Experimental Art and Technology presentation
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Curious Creatures by
Jimmy McGilchrist.
Photo: Jimmy
McGilchrist
Curious Creatures by
Jimmy McGilchrist.
Photo: Jimmy
McGilchrist
Experimental Art and
Technology in Australia
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Jordana
Maisie,
Close
Encounters,
The Light in
Winter
Festival,
2012.
Photograph
courtesy the
artist
About the Inter-Arts Office and the
Experimental Arts Sector Plan
• Experimentation
• Labs/workshops
• Cross-disciplinary
• Emerging artforms
• Collaboration
• Exploration
• Risk-taking
• Creative partnerships
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Types of experimental practices
• Locative media
• Augmented and virtual reality
• Embodied media
• Digital performance
• Robotics and haptics
• Bio art
• Transhumanism
• Data interpretation
• Experimental craft and design
• Experimental sound art
• Interactive moving image
Parkfield
Interventional
EQ Fieldwork
by D.V.
Rogers 2008.
Photo Scott
Haefner US
Geological
Survey
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Locative Media
PVI Collective, Transumer, 2010
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PVI Collective, Transumer, 2010
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PVI Collective, Transumer, 2010
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PVI Collective, Deviator, 2012
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PVI Collective, Deviator, 2012
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PVI Collective, Deviator, 2012
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PVI Collective, Deviator, 2012
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PVI Collective, Deviator, 2012
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Augmented and Virtual Reality Thea Baumann, Metaverse Makeovers. Photograph courtesy Andrew Mac
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Russell Shakespeare
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Julian Viray
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Julian Viray
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Julian Viray
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Andrew Mac
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Thea Baumann, Metaverse Makeovers. Photograph courtesy Andrew Mac
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Aroha Groves, Connections2, 2010
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Aroha Groves, Connections2, 2010
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Aroha Groves, Connections2, 2010
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Aroha Groves, Connections2, 2010
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Aroha Groves, Connections2, 2010
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Aroha Groves, Connections2, 2010
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George Khut,The Heart Library Project, 2007
Embodied Media
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George Khut,The Heart Library Project, 2007
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George Khut,The Heart Library Project, 2007
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George Khut,The Heart Library Project, 2007
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George Khut,The Heart Library Project, 2007
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George Khut,The Heart Library Project, 2007
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George Khut,The Heart Library Project, 2007
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Keith Armstrong, Intimate Transactions, 2005
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Keith Armstrong, Intimate Transactions, 2005
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Keith Armstrong, Intimate Transactions, 2005
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Keith Armstrong, Intimate Transactions, 2005
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Jonathan Duckworth, Elements, RMIT, 2009
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Jonathan Duckworth, Elements, RMIT, 2009
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Jonathan Duckworth, Elements, RMIT, 2009
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Jonathan Duckworth, Elements, RMIT, 2009
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06 August 2007 Presentation Title Digital Performance
Chunky Move, Mortal Engine, 2008
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06 August 2007 Presentation Title
Chunky Move, Mortal Engine, 2008
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06 August 2007 Presentation Title
Chunky Move, Mortal Engine, 2008
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Chunky Move, Mortal Engine, 2008
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Chunky Move, Glow, 2006
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Chunky Move, Glow, 2006
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Chunky Move, Glow, 2006
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Helen Sky, Darker Edge of Night, 2007
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Helen Sky, Darker Edge of Night, PICA, 2009
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Helen Sky,
Darker Edge of Night,
PICA 2009
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Helen Sky, Darker Edge of Night, 2007
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Alejandro Rolandi, Virtual Costume, 2012.
Courtesy the artist and photographer Matthew Syres
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Alejandro Rolandi, Virtual Costume, 2012.
Courtesy the artist and photographer Matthew Syres
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Alejandro Rolandi, Virtual Costume, 2012.
Courtesy the artist and photographer Matthew Syres
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Mari Velonaki, Fish-Bird interactive robotic installation, 2004-07
Robotics and Haptics
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Mari Velonaki, Fish-Bird interactive robotic installation, 2004-07
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Mari Velonaki, Fish-Bird interactive robotic installation, 2004-07
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• Wade and Kirsty
Mari Velonaki, Fish-Bird interactive robotic installation, 2004-07
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3D geometry representation of 2D art images Saeid Nahavandi, 3D geometry representation of 2D art images
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Saeid Nahavandi, HEAR - Haptic-Enabled Art Realization Research Project
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Saeid Nahavandi, Australian Research Council Expo, Canberra, 2011
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Bio Art
Guy Ben-Ary, MEART -The
Semi Living Artist, 2006
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Guy Ben-Ary,
Biofeel -The Robotic Arm, 2002.
Projection of neurons in real time.
Photograph Phil Gamblen
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Guy Ben-Ary,The Robotic Arm,
Australian Culture Now, 2004.
Photograph Phil Gamblen
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Guy Ben-Ary, Silent Barrage, 2011
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Transhumanism Stelarc, Ear on Arm, 2007. Photograph by Nina Sellers
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Stelarc, Ear on Arm Suspension, Scott Livesey Galleries, 8 March 2012
Photographer Claudio Oyarce
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Stelarc, Exoskeleton 2003. Photographer Igor Skafar, Ljubljana
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Stelarc, Walking Head 2006. Photographer Stelarc, Heide Museum of Modern Art
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Experimental Craft and Design
Leah Heiss, Arsenic Jewellery (with mesoporous iron oxide), 2007-8
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Leah Heiss, Arsenic Water Vessel -
closed, 2007-8
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Leah Heiss, Arsenic Water Vessel-
open, 2007-8
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Leah Heiss, Diabetes Neckpiece, 2007-8
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Leah Heiss, Diabetes Ring and Patch, 2007-8
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Experimental Sound Art
WIRED Lab, Cootamundra,NSW, 2008.
Piezo Mic.
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WIRED Lab,
Cootamundra, NSW,
2008
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WIRED Lab, Cootamundra, NSW, 2008. Tensioning end for long wires
(450 metre span) and short wires (350 metre span)
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WIRED Lab, Cootamundra, NSW, April 2008. Dave Burraston field
recording from wire pickups
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WIRED Lab, Cootamundra, NSW, 2008
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WIRED Lab, Cootamundra,
NSW, 2008. Long wire pickup
and earth cables at dusk
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AlloSphere Bridge, California NanoSystems Institute
University of California, Santa Barbara, 2012
Data Interpretation
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The AlloSphere Artist Residency, California NanoSystems Institute
University of California, Santa Barbara
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Sound artist David Rogers, AlloSphere Artist Residency recipient,
California NanoSystems Institute University of California, Santa Barbara, 2012
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David Rogers, Inner Earth Interpreter, California NanoSystems Institute
University of California, Santa Barbara, 2012
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Interactive Moving Image Advanced Visualisation and Interaction Environment (AVIE), iCinema, University of New South Wales
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Dennis Del Favero, Scenario, iCinema, 2011.
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Dennis Del
Favero,
Scenario,
iCinema,
2011.
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Dennis Del Favero, Scenario, iCinema, 2011.
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Dennis Del Favero, Scenario, iCinema, 2011.
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Jimmy McGilchrist, Curious Creatures, 2011
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Jimmy McGilchrist, Curious Creatures, 2011
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Jimmy McGilchrist, Curious Creatures, 2011
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Jimmy McGilchrist, Curious Creatures, 2011
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Splendour in the Grass music festival, 2010. Courtesy Splendour in the Grass
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Splendour in the Grass music festival, 2010. Courtesy Splendour in the Grass
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Jimmy McGilchrist, Curious Creatures, 2011
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Curious Creatures, Vryfees 2012, South Africa. Photographer Matt West.
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Conclusion
• Experimental technology artists create cross-disciplinary teams to realise their projects
• Their work requires substantial practice lead research and development time
• The art they create is iterative and changes with each new presentation and redevelopment
• There is often a high degree of interactivity and co-creation of the work
• The work is generally cross-artform, interdisciplinary and not easily defined as art
• Developing the work requires strong science, technology and creative industry partnerships
• There are mutual benefits to both the arts and non-arts partners
Keith Armstrong, Intimate Transactions, 2005 Some of these observations are backed -up by preliminary research conducted by ANAT and the University of
South Australia titled Creative Collaboration, Commercialisation and Career Study, June 2010
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Aroha Groves, Connections2, 2010
Dr Ricardo Peach
Australia Council for the Arts
http://twitter.com/auscouncilarts
ricardopeach.com
Thank you