Fairmont Park Baptist Church Technical Support Ministry Yamaha MC 2404 Training Program

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Fairmont Park Fairmont Park Baptist Church Baptist Church Technical Support Ministry Technical Support Ministry Yamaha MC 2404 Training Program Yamaha MC 2404 Training Program

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Fairmont Park Baptist Church Technical Support Ministry Yamaha MC 2404 Training Program. In order to understand how to run the board you MUST understand how the audio chain works. - PowerPoint PPT Presentation

Transcript of Fairmont Park Baptist Church Technical Support Ministry Yamaha MC 2404 Training Program

Page 1: Fairmont Park  Baptist Church Technical Support Ministry Yamaha MC 2404 Training Program

Fairmont Park Fairmont Park Baptist ChurchBaptist Church

Technical Support MinistryTechnical Support Ministry

Yamaha MC 2404 Training ProgramYamaha MC 2404 Training Program

Page 2: Fairmont Park  Baptist Church Technical Support Ministry Yamaha MC 2404 Training Program

In order to understand how to run the board

you MUSTMUST understand how the audio chain works.

However don’t let this frighten you … its just like going from Texas to California ... it begins with knowing the route you need to take to get there.

Once you start the car, you can follow the route.

So lets get started

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What is the audio chain?

The audio chain is every stepevery step of the process that is necessary to get the sound from the source to the speakers. It is imperative that in order to properly

route the signal to where you need it, (like getting from Texas to California), you must know where it’s

coming from and where it’s going.

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TheThe

OverviewOverview

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The “Board”

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The “Board”The “Board”

The board has 24 inputs. Each input represents a microphone, instrument, etc etc.

Each input can be assigned to;

• up to two monitor sends (FB1 & FB2) each having a master send

• up to two auxiliary sends Echo 1 & 2 each having a master send

• up to 4 sub groups (although you will only use one) (S1-4)

Each sub-group is then assigned to stereo left.

Stereo right is used as a third FB send for special occasions

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Moving on to the fun stuff . . .

“ Running the Board “

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Remember … I mentioned that running a

sound system is much like a trip to California.

Well here’s how we get from Texas to California

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Board design

The

Input

Section

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The “Input channel” The “Input channel” Each input channel consists of a:

20 db pad

Gain control

Hi EQ

Mid EQ with parametric sweep

Lo EQ

FB1 & FB2 sends

Echo 1 & 2 sends

Sub group assignments

Pan control

Channel cue button

Mute button

Volume fader

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20 db Pad

This is used to CUT or remove part of the input signal … right off the top before you do anything else. This is useful for

inputs such as tape decks, CDs, guitars, keyboards and signal processors.

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Gain

This is used to increase or decrease the amount of signal coming into the input channel of the board.

This is useful for getting the correct “gain structure” on the inputs.

More on gain structure later.

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A quick

word about

EQ

You will encounter two types of EQ.

Shelving & Parametric

It is imperative that you understand how a parametric EQ works but we will discuss this in more detail later.

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Channel EQChannel EQ

Hi EQ - This is a shelving control and is used to add or cut hi frequencies to that channel.

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Channel EQChannel EQ

Mid EQ - This is a parametric control. The add / cut is based upon the frequency that the parametric control is set at.

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Channel EQChannel EQ

Lo EQ - This is also a shelving control and is used to add or cut lo frequencies to that channel.

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FB1 & FB2FB1 & FB2

Raising or lowering the FB1 or FB2 control raises or lowers the amount of signal sent to the FB1 & FB2 busses (outputs).

These are pre fade – pre EQ. What that means is changing the EQ controls will notnot make any tonal changes in the monitors and the output is not affected by the fader position.

FB1 is the front stage monitors

FB2 is the band monitors.

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ECHO 1 & 2ECHO 1 & 2(AKA EFX, FX, Reverb)

This raises the amount of signal being sent to the FX1 & FX2 busses.

Echo 1 & 2 are post fade and post EQ. What this means is that the amount of signal being sent to Echo 1 & 2 busses will change as the fader is raised and lowered.

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Group Assignments Group Assignments

& Pan& Pan

Each channel can be assigned to any of the four busses by pressing either the 1-2 or 3-4 button down and panning to the left or right.

Panning to the center will assign it to both 1 & 2 or 3-4 or all four if both buttons are depressed. Or to 1 & 3 or 2 & 4 by pressing both and panning left or right.

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Channel CueChannel Cue

This is so you can monitor the signal coming into the channel.

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Channel mute Channel mute

The red button will turn the channel on and off.

In the off position it will mute allall outputs off the channel.

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Channel faderChannel fader

The fader will raise and lower the volume of the channel.

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FOH Master sectionFOH Master section

Echo returnEcho return(AKA … FX … EFX … Reverb)(AKA … FX … EFX … Reverb)

We are not using the echo returns We are not using the echo returns but instead bring our effects unit but instead bring our effects unit back into a normal input channel. back into a normal input channel.

This gives us greater control over This gives us greater control over the tonal range and assignments the tonal range and assignments of the reverb to where we want it. of the reverb to where we want it.

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FOH Master sectionFOH Master section

Group OutGroup Out

At the present time we are not At the present time we are not using any of the group outs off this using any of the group outs off this

board.board.

Group outs can be used for any Group outs can be used for any number of things such as number of things such as

recording or auxiliary monitors recording or auxiliary monitors sends to nursery or hallways.sends to nursery or hallways.

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FOH Master sectionFOH Master section

Group PanGroup Pan

Group pan is used to assign Group pan is used to assign whatever has been assigned to whatever has been assigned to

that sub-group to either the Stereo that sub-group to either the Stereo L-R outputs. L-R outputs.

Since we are running mono you Since we are running mono you only need to know that we pan only need to know that we pan

everything to the left.everything to the left.

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FOH Master sectionFOH Master section

Group CueGroup Cue

The group cue is used to The group cue is used to monitor the mix of what has monitor the mix of what has been assigned to that sub-been assigned to that sub-

group.group.

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FOH Master sectionFOH Master section

Group On/OffGroup On/Off

This is used to turn the sub This is used to turn the sub group on & off. This will not group on & off. This will not affect any monitor or effect affect any monitor or effect

(echo) sends.(echo) sends.

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FOH Master sectionFOH Master section

Group FaderGroup Fader

This is used to control the This is used to control the amount of volume from the amount of volume from the

sub group to the main sub group to the main outputs.outputs.

This will not affect any This will not affect any monitor or effect (echo) monitor or effect (echo)

sends.sends.

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FB OutputsFB Outputs

The FB outs are a “master”

volume control for how much of the Echo 1 & 2

busses are being sent to the amplifiers and speakers.

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FB CueFB Cue

These are for you to monitor

the mix you have going to the amplifiers and speakers

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Echo (FX) 1 Echo (FX) 1 OutputOutput

The FX outs are a “master” volume control for how

much of the FX1 buss is being sent to the reverb unit.

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Echo (FX) 1 Echo (FX) 1 CueCue

This is so you can monitor what is

being sent to the reverb unit.

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Echo (FX) 2 Echo (FX) 2 OutputOutput

In our set up, Echo 2 is actually being used as our record

buss.

The signal goes from Echo 2 to the

bottom (record) Yamaha tape deck

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Echo (FX) 2 Echo (FX) 2 CueCue

This is so you can monitor what is

being sent to the record deck.