .O . .P . . . .. . . .Q .P . . .Q .O .P .Q .%

  • 3434% . . . . . . . . . . . . . . . . . .

    %& .Q . .O . . . .P .O .O . .P . .Q . . . . .O .P .

    %

    &&%&%& .O .O . .P . . . .. . . .P .O .Q . .Q .O .P .Q .%

  • 3535% . . . . . . . . . . . . . . . . . .

    %& .Q . .O . . . .P .O .O . .P . .O .O . #

    %

    &&%&%& .O .O . .P . . . .. . . .Q .P . . #%

  • 3636% . . . . . . . . . . . . . . . . . .

    %&

    %

    &&%&%&%


Julian Castillos - Estribillo Flamenco - Paso Doble - Band Sheet Music

Julian Castillos - Estribillo Flamenco - Paso Doble - Band Sheet Music

FLAMENCO, INDIA DANCE THEATRE and music DIÁLOGO ENTRE … · 24 2 “Flamenco, IndIa. dance THeaTRe and musIc” Danza y Música Indias El Teatro Calderón estrenará un espectáculo

FLAMENCO, INDIA DANCE THEATRE and music DIÁLOGO ENTRE … · 24 2 “Flamenco, IndIa. dance THeaTRe and musIc” Danza y Música Indias El Teatro Calderón estrenará un espectáculo

FLAMENCO AND FAIRS. SPAIN. FLAMENCO It is a style of music and dance tipical Spain. Flamenco borned in Andalusia. The tipical wardrobe is this:

FLAMENCO AND FAIRS. SPAIN. FLAMENCO It is a style of music and dance tipical Spain. Flamenco borned in Andalusia. The tipical wardrobe is this:

THE ILLINOIS David Chiriboga FLAMENCO-JAZZ PROJECT · 2019. 9. 6. · David Chiriboga Flamenco guitarist, Ensemble Español HOSTED BY: Robert E. Brown Center for World Music IN CONJUNCTION

THE ILLINOIS David Chiriboga FLAMENCO-JAZZ PROJECT · 2019. 9. 6. · David Chiriboga Flamenco guitarist, Ensemble Español HOSTED BY: Robert E. Brown Center for World Music IN CONJUNCTION

Hesperaole parviflora Desert Flamenco® Desert Flamenco® Red …®.pdf · Hesperaole parviflora Desert Flamenco® Desert Flamenco® Red Yucca Desert Flamenco® is an exciting new

Hesperaole parviflora Desert Flamenco® Desert Flamenco® Red …®.pdf · Hesperaole parviflora Desert Flamenco® Desert Flamenco® Red Yucca Desert Flamenco® is an exciting new

Music Dance Performance 3591G Music... · We will begin with music and music education to change lives in Venezuela; continue with flamenco dance – declared a Masterpiece of the

Music Dance Performance 3591G Music... · We will begin with music and music education to change lives in Venezuela; continue with flamenco dance – declared a Masterpiece of the

The Double Bass as a Solo Voice in Flamenco Music

The Double Bass as a Solo Voice in Flamenco Music

COMPAÑÍA PEPA MOLINA · light and life with deep Flamenco music. Sentiment of the flamenco dancer that pervades the entire stage, emanating from the interior ... Juan Andrés Maya

COMPAÑÍA PEPA MOLINA · light and life with deep Flamenco music. Sentiment of the flamenco dancer that pervades the entire stage, emanating from the interior ... Juan Andrés Maya

Programa - NORTEFLAMENCO Gipsy Music & Booking • Flamenco … · 2019. 5. 3. · We offer a tailored-made production service for your shows. Our aim is to spread the Spanish flamenco

Programa - NORTEFLAMENCO Gipsy Music & Booking • Flamenco … · 2019. 5. 3. · We offer a tailored-made production service for your shows. Our aim is to spread the Spanish flamenco

Camerata Flamenco Project · Flamenco Project had a music grow with performs, ... Alejandro Granados-Adrián Galia-Hiniesta Cortes ... Festival of the Guitar of Cordova “ Singapore

Camerata Flamenco Project · Flamenco Project had a music grow with performs, ... Alejandro Granados-Adrián Galia-Hiniesta Cortes ... Festival of the Guitar of Cordova “ Singapore

Chano Domínguez, "NFS. New Flamenco Sound". Entrevista. Magazine World Music 1.

Chano Domínguez, "NFS. New Flamenco Sound". Entrevista. Magazine World Music 1.

Flamenco & Petite Flamenco - Santa Barbara Designs

Flamenco & Petite Flamenco - Santa Barbara Designs

The music tree of flamenco styles - Sydney Guitar Lessons · 2016. 3. 30. · The music tree of flamenco styles. ARROTIN TANGUILLOS LA SAETA EL POLO LA TONÁ LA DEBLA . Created Date:

The music tree of flamenco styles - Sydney Guitar Lessons · 2016. 3. 30. · The music tree of flamenco styles. ARROTIN TANGUILLOS LA SAETA EL POLO LA TONÁ LA DEBLA . Created Date:

FLAMENCO MUSIC

FLAMENCO MUSIC

Flamenco. This is a song, music and dance style Strongly influenced by the Gitanos.

Flamenco. This is a song, music and dance style Strongly influenced by the Gitanos.

Study Guide rev 2.19 - Ronald Radfordronaldradford.com/files/Study_Guide_rev_2.19.pdf · American Master of the Flamenco Guitar Ronald Radford 5. Flamenco Flamenco is the folk music

Study Guide rev 2.19 - Ronald Radfordronaldradford.com/files/Study_Guide_rev_2.19.pdf · American Master of the Flamenco Guitar Ronald Radford 5. Flamenco Flamenco is the folk music

FLAMENCO MUSIC, my passion, my roots and my artistic ...

FLAMENCO MUSIC, my passion, my roots and my artistic ...

Energetic Shaping In Spanish Flamenco: Movement Analysis ... Shaping In... · Energetic Shaping In Spanish Flamenco: Movement Analysis and Music By Steve Mullins SEM 2009 One of the

Energetic Shaping In Spanish Flamenco: Movement Analysis ... Shaping In... · Energetic Shaping In Spanish Flamenco: Movement Analysis and Music By Steve Mullins SEM 2009 One of the

Receptiveness of Spanish and Flamenco Professional Dancers ...e-iji.net/dosyalar/iji_2020_2_26.pdf · Flamenco is a style of music and dance which has traditionally been transmitted

Receptiveness of Spanish and Flamenco Professional Dancers ...e-iji.net/dosyalar/iji_2020_2_26.pdf · Flamenco is a style of music and dance which has traditionally been transmitted

An Exploration of Spanish Music and Dance Traditionsfolklife-media.si.edu/docs/lesson_plans/FLP10128_Spain.pdf · An Exploration of Spanish Music and Dance Traditions ... “Flamenco

An Exploration of Spanish Music and Dance Traditionsfolklife-media.si.edu/docs/lesson_plans/FLP10128_Spain.pdf · An Exploration of Spanish Music and Dance Traditions ... “Flamenco