EOI Henley Sums It Up Again

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    Henley

    Sryu$

    It

    Up Again

    ONHENLEY

    ]

    The

    End

    of

    the

    Inno-

    cence.

    Geffen

    ***rtz

    ,

    Much

    as

    the

    Eagles'

    *The

    Long

    Run

    sunimed

    up what

    there

    was

    to

    sum

    up

    of

    the

    lg?Os

    a

    decade

    ago,

    Don

    Henley

    has

    returned

    from

    a

    nearly

    five-year

    recording

    silence

    'TheEndof

    Innocence':

    RECORD

    RACK

    to

    put

    a lid

    on the

    1980s

    with

    'The

    End of

    the Innocencg

    the

    third

    post-Eagles

    album

    from

    one

    of our

    finest singer,/songwriters.

    In crle

    your

    subscription

    to

    Time

    lapsed

    while

    the

    Shah was

    sittingpretty, a

    fair share

    of raw

    malerial

    has

    accumulated

    for

    a

    civic-tninded

    sort to

    work

    with,

    ethics-wise.

    All

    the

    topics

    here are lopied

    enough,

    and

    references

    to Reagan-

    omics, TV

    evangelists,

    real-estate

    tycoons

    and

    the homeless

    abound.

    In the,

    uh, long

    run, however, the

    moments

    that

    draw

    you

    back tolhe

    album are

    those

    in

    which

    Henley

    sticks

    to

    such

    old,

    timeless stand-

    bys

    as looking

    for

    love in all the

    wrong

    ivory

    towers.

    The best

    songs

    here are by and

    large

    personal

    ballads

    of loss

    and

    subsequent

    self-discovery. The ti-

    tle track,

    a low-key,

    piano-based

    collaboration

    with

    Bruce

    Hornsby,

    neatly

    ties

    together several

    of

    Henley's

    favored

    themes-pun-

    gent

    nostalgia

    for

    an

    earlier

    era in

    a

    smaller town,

    anti-Republican

    pol-

    itics and sexual

    release-

    The

    plaintive

    The

    Last

    Worth-

    less

    Evening

    is

    the most Eagles-

    like

    number,

    a.

    romantic

    plea

    to

    move on

    from

    the

    hurt

    of old

    relationships.

    And The

    Heart

    of

    the

    Matter,

    Henliy

    tells

    us,

    is

    forgiveness;

    like

    millions of other

    boomer loners,

    his

    protagonist

    has

    realized,

    perhaps

    too late

    and

    per-

    haps not,

    that

    the

    work

    I

    put

    between

    irs

    doesn't

    keep me

    warm.

    Henley takes up most

    of

    Side

    2

    with

    a

    rocked.up

    four-songsuite

    of

    social

    awareness.

    And though the

    targets-greed,

    politics

    disguised

    as religion,

    etc.-are

    legitimate,

    LACYATXINS /

    LA.Tffi

    Rock's

    quotable

    Don

    Henley

    and

    he

    gets

    some

    terrific

    zingers,

    his approach

    is a little too scatter-

    shot to do any of these

    subjects

    rcal

    jusUce.

    Henley

    may be

    one of

    rock's

    most eminently

    quotable

    moralists,

    but the ethics he's most

    comfortable exploring are

    still

    the

    ethics

    of the

    heart.

    -CHRISWILLMAN

    :.44