LEE BUL

Born Seoul, South Korea, 1964 Lives Seoul, South Korea

EDUCATION 1987 BFA, Sculpture, Hongik University, Seoul, South Korea

SOLO EXHIBITIONS 2017 After Bruno Taut, Thaddeus Ropac, London, United Kingdom

Lehmann Maupin, New York, NY 2016 Lee Bul, Artsonje Center, Seoul, South Korea 2015 Lee Bul, Vancouver Art Gallery, Vancouver, Canada

Lee Bul: Aubade III, Palais de Tokyo, Paris, France Lee Bul, PKM Gallery, Seoul, South Korea Espai d’art contemporani de Castelló, Castelló, Spain Into Lattice Sun, Swarovski Crystal Worlds, Innsbruck, Austria

Musée d’art modern de Saint-Etienne, Saint-Priest-en-Jarez, France 2014 Korean Cultural Centre, London, United Kingdom

MMCA Hyundai Motor Series 2014: Lee Bul, National Museum of Modern and Contemporary Art, Seoul, South Korea Lehmann Maupin, New York, NY

Ikon Gallery, Birmingham, United Kingdom 2013 MUDAM – Musée d’Art Moderne Grand-Duc Jean, Luxembourg

Pure Invisible Sun, Galerie Thaddaeus Ropac, Paris, France Inaugural Hong Kong Exhibition, Lehmann Maupin, Hong Kong, China

2012 Artsonje Center, Seoul, South Korea From me, belongs to you only, Mori Art Museum, Tokyo, Japan 2010 PKM Gallery, Seoul, South Korea Lehmann Maupin, New York, NY 2009 Paintings and Drawings Gallery, Galerie Thaddaeus Ropac, Paris, France 2008 PKM Gallery, Seoul, South Korea Lehmann Maupin, New York, NY 2007 Fondation Cartier pour l’art contemporain, Paris, France Galerie Thaddaeus Ropac, Salzburg, Austria PKM Gallery, Seoul, South Korea Domus Artium 2002, Salamanca, Spain 2005 SCAI the Bathhouse, Tokyo, Japan Govett-Brewster Art Gallery, New Plymouth, New Zealand 2004 Museum of Contemporary Art Australia, Sydney, Australia PKM Gallery, Seoul, South Korea Deitch Projects, New York, NY 2003 Henry Art Gallery, Seattle, WA Centre for Contemporary Arts, Glasgow, Scotland

Ohara Museum of Art, Kurashiki, Japan The Japan Foundation, Tokyo, Japan Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2002 The Power Plant, Toronto, Canada MAC, Galeries Contemporaines des Musées de Marseille, Marseille, France Jean Paul Slusser Gallery, University of Michigan, Ann Arbor, MI Life Forever, New Museum of Contemporary Art, New York, NY Le Consortium centre d’art contemporain, Dijon, France PKM Gallery, Seoul, South Korea Rodin Gallery, Samsung Museum of Art, Seoul, South Korea Orange County Museum of Art, Newport Beach, CA 2001 Fabric Workshop and Museum, Philadelphia, PA SCAI the Bathhouse, Tokyo, Japan San Francisco Art Institute, San Francisco, CA BAWAG Foundation, Vienna, Austria 2000 Fukuoka Asian Art Museum, Fukuoka, Japan Kukje Gallery, Seoul, South Korea 1999 Korean Pavilion, 48th Venice Biennale,* Italy Kunsthalle Bern, Bern, Switzerland 1998 Artsonje Center, Seoul, South Korea 1997 Projects, Museum of Modern Art, New York, NY 1994 Unforgiven, A Space, Toronto,* Canada 1988 IL Gallery, Seoul, South Korea * denotes two-person show

GROUP EXHIBITIONS 2017 Discordant Harmony, Beijing Inside-Out Art Museum, Beijing, China

Highlights: La Collection de la Fondation Cartier pour l’art contemporain, Seoul Museum of Art, Seoul, South Korea

Score_ Music for Everyone, Daegu Art Museum, Daegu, Korea 2016 X: Korean Art in the Nineties, Seoul Museum of Art, Seoul, South Korea SPLIT. Spiegel. Licht. Reflexion, SCHAUWERK Sindelfingen, Sindelfingen, Germany

Fired Up: Women in Glass, Mint Museum, Charlotte, NC 30th Anniversary Group Exhibition: As the Moon Waxes and Wanes, National Museum of Modern and Contemporary Art, Gwacheon, South Korea The Future is already here – it’s just not very evenly distributed, curated by Stephanie Rosenthal, 20th Biennale of Sydney, Sydney, Australia

Intriguing Uncertainties, Musée d'art Moderne et Contemporain de Saint-Etienne Métropole, Saint-Priest-en-Jarez, France

2015 Beyond Public Art, Abu Dhabi Art, Abu Dhabi, United Arab Emirates How to live? - Images of the Future from Malevich to Fujimoto, Wilhelm-Hack-Museum, Ludwigshafen, Germany Renaissance, Lille3000, Lille, France Space Age, Galerie Thaddaeus Ropac, Paris, France Uproarious, Heated, Inundated, National Museum of Modern and Contemporary Art, Seoul, South Korea Echigo-Tsumari Art Trienniale, Echigo-Tsumari, Japan

Miss Dior, Ullens Center for Contemporary Art, Beijing, China Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York, NY Collection 1: Where you meet with narratives, 21st Century Museum of Contemporary Art, Kanazawa Espirit Dior, Dongdaemun Design Plaza, Seoul, South Korea Artists for Ikon, Ikon Gallery, Birmingham, United Kingdom Making Traces: Magda Cordell and Lee Bul, Tate Modern, London, UK Future Seasons Past, Lehmann Maupin, New York, NY In Search of Meaning – The Human Figure in Global Perspective, Museum De Fundatie, Zwolle, the Netherlands

2014 The Art of Our Time: Masterpieces from The Guggenheim Collections, Guggenheim Bilbao, Bilbao, Spain Now-ism: Abstraction Today!, Pizzuti Collection, Columbus, OH

Burning Down the House, curated by Jessica Morgan, 10th Gwanju Biennale, Gwanju, Korea Beyond and Between, Leeum, Samsung Museum of Art, Seoul, South Korea Late Modern and Contemporary Art, National Gallery of Victoria, Melbourne, Australia Blood Flames Revisited, Paul Kasmin Gallery, New York, NY Esprit Dior – Miss Dior, Shanghai Sculpture Art Center, Shanghai, China Misled by Nature: Contemporary Art and the Baroque, Museum of Contemporary Canadian Art, Toronto, Canada

2013 Espirit Dior-Miss Dior, Galerie Courbe, Grand Palais, Paris, France Awakening-Where Are We Standing?- Earth, Memory, and Resurrection, curated by Taro Igarashi, Aichi Trienniale 2013, Nagoya, Japan

2012 (Im)Possible Landscape, PLATEAU, Samsung Museum of Art, Seoul, South Korea Misled by Nature, Art Gallery of Alberta, Alberta, Canada BIOS – Konzepte des Lebens in der zeitgenössischen Skulptur ,Georg Kolbe Museum, Berlin, Germany Nostalgia is an Extended Feedback, Nam June Paik Art Center, Yongin, Korea

Invisible Cities, MASS MoCA, North Adams, MA Wide Open School, Hayward Gallery, London, United Kingdom 2011 Countdown, curated by Sungwon Kim, Culture Station Seoul 248, Seoul, South Korea

Space Study, PLATEAU (formerly Rodin Gallery), Samsung Museum of Art, Seoul, South Korea Contemporary Craft, Now & Here, curated by Chung Joonmo, Cheongju International Craft Biennale, Cheongiu, Korea

2010 Transformation, Museum of Contemporary Art Tokyo, Tokyo, Japan New Décor, Hayward Gallery, London, United Kingdom; Garage Center for Contemporary Culture, Moscow, Russia

PKM Gallery, Seoul, South Korea Fantasmagoria, the mythical world, Les Abattoirs, Toulouse, France

Morality Act VI: Remember Humanity, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands

Itinéraires de l'élégance, entre l'Orient et l'Occident, Villa Empain, Boghossian Foundation, Brussels, Belgium

The Flower of May, Gwangju Museum of Art, Gwan, Korea New Art for a New Century: Contemporary Acquisitions, 2000-2010, Orange County Museum of Art, Newport Beach, CA Fragmentary Anatomy of Every Setting Sun, permanent installation, Hara Museum ARC, Gunma, Japan

The Infinite Starburst of Your Cold Dark Eyes, PMK Gallery I Bartleby Bickle & Meursault, Seoul, South Korea

2009 GAGARIN, The Artists in their Own Words, Stedelijk Museum voor Actuele Kunst, Ghent, Belgium Void of Memory, curated by Mami Kataoka and Sunjung Kim, Platform Seoul, Seoul, South Korea

Kimusa (Former Defense Security Command Site), Seoul, South Korea 2008 Prospect.1: A Biennial for New Orleans, curated by Dan Cameron, New Orleans, LA Life? Biomorphic Forms in Sculpture, Kunsthaus Graz, Graz, Austria

Mobile Art: Chanel Contemporary Art Container, designed by Zaha Hadid, Hong Kong, China; Tokyo, Japan; New York, NY

Fluid Street – Alone, Together, Museum of Contemporary Art Kiasma, Helsinki, Finland Fragile Beauty: Glass in the Focus of Art, Museum Kunstpalast, Dusseldorf, Germany Art Is For The Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo, Japan 2007 Tomorrow, Artsonje Center, Seoul, South Korea Time Present, Time Past, Istanbul Museum of Modern Art, Istanbul, Turkey

Not Only Possible, But Also Necessary: Optimism in the Age of Global War, 10th International Istanbul Biennial, Curated by Hou Hanru, Istanbul, Turkey

Global Feminisms, Brooklyn Museum, New York, NY 2006 Real Utopia, 21st Century Museum of Contemporary Art, Kanazawa, Japan Dirty Yoga, Curated by Dan Cameron, Taipei Biennial, Taipei, Taiwan

The Past Made Present: Contemporary Art and Memory, Museum of Fine Arts, Houston, Houston, TX 100 Years of Korean Art – Part 2, National Museum of Modern and Contemporary Art, Seoul, South Korea Uneasy Nature, Weatherspoon Art Museum, Greensboro, NC

2005 Baroque and Neo-Baroque: The Hell of the Beautiful, Domus Artium 2002, Salamanca, Spain Gorgeous Isn’t Good Enough, HangarBicocca, Milan, Italy California Modern, Orange County Museum of Art, Newport Beach, CA Art Unlimited, Art 36 Basel, Switzerland Visions of the Body, Seoul Museum of Art, Seoul, South Korea IDYL – as to answer that picture, Middelheimmuseum, Antwerp, Belgium Encounters with Modernism, National Museum of Art, Deoksugung Palace, Seoul, South Korea

(my private) HEROES, Marta Herford, Herford, Germany New Acquisitions 2004, National Museum of Modern and Contemporary Art, Seoul, South Korea

2004 The Nature Machine, Queensland Art Gallery, Brisbane, Australia Encounters in the 21st Century: Polyphony – Emerging Resonances, 21st Century Museum of

Contemporary Art, Kanazawa, Japan Inaugural exhibition, Leeum, Samsung Museum of Modern Art, Seoul, South Korea

Why Not Live For Art?, Tokyo Opera City Art Gallery, Tokyo, Japan Standing on a Bridge, Arario Gallery, Cheonan, Korea Andererseits: Die Phantastik, Landesgalerie, Linz, Austria

Artes Mundi Prize, National Museum and Gallery, Cardiff, UK 2003 world rush_4 artists, National Gallery of Victoria, Melbourne, Australia Five: The Artsonje Collection, Artsonje Center, Seoul, South Korea Girls Don’t Cry, Parco Museum, Tokyo, Japan The Uncanny, Mendel Art Gallery, Saskatoon, Canada 2002 Shape, 21st Century Museum of Contemporary Art, Kanazawa, Japan

BINGO, Galerie Thaddaeus Ropac, Paris, France

Fusion Cuisine, Deste Foundation for Contemporary Art, Athens, Greece Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis, MN The Uncanny, Vancouver Art Galley, Vancouver, Canada; Edmonton Art Gallery, Edmonton, Canada My Reality: The Culture of Anime, Contemporary Arts Center, Cincinnati, OH

2001 Record All Over, 9th Biennale de l’Image en Mouvement, curated by Françoise Ninghetto with Catherine Pavlovic, Mamco, Musée d’art modern et contemporain, Geneva, Switzerland ARS 01: Third Space, Museum of Contemporary Art Kiasma, Helsinki, Finland

Egofugal, Curated by Yuko Hasegawa, 7th International Istanbul Biennial, Istanbul, Turkey Connivence, Curated by Laurence Hazout-Dreyfus, 6th Biennale de Lyon, Lyon, France The Collection of 21st Century Museum of Contemporary Art, 21st Century Museum of Contemporary Art, Kanazawa, Japan Body as Byte, Kunstmuseum Luzern, Luzern, Switzerland 01.01.01: Art in Technological Times, SFMOMA, San Francisco, CA My Reality: The Culture of Anime, Des Moines Art Center, Des Moines, IA; Brooklyn Museum, New York, NY Let’s Entertain, Kunstmuseum Wolfsburg, Wolfsburg; Perez Art Museum Miami (PAMM), Miami, FL

2000 Au-delà du Spectacle, Centre Georges Pompidou, Paris, France Shanghai Biennale, curated by Toshio Shimizu and Hou Hanru, Shanghai Art Museum, Shanghai, China media_city seoul, curated by Barbara London and Jeremy Millar, Seoul Museum of Art, Seoul, South Korea Lust Warande, organized by Fundament Foundation, De Oude Warande, Tilburg, The Netherlands Air Air, Grimaldi Forum, Monaco Echigo-Tsumari Art Triennial, selected by Nancy Spector and curated by Fram Kitagawa, Echigo-Tsumari, Japan Zeitwenden, Künstlerhaus Wien, and Museum Moderner Kunst Stiftung Ludwig Wien,

Vienna, Austria Tourlou, tourlou, Melina Mercouri Art Space, Hydra, Greece Der anagrammatische Körper, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany

La casa, il corpo, il cuore, National Gallery, Prague, Czech Republic Continuum 001, curated by Rebecca Gordon Nesbitt, Centre for Contemporary Arts, Glasgow, Scotland Let’s Entertain, Walker Art Center, Minneapolis, MN; Portland Art Museum, Portland, OR Slowness of Speed, Artsonje Center, Seoul, South Korea

1999 Zeitwenden, Kunstmuseum Bonn, Bonn, Germany Cities on the Move 7, Museum of Contemporary Art Kiasma, Helsinki, Finland

Der anagrammatische Körper, kunsthaus muerz, Mürzzuschlag, Austria in cooperation with Neue Galerie, Graz, Austria

La casa, il corpo, il cuore, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria dAPERTutto, 48th Venice Biennale, Venice, Italy Hot Air, Granship Center, Shizuoka, Japan Slowness of Speed, Art Gallery of NSW, Sydney, Australia Cities on the Move 5, Louisiana Museum of Modern Art, Humblebæk, Denmark Cities on the Move 4, Hayward Gallery, London, United Kingdom 1998 Sarajevo 2000, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria Slowness of Speed, National Gallery of Victoria, Melbourne, Australia

The Natural World, Vancouver Art Gallery, Vancouver, Canada Hugo Boss Prize 1998, Guggenheim Museum SoHo, New York Cities on the Move 3, CAPC musée d’art contemporain, Bordeaux, France Cities on the Move 2, MoMA PS1, New York, NY Traffic Jam, Büro Friedrich, Berlin, Germany 1997 Cities on the Move, Curated by Hans-Ulrich Obrist and Hou Hanru, Vienna, Austria Fast Forward, The Power Plant, Toronto, Canada L’autre, Curated by Harald Szeemann, 4th Biennale de Lyon, Lyon, France 619 KBB 75, Car installation project with Pipilotti Rist, Georgina Starr, and others, curated by Laurence Hazout, Paris, France; Berlin, Germany 1996 Join Me!, Curated by Yuko Hasegawa, SPIRAL Wacoal Art Center, Tokyo, Japan Arcos da Lapa, Public projection, organized by Laboratoire (Grenoble), Rio de Janeiro, Brazil 1995 Information and Reality, Fruitmarket Gallery, Edinburgh, Scotland

6th Triennale Kleinplastik, Curated by Lóránd Hegyi, Südwest LandesBank Forum, Stuttgart, Germany

Korean Contemporary Art, 1st Gwangju Biennale, Gwangju, Korea New Asian Art, Japan Foundation, Tokyo, Japan Ssack, Artsonje Center, Seoul, South Korea Body and Recognition, Korean Culture & Arts Foundation, Seoul, South Korea 1994 Technology, Environment & Information, Recycling Art Pavilion, Expo Science Park, Daeieon, Korea Untitled installation and performance, Before Building, Myeong-dong, Seoul, South Korea This Kind of Art–Dish Washing, Kumho Museum, Seoul, South Korea Woman: The Difference and the Power, Hankuk Art Museum, Seoul and Yongin, South Korea The Vision of the Next Generation, Seoul Arts Center, Seoul, South Korea 1993 1st Asia-Pacific Triennial, Queensland Art Gallery, Brisbane, Australia Plastic Spring, Curated by Yongwoo Lee, Dukwon Gallery, Seoul, South Korea Conversation, Performance, Proto Theater, Tokyo, Japan Impromptu Amusement, Performance, Kunitachi Art Hall, Tokyo, Japan 1992 Diet: Diagramming III, Performance, Sagak Gallery, Seoul, South Korea Year of Ears: Diagramming II, Performance, Live House Nanjang, Seoul, South Korea 1991 At the Forest of Chaos, Jahamoon Gallery, Seoul, South Korea DMZ: Art and Cultural Movement, Seoul Arts Center, Seoul, South Korea Dish Washing, Sonamu Gallery, Seoul, South Korea BIO, Space Ozone, Seoul, South Korea Interaction, Five-day performance with Chino Shuichi, Suwon Castle, Suwon, Korea 1990 Tokyo–Seoul Traffic, K Gallery, Tokyo, Japan Sunday Seoul, Sonamu Gallery, Seoul, South Korea Artoilet II, Performance, Space Theater, Seoul, South Korea Song of the Fish, Performance, Dong Soong Art Center, Seoul, South Korea

Sorry for Suffering–You Think I’m a Puppy on a Picnic?, Twelve- day performance beginning in Gimpo Airport, Korea, and continuing throughout various sites in Tokyo, Japan

1989 Cravings, Performance, National Museum of Contemporary Art, Seoul, South Korea Abortion, Performance, Dong Soong Art Center, Seoul, South Korea Untitled performance, Now Gallery, Seoul, South Korea Korean Installation Art Festival, Total Museum and Sculpture Park, Jang Heung, Korea 1988 U. A. O., Renoir Art Hall, Seoul, South Korea

Anti-Idea, Total Museum of Contemporary Art, Seoul, South Korea Point of View and Point in Time II, Batang Gol Gallery, Seoul, South Korea Hong Ik Sculpture Association Annual, Korean Culture & Arts Foundation, Seoul, South Korea

1987 Museum III, Soo Gallery, Seoul, South Korea Print of Concept, P&P Gallery, Seoul, South Korea Point of View and Point in Time, Batang Gol Gallery, Seoul, South Korea Museum, Kwanhoon Gallery, Seoul, South Korea

COMMISSIONS AND SPECIAL PROJECTS

2015 Echigo-Tsumari Art Trienniale, Echigo-Tsumari, Japan Design Lab, Asian Culture Complex, Gwanju, Seoul, South Korea Into Lattice Sun, Swarovski Crystal Worlds, Innsbruck, Austria

RESIDENCIES 2005 Govett-Brewster Art Gallery, New Plymouth, New Zealand

SELECTED BIBLIOGRAPHY 2017 Dziewior, Yilmaz. “Looking Forward,” Freize Week Magazine, London 2017.

Liu, Ming. “Cutting-edge Korean art in New York,” How to Spend It, Financial Times, 11 January.

2015 Tylevich, Katya. “Mirror, Mirror,”Frame Magazine, July/August, p 130 - 138. 2014 Teo, Wenny. “Lee Bul: The Korean artist looks to the failed utopias of the past to present a

disturbing vision of the future,” ArtReview Asia, Autumn & Winter 2014, p. 38 - 45. Ure-Smith, Jane. “Lee Bul retrospective at Ikon Gallery, Birmingham,” Financial Times, 5 September. Kerr, Merrily. “Lee Bul,” Time Out New York, 12 – 18 June. Frank, Priscillia. “New York's Latest Art Attraction Will Trap You In A Room Of Infinite Mirrors,” Huffington Post, 5 June. Rosenthal, Emerson. “Lee Bul’s Labyrinth of Infinity Mirrors: Via Negativa II,” The Creator’s Project, 22 May. Thorne, James. “Utopian labyrinth headlines the South Korean artist's latest exhibition,” Cool Hunting, 5 May.

2013 Masters, Hg. “Where I work: Lee Bul,” Art Asia Pacific, March/April. Pollard, Gary. “Lehmann Maupin Gallery Opens in Hong Kong…” The Works Program at

Rthk.hk, 26 March, video segment from 1:08 - 5:15. Eaton, Phoebe. “The Reincarnation of Seoul,” T Magazine, 22 March. Arikoglu, Lale. “Lee Bul’s Inaugural Exhibition at Lehmann Maupin, Hong Kong,” Whitewall, 20 March. Li, Zoe. “Lee Bul on Her Inaugural Lehmann Maupin Hong Kong Show,” ArtInfo, 15 March. Uttam, Payal. “An Expansive Sculptor Goes Inward,” The Wall Street Journal, Scene Asia,

13 March. “Lee Bul,” TimeOut Hong Kong, 13 March. 2012 Kataoka, Mami, ed. Texts by Mami Kataoka, Akira Mizuta Lippit, Woo Jung-Ah, and

interview by Nicolaus Schafhausen. “Lee Bul: From Me, Belongs to You Only.” Tokyo: Mori Art Museum.

Lee-Young, Joanne. “To doze, design in Hong Kong.” Wall Street Journal, 18 May.

Goss, Rob. “Great places to hang in Tokyo.” Time Magazine (international editions), 14 May, Hong Kong, London, Sydney. Ozaki, Tetsuya. “Out of Tokyo: The ingenuity of Lee Bul’s show.” Realtokyo, 5 April. Wee, Darryl. “Critics’ Picks: Lee Bul.” Artforum, 27 March. Chung, Joon-mo. “The confessions of Lee Bul.” Wolgan Misool, March. Jung, Hyung-mo. “The provocative Lee Bul takes stock of 20 years as an artist.” Joongang Sunday, 12 February. Kee, Joan. “Lee Bul: From me, Belongs to you only.” Artforum, January. p. 127. Wakeling, Emily. “Lee Bul: Inspired by the past imperfect.” Japan Times, 5 April. Hwang, You-mee. “After two decades, artist Lee Bul shares her secrets.” Korea Herald,

6 February. 2011 Ahn, Soyeon. “Space Study. Seoul: PLATEAU”, Samsung Museum of Modern Art,

Seoul, South Korea Weibel, Peter, ed. CAR CULTURE. Medien der Mobilität. Karlsruhe: Zentrum für Kunst und Medientechnologie.

Woo, Jung-Ah. “Memories of a failed utopia, The vision of our age: critical texts on modern and contemporary Korean artists,” Hakgojae. Amy, Michäel. “Lee Bul: Phantasmic Morphologies.” Sculpture, May. p. 20 – 27. 2010 Lee, Yongwoo, ed. “The Flower of May: The May 18 Uprising’s 30th Anniversary,” Gwangju: Gwangju Biennale Foundation, Korea. Nakazawa, Shinichi, et al. “Transformation,” Tokyo: Access Publishing. Rugoff, Ralph, ed. “The New Décor,” London: Hayward Gallery. Genocchio, Benjamin. “Concrete Poetry,” Art + Auction, November. Schatzker, Mark. “Art & Seoul,” W Magazine, November.

Khemsurov, Monica. “The Remix – Fun House?” T: The New York Times Style Magazine, 3 October.

“Lee Bul / Now, Here, 4AM, Freeze-Frame,” SOME/THINGS, September. Sherwin, Skye. “Artist of the Week 97: Lee Bul,” The Guardian, (London) 21 July. Wolff, Rachel. “Label Conscious,” Art + Auction, June. Pollack, Barbara. “Reviews: Lee Bul,” Time Out New York, 3 - 9 June. Maerkle, Andrew. “Modernism put in perspective,” Japan Times, 9 April. Cathy Rose A. Garcia. “Lee Bul Pioneers Korean Contemporary Art,” Korea Times, 5 February. 2009 Ahn, Soyeon. “A Strategy of Deconstruction and Reconstruction: Lee Bul’s Writing of History,” Mappings of Korean contemporary art. Seoul: Hakgojae. Kim, Sunjung, et. al. “Platform 2009: Platform in Kimusa,” Seoul: SAMUSO Space for Contemporary Art.

Pakesch, Peter, et al. “Life?: Biomorphic Forms in Sculpture,” Köln: Buchhandlung Walther König. Sawyer, Miranda. “Frieze Art Fair: not deaf to the times,” The Observer (London), 18 October.

Gavin, Francesca. “Lee Bul’s Staircase to the Grand Salon,” AnOther Magazine, Spring/Summer, London. Song, Mi-sook. “Utopia’s phantasm,” Art in Culture, January. 2008 “Art is for the Spirit: Works from The UBS Art Collection,” Tokyo: Mori Art Museum Cameron, Dan, ed. “Prospect.1,” New Orleans. New York: PictureBox. Heartney, Eleanor. Art & Today. London: Phaidon. Til, Barbara, ed. “Zerbrechliche Schönheit: Glas im Blick der Kunst,”. Ostfildern and Düsseldorf: Hatje Cantz and Museum Kunst Palast.

Tinari, Philip. “Mon Grand Récit: Weep Into Stones . . .” Fluid Street: Alone, Together. Ed. Maaretta Jaukkuri and Jari-Pekka Vanhala. Helsinki: Museum of Contemporary Art Kiasma.

Jasso, Karla. Arte, Tecnología y Feminismo: Nuevas Figuraciones Simbólicas. Mexico City: Universidad Iberoamericana.

“Nonkonforme Veteranen mischen den aktuellen Kunstmarkt auf,” Capital, (Hamburg) 21 October.

Heartney, Eleanor. “Lee Bul: Lehmann Maupin Gallery,” Art in America, September. Ozaki, Tetsuya. “Chanel Mobile Art: Arts in the Pavilion,” High Fashion, August. Pollack, Barbara. “In the Studio: Lee Bul,” Art + Auction, June. Grigg-Saito, Katrina. “Zaha Hadid’s Chanel UFO,” Japan Times, 19 June “Art Short List: Lee Bul,” The New Yorker, 9 June. Weiner, Emily. “Reviews: Lee Bul,” Time Out New York, 5 - 11 June. “Lee Bul,” GAGARIN, May, Antwerp. Murray, Soraya. “Cybernated Aesthetics: Lee Bul and the Body Transfigured,” PAJ: A Journal of Performance and Art, May. Rosenberg, Karen. “Art in Review: Lee Bul,” New York Times, 30 May. McInerney, Jay. “The Art Party,” Portfolio, March. Waldron, Glenn. “Art craft,” Wallpaper, March. Preske, Mari. “Utopian Novelty,” Surface, Spring. Bovino, Emily Verla. “Critics’ Picks: Lee Bul,” Arforum, 18 January 23 May. Kim, Sunjung. “Lee Bul: On Every New Shadow,” ART iT, Winter/Spring. 2007 Ayvaz, Ilkay Balic, ed. “10th International Istanbul Biennial: Not Only Possible But Also Necessary. Optimism in the Age of Global War,” Istanbul: Istanbul Foundation for Culture and Arts. Collins, Judith. Sculpture Today, London: Phaidon. Cuevas, F Javier Panera, ed. Barrocos y Neobarrocos: El Infierno de lo Bello. Salamanca:

Fundación Salamanca Ciudad de Cultura. Ileri, Cem, ed. “Time Present Time Past: Highlights from 20 Years of the International Istanbul Biennial,” Texts by David Elliott, et al. Istanbul: Istanbul Modern. Kim, Sunjung, et. al. “Tomorrow,” Seoul: SAMUSO Space for Contemporary Art. “Lee Bul,” Foreword by Greg Burke and texts by Charles Green and Charlotte Huddleston. New Plymouth: Govett-Brewster Art Gallery. “Lee Bul: Aseptia. Texts by Javier Panera, Paco Barragan, and Hou Hanru,” Salamanca: Fundación Salamanca. “Lee Bul: On every New Shadow,” Interview by Grazia Quaroni. Paris: Fondation Cartier pour l’art contemporain. Reilly, Maura, and Linda Nochlin, eds. “Global Feminisms: New Directions in Contemporary Art,” New York: Merrell in association with Brooklyn Museum. Masters, HG. “Wayward Tangents,” Art AsiaPacific, November/December. Hubbard, Sue. “Lee Bul,” Contemporary. Ostlind, Nicolas. “An excess of curating,” Japan Times, 13 September. Heartney, Eleanor. “Worldwide Women,” Art in America, June/July. Vine, Richard. “Report from Taipei II: The Blurennial,” Art in America, June/July. Hwang, You-mee. “Artist Lee Bul tells a story of broken dreams,” Korea Herald, 23 April. Kunitz, Daniel. “A Sprawling, Riotous Argument,” New York Sun, 22 March. Jiménez, Carlos. “Los fantasmas blancos,” El Pais (Madrid), 11 February. Mayer, Mariano. “Lee Bul,” NEO2, February, Madrid. Paineau, Fabrice. “Bloc Notes,” L’Officiel, February, Paris. 2006 Cameron, Dan, et al “Dirty Yoga: 2006 Taipei Biennial,” Taipei: Taipei Fine Arts Museum. Murata, Daisuke, ed. “Real Utopia: Stories of the Unlimited,” Kanazawa: 21st Century Museum of Contemporary Art. “100 Years of Korean Art, Part 2: Tradition, Human, Reality,” Seoul: National Museum of

Contemporary Art.

“Uneasy Nature,” Foreword by Nancy Doll and text by Xandra Eden. Greensboro: Weatherspoon Art Museum,. Devenport, Rhana. “Lee Bul, Govett-Brewster Art Gallery,” Art AsiaPacific. “Explosión Futurista,” NEO2, July-August, Madrid. 2005 “Encounters in the 21st Century: Polyphony – Emerging Resonances,” Interview by

Yuko Hasegawa. Kyoto and Kanazawa: Tankosha in association with 21st Century Museum of Contemporary Art.

“Encounters with Modernism: Highlights from the Stedelijk Museum and the National Museum of Contemporary Art, Korea,” Seoul: National Museum of Contemporary Art. Hoet, Jan, ed. (“My private) Heroes,” Texts by Anne Marie Bonnet, Boris Groys, and Jan

Hoet. Bielefeld and Herford: Kerber in association with MARTa Herford. “IDYL as to answer that picture,” Texts by Philippe Pirotte and Gerrit Vermeiren. Antwerp: Middelheimmuseum. Lee, James B. “Lee Bul: Mon grand récit: Weep into stones . . .,” Brochure accompanying artist’s participation in “Art Unlimited,” Art 36 Basel, Switzerland. Seoul: Kukje Gallery. “New Acquisitions 2004,” Seoul: National Museum of Contemporary Art. Nii, Rie, ed. “Visions of the Body,” Tokyo: The Japan Foundation. Hasegawa, Yuko. “Lee Bul,” ART iT, Summer/Fall. Clifford, Andrew. “Monuments to architectural fantasy,” New Zealand Herald, 3 August. Green, Charles. “Lee Bul, Museum of Contemporary Art, Sydney,” Artforum, May, p. 261. O’Brien, Sophie. “Lee Bul,” Broadsheet, Spring, Parkside, Australia. Ballentine, Sandra. “The Talk – Beauty and the Artiste,” The New York Times Style Magazine 20 February. 2004 “Andererseits: Die Phantastik, Imaginäre Welten in Kunst und Alltagskultur,”Texts by Peter Assmann, et al. Weitra, Austria: Bibliothek der Provinz. Jackson, Tessa, ed. “Artes Mundi: Wales International Visual Art Prize,” Wales: Artes Mundi and Seren. “Standing on a Bridge,” Cheonan: Arario Gallery. Yuill, Simon, and Kerstin Mey, eds. “Cross-Wired: Communication–Interface–Locality,” (Transcript). Manchester: Manchester University Press. Rhee, Jieun. “From Goddess To Cyborg: Mariko Mori and Lee Bul,” n. paradoxa, London. Angeloro, Dominique. “Lee Bul.” Sydney Morning Herald, 3 December.

Kee, Joan. “Trouble in New Utopia,” Positions: East Asia Cultures Critique, November, Durham.

O’Brien, Bridget. “Art’s Mechanical Monsters,” Korea Times (Seoul) 9 October. Yang, Eunhee. “Too Beautiful to be a Monster: Lee Bul at Deitch Projects,” NY Arts, July-August. Harris, Jane. “Pleasures and Terrors: Lee Bul's Phantasmic Sci-Fi World,” Village Voice, 3 May.

Nelson, Robert. “World Rush_4 Artists,” The Age (Melbourne) 4 February. 2003 Bakargiev, Carolyn Christov, et al. Cream 3. London: Phaidon. Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews. Milan: Charta in association with Fondazione Pitti Imagine Discovery, Florence. De Oliveira, Nicolas, Nicola Oxley, and Michael Petry. “Installation Art in the New Millennium.” London: Thames & Hudson. Furuichi, Yasuko, ed. “Lee Bul: Theatrum Orbis Terrarum,” Text by Kang Tae-hi and interview by Kim Seung-duk. Tokyo: Japan Foundation Asia Center. Kitazawa, Hiromi, Otoe Nii, and Toshi Shibata, eds. “Girls Don’t Cry,” Tokyo: Nanjo and Associates and Parco. “world rush_4 artists: Doug Aitken, Eija-Liisa Ahtila, Lee Bul and Sarah Sze,” Texts by Mieke Bal, Kelly Gellatly, Charles Green, Jeffrey Kastner, and Jason Smith. Melbourne: National

Gallery of Victoria. Stroud, Marion Boulton. “New Material as New Media: The Fabric Workshop and Museum,” Boston: MIT Press. Coslovich, Gabriella. “The bigger picture,” The Age, (Melbourne) 4 December. Engelson, Andrew. “Visual Arts Pick: Lee Bul Live Forever,” Seattle Weekly, 29 October. Hackett, Regina. “Bul’s car veers far afield from her risky olfactory art,” Seattle Post Intelligencer, 24 October. Kangas, Matthew. “Hop in, turn on, rock out: Karaoke pods highlight new shows at the Henry.” Seattle Times, 17 October. “The monster stramash,” Scotland on Sunday, (Edinburgh) 14 September. Macmillan, Duncan. “Imaginary monsters,” The Scotsman, (Edinburgh) 9 September. Black, Catriona. “Where the wild things aren’t,” Sunday Herald (Glasgow) 31 August. Cox, Roger. “Monstrous Ideas,” The Scotsman, (Edinburgh) 8 August. “Lee Bul: The Monster Show,” Scotland on Sunday, (Edinburgh) 3 August. “Canvas: Lee Bul,” ARTnews, March, New York: 30.

Kang, Tae-hi. “The construction of the body in Lee Bul’s work,” Wolgan Misool, February. Milroy, Sarah. “A Sound Booth of One’s Own,” The Globe and Mail, (Toronto) 24 January. 2002 Chadwick, Whitney. “Women, Art, and Society,” London: Thames & Hudson. “Fusion Cuisine,” Athens: Deste Foundation. Gautherot, Franck, ed. “Lee Bul: Monsters,” Texts by Jean-Louis Poitevin and Elisabeth Wetterwald. Dijon: Les Presses du Réel. Jones, Amelia, ed. “The Feminism and Visual Culture Reader,” London: Routledge. Karagoz, Huseyin, ed. “Egofugal: 7th International Istanbul Biennial,” Texts by Yuko Hasegawa, et al. Istanbul: Istanbul Foundation for Culture and Arts. “Lee Bul: Live Forever Act Two,” Introduction by Marion Boulton Stroud and text by Ellen Napier. Philadelphia: Fabric Workshop and Museum. Goddard, Peter. “Toys Have Never Looked So Good.” Toronto Star, 12 December. Kantor, Jordan. “Lee Bul, New Museum of Contemporary Art,” Artforum, October, New York. Johnson, Ken. “Lee Bul: ‘Live Forever,’ ” New York Times, 14 June. Levin, Kim. “Voice Choices, Shortlist,” Village Voice, (New York) 12-18 June. Budick, Ariella. “Karaoke Pods Make This an Exhibit of Note,” Newsday, (New York) 7 June. Sirmans, Franklin. “Lee Bul, ‘Live Forever,’ ” Time Out New York, 6-13 June. Bousteau, Fabrice. “KOREANok,” Beaux Arts, June, Paris.

Hoffmann, Frank. “Lee Bul: Cyborgs and Karaoke,” Art in America, May, New York, p. 124 -127. Kim, Seungduk. “Lee Bul: les deux corps de l’artiste,” art press, May, Paris: p. cover and 18 -23.

Kim, Seungduk. “Lee Bul: l’amazone cyberpunk,” Beaux Arts, May, Paris: p. 46 - 47. Park, Soo-mee. “Pop goes the artist,” Joongang-International Herald Tribune, (Seoul) 19 March.

Volk, Gregory. “Back to the Bosphorus,” Art in America, March, New York. Larsen, Lars Bang. “Istanbul Biennial,” Artforum, March, New York. Suzuki, Fumiko. “People: Lee Bul,” Esquire (Japanese edition) February, Tokyo: 25. Chang, Young. “The art of karaoke,” Los Angeles Times, 26 January. 2001 Biennale de Lyon: art contemporain – Connivence 2001, prélude à 2003. Paris and Lyon: Réunion des musées nationaux and Musée d'art contemporain. “Body as Byte,” Luzern: Kunstmuseum Luzern. “The collection of 21st Century Museum of Contemporary Art, Kanazawa,” Kanazawa: 21st Century Museum of Contemporary Art. D’Alleva, Anne. “Afterword: The New Geographies of Contemporary Art, Art

Beyond the West,” by Michael Kampen-O’Riley. London: Laurence King; New York: Harry N. Abrams.

Grenville, Bruce, ed. “The Uncanny: Experiments in Cyborg Culture,” Vancouver: Vancouver Art Gallery and Arsenal Pulp Press.

Kaitavuori, Kaija, and Minna Raitmaa, eds. “ARS 01 Perspectives,” Helsinki: Museum of Contemporary Art. Laquet, Christine. “Lee Bul,” 9e Biennale de l’Image en Mouvement. Geneva: Centre pour l’image contemporaine Saint-Gervais.

“Lee Bul: The Divine Shell,” Texts by Rebecca Gordon Nesbitt and Pat Cadigan. Vienna: BAWAG Foundation.

“Lee Bul: Live Forever Act One,” Interview by Clara Kim and text by Roland Kelts. San Francisco: San Francisco Art Institute.

“My Reality: Contemporary Art and the Culture of Japanese Animation,” Texts by Jeff Fleming, et al. Des Moines and New York: Des Moines Art Center and Independent

Curators International. Roe, Jae-ryung. Contemporary Korean Art. St. Leonards, Australia: Craftsman House in association with Australian Humanities Research Foundation.

01.01.01: Art in Technological Times. San Francisco: San Francisco Museum of Modern Art. Sozanski, Edward. “A Voice in the Dark,” Philadelphia Inquirer, 7 December. Morgan, Robert C. “Egofugal: The Winding Out of the 7th Istanbul Biennial,” NY Arts, December, New York. Rice, Robin. “Eternal Song,” Philadelphia City Paper, 22 November. “Mosques and modernity,” The Economist, 25 October, London. Fallon, Roberta. “Through the Colors,” Philadelphia Weekly, 19 September. Camhi, Leslie. “Goddesses and Monsters,” Village Voice, (New York) 30 August. Johnson, Ken. “Sinister Aspects of Japanese Animation,” New York Times, 24 August. Helfand, Glen. “Sing a Song,” Artbyte, July-August, New York: p. 66 - 67. Bonetti, David. “Critics’ Picks,” San Francisco Chronicle, 4 May. Jothady, Manisha. “Quo vadis, homo sapiens?” Frame, May-June, Vienna. Helfand, Glen. “Power pop: Singing along with Lee Bul’s karaoke art,” San Francisco Bay Guardian, 11 April. Krumpl, Doris. “Die Monster, das sind wir selbst,” Der Standard, (Vienna) 3 April. Schor, Gabriele. “Dekonstruierte Weiblichkeit,” Neue Zürcher Zeitung, (Zürich) 1 April. “Der postbiologische Körper.” Neue Zürcher Zeitung (Zürich) 31 March.

Borchardt-Birbaumer, Brigitte. “Ritter und Kristallmonster,” Wiener Zeitung, (Vienna)19 March.

Bonetti, David. “Bay City Best,” San Francisco Chronicle, 4 March. “010101: Lee Bul,” Wired, 3 March. Gautherot, Franck. “Lee Bul: Supernova in Karaoke Land,” Flash Art International, March- April, Milan. Schmid, Karlheinz. “Shooting-Star: Lee Bul,” Kunstzeitung (Regensburg, Germany) March. “Monstren und Karaoke,” art Das Kunstmagazin, March, Hamburg. Tornquist, Kristin. “Sirenen und Terminatoren,” Kleine Zeitung, (Graz) 28 February. Spingarn-Koff. “010101: Art for Our Times,” Wired, 28 February. Schellner, Andrea. “Lee Bul cracks the ‘divine shell,’ ” Austria Today, (Vienna) 13 February.

“Interview with Lee Bul for Cityscape Seoul.” Flash Art International, January-February, Milan.

2000 “Au-dela ̀ du Spectacle,” Paris: Centre Pompidou, 2000. Chen, Long, ed. “2000 Shanghai Biennale,” Texts by Hou Hanru, Toshio Shimizu, and Qing Zhang. Shanghai: Shanghai Fine Arts Publisher.

“Echigo-Tsumari Art Triennial 2000,” Tokyo: Earth Art Festival Committee, Echigo Tsumari. Jacobson, Karen, ed. “Let’s Entertain: Life’s Guilty Pleasures,” Minneapolis: Walker Art Center.

Kurzmeyer, Roman. “Echo” in Zeitwenden–Ausblick. Edited by Jutta Buness. Bonn and Köln: Stiftung für Kunst und Kultur/Kunstmuseum Bonn/DuMont Buchverlag.

Kurzmeyer, Roman. “Erlebte Modelle/Model Experience,” Vienna and New York: Springer Verlag.

“Lee Bul: Monster + Cyborg,” Texts by Roman Kurzmeyer and Raiji Kuroda. Fukuoka: Fukuoka Asian Art Museum. Media_city. Seoul: Media_city, Seoul Organizing Committee.

Nakamura, Hideki. “My Five Best Exhibitions of 2000”. Asahi Shimbun (Tokyo) 14 December.

Schwabsky, Barry. “Media City Seoul 2000,” Artforum November, New York. Hasegawa, Yuko. “Proposal of New Human Image: Lee Bul Exhibition,” Gifu Shimbun, (Gifu, Japan) 14 October. Lee Bul. “Obsessions,” Art Journal, Fall, New York: p. 105 - 107. Fouser, Robert. “Lee Bul,” Art AsiaPacific, Fall, St. Leonards, Australia: p. 54 - 61. Volkart, Yvonne. “Lee Bul,” make, September-November, London: p. 4 - 7. “Lee Bul,” ZOO, August, London: p. 170 - 171. Horáková, Dana and Harald Szeemann. “Welt am Sonntag Art-Edition 9: Perlen für einen toten Fisch,” Welt am Sonntag (Hamburg) 4 June. “Lee Bul Invades Art World with Cyborg Monsters,” Korea Times, (Seoul) 1 June. Kim, Mi-hui. “The coming ‘Great Correction,’ ” Korea Herald, (Seoul) 29 May. 1999 Der Anagrammatische Ko ̈rper: der Ko ̈rper und Seine Mediale Konstruktion. Mürzzuschlag and Graz: Kunsthaus Muerz in cooperation with Neue Galerie Graz. Kim, Seungduk. “Lee Bul,” La casa, il corpo, il cuore. Vienna: Museum moderner Kunst Stiftung Ludwig Wien. “Lee Bul: In Medias Res,” Texts by Kim Won-bang, Roman Kurzmeyer, and Yoo Jin-sang.

Seoul: Ssamzie Art Book. London, Barbara. “Lee Bul,” La Biennale di Venezia, 48a Espozione Internazionale d'Arte

dAPERTutto. Edited by Harald Szeemann and Cecilia Liveriero Lavelli. Venice: Edizioni la Biennale di Venezia/Marsilio.

Song, Mi-sook. “Lee Bul,” Venice Biennale, Lee Bul/Noh Sang-kyoon. Seoul: Korean Culture and Arts Foundation. Volkart, Yvonne. “Infobiobodies: art and esthetic strategies in the new world order,” Next Cyberfeminist International, March, Rotterdam: Old Boys Network, Cornelia Sollfrank. “Artfolio,” artist’s project. New York Contemporary Art Report, December, New York. Fernández, María. “Postcolonial Media Theory,” Art Journal, Fall, New York. Elliott, David. “Hole Truth,” Artforum, September, New York: p. 150. Madoff, Steven Henry. “All’s Fair,” Artforum, September, New York: p. 145. Siegel, Katy. “Rad Weather,” Artforum ,September, New York: p. 149. Vetrocq, Marcia E. “The Venice Biennale: Reformed, Renewed, Redeemed,” Art in America, September, New York. “Biennale open for all,” The Economist, 24 July, London: p. 90. Vogel, Carol. “At the Venice Biennale, Art Is Turning Into an Interactive Sport,” New York Times, 14 June.

Volkart, Yvonne. “Lee Bul, Kunsthalle Bern Projektraum,” Flash Art International, May-June, Milan.

Cork, Richard. “Does every city end up like this?” The Times (London) 19 May. Storr, Robert. “Prince of Tides: Venice ’99,” Artforum, May, New York.

Farquharson, Alex. “Lee Bul at Artsonje Center,” Frieze, March-April 1999, London. Haruhara, Yoko. “Full of hot air and artistic imagination,” Japan Times, (Tokyo) 28 March.

Herzog, Samuel. “Bern, Projektraum der Kunsthalle: Lee Bul,” Basler Zeitung (Basel) 16 March.

Fischer, Miriam. “High-Tech-Amazonen schweben,” Berner Zeitung, (Bern) 3 March. Reust, Hans Rudolf. “Lee Bul in der Kunsthalle Bern im Projektraum,” Kunst-Bulletin, March, Switzerland: p. 30. 1998 “Lee Bul,” Text by Kim Sunjung and interview by Hans-Ulrich Obrist. Seoul: Artsonje Center. Dreyfus, Laurence, et al. 619 KBB 75 : Mobile'2000, Exposition Mobile du 15-09-1997 au 10- 10-1998. Paris: Éd. Mobile'2000.

Hegyi, Lóránd, ed. Sarajevo 2000: Schenkungen von Künstlern für ein neues Museum in Sarajevo. Vienna: Museum Moderner Kunst Stiftung Ludwig Wien.

“Hugo Boss Prize 1998,” Texts by Nancy Spector et al. New York: Guggenheim Museum. “Slowness of Speed,” Seoul: Artsonje Center,. Kim, Edward. “Cyborg Exhibition Challenges Concepts of Technology, Femininity,” Korea Herald, (Seoul) 27 October. Mark, Lisa Gabrielle. “Fast Forward,” Art AsiaPacific, Sydney: p. 28 - 29. Weisberg, Jacob. “Avant-Garde, My Derrière,” Slate, 24 July.

Glueck, Grace. “Art Review: Contemporary Works Intended to Provoke,” New York Times, 17 July.

Kurzmeyer, Roman. “Two Journeys to South Korea,” Parkett 52, Zurich: p. 188 - 190. Nahas, Dominique. “Eye of the tiger,” Art AsiaPacific, Sydney: p. 30 - 31. Vogel, Carol. “Inside Art: Economic Projection; The Short List; Cincinnati Choice,” New York Times, 13 March.

Fogle, Douglas. “Cities on the Move,” Flash Art International, March-April, Milan: p. 102 -104.

1997 “Bul Lee,” Texts by Kim Hong-hee, et al. Seoul: Ahn Graphics. Dompierre, Louise, ed. “Fast Forward: The Vibrant Art Scene of the Republic of Korea,” Text by Shin-eui Park. Toronto: Power Plant. Hanru, Hou, and Hans-Ulrich Obrist, et al. “Cities on the Move,” Ostfildern-Ruit and New York: Hatje Cantz and D.A.P. Distributed Art Publishers. London, Barbara J. “Bul Lee, Chie Matsui. Exhibition brochure,” New York: Museum of Modern Art. Szeemann, Harald. “Bul Lee,” in 4e Biennale de Lyon d’Art Contemporain: L’Autre. Réunion des Musées Nationaux. McFadden, Sarah. “The ‘Other’ Biennial,” Art in America, November, New York: p. 84 - 91.

Obrist, Hans-Ulrich. “Stinkende vis.” (includes artist’s pages) Metropolis M October, Utrecht: p. 30 - 35.

Mays, John Bentley. “Stinky Korean Art Worth Nosing Out,” The Globe and Mail, (Toronto) 27 September. Hill, J. Martin. “Art and the Other,” Artnet Magazine, 8 September. Rian, Jeff. “Biennale de Lyon: The Other,” Flash Art International, September-October, Milan: p. 94 - 95. Dagen, Philippe. “L’autre, l’inconnu, l’imprévisible,” Le Monde, (Paris) 11 July. Sirmans, Franklin, and Cecilia Lavelli. “Interview with Harald Szeemann,” Flash Art, International Summer, Milan: p. 89. MacAdam, Barbara. “Art Talk: In the Swim,” ARTnews, May, New York: p. 29.

Kee, Joan. “New York Reviews: Chie Matsui and Bul Lee at MoMA,” Artnet Magazine, 4 March.

Mantegna, Gianfranco. “Bul Lee and Chie Matsui,” Review, 1 February, New York: 4.

1996 Kim, Sun-jung. “Interview,” Art AsiaPacific, Sydney: p. 64 - 65. 1995 Lee, Yongwoo. “Information & Reality: Korean Contemporary Art,” Edinburgh: Fruitmarket

Gallery. “New Asian Art Show 1995: China Korea Japan,” Tokyo: Kokusai Kōkan Geijutsusai Jikkō Iinkai. Schaschl, Sabine, ed. 6th Triennale Kleinplastik 1995: Europa-Ostasien: SüdwestLB Forum, Stuttgart. Ostfildern-Ruit: Cantz.

Händler, Ruth. “Neonlicht Eier und atmende Wattestäbchen,” art Das Kunstmagazin, November, Hamburg: p. 120 - 121. Lee, Min Sook. “Disclosure,” C Magazine, Spring, Toronto: p. 18 - 21. Lee, James B. “Stealth and Sensibility,” ARTnews, April, New York: p.128 - 129. Shin, Ann. “I Want More Kitschy Fish,” Fuse, Toronto: p. 35 - 37. Lee, James B. “The Aesthetics of Cultural Complicity and Subversion,” Art AsiaPacific, Sydney: p. 52 - 59.

PUBLICATIONS 2012 “Lee Bul: From Me, Belongs to You Only,” Mori Art Museum, Tokyo, Japan 2007 “Lee Bul: On Every New Shadow,” Fondation Cartier pour l’arte contemporain, Paris, France 2005 “Lee Bul,” Museum of Contemporary Art, Sydney, Australia 2004 “Positions: East Asia Cultures Critique,” Duke University press, p. 671 – 677 “Lee Bul,” Preface by Elizabeth Ann Macgregor and text by Rachel Kent. Sydney: Museum of Contemporary Art 2003 “Lee Bul, the monster show,” Le Consortium, Contemporary Art Center, Dijon, France “Lee Bul, monsters,” Les presses du reel, Dijon, France 2002 “Lee Bul,” Foreword by Ra Hee Hong Lee and text by Ahn Soyeon. Samsung Museum of

Modern Art, Seoul, South Korea 2001 “Lee Bul, The Divine Shell,” Bwag Foundation, Vienna, Austria “Lee Bul: Live Forever Act 1,” San Francisco Art Institute and The Fabric Workshop and Museum, San Francisco Art Institute, San Francisco, CA

HONORS AND DISTINCTIONS 2016 Officier, Ordre des Arts et des Lettres, France 2014 Noon Award, Gwangju Biennale, Gwangju, South Korea 2004 Finalist, Artes Mundi Prize, National Museum and Gallery, Cardiff 2000 Young Artist of the Year Award, Ministry of Culture, Republic of Korea 2000 Meritorious Achievement Award, Korean Culture & Arts Foundation 1999 Menzione d’Onore, 48th Venice Biennale, Venice, Italy 1998 Finalist, Hugo Boss Prize, Guggenheim Museum SoHo, New York

PUBLIC COLLECTIONS 21st Century Museum of Contemporary Art, Kanazawa, Japan Amore Pacific Museum of Art, Yongin, Korea Arario Collection, Korea

Artsonje Center, Seoul, South Korea Art Fund under Art Fund International for joint ownership by The New Art Gallery Wlsall and Birmingham Museum Trust, 2013 (2013.0010) Bawag P.S.K Contemporary, Vienna, Austria Bernard Arnault Collection, Paris, France Fukuoka Asian Art Museum, Fukuoka, Japan Govett-Brewster Art Gallery, New Plymouth, New Zealand Hara Museum ARC, Gunma, Japan Ilshin Foundation, Seoul, South Korea Leeum, Samsung Museum of Art, Seoul, South Korea Los Angeles County Museum of Art, Los Angeles, California M+, Hong Kong, Hong Kong Mori Art Museum, Tokyo, Japan Musee d’Art Moderne Grand-Duc Jean, Luxembourg Museum of Fine Arts, Houston, Texas National Gallery of Victoria, Melbourne, Australia National Gallery of Canada, Ottawa National Museum of Modern and Contemporary Art, Korea Yu-un, Obayashi Collection, Tokyo, Japan Orange County Museum of Art, Newport Beach, California Seoul Museum of Art, Seoul, South Korea The Solomon R. Guggenheim Museum, New York, NY Tate Modern, London, United Kingdom Toledo Museum of Art, Toledo, Ohio Trevi Flash Art Museum of Contemporary Art, Trevi, Italy Queensland Art Gallery, Brisbane, Australia UBS Art Collection, New York, NY, Hong Kong Walker Art Center, Minneapolis, Minnesota