Ejercicio___10__pp_50-52_y_70-71_.pdf

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50 /4PPLIED HARMONY (s) given in Harmonize rhe the model. Moderat o following melodies, using the style of accompaniment measure into a parallel period of piano music, (¡o) Develop using Section (9) as wlng the follo a model A period is in parallel constnrction when at least the first measure of thc antecedenr and the firsr measure of the consequent phrases are arike. (¡¡) Invent originar morives and deveráp .i.;; ;;;l"paranel periods, using the style of accompiniment given above.

Transcript of Ejercicio___10__pp_50-52_y_70-71_.pdf

50/4PPLIEDHARMONY(s)given inHarmonizerhethe model.Moderat ofollowingmelodies,using the style of accompanimentmeasure into a parallel periodof piano music,(o) DevelopusingSection(9) aswlng the folloa modelA periodis in parallel constnrction whenat leastthe first measureof thcantecedenr andthe firsr measureof the consequent phrases are arike.() Invent originarmorives and deverp .i.;;;;;l"paranel periods, usingthe style of accompiniment given above.CONNECTION OF TRIADSDrill Rniczo of thc First TenLeons,nr,',] r,?Xil;i?lowinB chords in the keyor Bb-major, usingthe meterandiIVIiVVIIVVIIiiIVIIVViIVVIIn bb-minor: I V VI II ivIiv IIIIiIVVVIiVVIIVIVVVIVIIVIIIVIVI(z)in thealto andtenorvoices of the following exercises:51Fillt.-JIIII+ILlL1Ltr--:52 PPLIED HARMONYt(g)Fill in the aito and tenor voices of the followingperiods:t(+)Fill in the soprano,altoand tenorvoicesof thefollowingbasses:a +370APPLIED H/4RMONY()LFill in the soprano, alroand renorvoicesof the followingexercises:(6(+)66 6tenor3Fill in the alto andt"lvoicesof the followingexercises:45+!:Rrt.{INVERSTO/SOF TRIADSIn taking theseexercises fromdictation,workin the usual way, writingfirstthe bass, thenthe soPrano.A first inversion may be determinedin severalways.Itis weaker in soundthan the fundamentalchord andsoundstop-heavy, particularlywhen the rootisin the soprano.Whenit is precededor followed by the samefundamentalchordit is recognizedas a rearrangementof the chord.The surestwayto determinefirst inversionsis to analyzethe quality fromeach bass tone.In major, if therst,4th or 5th degreesof the scaleare in thebass a major chordis expected;iftheznd,3rdor 6th degreesa minor chord;if the 7th degree a diminished chord.Firstinversionson thesebass tones havethe oppositequality;i.e.,if a minorchord is heardwith the rst,4thor 5rh degreesin the bass it is a first inversion,if a majorchordis heard u'iththe 3rd,6th or 7thdegreesin the bass it is a firstinversion.In symbolizinga first inversion either a or a r may be placedon thc lorverright-handside of the letter and numbername: e.g.,the C chordin thc firsrinversionis writtenC, or C6, and in the key of C, I, or Io.(S)Fill in the altoand tenor voicesof the followingperiods:'71=IIIIJ(