F2013 wk11

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ANIM 30102 Storyboarding Advanced Story Structure Week 11 Fall 2013

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Slides from Week 11 Editing

Transcript of F2013 wk11

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ANIM 30102Storyboarding

Advanced Story Structure

Week 11Fall 2013

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EDITING

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“For a writer it’s a word. For a composer or musician it’s a note. For an editor and a filmmaker it’s the frame.

The one frame off or two frames added or two frames less is the difference between a sour note and a sweet note.”

Quentin Tarantino

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Kubrick

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THE MOST IMPORTANT requirement for editing is objectivity.

No matter how much difficulty you had in obtaining a particular shot, the audience will never know.

You may have been full of enthusiasm during the filming of a particular shot, but if that enthusiasm doesn’t show on the screen, you must be objective enough to cut it.

Akira Kurosawa

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Top Tips

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“Temp music is a crutch”

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“Temp music is a crutch”

Absolutely

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Overlap the sound

Overlap a piece of the sound or picture from the previous scene.

Rarely do the sound and picture cut at the same time.

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Emotional cuts allow for minor

continuity errors.Where will the audience be looking?

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Walter Murch

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1. EmotionHow will this cut affect the audience emotionally at this

particular moment in the film?

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2. Story Does the edit move the story forward

in a meaningful way?

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3. RhythmIs the cut at a point that makes rhythmic sense?

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4. Eye TraceHow does the cut affect the location

and movement of the audience's focus in that particular film?

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5. Two Dimensional Place of ScreenIs the axis followed properly?

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6. Three Dimensional SpaceIs the cut true to established physical and spacial

relationships?

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