FIRE Banshee v2.1 BAND Score Named - David Avshalomov

DAVID AVSHALOMOV

FIREFIREFIREFIRE BANSHEEBANSHEEBANSHEEBANSHEE

(Wind, Fire)(Wind, Fire)(Wind, Fire)(Wind, Fire)

for Cfor Cfor Cfor Concert Bandoncert Bandoncert Bandoncert Band

SCORE

© 2020 Raven Music

INTRUMENTATION

Piccolo 1

Piccolo 2, 3(cued)

Flutes 1, 2

Oboes 1, 2

English Horn (opt., cued)

Eb Clarinet

Bb Clarinets 1, 2, 3 (doubled)

Bb Bass Clarinet

Bb Contra-Bass Clarinet (opt.)

Bassoons 1, 2

Contrabassoon (opt.)

Bb Soprano Saxophone

Eb Alto Saxophones 1, 2

Bb Tenor Saxophone

Eb Baritone Saxophone

F Horns 1, 2, 3, 4

Bb Trumpets 1, 2, 3

Trombones 1, 2, 3 (bass)

Euphonium (C, bass clef; alt. Bb treble Baritone 1 part also provided)

Tuba

String Bass (with low C extension)

Timpani

Percussion (4 players)

Xylophone (sounds 8va)

Glockenspiel (sounds 15ma)

Vibraphone

Glass or small-metal-tubes Wind Chime (high, tinkly, ringing; suspended)

Slide Whistle

Large sheet of heavy-duty Aluminum Broiler Foil (minimum 12” square, larger if available),

suspended by hand and tapped with bamboo skewers; also shaken/rattled.

Maracas (2 pair)

Plastic “Egg” Shaker

Guiro (Reco-reco) with thin scraper

Ratchet (fixed to table)

Snare Drum (high, thin)

Large Tam Tam (flat, no bump), with large heavy mallet

PERFORMANCE NOTES

• Score is transposing.

• It is assumed that Clarinets and Flutes are doubled.

• Single extra Flute 1 and Flute 2 players can take the Piccolo 2. and 3. parts, which make the highest passages easier

to play than on flutes (Flute 1, 2 parts show Piccolo 2, 3 cues). (With a large band, you may use 3 Piccolos and play

the Picc. 2 and 3 cues on Flutes.)

• Successive passages in the Clarinet parts marked “one player” may alternate between two first-desk players. Each

solo player can then rest during the next passage marked tutti (between F and R).

• Extended high tutti passages in Flute 1 and 2, Eb Clarinet, Clarinet 1 and 2, and Soprano Saxophone may also be

played by a (different) single player for stamina; section leaders’ choice.

• In the long high cluster-chord wind passages, intonation is not a serious concern–this is a shrieking gale.

• Simplified ossias have been provided for certain fast scale runs in high winds. Not all players in a section need use

them if they can play the Grade 6 originals; if only some can, a mixture of originals and ossias will actually enhance

the cluster-rushing wind-scale effects at 69, 170, 232, 282, 300, and 347. (Xylophone also has several separate

ossias.)

PROGRAM NOTES

(by the composer)

FIRE BANSHEE: On a warm sand dune in the sun, the soul senses a tiny, thready breeze that keens high, speeds

up, and spreads in widening swoops, then drops to a steady centered pulsing unison wind. Flecks of sand flick by, the

pulsing builds, and above that pipes a high little Sand Samba over low wavering menace chords. The breeze swoops

up again to a high keening wiggling wind, not yet too scary, but the low winds’ phrases suggest a Fire Dragon’s tail.

The high wind drops again to a murmur under a sweet reassuring melody, then sweeps up yet again to shriek over

repeated Doom chords. Now sparks from a grass fire join the sand flecks, thickening the high Sand Samba to a Spark

Dance, which pushes up one more time to a higher massed, shrieking, wavering Banshee Firewind, with spattering

sand and waving dune grass. Now the massed brass instruments give out the Fire Dragon’s full roar, extending

phrase after phrase, over drum tattoos and gong smashes, while the Firewind persists in long wavering lines, ever

louder and scarier, as though it will never stop. Finally Banshee and Dragon voices both hold long tones that grow,

peak, then quickly drop and roll off. The fire passes over and the now-murmuring wind relaxes gently under the

earlier sweet melody, then settles to a tapestry of calming sweet arpeggios under a clearing sky, and finally to a

serene unison, almost still. But is the Banshee gone? The Dragon?

(NOTE: The Banshee is a baneful female spirit in Irish mythology; her wailing is usually heard as an omen of death

and a messenger from the Otherworld. This movement evokes the wailing and shrieking of a fire-wind gale that

could well mean death.) (Duration: 7 minutes)

© 2020

Picc. 1

Picc. 2

Picc. 3

Flute 1

Flute 2

Wind Chimes

ppp

(ca. 8 seconds)

h = 144

Vivo

ppp

ppp

one player

ppp

ppp

one player

ppstroke with the hand

L. V. (let ring)

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

pppbreathy tone

senza vibrato pp pp

h = h sempre

18

pppbreathy tone

senza vibrato pp ppp pp pp

pppbreathy tone

senza vibrato pp ppp pp ppCue Picc. 2

one player

pppsenza vibrato

breathy tone pp ppp pp pp

ppp

Cue Picc. 3

breathy tonesenza vibrato pp ppp pp pp

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

ppp pp ppp pp ppp pp ppp pp

35





one player

pppsub-tone

pp ppp ppp pp ppp pp ppp pp

one player

ppp sub-tone pp ppp pp ppp pp

one player

pppsubtone

pp pp ppp pp

TRANSPOSING SCORE

Duration: 7 minutes

Whistle (flageolet) tone

(slow arpeggio across high partials)

Flageolet arpeggios: Finger any high note that works best.

Slowly arpeggiate up and down the highest flageolet partials,

like a tiny wind through a door crack. (No fundamental tone.)

NOTE: All trills in this

movement are half-step trills.

Fire Banshee





Start here if no Picc. 2



play


start here if no Picc. 3


play

NOTE: at least one flute 2. continue arpeggios, simile, to B

Glass (or Metal Tubes) Wind Chime Tree

A

NOTE: at least one flute 1. continue arpeggios, simile, to B

B

David AvshalomovFire Banshee v.2.0

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

ppp ppp pp pp

q = q sempre

51

ppp ppp pp pp

ppp ppp pp pp

ppp ppp pp pp

ppp ppp pp pp

ppp ppp pp pp

ppp ppp pp pp

ppp ppp pp pp

ppp

one player

subtone ppp pp pp

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

Perc.

Perc.

normal tonepp p p

OSSIAs shown in parts

mp mf f

66

normal tone

pp p p mp mf f

normal tone pp p p mpmf

f

normal tone

pp p p mp

tutti

play

mf f

normal tonepp p p mp

play

tutti

mf f


tutti

mf

normal tonepp

p p mp

tutti

mf


tutti

mf

normal tone

ppp p mp

tutti

mf

f

p

hung downwards, swirled, not shaken; slow then faster for f

f p

Tongue hard to get upper partial.Try to end on a B.

mf f p

C

6 6 7 7

7

D

6 6 7

7

7

76 6 7 7

6 6 7 7

6 6 7 7 7

6 6 77 7

7

6 6 7 7

7

6 6 77

6 6

77

one Maraca

Slide Whistle


2

P. 1

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

73

senza vibrato

pp

one player

p pp

p pp

one player

pp p

f

senza vibrato

pp

one player

p pp

f p pp pp

one player

p

f pp

one player

pp

pp

one player

pp

P. 1

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

Perc.

92

pp pp

pp

pp pp

pp

pp pp

dangle from cornershake to rattle lightly

pp speed up

pslow down

P. 1

P. 2

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

Sop. Sax.

Alto Sax. 1

Perc.

tutti

p

104

p

pp p

pp

pp

pp

pp pp

pp

pp

(may substitute one Maraca)

short chik, single hitno flams

p staccato

E

add, remove vibrato

sempre senza cresc.

add, remove vibrato

sempre senza cresc.

add, remove vibrato

sempre senza cresc.

add, remove vibrato

sempre senza cresc.

add, remove vibrato

sempre senza cresc.

senza vibrato

slow bend, sharpen slightly back to pitch

sempre senza or normal vibrato

senza vibrato

slow bend, sharpen slightly back to pitch sempre senza or normal vibrato

senza vibrato



senza vibrato


add, remove vibrato

sempre senza cresc.

senza vibrato


Aluminum foil sheet

soli

F

Piccolo 2

unisons in tune

cue Picc. 2 (opt. one player)

unisons in tune

unisons in tune

normal vibrato

unisons in tune

unisons in tune

unisons in tune

breathy tone

normal vibrato

unisons in tune

(one player)

breathy tone

normal vibrato

unisons in tune

plastic "Egg" shaker


3

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Tba.

Str. B

Xyl.

Perc.

Perc.

p mp

116

p mp

tutti

p p

tutti

p p mp

p p

pp

tutti

pp

one player tutti

tutti

tutti

mp mp

mp mp

mp mp

mp mp

mp mp

pp

pp mp

mp mp

mp mp

mp mp

mp mp

p very hard fiber mallets (NOT plastic) mpALT.

p very hard fiber mallets (NOT plastic)

p rattle fast

G

PICCOLO 3.

stacc.

stacc.

cue Picc. 3 (opt. one player)

stacc.

normal vibrato transition to normal tone

normal vibrato

transition to normal tone

(tutti)

lower notes in chords cue Piccolo 2. and 3.

Foil sheet


4

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Str. B

Xyl.

Perc.

Perc.

cresc.

127

cresc.

mp cresc.

cresc.

mp cresc.

p

p

p cresc.

p

mp mp

mp mp

mp mp

mp mp

mp mp

f p

mp mp

mp mp

mp mp

mp mp

f p

f p

mp mp

mp cresc.

mp mp mp cresc.

f f

fluttertongue

Harmon mute

fluttertongue

plunger extended

Harmon mute

fluttertongue

plunger extended

Egg Shaker


5

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

B. Tbn.

Str. B

Xyl.

Perc.

Perc.

mf cresc.

138

mf cresc.

mf cresc.

mf cresc.opt. loco

cresc.

opt. loco

mf cresc. opt. loco

cresc.

cresc.mp

cresc. mp

mp

cresc.

tutti

mp

mp mp mp

mp p mp

mp mp mp

mp mp mp

mp p mp

f p sf sf mf f p sf sf

mp mp mp

mp mp mp

mp mp mp

mp mp mp

f p sf sfmp f p

sf mp mf

f p sf sfmp mp mp mf

mp f psf

mp

pmp

mp p mp

mf cresc.

ALT.

mf

f

f ff

fluttertongue

fluttertongue

fluttertongue

fluttertongue

Harmon mute

plunger extended

fluttertongue

sord.

lower notes in chords cue Piccolo 2. and 3.

Foil sheet


6

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Xyl.

Perc.

Perc.

Perc.

f marcato cresc.

149

f marcato cresc.

f marcato cresc.

f marcato cresc.opt. loco

opt. loco

f marcato cresc.

mf pp subito

mp

mfpp subito

mf ppsubitomp

mf pp subito mp

mp pp

mp

mp pp

mp pp

mp

mf f psf

mf pp

mp moltopp

pp

mp molto pp pp

mp pp

mp pp

mp

sord.

molto pppp

mp

sord.

molto pp pp

f psf

mf pp

f psf mf pp

mf

mp pp

f cresc. cresc.

ALT.

cresc. f cresc.

mf mf cresc.

short chik, single hitno flams

mf

mf scrape quickly with thin scraper p

H

one player tutti

one player tutti

one player tutti

one player tutti

cue Piccolo 1. 2. 3.

Maracas

Guiro (Reco-Reco)


7

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Xyl.

Perc.

Perc.

Perc.

ff

159

ff

ff

opt. locoff

opt. loco opt. locoff

mf

cresc. mf f

mf

mf mf

mf

p mp mf f

pmp mf f

p mp mf f

p mp mf f

p

mpmf f

mf sfmf p

sfmf

p sf f psf f p

p mp mf

p mp mf f

p mp mf f

pmp mf f

mpmf

mp mf

mp

sord.

mf

mp

sord.

mf

mf sf mf psf mf p sf f p sf f p

mf sf mf psf mf p

sf f p sf f p

p mp mf mf

p mp mf f

ff

5 5


8

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Xyl.

Perc.

Perc.

Perc.

OSSIAS shown in parts

f

168

f

f

f

f

f


f f

f

f

f

f ff

f f f

f

sff p sf f

p sf sf sf sf sf

OSSIA shown in part

f

mf

mf

mf

mf

sff p sf f p sf sf sf sf sf f

OSSIA shown in part

sf f p sf fp

sf sf sf sf sf f

OSSIA shown in part

p

Hard cord mallets

p

ff

5 6

5

6

5 6

play

loco

5 6

play

loco5

6

6 6 6 6 7 7 7 5 6

5 5 6 6 7 7

7

6

6 6 7 7 7 7

7

5 6

5 5 5 5 6 6 7 7 7 7

56

5 5 6 6 6 6 7 7 7 5 6

5 5 6 6 7 7

7

6

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

6

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

6

6

3 3 3 3 3 3 3 3

gliss.

Susp. Hi Splash Cym.

shake


9

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Timp.

Xyl.

Perc.

Perc.

ff

175

ff

ff

ff

ff

ff

ff

ff mf mf

ff

ff

ff

ff

ffmf mf

ffmf mf

ff mf mf

ff mf mf

ff mf mf

ff

ff mf mf

ff mf mf

ff mf mf

ffmf mf

ff mf mf

ff mf mf

ff mf mf

ff mf mf

ff

ff

ff

ff mf mf

f mf

ff

f

I

cue Picc. 3

3

3

3

3

3 3

3 3

3

3

3

3

3 3

3

3

3 3

3 3

3

3

3 3

3

3

3

3

3 3

3

3

3

3

3

3

3 3

3

3

mute off

senza sord.3

3

3

3

mute off senza sord.

3 3

3 3

mute off senza sord.

3

3

3

3

mute off

senza sord.3 3

3 3

3

3

3

3

gliss.

cue Picc. 2

Silently turn Snare Drum snares ON.Leave them on, to buzz sympathetically to the end of the piece.


10

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Timp.

Xyl.

ff

185

ff

ff

ff

ff

ff

ff

f mf mf f

ff

ff

ff

ff

fmf mf

f mf

f mf mf

fmf

mf

fmf

mf

ff

f mf mf f

f mf mf f

f mfmf f

f mf mf f

f mf mf f

fmf mf f

f mf mf f

fmf mf f

ff

ff

ff

f mf mf f

mf f

ff

3

flt.

3 flt.

3 flt.

3 flt.

3

flt.

3 flt.

3 flt.

3 3

3

3

3 flt.

3

flt.

3 flt.

3

flt.

3 3

3

3

3 3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 flt.

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3

3 3

3

3 mute

3 3

3

3

mute

3 3

3

3 mute

3 3

3

3

mute

3

flt.

3

flt.

3 flt.

3 3

3

3

3 3

3


11

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Tba.

Xyl.

p pp

196

p pp

p pp

p pp

p pp

p p dolce

p

p p dolce

p pp

p pp

p pp

p

p

p ppp dolce

p

p

p

p

p

J

loco

cue Picc. 2

one player

3

3 3 3

one player

3

3 3 3

one player

one player

one player

3

3 3 3

3 3

3 3


12

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Str. B

207

mf

mf

mf Cued in Eb Clarinet

mf Cue English Horn.

ppp pp mp

ppp pp mp

ppp pp mp

mp

dolce, espress.

p

mp

dolce, espress.

p

mp

dolce, espress.

p

mp

dolce, espress.

p

mp

dolce, espress.

p

p mp dolce, espress. pp

mp dolce, espress. pp

mp

dolce, espress.

pp

mp

dolce, espress.

p

mp dolce, espress.p

3

3

3 3 3 3

3

3

3

3 3

3

3 3 3 3

3

3

3

3 3 3

3 3

3 3

3 3

3 3

3 3

3

3

3

3 3

3

3

3 3

3 3 3 3

3 3

3

3


13

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Str. B

Perc.

pp

218

pp

pp

pp

pp

pp

pp

pp

pp

pp

pp

pp

pp

pp mf f

pp

pp

pp

pp

mff p

f

pp

mf f

pp

pp

mff p

f

mf fp

f

mff p

f

pp

mp

cue Piccolo 2.

cue Piccolo 3.

cued in Soprano Sax

tutti

tutti

tutti

cue English Horn

3 fluttertongue

3

3

(sord.) fluttertongue

sord. fluttertongue

sord. fluttertongue

Guiro


14

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Str. B

Glock.

Xyl.

Perc.

Perc.

p mp


mf f f

229

p mp mf f f

p mp mf f f

p mp mf f f

p mp mf f f

p mp mf f f

p mp mf f f

p mp mf f f

mf f f

p mp mf f f

p mp mf f f

p mp mf f f

f

OSSIA shown in part

f

f

p mp mf

OSSIA shown in part

f f

f p f

f

f p f


mf

f p fmf

f p f mf

mf

mf

mf

mf

p

p

hard cord malletsmf

f

K

play

play

cued in Eb Clar., Sopr. Sax.

this phrase opt.

cue English Hornplaytutti

play

3 3 3

3 6

3

6

3

6

3

6

(Harmon)

36

(Harmon)

36

(Harmon)

3 6

gliss.

gliss.

Susp. Hi Splash Cym.


15

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Euph.

Str. B

Timp.

Glock.

Xyl.

Perc.

ff

236

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

mf

ff

f

f

f

f

f

f

f

f

f

f

f

mf

mf

mf

ff very hard fiber mallets (NOT plastic)

ff

ff pp poco cresc. mp mf pp poco

vibr.

vibr.

vibr.

vibr.

vibr.

vibr.

vibr.

vibr.

vibr.

vibr.

(doubled in Flute 1B)

vibr.

vibr.

mute off

mute off

mute off

mute off

vibr.

vibr.

vibr.


16

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Euph.

Tba.

Str. B

Glock.

Xyl.

Perc.

Perc.

247

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

mp mf ff

f

L

small notes opt.

senza sord.

senza sord.

senza sord.

senza sord.

OSSIA shown in part

OSSIA shown in part

L. V. sempre

Large Tam Tam L. V. sempre


17

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Euph.

Str. B

Glock.

Xyl.

Perc.

Perc.

257

mf mf ff

f

L. V. sempre

L. V. sempre

L. V. sempre


18

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

B. Tbn.

Euph.

Tba.

Str. B

Glock.

Xyl.

Perc.

Perc.

267

mf

senza sord.

ff ff

f f

L. V. sempre

L. V. sempre


19

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

B. Tbn.

Euph.

Str. B

Glock.

Xyl.

Perc.

Perc.

p

277

p

p

p

p

p

p

pmf p

p

p

p

p

p mf p

p

pmf p

p

p

p dim.

p p dim.

p

p

p

p

p

p

p

p

p

p

pp

p

p

p

p


5 5 5

5 5

5

5 5

5

5 5

5 5

loco

5 5 5 5

5

loco

5 5 5 5

5

5 5 5

5

5

5 5 5 5

5

5

5

loco

5 5 5 55

loco

5 5 55 5

loco

5 5 5

5 5

5 5 5

5 5

5

5

5 5 5 5 5

mute

mute

mute

mute


5 5

5 5

5 5

5 5

5 5

5 5


5damp

5

5

5 5 5

5


20

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tba.

Str. B

Xyl.

Perc.

Perc.

Perc.

mf

286

mf

mf

mf

mf

mp

pp

pp

pp

pp

pp

pp

ppmp

mp

mp

mp

mp

mp

pALT: cue Picc. 1+2+3

p

p cresc.

p cresc.

M

(cue Picc.2)

(cue Picc.3)

one player

one player

one player

one player

one player

(one player)

sord.

sord.

sord.

sord.

Maracas

Guiro


21

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

B. Tbn.

Str. B

Xyl.

Perc.

Perc.

cresc.

296

cresc.

cresc.

cresc.

cresc.opt. loco

mp mf

pp pp p

pp p p

pp pp p

ppp p

pp pf flz.

f

f

flz.

f

flz.

flz.

f

pp p

mp mf

mp mf

mp mf

mp mf

mp mf

mp mf

mf

sord. flz.

mf

cresc.

cresc.

tutti


6 6 7 7 7 7

tutti

6 6 6 7 7 7

tutti

6 6 7 7 7 7

tutti

6 6 6 7 7 7

OSSIA shown in part

66

7 7 7 7

Guiro


22

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

B. Tbn.

Str. B

Xyl.

Perc.

Perc.

Perc.

f

303

f

f

opt. loco opt. loco

f

play

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

p

Hard cord mallets

p

OSSIAS shown in partsN

7 7 7 7 7 7

7 7 7 7 7 7

7 7 7 7 7 7

7 7 7 7 7 7

7 7 7 7 7 7

(Harmon)


(Harmon)

(Harmon)

gliss.

Cym.


23

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

ff mf

307

ff mf

ff mf

ff mf

ff mf

ff mf

ff mf

ff f molto vibrato on long tones

ff mf

ff mf

ff mf

ff mf

ff ff

ff

ff

ff ff

ff ff

ff ff

ff mf molto vibrato on long tones

f f mf

f f mf

molto vibrato on long tones

f fmf molto vibrato on long tones

f f

ff

senza sord.

mf molto vibrato on long tones

ff

senza sord.


ff

senza sord.


f f

senza sord.

mf


ff` mf

ff mf

ff mf

f f mf molto vibrato on long tones

f f mf molto vibrato on long tones

f

(Eb) mute off

f

senza sord.

mf

f (Omit low Eb's if you lack the note)

fmf molto vibrato on long tones

f

(opt. 8va if you lack the note)

f


mf


f


f

opt. 8va (loco)


soli

f fff p

ff mf

ff mf

f

dome

p wood snare sticks/tipsStart each roll slow, speed up.

f p

(extra player)

SNARE DRUM OPT. HERE IF ONLY 4 PERCUSSIONISTS

p

Start roll open rudimental, at edgework to creamy concert roll

f p

ff

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3

3

3

3

mute off

3

mute off 3

mute off 3

mute off

3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3

3

3

3

3

3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

Snare Drum (opt.)

LARGE TAM TAM


24

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

ff mf ff mf

320

ff mf ff mf

ff mf ff mf

ff mf ff mf

ff mf ff mf

ff mf ff mf

ff mf ff mf

ff f `ff f

ff mf ff p

ff mf ff mf

ff mf ff mf

ff mf ff mf

p ffp

ff

p ffp

ff

p ffp

ff

p ffp

ff

p ffp

ff

f mf f mf

f f mf f f mf

f f mf f f mf

f f mf ff mf

pff

pff

f f mff

f

f f mf f fmf

f f mff

f mf

f f mf ff mf

ff mf ff mf

ff mf ff mf

ff mf ff mf

f mf f mf

f mf f mf

f

f mf

f

mf

f f mff f

mf

ff

opt. 8va -- |

mf

f f

mf

f f

opt. 8va -- |

mf f f

opt. 8va -- |

mfsoli

mf fp mf f p

ff mf mf cresc.

ff mf ff mf cresc.

f

stick shoulder, at edge

p

tips, on dome

f

stick shoulder, edge

p

tips, dome

ffp ff

p

ff ff

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

3 3 3 3

fluttertongue

3 3 3 3

3 3 3 3

fluttertongue

3

3 3 3

3

3 3 3 3

fluttertongue

3 3 3 3

3 3 3 3

3 3 3 3

3

3

3 3

3

3

3 3 3 3

3 3 3

3

3

3

3

3 3

3

3

3 3 3 mf opt. 3

3

3 3 3

3

3

3 3 3

3

3 3 3 3

3

3 3 3 3

3 3 3 3

fluttertongue

3 3 3 3

3

3 3 3

3

3

3 3 3

3

3 3 3

f3

3

3

3 3 3 3

3 3 3 3

opt. 8va -- |3

3

3 3 3 3

3 3 3 3 ff

3 3 3 3

L. V. L. V.

TAM TAM

L. V.

TAM TAM

L. V.


25

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.Perc.

ff mf f mp cresc. mf

334


ff mf f mp cresc.mf




cresc. ff mf f mp cresc. mf

ff f f

ff mf f mp p cresc. mf




p ff p

p ff p

p ff p

p ff p

p ff p

f mf f

fff

mff

fff

mff

fff mf f

pff

p

f mff

f mf f

f mf f

f mf f



ff mf f mp cresc.mf

f

mf

f

f mf f

f mf f

fmf f

f mf f

f mf f

mff mf

ff mf f mp cresc.

ffmf f mp cresc. mf

f

edge dome

p

fp

ff

fluttertongue

3 33 3

O 6-bar cresc. plus local swells

fluttertongue

3 33 3

fluttertongue

3 33 3

fluttertongue

3 33 3

3 33 3

fluttertongue

3 33 3

3 33 3

3 3 3 3

3

3 3 3

3 33 3

fluttertongue

3 33 3

fluttertongue

3 33 3

fluttertongue

3 33 3

3 3 3 3

3

3

3

3

3 3 3 3

3

3 3 3

3

3 3

3 3

3

3 3

3 3 3 3

3

3

3

3

3 3 3 3

3 3 3 3

3 3

3

3 3 3 3 3

3 3

3

3 3 3 3 3

3 3

3

3 3

3 3 3

fluttertongue

3 3

3 3

3 3

3 3

fluttertongue

3 3

3 3

3 3 3 3

3

3 3 3

3 3 3 3

3

3 3 3

3

3 3

3 3

3

3 3

3 3 3 3

3

3

3 3

3

3 3

3 3

3

3 3

3 3 3 3

3

3 33

L. V.

3 3

3 3

3 33 3

L. V.

L. V.


26

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

f


ff mf f mp f ff mp

346

f ff mf f mpf ff mp

f ff mf f mp f ff mp





f ff f

ff mf f mp f ff p


f ff mf f mpf ff mp


ff p ff p

ff

p

ff

p

ffp

ffp

ffp

ffp

ffp

ff

mf f mf

f mff

fmf

fmf f

f mf

f mf ff mf

ffp ff p

mff mf

mf f mf

mf f mf

mf f mf

f


ff mf f mp mf ff mp

f ff mf f mp mf ff mp

f ff mf f mp mf ff mp

mff mf

mf f mf

mf f mf

mf f mf

mf f mf

mf f mf

mp fOSSIAS shown in parts

ff mf f mp ff mp

fff mf f mp ff mp

f

edgedome

p f

edge

p

dome

ff pff p

ff ff

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

3

3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

fluttertongue

3 3

p

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3 3

3 3

3 3

3

3

3

3

3 3

3

3

3 3

3

3

L. V.

L. V.

3 3

3 3

L. V. L. V.

L. V.

L. V.


27

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

mf f mp f mf f mp mf f mp

358


mf f mp f mf fmp mf f mp





ff f f f

p mf f mf f mp mf f mp




ff p ff p ff

ffp

ffp

ff

ff ffp

ff

ff ff ff

ff ff ff

f f f f

f f f f

ff

f f

ff f

f

ff ff ff

f f f f

f f f f

f f f f

f f f f

mf f mp mf f mp mf mp

mf f mp mf f mp mf f mp

mf f mp mf f mp mf f mp

f f f f

f f f f

f ff f

f f f f

f ff

f

f f f f

mp f f f

mf mpmp f mfmf f mpmp f mp

mf f mpmp f mfmf f mpmp mf f mpmpedge

f

dome

f ff

ff

ff ff

P

3

3

p

p

p

p

p

3

3

3

3

3

3

3

3

p

p

3

3

3

3

3

3

3

3

f

3

3

3

3

3

3

3

3

3

3

3

3

L. V.

L. V.

L. V.

L. V.

L. V.

L. V.

L. V.

L. V. L. V.


28

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

mf f mp ff

371

mf f mp ff

mf

f mp ff

mf f mp ff

mf f mp ff

mf f mp ff

mf f mp ff

ff mp ff

mf f mp ff

mf f mp ff

mf f mp ff

mf f mp ff

pff p

pff

p

pff

p

p ffp

pff

p

f p ff

f p ff

f p ff

f p ff

pff

ppp ff

f p ff

f p ff

f p ff

f p ff

mf f

mp

ff

mf f mp ff

mf f mp ff

f p ff

f p ff

fp ff

f p ff

f p ff

f p ff

f f p

NOT soli, do not dominate

f

mf f mp

mf mp ffdome

edge

hard cord mallets, edge

pp ff

ppp start slow, speed up most at end ff

ff at CENTER mf ff

Q

Ratchet

3 3 3

L. V. sempre, do not damp


29

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 1

Tbn. 2

B. Tbn.

Euph.

Tba.

Str. B

Glock.

Xyl.

f

384

f

f

f

cue Picc. 2

loco

fcue Picc. 3

p

p

p

mf

mf

mf

mf

p pp

p pp

p pp

p pppp

p pp

p

p

p

p pp

p pp

p

p p pp

p

p p pp

p

p

p

mp

f p

f p

p

p

p

p

p

TO VIBRAPHONE


3

3

3

3

3

3

3

3

3


30

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

p mp p mp

rit.393

p mp p mp

p mp p mp

p

loco

mp p mp

p mp p mp

p mp p mp

p mp p mp

p mp p

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

pp pp

h = 120

Meno Mosso

403

p pp

pp pp

pp pp

pp pp

pp

pp

pp

pp

pp

pp

cue Eng. Hrn.

pp

ppp

one player

ppp

one player

ppp

one player

3 5 5

3 5 5

3 5 5

3 5 5

3 5 5

3 5 5

3 5 5

mp3

5 5


31

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Perc.

pp breathy tone ppp dolcissimo

Piu Mosso

h = 132

pp breathy toneppp dolcissimo

pp breathy tone

pp breathy tone ppp dolcissimo

pp breathy tone

ppp ppp dolcissimo

ppp

ppp

ppp dolcissimo

ppp dolcissimo

ppp dolcissimo

ppp

cue Eng. Hrn.

ppp ppp dolcissimo

ppp

ppp

ppp dolcissimo L. V. sempre

nat.

3

3 3 3 3

R S

nat.

3

Cue Picc. 2

nat.

one player3

solo

3

3 3 3

one player

3

one player

3

solo

3

one, solo

3

3 3

TRIANGLE 3


32

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Cb. Cl.(opt.)

Bsn. 1

Bsn. 2

Cbsn.(opt.)

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

B. Tbn.

Tba.

Str. B

ppp dolcissimo

428

ppp dolcissimo

ppp dolcissimo

ppp dolcissimo

ppp dolcissimo

dolcissimo

ppsostenuto, like violas

dolcissimo


dolcissimo


tutti

pp sostenuto, like violas

dolcissimotutti

pp sostenuto, like violas

dolcissimotutti

ppsostenuto, like violasdolcissimo

pp dolcissimo

(tutti)

ppdolcissimo

sostenuto, like cellos

dolcissimo

mp p

ppp dolcissimo

dolcissimo

mp

play

p

pp dolcissimo

pp

tutti

dolcissimo

sostenuto, like violas

tuttidolcissimo


tuttidolcissimo


ppp dolcissimo

tutti

dolcissimo

pp sostenuto, like cellos

pp dolcissimo

pp dolcissimo

p dolcissimo mp p

3

3 3

T

3

3

3Take Flute

one player

3

3

3Take Flute

Cue Picc. 2

3

3 3

one player

Cue Picc. 3

3

3 3

3

3

3 3 33

3 33 3

3

3 3 3 33

3 3 3 33

3 3 3 3

3 3 3 3 3 3 3 3 3

3 33 3 3

(one, solo)

3 3 3 3 33

3 3 3 3

solo Cue BCl.

3 3

solo3

3 3 3 3 3 3 3

3 3

3 3 33

3

3 3

3 3

3

3

3 3 33

one player

33

3 3 33

mute

solo3 cue Contrabassoon

3 3 3 3 3 3 3

mute

solo

Cue String Bass3

3 3 3 3 3 3 3

solo

3 3 3 3 3 3 3 3


33

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Bsn. 2

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Bari. Sax.

Str. B

Glock.

Vib.

TUTTI: Breathe between slurs only where needed.

dolcissimo, cantabile

pp

hhhh = 120

Meno Mosso445

pp

pp

pp

mp pp

ppp

ppp

ppp

ppp

ppp

ppp ppp

ppp ppp

pppppp

pppppp

ppp

ppp

ppp

ppp

ppp

ppp

pp pp

pppp

Arpeggios: Aim to reach the

top and bottom notes on the beats.

solo

U V

Flute 1b

another, solo

harmonics arpeggiofinger lowest pitch

senza vibr.

3

Flute 2b

another, solo

senza vibr.


3

play

one, solo

senza vibr.



one, solo

senza vibr. 35

3

3

3

one, solo

Cue Flute 2b

senza vibr. 3

3

Cue Flute 1b

one, solo

senza vibr.

3

3

one, solo

senza vibr.

3

one, solo

senza vibr.

3

(one, solo)

senza vibr.

(one, solo)

senza vibr.

3

3

3

3

medium rubber mallet

L. V.

(medium rubber mallet)

VIBRAPHONE

motor off

medium rubber mallets L. V.

medium cord mallets

CONDUCTOR: Ideally U to W should

be played with 4 solo flutes plus Clarinet 2

and 3 soli, to capitalize on the natural overtones

available in flutes but not in Clarinets.

Use the cues in Eb Clarinet and

Clarinet 1 only if necessary. (Flute 1b and 2b

parts are also shown in Picc. 2 and 3.)


34

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Glock.

Vib.

459

3 3 3 3 3 3

3

3 3 3 3 3 3

3 3 3 3 3 3

L. V.


35

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Sop. Sax.

Alto Sax. 1

Tpt. 1

Tpt. 2

Timp.

Glock.

Xyl.

Perc.

Perc.


p

473

p

p

ppp

tutti

ppp

poco vibr. molto vibr.

p

ppp ppp

molto vibr.

p

p

p

ppp

play

ppp

poco vibr.tutti molto vibr.

p

ppp

play tutti

ppp

poco vibr.molto vibr.

p

ppp ppp

tutti poco vibr. molto vibr.

pp

ppp ppp

poco vibr.tutti

molto vibr.

p p

ppp

(tutti)

ppp

poco vibr.

normal tone

molto vibr.

p

p

p

p

p

pp

p

very hard fiber mallets (NOT plastic)

pvery hard fiber mallets (NOT plastic)

ppp

hard cord mallets

molto

pppspeed up quickly for cresc.

6

66 6

W X

Take Picc.

6 6

6 6

Take Picc.

6

66 6

6 6

6 6 6 6

tutti

poco vibr.

6 6 6

6 6

6 6

6 6

6 6

66

6 6 5

6

6

6 6

66

6 6

66

6

66

6

opt.

6 6 6

(Harmon)

6 6 6 6

(Harmon)

6 6 6

gliss.

XYLOPHONE

gliss.

S. CYM.

RATCHET


36

P. 1

P. 2

P. 3

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Eng. Hn.(opt.)

Eb Cl.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsn. 1

Sop. Sax.

Alto Sax. 1

Alto Sax. 2

Ten. Sax.

Tpt. 1

Tpt. 2

Timp.

Glock.

Xyl.

Perc.

Perc.

Perc.

fff sffzp

short

fermata h = 160

Presto

Freeze for count of 10482

fff sffz p

fff sffz p

fff sffzp

fff sffzp

fff sffz p niente

fff sffz p

ff p niente

fff sffz p

fff sffzp

niente

fff sffzp niente

fff sffzp

ff p

ff p

fff sffz p

sffz p niente

f p niente

f p

fff sffzp

fff sffz ff p

mf

ff

ff

B§

p

ff sfz

f

mf L. V. (partially dampen Tam Tam if sound is still growing; allow only quiet ringover at end)

molto vibr.

5 5

5

molto vibr.

5

5

molto vibr.

5

5 5

molto vibr.

5 5

5

molto vibr.

5 5

5

molto vibr.

Repeat 3-4 times, free use of pitch set, fade

one player

(like a shiver)

5

5 5

molto vibr.

5

5

5


(like a shiver)

5

5

molto vibr.

5

55

molto vibr.


one player

(like a shiver)

5

5 5

molto vibr.

one player


(like a shiver)

5

5 5

molto vibr.

5

5 5

5

5

5 5

molto vibr.

5

5

fff molto vibr.

play


one player

(like a shiver)

5

5

5

Cue Eng. Hn.


(like a shiver)

5

5

5

5

molto vibr.

5

5

molto vibr.

5 5

L. V.

gliss.

L. V.

Wind Chimes one swipe, let it ring and die

L. V.

TAM TAM


37

DAVID AVSHALOMOV

Music for Band

Siege [7] powerful slow tragic tone poem, huge middle climax (also for orchestra)

Spring Rondo [8] exuberant tonal dancy fun in changing polymeters, hot ending

Lifeboat Variations [16-24] “Everyone’s Guide to the Band” (opt. narrator)

Cornucopia of Rounds [12], a wild variation-mashup of 7 rounds, huge cosmic ending

Prime Time, Toccata Brillante [11] fast 11/8 showpiece, big band middle, hot ending

Nigun Prophecy [9] rhapsodic variations on 3 common Jewish nigun melodies, with

optional singing. Commissioned by the Kaplan Foundation for St. Mary’s Catholic

University of Winona, MN, Janet Heukeshoven, Band Director.

Hill Dance [5] in 5/8, fun Bulgarian/Klezmer style, hot ending, features clarinet choir with

Eb, Bb, BCl. soli. American Prize 2016, Band Composition (2nd

place)

The Last Stand [7’45] slow tragic tone poem, dramatic, rich sonorities

Commissioned 2012 by the Western Plains Wind Consortium (15 bands)

American Prize 2014, Band Composition (3rd

place)

Vignettes, suite of 10 short widely-varied miniatures for community bands [14 total]

First Place, American Prize 2015, Band Composition

Commissioned 2012 by a consortium of 26 bands in the US and Europe Winner, 2013 Wind Ensemble Composition Contests, Sul Ross State University (Texas) and Hillcrest

Wind Ensemble (San Diego)

Rain Dance [5] evocative tone painting, dissonant, powerful, haunting

StarGazers, tonal color/character miniatures evoking stars and space travel

Starry Night [1:30] slow long arch with cosmic climax

Galaxy [2:45], slow start, adventure march with wild warp jump ending

Glockenspiel March [2:30] old-fashioned novelty featuring the orchestra bells section

TRANSCRIPTIONS

Bach, Sinfonia to Cantata No. 29 [3’30] exuberant Baroque encore, transcribed for:

• Symphonic Wind Ensemble; Clarinets 1. 2. and Flutes/Piccs on the solo part (Eb)

• Solo Marimba (or Xylophone, or duet) with Wind Ensemble (D)

WITH CHORUS

Principles, secular cantata (Thos. Jefferson) [32] on religious freedom and liberty

• Original version TTBB (divisi), solo baritone, concert band

• Revised version SSAATTBB, solo baritone, concert band

Sergeant Pepper Medley Lennon/McCartney [16′]

TTBB chorus with tenor and baritone soli, (or solo quintet), concert band (or combo)

Perusal scores, reference recordings, .pdf performance materials and complete list

of the composer’s works in all genres available through

Raven Music

www.davidavshalomov.com (310) 480-9525

FIRE Banshee v2.1 BAND Score Named - David Avshalomov

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Transcript of FIRE Banshee v2.1 BAND Score Named - David Avshalomov